Average revenge story. Positives - Rajini's energetic charisma, Yogi Babu scenes, some Nivetha Thomas' portions and BGM, that's it. Everything else was bad, so bad that i felt cringey even during some emotional scenes. Opening fight sequence, for commercial elements, the director could've made the fight somewhat illogical but this was way out of logic, slicing 50+ bad people at the same time, they should've really rethought about the fight scenes. If it was a fantasy fight film, it's totally believable. ARM really screwed up with dubbing, they should've made hindi actors to speak in tamil or else they should've totally spoke in hindi and made tamil subtitles. What ARM did was he made them speak in hindi and gave tamil voice, looked like a dubbing movie to be honest. Nayanthara as usual played a bigil like role in this film too. We only got to see villain in 2nd half but he is like usual villain who keeps walking and talking forever. Climax fight was atrocious. This film made me think "Is this really ARM's film?". For Rajini fans(veriyans) and children,this is a treat for them. Overall film is sub-par.
174 Reviews
Pathetic 2nd half!!
sriramthestranger9 January 2020
This movie came with lot of expectations about Super Star - A R Murugadoss combo. Yes, they have lived up to the expectation to a certain extent. Thalaivar is as usual stylish and suave in 1st half and everything seems good. But, after 10 minutes in the 2nd half the movie becomes brainless (literally too) and progresses without logic. The absolutely miserable scene is the spoiler and I don't want to disclose it. Finally, a disappointing watch that pulls you down after a marvelous 1st half.
An average entertainer
adithyadevp10 January 2020
This movie is a watchable crime/action movie for rajini sir because he has done his part well. niveda thomas had also performed well the father daughter relationship was good. The bgm was energetic and some songs were good. The first half was better than the second half. The movie is good while there was some unlogic scenes and the story is not that variety this is a watchable movie considering rajini sir's effort it is watchable for rajini sir
Fan service first half, underwhelming second half
bRwNSuGaR12 January 2020
The movie starts off with plenty of exciting scenes for Rajini fans. The plot seems promising, the characters seem interesting and the story seems worth watching...
But then it ALL comes crashing down in the nonsensical second half: a disappointing villain, illogical sequences and a bordering-on-stupid script ending with a dull climax.
Pros: Rajini, father-daughter sentiment, Yogi Babu. Cons: Unintelligent direction, amateurish dialogue, boring climax.
But then it ALL comes crashing down in the nonsensical second half: a disappointing villain, illogical sequences and a bordering-on-stupid script ending with a dull climax.
Pros: Rajini, father-daughter sentiment, Yogi Babu. Cons: Unintelligent direction, amateurish dialogue, boring climax.
Another Cringe Fest
TheOtherVignesh15 January 2020
Warning: Spoilers
Just like any other commercial Movie out there, hero killing whole bunch of goons and cleaning up the city
But it's not good, Rajinikanth is too old his running and action scenes are very much Cringe,
Also this movie has questionable logics like doctors lecturing a girl how she gonna die instead of helping her, the more Murgadoss films i watch the more i wonder how he made a film like Thuppaki,
Lip sync was bad during Lot of scenes, especially with additional supporting actors,
Only good i found about this film is Santhosh sivan's cinematography his usually red crimsonish lights that he uses for heros(just like thuppaki, anjaan and thalapathi) and volumetric fogs
But it's not good, Rajinikanth is too old his running and action scenes are very much Cringe,
Also this movie has questionable logics like doctors lecturing a girl how she gonna die instead of helping her, the more Murgadoss films i watch the more i wonder how he made a film like Thuppaki,
Lip sync was bad during Lot of scenes, especially with additional supporting actors,
Only good i found about this film is Santhosh sivan's cinematography his usually red crimsonish lights that he uses for heros(just like thuppaki, anjaan and thalapathi) and volumetric fogs
Dhamaal entertainer
SinhaSomesh9 January 2020
#FinalVerdict
The Indian audience savours true-blue masala entertainers. Director A.R. Murugadoss has to live up to the expectations for varied reasons: He teams up with superstar Rajinikanth for the first time and attempts a cop story yet again. Darbar is one of those earthy, traditional, uncomplicated masala movies that most of us grew up on. The protagonist of Darbar is not the desi version of James Bond, nor is he any kind of a superhero. The story is interesting and although it is oft-repeated, the new angle is both, contemporary and quite fresh. But what doesn't change is the intent of making a full-blown masala entertainer. Yes, Darbar is vintage masala fare that has a larger-than-life hero, who triumphs against all odds. And, of course, it has a knockout performance by superstar Rajinikanth. If at all there's a shred of doubt whether Thalaiva is The Best in the business, all you've got to do is watch Darbar.
