Directed by
| Takeshi Fukunaga | ||
Writing Credits (in alphabetical order)
| Takeshi Fukunaga | ||
Cast (in credits order)
Produced by
| Donari Braxton | ... | co-producer |
| Judd Ehrlich | ... | executive producer |
| Takeshi Fukunaga | ... | co-producer |
| Xiaosong Ge | ... | executive producer |
| Harue Miyake | ... | producer |
| Chikako Nakabayashi | ... | executive producer |
| Eric Nyari | ... | producer |
| Josh Wick | ... | co-producer |
| Tao Xiang | ... | executive producer |
| Yifei Zhu | ... | executive producer |
Music by
| Clarice Jensen | ||
Cinematography by
| Sean Price Williams | ||
Editing by
| Keiko Deguchi | ||
| Takeshi Fukunaga | ||
Set Decoration by
| Tetsuya Nomura | ||
Makeup Department
| Ryôko Ariji | ... | hair/makeup |
Production Management
| Yuki Hoshino | ... | production manager |
Second Unit Director or Assistant Director
| Kenichi Sagara | ... | first assistant director |
Art Department
| Goro Araki | ... | set builder |
| Yukio Fujito | ... | art department support: Makiri Knife by |
| Nori Fukuda | ... | art department supervisor |
| Yasuhiro Iguchi | ... | art department support: photos by |
| Taka Maesawa | ... | art department support: photos by |
| Reina Miyazaki | ... | set builder |
| Yusuke Shimazaki | ... | assistant set decorator |
| Hiroyuki Shimokura | ... | art department support: silver accessories by |
| Aya Tsunoda | ... | assistant set decorator |
| Koji Yuki | ... | art department support: Woodblock prints by |
Sound Department
| Tom Baylis | ... | sound effects editor |
| Tristan Baylis | ... | dialogue editor |
| Nathan Hasz | ... | assistant dialogue editor / foley engineer |
| Curtis Henderson | ... | foley artist |
| Makoto Kato | ... | boom operator |
| Andres E. Marthe Gonzalez | ... | additional dialogue editor |
| Keisuke Minagawa | ... | additional sound assistant |
| Ai Miyatake | ... | Additional Sound Fx Editor |
| Shota Nakano | ... | boom operator |
| Toru Nishiyama | ... | sound recordist |
| Tom Paul | ... | sound designer |
Visual Effects by
| Fumiro Sato | ... | visual effects artist |
Camera and Electrical Department
| Sun Rae Cho | ... | test shooting |
| Jack Foster | ... | gaffer |
| Tommy Hikida Guilfoyle | ... | camera intern |
| Motomu Ishigaki | ... | additional camera/camera assistant |
| Yûsuke Kojima | ... | camera support |
| Takumi Saito | ... | still photographer |
| Asumi Sako | ... | camera support |
Costume and Wardrobe Department
| Yurimi Akita | ... | assistant stylist |
| Shuhei Sakaue | ... | stylist |
Editorial Department
| Andrew Betzer | ... | qc |
| Danny DeVincent | ... | colorist |
| Nikita Liamzine | ... | assistant editor |
| Madeline Little | ... | post-production coordinator (as Madeline Lewis) |
| Tod Orblych | ... | logistics |
| Janos Pilenyi | ... | post production management |
| Yayoi Sasaki | ... | assistant editor |
| Fumiro Sato | ... | post-production supervisor |
| Keisuke Takano | ... | assistant editor |
| Nicholas Vranizan | ... | additional shot correction |
| Adam Wangerin | ... | qc |
| Ayaka Yamamoto | ... | assistant editor |
Music Department
| Dan Bora | ... | music mix |
| John McCullough | ... | archival music supervisor |
| Oki | ... | additional music |
Additional Crew
| Debo Akibe | ... | ainu culture consultant |
| Hitomi Amemiya | ... | production secretary |
| Marcel Beaulieu | ... | writing consultant |
| Clare Downs | ... | writing consultant |
| Ayako Fujitani | ... | english translation for script |
| Niichi Hirogaki | ... | production assistant |
| Cpa Rich Meltzer | ... | accountant |
| Neo Sora | ... | contributing writer/assistant director/additional camera/english subtitles |
