Great for leaning the value of living others despite differences
13 Reviews
THEY GOT IT ABOUT HALF RIGHT
mlh-584 August 2019
In his autobiography, Willard Bean wrote: "When people tell my story they usually get it about half right." This movie is an example of that; the screenwriter got it about half right. The sad thing is the parts he got wrong were deliberately wrong because the writer thought it would make a better story. The real, accurate story would have made a much better movie. Sadder still is that in interviews the writer presented his altered version as true and accurate.
Visually this movie is beautiful. Mr. Christensen is one of the best cinematopraphers working today. David McConnell does a very good job portraying Willard Bean, but unfortunately, he received some bad direction which made some of his scenes silly and eye-rolling.
If you like "Mormon movies", you'll love this one. It has some touching moments and some good lessons, and even a thinly disguised Three Nephites Story (which is so poorly put together it leaves the audience wondering what just happened). One of the ways the writer changed the true story was to create an a-little-child-shall-lead-them storyline. This is always good for a few tears whether it's true or not. Adding this storyline feels like an insult to Willard Bean's life and his true character, but it's a guaranteed Kleenex moment in any "Mormon movie".
Visually, I would give this movie 8 out of 10 stars. Unfortunately, Mr Christensen insists on being a one-man band who writes, directs, shoots and produces and I can't give the final product more than 4 out of 10 stars. Had this been a team effort with a good writer who stuck to the true story, and good director working with one of the industries great cinematographers, this could have been an outstanding movie.
One final note. Before you lump me in the category of Mormon hater, or disgruntled Latter-day Saint with a chip on his shoulder, I am neither of these. I am a devout Latter-day Saint with no ax to grind. I am simply giving an honest assessment of the movie.
Thoroughly enjoyable and uplifting story.
tocanepauli10 March 2020
What a great story! There are not very many films that tell a really good story well, but this is one of them! Treated with love and kindness it fills you with love. This is not really a religious story but one of belief. Great family watch!
Formulaic and unoriginal
tyson-hunsaker20 August 2020
"The Fighting Preacher" benefits from a slightly fresher style than other Mormon films of its kind and definitely shows more promising production value. Still, the performances are one-dimensional and the script is incredibly predictable.
It's a boring piece that feels just like the other propaganda stories of its kind and Mormon films still feel that its fair to predict "outsiders" as one-dimensional bullies that in order for them to become a decent person, they must convert to the religion.
I found the film to be generally poorly done considering the time it was released and felt that at this stage, there should be no excuses anymore to prevent Mormon cinema to reach a new standard. Unfortunately, the genre is trapped in a never ending "early saints" setting, determined to portray Mormons as perfectly kind hearted people being victimized by everyone in the country.
The main lead's performance is the only thing that grounds the film for me in some kind of reality. Unfortunately, everything else fails.
It's a boring piece that feels just like the other propaganda stories of its kind and Mormon films still feel that its fair to predict "outsiders" as one-dimensional bullies that in order for them to become a decent person, they must convert to the religion.
I found the film to be generally poorly done considering the time it was released and felt that at this stage, there should be no excuses anymore to prevent Mormon cinema to reach a new standard. Unfortunately, the genre is trapped in a never ending "early saints" setting, determined to portray Mormons as perfectly kind hearted people being victimized by everyone in the country.
The main lead's performance is the only thing that grounds the film for me in some kind of reality. Unfortunately, everything else fails.
A well made movie
JoakimEliasGustafsson17 May 2020
It is a tender movie! It is a feel-good movie. I liked the acting and the music. I feelt peaceful (good) feelings. The fighting aspect is not the main focus. The main focus is the fight of life, and trying to follow what you believe in. The movie put a smile on my face quite a few times, and I cried some too. I Learned more also. I recommend it! (A 10 speaks for a "I recommend") (:
And my name is Chicago
nogodnomasters1 December 2019
Warning: Spoilers
This is based on a true story with extreme liberty taken with dialogue and events. Willard and Recca Bean have been selected by the Church of the Latter-Day Saints to occupy the Joseph Smith farm in Palmyra, NY. Willard is a former boxer. They are not wanted, but all ends well in a hokey story.
This film was not my cup of tea. The specific religious aspects were minimized but religious prejudice was not. People were extremely nice to each other even while they didn't like them. You can't help but groan during many scenes.
This film was not my cup of tea. The specific religious aspects were minimized but religious prejudice was not. People were extremely nice to each other even while they didn't like them. You can't help but groan during many scenes.