Darbar is an acknowledgement to one of the most successful genres -- action movies -- known for the trademark good versus evil themes and well-choreographed stunts. Darbar revives memories of the bygone era that stressed on raw action and was rich in fist-to-fist combat scenes. But Darbar is a film of today, hence the stunts are extremely stylized and polished in keeping with the times. It's raw power presented in a slick demeanour. Darbar works for varied reasons: The conflict between the protagonist (Rajinikanth) and antagonist (Suniel Shetty), the high-quality dramatic scenes, the raw action and of course, it shows how police force should work against the rampant corruption, fraudulent politicians and spineless goons. In short, Darbar is a complete package.
A.R. Murugadoss' screenplay is engaging and interesting. The first half is replete with light moments which keep the viewers fully entertained. The second half is serious but yet, very engrossing and engaging. It also offers scope for emotions. Several of the scenes will draw huge rounds of applause in the cinema halls. Of course, the single screens will resound with thunderous applause when Thalaiva comes on the screen for the first time. The climax, after that, is simply earth-shattering and the audience will experience a rush of adrenaline throughout the action-oriented climax. The twist in the tale will also bring the house down with excitement. All in all, the screenplay is so phenomenal that it will make the viewers' hearts dance with joy. In fact, the drama and also the execution of the written material keeps you completely hooked to the proceedings.
I'd like to make a special mention of the action scenes (Ram-Laxman, Peter Hein). At a time when most film-makers opt for action directors from abroad for gadget-driven thrills, Darbar goes for the desi flavour and it works luminously. The raw, hardcore action is easily amongst the high points of the movie. On many occasions than one, you have your hearts in your mouths while watching the scenes. Anirudh Ravichander's effectual background score also deserves immense praise.
For any good versus evil film to click, it ought to have the protagonist and the antagonist on the same podium. In Darbar too, it's not just the hero who's powerful and mighty; the villain is equally ferocious. That's what makes the conflict all the more enjoyable -- it's a fight of the equals. Besides the sequences involving them, a number of dramatic sequences leave an indelible impression. And, of course, the finale, which is simply outstanding. The dialogues (A.R. Murugadoss), in a nutshell, are aimed at the masses and works big time. Santosh Sivan's cinematography is eye-catching. The film bears a stylish look all through. A.R. Murugadoss' direction is extraordinary. His narration makes the drama believable. He has given the film a huge canvas and has spared no efforts to make it a visual delight. There are a number of scenes which show his genius as a filmmaker.
But even roses have thorns and the aspect that doesn't really gel is the romance between Thalaiva and Nayanthara. In fact, the romance-and-song routine comes across as a roadblock and mind you, it has nothing to do with the lack of chemistry between the two actors. It's because the drama is so powerful, commanding and omnipotent that you want every other aspect to be sidetracked. Anirudh Ravichander doesn't get the opportunity to deliver a sparkling soundtrack. Yet, the title track (rendered with a lot of fervour by Nakash Aziz) is the sole track that works. The editing (Akkineni Sreekar Prasad) is razor-sharp at most times but could've been spruced up during midsection.
Superstar Rajinikanth is in the centre of the battle between good and evil. He is the lifeline, the soul of the film. The embodiment of screen masculinity, Thalaiva enacts the central character of a righteous, hardhearted cop with flourish. He brings alive on screen a larger-than-life hero character with determined conviction, which renders you thunderstruck. He returns to the over-the-top-action genre of films with this one. In a nutshell, his performance plays a pivotal role in carrying the film to the winning post. Darbar bestows him with abundant opportunity to flaunt each shade of his skill. It's not only the plot that carries Darbar. It's also the mood and the expression of Thalaiva that makes Darbar a treat.
Nayanthara is fabulous. To share the screen space with an actor of the stature of Rajinikanth and yet remain in your memory even after the show has ended is no cakewalk. She looks fresh and photogenic and acts her part brilliantly. Suniel Shetty is in terrific form. Darbar would've faltered if the antagonist wouldn't be as convincing as the protagonist. Suniel Shetty matches up to Rajinikanth every time they come face to face. He's venomous to the hilt! Darbar has a huge supporting cast, but I would like to single out a few names that add weight to the proceedings. Nivetha Thomas impresses again. She deserved more footage. Prateik Babbar is superb. He's only getting better with every film.
To sum up, Darbar follows the existing trend to create more homespun, home-flavoured desi movies rather than pursue the money-spinning NRI souk that has, until recently, been the order of the day. While the central plot packs a solid punch, with several clap-trap situations interlaced in the narrative, it slips into the knowable zone at times. Overall, Darbar works big time for varied reasons: The energetic drama, the terrific confrontations, the raw stunts and of course, for the three 'heroes' -- superstar Rajinikanth, Suniel Shetty and director A.R. Murugadoss. This one is the emblematic formula movie with distinct essentials that Indian masses yearn for. A complete package of entertainment for the masses and devoted fans of masala movies. Go, have a blast!
