Oscar-nominated director/writer/producer Sara Dosa recently pulled back the curtains on “Fire of Love,” inviting Gold Derby’s Denton Davidson in for a glimpse of how the National Geographic documentary was conceived. “There’s many reasons why I wanted to tell this story,” she tells us. But ultimately it came down to her being “utterly inspired” by the love story between real-life volcanologists Katia and Maurice Krafft. “They were so in love with volcanoes, and so beguiled and enchanted by the force,” she reveals.
“Fire of Love” has been nominated by multiple awards groups this season in the Best Documentary Feature category, including the Oscars, BAFTAs, Critics Choice, Directors Guild, Producers Guild and our own Gold Derby Awards. “It was a great experience,” Dosa tells us about making the project, which was filmed at the height of the Covid-19 pandemic.
Watch the full video above and read the complete interview transcript below.
“Fire of Love” has been nominated by multiple awards groups this season in the Best Documentary Feature category, including the Oscars, BAFTAs, Critics Choice, Directors Guild, Producers Guild and our own Gold Derby Awards. “It was a great experience,” Dosa tells us about making the project, which was filmed at the height of the Covid-19 pandemic.
Watch the full video above and read the complete interview transcript below.
- 2/21/2023
- by Latasha Ford and Marcus James Dixon
- Gold Derby
The words “away with the fairies” tend to be used pejoratively, though if you applied it to Ragnhildur “Ragga” Jónsdóttir, she’d calmly and cheerfully accept at least part of the phrase. It’s the “away” bit to which she’d object: In Jónsdóttir’s view, she’s very much present with the elves, trolls and sprites who make up Iceland’s apparently vast population of folkloric huldufólk (hidden people), and acts as a vital intermediary between these creatures and her human cohorts who neither see nor believe in them. As the heroine of Sara Dosa’s sprightly, surprising character portrait “The Seer and the Unseen,” this alleged elf whisperer makes for a highly unusual documentary subject and storyteller, at once wholly, earnestly truthful and questionable in her convictions.
That conflicting combination makes Jónsdóttir vulnerable to careless film treatment: It’s easy to see how a director could err on...
That conflicting combination makes Jónsdóttir vulnerable to careless film treatment: It’s easy to see how a director could err on...
- 4/29/2019
- by Guy Lodge
- Variety Film + TV
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