Very well done and fun
mosiah31825 May 2020
Yet Another Movie About Mormons Overcoming Haters
pcskigal7 March 2020
Warning: Spoilers
I wanted to like this movie because I try to give everything a fair shot but I couldn't make it past 15 minutes. The story, the acting, the editing- it's all so forced. The title pretty much sums it up - a preacher who literally fights for his faith. Maybe the LDS community has heard these stories over and over so a title doesn't matter but I might have stuck around just a bit longer if I didn't see the boxing thing coming a mile away.
I'm guessing the wife "Rebecca" dies because her credit is far down the list but couldn't stick around long enough to confirm. She has zero personality and Willard is just way too goofy and milk toast to be appealing.
Another worst film! Slow like hell! The action scene depict like kindergarten level! Avoid at all freaking cost!
kwenchow30 May 2020
Warning: Spoilers
This film start with a boxer "Willard" beating by his opponent on the ring, and ten years later he offer a mission to manage a church scene! As turnout, this film is about Willard change from a boxer to become a preacher, and he eventually accept by the people who hostile with him at the beginning! He achieve this by contribute to them! Entire film quite slow, full of boring conversation and quite frustrated overuse scene! Such as, overuse of the low intensity punching scene, and overuse of the close-up scene! Make the film unwatchable! The fighting scene at the church portray like kindergarten level! Barely laughable scene is, Palmyra imitate her mother "Rebecca" cover the eye, when watching her father fight at the church! At the end, the people at the church unwilling Willard left them! That's it! Wasting time to watch!
Docudrama
westsideschl8 October 2020
An LDS accomplished boxer & wife are sent on a mission from Utah to New York in 1915 to resurrect an LDS farm and acquire properties for the church. The area has "Book" historical importance as the place of battle between ancient Morman travelers to the New World (BCE) the Nephites & the Jaredites. Side note: Others maintain the site should be in ancient Central America. In Hollywood fashion our missionaries are saintly while the locals are gruff nasty-spirited haters of Mormonism, but in the end apple pie & good deeds wins them over. Successful they return to Salt Lake in 1939. Note: Not shown is that he divorces his first wife (two children) and marries a younger woman (four children). The writer director Christensen, also an LDS member, has done many promotional faith based, especially LDS, movies.
"THE FIGHTING PREACHER DELIVERS A KNOCKOUT AND TUGS AT THE HEART"
writer-4623724 July 2019
Review Title:
"the Fighting Preacher Delivers a Knockout and Tugs at The Heart."
Review Ranking: 9 Stars out Of 10 (using Im Db Ranking Scale)
REVIEW CONTENT: I attended the premiere of THE FIGHTING PREACHER, a motion picture by Utah Writer/Director T.C. Christensen, on July 17, 2019, at the Jordan Commons Megaplex Theater Complex in Sandy, Utah. Attendees comprised of Writer/Director/Cinematographer, cast, crew, film editor, producers, Utah Film Commission representatives, production/industry associates, family and relatives, and other guests. In preparation, I did a bit of research and studied the promotional information regarding the subject of the film. I was interested and eager to see how the historical story of Willard Bean (a.k.a. "The Fighting Preacher") and his wife, Rebecca Bean, would be told.
The film takes the audience on a journey back to a time in our nation when religious prejudice was a common finding, especially for a faith that was uncommon to the majority of any community. And when such faith also had the accompaniment of historical discord, acceptance would be a monumental feat. Willard and Rebecca Bean found this to be the case when attempting to set up residence in Palmyra, New York in 1915. As requested by the leaders of the Latter-Day Saint Church, the Beans accepted a unique missionary assignment. They were called to become residents and caretakers of the property known as the Joseph Smith family farm located in Palmyra, New York, and to preach the Gospel. They were also called to establish a community relationship in Palmyra, and help make arrangements for the purchase of Church-related historic properties in the area. Any of those areas of assignment would have been a challenge, but the combination was a daunting feat, indeed.
The Beans were unwelcomed. They were emotionally tormented and insulted to the extreme. Numerous attempts were made by the community members to defame the Church and make life misery of intolerable degree for the Bean family. When Willard and Rebecca first arrive, they are newlyweds of less than one year, so you can imagine what an obstacle this level of resistance presented for the young couple. The fact that they chose to remain under such circumstances showed their character, grit, and commitment to the calling that their Church leaders had extended to them. The Beans were the first members of their Church to reside in Palmyra in eighty-four years. A welcome was long overdue, but the Beans surely didn't receive one. As one watches the film, the audience can't help but feel empathy for the Beans and their unrelenting negative reception. There's an occasional affirmative acceptance, but only rarely, and when it occurs, the Beans feel as though it's a blessing from heaven. The audience can't help but feel the same way whenever the Beans achieve any victory during their earliest years in Palmyra. It was particularly enjoyable to see this couple grow in their love and devotion to one another as well.