The Indian audience savours true-blue masala entertainers. Director A.R. Murugadoss has to live up to the expectations for varied reasons: He teams up with superstar Rajinikanth for the first time and attempts a cop story yet again. Darbar is one of those earthy, traditional, uncomplicated masala movies that most of us grew up on. The protagonist of Darbar is not the desi version of James Bond, nor is he any kind of a superhero. The story is interesting and although it is oft-repeated, the new angle is both, contemporary and quite fresh. But what doesn't change is the intent of making a full-blown masala entertainer. Yes, Darbar is vintage masala fare that has a larger-than-life hero, who triumphs against all odds. And, of course, it has a knockout performance by superstar Rajinikanth. If at all there's a shred of doubt whether Thalaiva is The Best in the business, all you've got to do is watch Darbar.
Darbar is an acknowledgement to one of the most successful genres -- action movies -- known for the trademark good versus evil themes and well-choreographed stunts. Darbar revives memories of the bygone era that stressed on raw action and was rich in fist-to-fist combat scenes. But Darbar is a film of today, hence the stunts are extremely stylized and polished in keeping with the times. It's raw power presented in a slick demeanour. Darbar works for varied reasons: The conflict between the protagonist (Rajinikanth) and antagonist (Suniel Shetty), the high-quality dramatic scenes, the raw action and of course, it shows how police force should work against the rampant corruption, fraudulent politicians and spineless goons. In short, Darbar is a complete package.
A.R. Murugadoss' screenplay is engaging and interesting. The first half is replete with light moments which keep the viewers fully entertained. The second half is serious but yet, very engrossing and engaging. It also offers scope for emotions. Several of the scenes will draw huge rounds of applause in the cinema halls. Of course, the single screens will resound with thunderous applause when Thalaiva comes on the screen for the first time. The climax, after that, is simply earth-shattering and the audience will experience a rush of adrenaline throughout the action-oriented climax. The twist in the tale will also bring the house down with excitement. All in all, the screenplay is so phenomenal that it will make the viewers' hearts dance with joy. In fact, the drama and also the execution of the written material keeps you completely hooked to the proceedings.
I'd like to make a special mention of the action scenes (Ram-Laxman, Peter Hein). At a time when most film-makers opt for action directors from abroad for gadget-driven thrills, Darbar goes for the desi flavour and it works luminously. The raw, hardcore action is easily amongst the high points of the movie. On many occasions than one, you have your hearts in your mouths while watching the scenes. Anirudh Ravichander's effectual background score also deserves immense praise.
For any good versus evil film to click, it ought to have the protagonist and the antagonist on the same podium. In Darbar too, it's not just the hero who's powerful and mighty; the villain is equally ferocious. That's what makes the conflict all the more enjoyable -- it's a fight of the equals. Besides the sequences involving them, a number of dramatic sequences leave an indelible impression. And, of course, the finale, which is simply outstanding. The dialogues (A.R. Murugadoss), in a nutshell, are aimed at the masses and works big time. Santosh Sivan's cinematography is eye-catching. The film bears a stylish look all through. A.R. Murugadoss' direction is extraordinary. His narration makes the drama believable. He has given the film a huge canvas and has spared no efforts to make it a visual delight. There are a number of scenes which show his genius as a filmmaker.
But even roses have thorns and the aspect that doesn't really gel is the romance between Thalaiva and Nayanthara. In fact, the romance-and-song routine comes across as a roadblock and mind you, it has nothing to do with the lack of chemistry between the two actors. It's because the drama is so powerful, commanding and omnipotent that you want every other aspect to be sidetracked. Anirudh Ravichander doesn't get the opportunity to deliver a sparkling soundtrack. Yet, the title track (rendered with a lot of fervour by Nakash Aziz) is the sole track that works. The editing (Akkineni Sreekar Prasad) is razor-sharp at most times but could've been spruced up during midsection.
Superstar Rajinikanth is in the centre of the battle between good and evil. He is the lifeline, the soul of the film. The embodiment of screen masculinity, Thalaiva enacts the central character of a righteous, hardhearted cop with flourish. He brings alive on screen a larger-than-life hero character with determined conviction, which renders you thunderstruck. He returns to the over-the-top-action genre of films with this one. In a nutshell, his performance plays a pivotal role in carrying the film to the winning post. Darbar bestows him with abundant opportunity to flaunt each shade of his skill. It's not only the plot that carries Darbar. It's also the mood and the expression of Thalaiva that makes Darbar a treat.
Nayanthara is fabulous. To share the screen space with an actor of the stature of Rajinikanth and yet remain in your memory even after the show has ended is no cakewalk. She looks fresh and photogenic and acts her part brilliantly. Suniel Shetty is in terrific form. Darbar would've faltered if the antagonist wouldn't be as convincing as the protagonist. Suniel Shetty matches up to Rajinikanth every time they come face to face. He's venomous to the hilt! Darbar has a huge supporting cast, but I would like to single out a few names that add weight to the proceedings. Nivetha Thomas impresses again. She deserved more footage. Prateik Babbar is superb. He's only getting better with every film.
To sum up, Darbar follows the existing trend to create more homespun, home-flavoured desi movies rather than pursue the money-spinning NRI souk that has, until recently, been the order of the day. While the central plot packs a solid punch, with several clap-trap situations interlaced in the narrative, it slips into the knowable zone at times. Overall, Darbar works big time for varied reasons: The energetic drama, the terrific confrontations, the raw stunts and of course, for the three 'heroes' -- superstar Rajinikanth, Suniel Shetty and director A.R. Murugadoss. This one is the emblematic formula movie with distinct essentials that Indian masses yearn for. A complete package of entertainment for the masses and devoted fans of masala movies. Go, have a blast!
No research done about the police system
santynitz9 January 2020
This is the worst movie ever. There is complete disregard for police hierarchy and procedures. A DGP level cop must know the basics of policing.
Wonder why such movies are made. This is similar to Rohit Shetty films.
Watch Grandmaster starring Mohanlal to know police hierarchy.
Wonder why such movies are made. This is similar to Rohit Shetty films.
Watch Grandmaster starring Mohanlal to know police hierarchy.
Rajini back to full form
kratan8 January 2020
I like Rajini, but after Kabali and Kaalaa, i decided to watch his movies only after review.... I went to the premier show only because my friend invited me.. but what a pleasant surprise.. each moment was a pack of joy in the movie.. Rajini proves that he is THE superstar.. the story is not very new, but the presentation is fresh.. just go and watch the movie, you will sure come out with a satisfaction..
Police, thriller, drama, superstar movie
catchuanbu12 January 2020
Direction of ARM is highly commendable, although he seems to repeat a lot of his own work a lot, nothing wrong in it but after a while as cinephile you get to know what's going to happen next, how the next shot will be like and so on..
Nothing new story wise, Screenplay is just average, some dialogues stand out, comedy scenes remind us rajini sir's early movies. while gym scene, first intro was overdone and wasted opportunity. fight scene in Railway Station as usual mass with terrific BGM. Anirudh's magical music and BGM in the movie keeps the movie running at a very quick pace.
Nivedita Thomas has impressed again with a rigid acting and left a strong impression !! Yogi Babu's timing counters (even defending Thalaivar's dialogues) are fun and enjoyable !!
sunil shetty's ( villain) portrayal rather comes out as dull and flat as possible in the final act. In fact he is only spoken about throughout 1st and 2nd acts, and he makes an entry only in the 3rd and final act.
Finally thalivar Rajinikanth who is so good in this movie & looks & enhanced. Good commercial entertainer,If u want to enjoy this movie don't see the logic of fight scenes. One time watchable.
Nothing new story wise, Screenplay is just average, some dialogues stand out, comedy scenes remind us rajini sir's early movies. while gym scene, first intro was overdone and wasted opportunity. fight scene in Railway Station as usual mass with terrific BGM. Anirudh's magical music and BGM in the movie keeps the movie running at a very quick pace.
Nivedita Thomas has impressed again with a rigid acting and left a strong impression !! Yogi Babu's timing counters (even defending Thalaivar's dialogues) are fun and enjoyable !!
sunil shetty's ( villain) portrayal rather comes out as dull and flat as possible in the final act. In fact he is only spoken about throughout 1st and 2nd acts, and he makes an entry only in the 3rd and final act.
Finally thalivar Rajinikanth who is so good in this movie & looks & enhanced. Good commercial entertainer,If u want to enjoy this movie don't see the logic of fight scenes. One time watchable.
One of A. R. Murugadoss' worst efforts
harishmohan12 January 2020
I've never written a review before but just couldn't stop myself this time. To every rajini fanatic I plead you to not glorify such a baseless horrible movie. Irrespective of this movie becoming a blockbuster or not Rajini will still remain rajini but by glorifying this senseless cop movie we will only be encouraging the hese directors to continue to fool the audience by making such stupid films. The confidence that the fans will take care of making a film an automatic success is the reason directors are taking things for granted. I plead to the fans and the movie goers to skip this terrible movie in protest. This film wouldn't have got positive reviews even back in the 90's as it is a totally outdated script. A. R. M has lost himself. Spyder, Sarkar and now this. Three major disasters in a Row.
Best Movie ever by rajni sir
renudubey6 January 2020
Movie have every element Comedy Dialogue Emotional connection and of course Action and King of action is rajni sir. I just watched the movie i like it so much movie with a massage go and watch it Actions are just awesome.