The Beans attempted through various means to make friends and contribute to the community, but a deaf ear, unkind actions, and vicious remarks were often the response received. Finally, Willard, with the encouragement of his wife, takes matters into his own hands to defend himself, his family, and the purpose of their residential mission. The community soon learns with whom they had been dealing. You see, at one time, Willard Bean held the title of the middle-weight champion of the United States. Willard had to call upon those boxing skills at times to defend himself and his family because of the enraged sentiments of the abundant number of Mormon haters. As a result of resorting to using those boxing skills while in the capacity of being a church representative, he was often called "The Fighting Parson," to which the film adapted the title to be "The Fighting Preacher." The boxing scenes in the movie, both the impromptu occasions as well as those planned for public exhibition, show Willard Bean's boxing to be an asset to meeting the challenges of his church assignment. The portrayal of gratuitous graphic violence is absent. However, the film successfully shows Bean's sportsmanship, athletic ability, and the defeat of his challengers, albeit supported by the historical record.
While some residents responded through their defeat in the boxing arena with Willard, others responded with continued contention. The Beans then implemented a more robust effort on their part to provide community and individual service and compassion without any expectation of reciprocation. The initiative was tedious and sustained over time, resulting in gradual acceptance and a feeling of belonging. Finally, after years of continued efforts, the Beans were looked upon as respected community members, and they took an active role in many service organizations in their community. Their children, likewise, received the benefit of enduring their trials. What began as a Church assignment of five years or more, ended up as twenty-five years. Their journey began as being rejected and tormented, to becoming endeared and honored by the community.
The film's cinematography is exceptional. Attention is given to close detail of subject and expression, as well as an expansive panoramic view. Such cinematography has become a trademark of T.C. Christensen and audiences look forward to him delivering it in each of his films. I commend the casting director; each of the actors provides solid performance with skill, consistency, and sensitivity. I didn't detect any weakness in the acting whatsoever. Even the casting of the extras presented a colorful collection of characters of unique expression and appearance, adding to the entertaining visual quality of the film. The technical components of the film are aesthetically represented and pleasing. The musical score is complementary to the period and captivates the audience. The viewing audience or seasoned critic would find it difficult, if not impossible, to point to any legitimate flaw in these aspects of the film.
Similar to other historically influenced films written/directed by T.C. Christensen ("The Cokeville Miracle," " Ephraim's Rescue," " 17 Miracles") attention to biographical detail and historical accuracy is abundant throughout the film, excepting minor variance of artistic license. Filmed on location in New York and Utah, the cinematography takes good advantage of the topography of the land. Clothing and architecture of the period are well represented. Even the interior of the old schoolhouse where a good number of scenes take place with the Bean's young daughter makes the audience feel transported in time. After the film, alongside the credits, numerous historical photos and informational facts about Willard and Rebecca Bean and their family are illustrated. My eyes were teary before then, but with the culmination of the archival and photographic feast, my cheeks could not remain dry.
THE FIGHTING PREACHER is a noteworthy filmmaking accomplishment. T.C. Christensen has written and directed an exceptional film worthy of numerous awards. He's a well-researched visionary filmmaker, one of the most talented filmmakers of this generation, and he consistently delivers quality films to appreciative audiences. He shows the audience the truth and invites them to receive a valuable message. He uses the highest caliber of skill in storytelling through his screenwriting, directing, and cinematography. This triple combination of expertise is unique among industry professionals. When other filmmakers choose to work with fiction, he tells a true story of historical significance, worthy of the audience's time, and one that can inspire the human spirit. The running time of the film is not adequate to tell the entire story of Willard and Rebecca Bean, but the portions depicted in this film portray the significant lives that this couple lived. In his final remarks to the audience attending the premiere, T.C. Christensen said, "My hope is that this film will go out and inspire others to be kinder to one another." That takes courage and faith. That's what Willard and Rebecca Bean had. That's what T.C. Christensen has.
Review Ranking: 9 Stars out Of 10 (using Im Db Ranking Scale)
REVIEW CONTENT: I attended the premiere of THE FIGHTING PREACHER, a motion picture by Utah Writer/Director T.C. Christensen, on July 17, 2019, at the Jordan Commons Megaplex Theater Complex in Sandy, Utah. Attendees comprised of Writer/Director/Cinematographer, cast, crew, film editor, producers, Utah Film Commission representatives, production/industry associates, family and relatives, and other guests. In preparation, I did a bit of research and studied the promotional information regarding the subject of the film. I was interested and eager to see how the historical story of Willard Bean (a.k.a. "The Fighting Preacher") and his wife, Rebecca Bean, would be told.