A full on Thalaivar movie by a Thalaivar fan.... but that's all it is unfortunately....
krishroger-3267824 January 2020
As a Rajini fan I can safely say that this did disappoint but at the same time it did satisfy to a certain extent. The disappointment was in the dubbing area and also the the screenplay in the second half. First half was great and it flew by and had all the ingredients of what you would want in a Rajini movie apart from the dubbing. It really did put me off and after awhile it felt like I was watching a Hindi movie dubbed in Tamil! Why was this not taken care of? 200 crore budget they said, yet they missed this?? 🤔😒What happened to muragadoss?? I just can not fathom that the more I watch his recent films I find it so hard to believe this is the same man who made Ghajini, Ramana and thuppaki. This did not feel like a muragadoss film at all, it felt so amateurish. The fight scenes would have been mocked if they came out 10 years ago! However, the railway station scene was entertaining and Rajinis mass and swag was on point. So coming to the other positives....well there's only one....and thats the "SUPER ONE!".....the one and only THALAIVAR RAJINI. Movie is all about this man, his style. his speed. the flicking of the sunglasses the walk oh what panache! he truly is such a pleasure to watch onscreen. The movie was full of "Rajinisms",.....but I think this was one of the reasons why the movie didn't work, I felt muragadoss was so into satisfying the fans and he also got lost in his fanboy fantasy he totally forgot about the story or any other aspects or characters in the film apart from Aaditya Arunachalam.
Yogi babu did a great job and truly hats off to Rajini sir for letting yogi not spare him at all! nayanthara was wasted, she comes and goes and then she just totally disappears after awhile. Suneil shetty was the worst choice for the villian! the man was expressionless! We need a powerful strong villian against Rajini not a flaky good looking Bollywood actor who has no idea! We are used to seeing strong characters like Mark Anthony and neelambari against Thalaivar. Hari Chopra was not fooling anyone that he was the big bad wolf!
Music by anirudh was sub par and not on the levels of petta although Thara Maara Single was a treat to watch as Thalaivar seemed to be having fun and enjoy himself. That's the thing in this movie, it's just a pure delight to watch superstar enjoying himself....and he just seems to be having fun onscreen, and ultimately I guess thats what his die hard fans expect from him, although, A large potion of us also expect a strong story and most important of all as I mentioned before a strong villian is essential in a Rajini movie. This was the biggest drawback in the film.
Santoshi Sivan's lens must be mentioned as he has done a wonderful job in making all the characters look great onscreen, even yogi looks good! So overall I'm giving this film a 6 and to be frank all 6 stars is for Rajini sir and the technicians of the film apart from the director. Rajini sir was truly great, it is amazing a man at his age can have so much energy, and the gym scene is a testament to a dialogue which he mouths in the film....saying age is just a number. The man carries this film on his strong shoulders, with any other star this film would have been totally lifeless and unbearable. So, at the end go and watch it if you have not already.......for Rajini sirs screen presence and his infectious energy.
Yogi babu did a great job and truly hats off to Rajini sir for letting yogi not spare him at all! nayanthara was wasted, she comes and goes and then she just totally disappears after awhile. Suneil shetty was the worst choice for the villian! the man was expressionless! We need a powerful strong villian against Rajini not a flaky good looking Bollywood actor who has no idea! We are used to seeing strong characters like Mark Anthony and neelambari against Thalaivar. Hari Chopra was not fooling anyone that he was the big bad wolf!
Music by anirudh was sub par and not on the levels of petta although Thara Maara Single was a treat to watch as Thalaivar seemed to be having fun and enjoy himself. That's the thing in this movie, it's just a pure delight to watch superstar enjoying himself....and he just seems to be having fun onscreen, and ultimately I guess thats what his die hard fans expect from him, although, A large potion of us also expect a strong story and most important of all as I mentioned before a strong villian is essential in a Rajini movie. This was the biggest drawback in the film.
Santoshi Sivan's lens must be mentioned as he has done a wonderful job in making all the characters look great onscreen, even yogi looks good! So overall I'm giving this film a 6 and to be frank all 6 stars is for Rajini sir and the technicians of the film apart from the director. Rajini sir was truly great, it is amazing a man at his age can have so much energy, and the gym scene is a testament to a dialogue which he mouths in the film....saying age is just a number. The man carries this film on his strong shoulders, with any other star this film would have been totally lifeless and unbearable. So, at the end go and watch it if you have not already.......for Rajini sirs screen presence and his infectious energy.
Cringefest
balakumarrulez14 January 2020
Rajinikanth Sir is Evergreen!
tathagata_chakraborty18 April 2020
This movie is another police officer centric movie,
it's one of those which we've been watching for ages, especially from Rohit Shetty.
The film has the famous comedian of South Yogi Babu, but the director didn't utilize his talent.
The villain was Shetty and I must say, he can't act at all!
I've still rated it 7 stars just because of Rajini sir's performance! Wow! Even a young can't appear to be so active! Hats off Rajinikanth sir!
The worst Rajini movie ever
aruncn-4276310 January 2020
Average
sudhirrl3 March 2020
I was expecting a blockbuster masala movie with Superstar and great director But seems one of the worst movie of the director and forgettable movie for Rajni sir. Director seems didn't wanted to work on the script as he had the star but that doesn't work now a day. You should have a good script.
DARBAR...an open letter to Director A.R Murugadoss & fanboy directors
nickraman-2769929 April 2020
Dear Mr. Murugadoss.
Once upon a time, you made entertainers such as GHAJINI, RAMANA and even THUPPAKKI. In between all that, you've attempted "high-concept" films like EZHAM ARIVU, SPYDER and political-based like SARKAR. The Pre-THUPPAKI phase was your best, but enough has been said about that (and even the almost-confirmed rumors that RAMANA was a story "taken" from a then-assistant director, who later made a film with Vijaykanth, THENNAVAN.)
Lets analyze your "post-Thuppakki" phase. Why this downward spiral? What happened to you post Thuppaki? This KATHTHI of yours is overrated outside Vijay's fanbase, the film itself makes no sense. Between Neil Nithin Mukesh's corporate bashing, the senior-citizen episodes and the twins-identity crisis (oh and Samantha's in this for no reason), it's a nonsense film. SPYDER failed to register because while we got a damn good SJ Suryah, the film was a dark knight rip-off without any build-up. SARKAR to me was Vijay flagging off his political intentions and was merely propaganda-ish (although the film itself was bloated with problems.)
Now coming to DARBAR. Where's the story? Why are we still going with songs that pass off as "Garageband" quality when you have Harris Jayaraj or others to do your bidding? Not only aren't they great, they add minutes to the already-direction-less film. Dear directors, you can still do a mass-entry film without throwing every wire-fu at the viewer. Maybe for the 30 USD paying fan (yes that's the average ticket price of a Rajinikanth film opening weekend in the US.)
Another problem I had with the film is the overdose of comedy. You know you're in trouble writing a "meet-cute-comedy" sequence when you involve Yogi Babu & a lot of hamming previously seen in KS Ravikumar's films. Rajini's earlier film PETTA had much better scenes because despite the fanboy in Karthik Subbaraj, he didn't compromise that much in his film-making (I know I was harsh in that film, but watching DARBAR, I realized the value of PETTA now.) The scenes with Nayantara and Rajinikanth in that first-meeting was just painful and will likely lead you to doing a fast-forward. It looks like Nayantara's role was just "Andhar Paisa, Bahar-ne walk-on role" approach.
Much has been said about "alien" this film feels. It's a Hindi movie dubbed in Tamil. For this review comes after watching the "Hindi-dubbed " version that aired recently on STAR GOLD. Does this make the film better, yes.
Now returning to the purpose of this review, the story? Viglilance cop tries to hunt down goondas and while they happen to rile up Prateik Babbar (in a thank-less role), they happen to anger Suniel Shetty too (who's appearance consists of being roaming around 1-2 set designs, never does he step outside to threaten anyone else except the climax, guess Shetty didn't have the dates for shoot.) If there's a silver-lining, it's Nivedha Thomas as Valli, the daughter. Scenes with her and Rajni were the silver-lining in this bloated action-entertainer of a film.
Sir, please understand, there are better directed Rajnikanth films, but this Baasha/Padaiyappa curse seems to keep coming back. Fanboys who have no control over what audiences want, make films for the fanboys. Karthik Subbaraj nearly succeeded in PETTA, why couldn't you?
Look at your GHAJINI and RAMANA and even THUPPAKKI. Why were they reverred even till today? They all had a story, a semblence of purpose, the heroines (Asin in Ghajini) had an author-backed role which drove the Hero into his purpose. The films post Thuppakki were vanity projects that centered around the masala trope (which can be better.) Better to take a break and re-think before announcing another vanity.
Sincerely, A former fan.
Once upon a time, you made entertainers such as GHAJINI, RAMANA and even THUPPAKKI. In between all that, you've attempted "high-concept" films like EZHAM ARIVU, SPYDER and political-based like SARKAR. The Pre-THUPPAKI phase was your best, but enough has been said about that (and even the almost-confirmed rumors that RAMANA was a story "taken" from a then-assistant director, who later made a film with Vijaykanth, THENNAVAN.)
Lets analyze your "post-Thuppakki" phase. Why this downward spiral? What happened to you post Thuppaki? This KATHTHI of yours is overrated outside Vijay's fanbase, the film itself makes no sense. Between Neil Nithin Mukesh's corporate bashing, the senior-citizen episodes and the twins-identity crisis (oh and Samantha's in this for no reason), it's a nonsense film. SPYDER failed to register because while we got a damn good SJ Suryah, the film was a dark knight rip-off without any build-up. SARKAR to me was Vijay flagging off his political intentions and was merely propaganda-ish (although the film itself was bloated with problems.)