The film takes the audience on a journey back to a time in our nation when religious prejudice was a common finding, especially for a faith that was uncommon to the majority of any community. And when such faith also had the accompaniment of historical discord, acceptance would be a monumental feat. Willard and Rebecca Bean found this to be the case when attempting to set up residence in Palmyra, New York in 1915. As requested by the leaders of the Latter-Day Saint Church, the Beans accepted a unique missionary assignment. They were called to become residents and caretakers of the property known as the Joseph Smith family farm located in Palmyra, New York, and to preach the Gospel. They were also called to establish a community relationship in Palmyra, and help make arrangements for the purchase of Church-related historic properties in the area. Any of those areas of assignment would have been a challenge, but the combination was a daunting feat, indeed.
The Beans were unwelcomed. They were emotionally tormented and insulted to the extreme. Numerous attempts were made by the community members to defame the Church and make life misery of intolerable degree for the Bean family. When Willard and Rebecca first arrive, they are newlyweds of less than one year, so you can imagine what an obstacle this level of resistance presented for the young couple. The fact that they chose to remain under such circumstances showed their character, grit, and commitment to the calling that their Church leaders had extended to them. The Beans were the first members of their Church to reside in Palmyra in eighty-four years. A welcome was long overdue, but the Beans surely didn't receive one. As one watches the film, the audience can't help but feel empathy for the Beans and their unrelenting negative reception. There's an occasional affirmative acceptance, but only rarely, and when it occurs, the Beans feel as though it's a blessing from heaven. The audience can't help but feel the same way whenever the Beans achieve any victory during their earliest years in Palmyra. It was particularly enjoyable to see this couple grow in their love and devotion to one another as well.
The Beans attempted through various means to make friends and contribute to the community, but a deaf ear, unkind actions, and vicious remarks were often the response received. Finally, Willard, with the encouragement of his wife, takes matters into his own hands to defend himself, his family, and the purpose of their residential mission. The community soon learns with whom they had been dealing. You see, at one time, Willard Bean held the title of the middle-weight champion of the United States. Willard had to call upon those boxing skills at times to defend himself and his family because of the enraged sentiments of the abundant number of Mormon haters. As a result of resorting to using those boxing skills while in the capacity of being a church representative, he was often called "The Fighting Parson," to which the film adapted the title to be "The Fighting Preacher." The boxing scenes in the movie, both the impromptu occasions as well as those planned for public exhibition, show Willard Bean's boxing to be an asset to meeting the challenges of his church assignment. The portrayal of gratuitous graphic violence is absent. However, the film successfully shows Bean's sportsmanship, athletic ability, and the defeat of his challengers, albeit supported by the historical record.
While some residents responded through their defeat in the boxing arena with Willard, others responded with continued contention. The Beans then implemented a more robust effort on their part to provide community and individual service and compassion without any expectation of reciprocation. The initiative was tedious and sustained over time, resulting in gradual acceptance and a feeling of belonging. Finally, after years of continued efforts, the Beans were looked upon as respected community members, and they took an active role in many service organizations in their community. Their children, likewise, received the benefit of enduring their trials. What began as a Church assignment of five years or more, ended up as twenty-five years. Their journey began as being rejected and tormented, to becoming endeared and honored by the community.
The film's cinematography is exceptional. Attention is given to close detail of subject and expression, as well as an expansive panoramic view. Such cinematography has become a trademark of T.C. Christensen and audiences look forward to him delivering it in each of his films. I commend the casting director; each of the actors provides solid performance with skill, consistency, and sensitivity. I didn't detect any weakness in the acting whatsoever. Even the casting of the extras presented a colorful collection of characters of unique expression and appearance, adding to the entertaining visual quality of the film. The technical components of the film are aesthetically represented and pleasing. The musical score is complementary to the period and captivates the audience. The viewing audience or seasoned critic would find it difficult, if not impossible, to point to any legitimate flaw in these aspects of the film.
Similar to other historically influenced films written/directed by T.C. Christensen ("The Cokeville Miracle," " Ephraim's Rescue," " 17 Miracles") attention to biographical detail and historical accuracy is abundant throughout the film, excepting minor variance of artistic license. Filmed on location in New York and Utah, the cinematography takes good advantage of the topography of the land. Clothing and architecture of the period are well represented. Even the interior of the old schoolhouse where a good number of scenes take place with the Bean's young daughter makes the audience feel transported in time. After the film, alongside the credits, numerous historical photos and informational facts about Willard and Rebecca Bean and their family are illustrated. My eyes were teary before then, but with the culmination of the archival and photographic feast, my cheeks could not remain dry.