Now coming to DARBAR. Where's the story? Why are we still going with songs that pass off as "Garageband" quality when you have Harris Jayaraj or others to do your bidding? Not only aren't they great, they add minutes to the already-direction-less film. Dear directors, you can still do a mass-entry film without throwing every wire-fu at the viewer. Maybe for the 30 USD paying fan (yes that's the average ticket price of a Rajinikanth film opening weekend in the US.)
Another problem I had with the film is the overdose of comedy. You know you're in trouble writing a "meet-cute-comedy" sequence when you involve Yogi Babu & a lot of hamming previously seen in KS Ravikumar's films. Rajini's earlier film PETTA had much better scenes because despite the fanboy in Karthik Subbaraj, he didn't compromise that much in his film-making (I know I was harsh in that film, but watching DARBAR, I realized the value of PETTA now.) The scenes with Nayantara and Rajinikanth in that first-meeting was just painful and will likely lead you to doing a fast-forward. It looks like Nayantara's role was just "Andhar Paisa, Bahar-ne walk-on role" approach.
Much has been said about "alien" this film feels. It's a Hindi movie dubbed in Tamil. For this review comes after watching the "Hindi-dubbed " version that aired recently on STAR GOLD. Does this make the film better, yes.
Now returning to the purpose of this review, the story? Viglilance cop tries to hunt down goondas and while they happen to rile up Prateik Babbar (in a thank-less role), they happen to anger Suniel Shetty too (who's appearance consists of being roaming around 1-2 set designs, never does he step outside to threaten anyone else except the climax, guess Shetty didn't have the dates for shoot.) If there's a silver-lining, it's Nivedha Thomas as Valli, the daughter. Scenes with her and Rajni were the silver-lining in this bloated action-entertainer of a film.
Sir, please understand, there are better directed Rajnikanth films, but this Baasha/Padaiyappa curse seems to keep coming back. Fanboys who have no control over what audiences want, make films for the fanboys. Karthik Subbaraj nearly succeeded in PETTA, why couldn't you?
Look at your GHAJINI and RAMANA and even THUPPAKKI. Why were they reverred even till today? They all had a story, a semblence of purpose, the heroines (Asin in Ghajini) had an author-backed role which drove the Hero into his purpose. The films post Thuppakki were vanity projects that centered around the masala trope (which can be better.) Better to take a break and re-think before announcing another vanity.
Sincerely, A former fan.
Outstanding cop action thriller after holiday
gajanankale8 January 2020
When I going to theatre specially I don't have any expectations from this film but when I finished this film I noticed 1 thing, the villaine of this film Suniel Shetty he was smashed the theatre opposite Rajni Sir and that is the major plus point of this film.. don't miss it
Total Massy
cpalash-129435 October 2021
I Went To Watch The Tamil Version Of The Film Without English Subtitles On 19th Jan 2020. Initially,I Liked The Film,Not Much New Story But As A Rajinikanth Fan I Liked It. Rajinikanth As The Rough Tough Cop Aditya Arunachalam Stole The Show,Nivetha Thomas As His Daughter And Lady Superstar Nayanthara As His Lady Love Also Did A Good Job. But Suniel Shetty As The Villain Totally Nailed It. Not A A. R Murgadoss Film,Totally Rajinikanth Film.
Yet again a disappointment from Rejini
tripharihareshwar9 January 2020
Good and Nice to watch
preethammech4 April 2020
par movie
jameelcapable17 April 2020
Too Hyped up Movie
ashkaff17 January 2020
Knowing the director and the cast I went to see the movie without reading any critics reviews or the synopsis hoping to be entertained. To my surprise the movie was a complete thumbs down from start to finish. The only reason I gave 4* is for the CGI or else I would have given just a single star.
There was no essence to the story line at all. There was nothing to take back from the movie except the very loud music beats that will make your eardrums explode. Super Star Rajini's acting was average of his capabilities and bear minimum effort has been extracted from the Super Star by the director.
A total waste of time going to see this movie for me, who went with medium to high expectations.
There was no essence to the story line at all. There was nothing to take back from the movie except the very loud music beats that will make your eardrums explode. Super Star Rajini's acting was average of his capabilities and bear minimum effort has been extracted from the Super Star by the director.
A total waste of time going to see this movie for me, who went with medium to high expectations.
Entertaining #Rajinikanth Movie and in that manner
sportyguysg9 January 2020
It's a #Thalaivar movie. No director is going to trail an unbeaten path because of the giant machinery called #Rajinikanth. Watch it for #Superstar, leave logic, character development, plausible plot line, Newtonian gravity law aside and just go and enjoy the movie. This is what #Thalaivar wants too; an enjoyable mass movie for people to feel happy, emotionally connected to and relish. The movie does just that, makes you cheer, cry, laugh and sometimes too in disbelief.
Plot is nothing new, but then again, that's not the point. I don't need to explain the storyline in detail, good guy vs bad guy. Good guy is a cop with a mission in hand and does whatever he thinks is right to achieve the end result. Bad guy creates chaos and havoc for personal reasons. Simple enough?
Highlight: #NivetaThomas performance as the daughter. Steals most of the scenes she's in with #Rajinikanth and glad to see she took the opportunity to portray her role to great results. #YogiBabu performance small but impactful, the banter is such a delight to see and wished there were more. The director/scriptwriter or whoever that decided that #Rajinikanth age play would make a nice point in the movie, that was refreshing to see, sweet and sad but logical point to make and kudos for actually bringing that point up nicely.
Lowlight: Supporting cast not given much to work with. Nayanthara was just a pretty doll showcased in a few scenes (could have been easily replaced by any actress) but the age play point mentioned above was a good point to be made. The police officers around #Rajinikanth didn't have much to do and it's sad because it seemed like they knew nothing and kept running to #Rajinikanth for everything little small thing which doesn't make sense. #SunilShetty is a good actor, wish he was given more for him to chew on, character development point of view. Wish #ARMurugadoss actually had the courage to flesh out more for the supporting cast. I am still waiting for someone to have the b**** to do that. This is where I miss #ManiRatnam authoritarian style and vision. Please do one more with #Thalaivar!!
Overall, it's a #Rajinikanth movie, it's as simple as that. Yes, do watch it and you should because of that. Don't complain about plot lines, lack of character development etc (which I have clearly done above but that's to make a point). I loved it because it's #Rajinikanth and it's always a joy to see him on the screen. For those who demand cinema movies to be of Nolan-esque (can't wait for #Tenet!!), this is certainly not the movie for you. I don't know how many more movies he is going to do but each movie he does now is like a countdown for when he announces his retirement.
7/10 rating (1 full extra star just for #Rajinikanth), definite watch for #Thalaivar fans (like me) whom I am sure will watch it no matter what. For the rest, if want to have a good time with your family or alone, just watch the movie for the one and only #Superstar #Rajinikanth #Thalaivar
Plot is nothing new, but then again, that's not the point. I don't need to explain the storyline in detail, good guy vs bad guy. Good guy is a cop with a mission in hand and does whatever he thinks is right to achieve the end result. Bad guy creates chaos and havoc for personal reasons. Simple enough?
Highlight: #NivetaThomas performance as the daughter. Steals most of the scenes she's in with #Rajinikanth and glad to see she took the opportunity to portray her role to great results. #YogiBabu performance small but impactful, the banter is such a delight to see and wished there were more. The director/scriptwriter or whoever that decided that #Rajinikanth age play would make a nice point in the movie, that was refreshing to see, sweet and sad but logical point to make and kudos for actually bringing that point up nicely.
Lowlight: Supporting cast not given much to work with. Nayanthara was just a pretty doll showcased in a few scenes (could have been easily replaced by any actress) but the age play point mentioned above was a good point to be made. The police officers around #Rajinikanth didn't have much to do and it's sad because it seemed like they knew nothing and kept running to #Rajinikanth for everything little small thing which doesn't make sense. #SunilShetty is a good actor, wish he was given more for him to chew on, character development point of view. Wish #ARMurugadoss actually had the courage to flesh out more for the supporting cast. I am still waiting for someone to have the b**** to do that. This is where I miss #ManiRatnam authoritarian style and vision. Please do one more with #Thalaivar!!
Overall, it's a #Rajinikanth movie, it's as simple as that. Yes, do watch it and you should because of that. Don't complain about plot lines, lack of character development etc (which I have clearly done above but that's to make a point). I loved it because it's #Rajinikanth and it's always a joy to see him on the screen. For those who demand cinema movies to be of Nolan-esque (can't wait for #Tenet!!), this is certainly not the movie for you. I don't know how many more movies he is going to do but each movie he does now is like a countdown for when he announces his retirement.
7/10 rating (1 full extra star just for #Rajinikanth), definite watch for #Thalaivar fans (like me) whom I am sure will watch it no matter what. For the rest, if want to have a good time with your family or alone, just watch the movie for the one and only #Superstar #Rajinikanth #Thalaivar
Only for thailava :(
dnklionheart9112 January 2020
Super star Rajini sir is extraordinary... We can see the vintage Rajini ..
But the problem is with director murgadas the story is decades old and routine stuff everything is predictable and clumsy ... Boring movie .. watched full movie only for the screen presence of the vintage Rajinikanth
But the problem is with director murgadas the story is decades old and routine stuff everything is predictable and clumsy ... Boring movie .. watched full movie only for the screen presence of the vintage Rajinikanth
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