THE FIGHTING PREACHER is a noteworthy filmmaking accomplishment. T.C. Christensen has written and directed an exceptional film worthy of numerous awards. He's a well-researched visionary filmmaker, one of the most talented filmmakers of this generation, and he consistently delivers quality films to appreciative audiences. He shows the audience the truth and invites them to receive a valuable message. He uses the highest caliber of skill in storytelling through his screenwriting, directing, and cinematography. This triple combination of expertise is unique among industry professionals. When other filmmakers choose to work with fiction, he tells a true story of historical significance, worthy of the audience's time, and one that can inspire the human spirit. The running time of the film is not adequate to tell the entire story of Willard and Rebecca Bean, but the portions depicted in this film portray the significant lives that this couple lived. In his final remarks to the audience attending the premiere, T.C. Christensen said, "My hope is that this film will go out and inspire others to be kinder to one another." That takes courage and faith. That's what Willard and Rebecca Bean had. That's what T.C. Christensen has.
AN UPLIFTING FILM BY A INSPIRED FILMMAKER
blue-73 August 2019
In the realm of independent filmmakers telling inspiring true stories of people of faith meeting challenges there is no one more impressive than T.C. Christensen. T.C. is a story teller who uses his talents as a writer, cinematographer and director to bring to life tales of ordinary people who are called upon to do extraordinary things -- and with faith in God accomplish seemly impossible challenges.
THE FIGHTING PREACHER unfolds the amazing story of Willard Been and his wife Rebecca who in 1905 are called upon to be caretakers for their Church of sacred property that had been abandoned when the members of The Church of Jesus Christ of Latter-day Saints were forced to flee due the hatred of their neighbors. What begins as a 3 year calling transforms into a 25 year span that changes their lives and those who still carrying on their dislike for "Mormons".
Not only has T.C. skillfully condensed a 25 year story into a fascinating film that is beautifully photographed and skillfully edited (by son Tanner) but has discovered two wonderful performers new to the screen. David McConnell as Willard and Cassidy Hubert as his wife Rebecca bring to life these two remarkable people. Scarlett Hazen who was so good in T.C.'s LOVE, KENNEDY shines in the role of their daughter Palmyra.
THE FIGHTING PREACHER is a film that I am proud to recommend to others and one that I will return to the theatre to see again. I look forward to its future release on Blu-ray to add to my revered collection of T.C. films: 17 MIRACLES, EPHRAIM'S RESUCE, THE COKEVILLE MIRACLE and LOVE, KENNEDY. These are films that I actually rewatch from time to time.
THE FIGHTING PREACHER unfolds the amazing story of Willard Been and his wife Rebecca who in 1905 are called upon to be caretakers for their Church of sacred property that had been abandoned when the members of The Church of Jesus Christ of Latter-day Saints were forced to flee due the hatred of their neighbors. What begins as a 3 year calling transforms into a 25 year span that changes their lives and those who still carrying on their dislike for "Mormons".
Not only has T.C. skillfully condensed a 25 year story into a fascinating film that is beautifully photographed and skillfully edited (by son Tanner) but has discovered two wonderful performers new to the screen. David McConnell as Willard and Cassidy Hubert as his wife Rebecca bring to life these two remarkable people. Scarlett Hazen who was so good in T.C.'s LOVE, KENNEDY shines in the role of their daughter Palmyra.
THE FIGHTING PREACHER is a film that I am proud to recommend to others and one that I will return to the theatre to see again. I look forward to its future release on Blu-ray to add to my revered collection of T.C. films: 17 MIRACLES, EPHRAIM'S RESUCE, THE COKEVILLE MIRACLE and LOVE, KENNEDY. These are films that I actually rewatch from time to time.
William Washington Bean "The Fighting Preacer"
tpsimpleman25 November 2023
THE FIGHTING PREACHER is a clean, family-friendly movie, with its major issues being the false Mormon theology and history and the violence. Because Willard is a boxer, there are many scenes not only of sports related violence, but also violence outside the ring. I absolutely love this movie 🍿. This is based on a true story with extreme liberty taken with dialogue and events. Willard and Recca Bean have been selected by the Church of the Latter-Day Saints to occupy the Joseph Smith farm in Palmyra, NY. Willard is a former boxer. They are not wanted, but all ends well in a hokey story. Preacher Willard Bean becomes the world middleweight boxing champion in 1905, but when Joseph F. Smith asks him to step away from the limelight and serve a five-year mission in upstate New York, the Beans immediately pack their bags and travel to the East Coast.
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