Doug Ibold, the Emmy-nominated film editor whose 20-year collaboration with producer Dick Wolf included cutting the pilots for Law & Order and Law & Order: Svu, has died. He was 83.
Ebold died Nov. 8 of cancer at the Motion Picture & Television Country House and Hospital in Woodland Hills, his family announced.
Ibold also was a film editor on the first six seasons of Magnum, P.I. from 1980-85 and worked on such other Donald P. Bellisario productions as Quincy M.E., Quantum Leap, Tequila and Bonetti and the 1995 pilot for a drama series called Crowfoot.
After collaborating with Wolf on Miami Vice in 1985-87 and on the 1997 NBC crime series Players, Ibold edited the 1990 L&o pilot “Everybody’s Favorite Bagman” and the 1999 L&o: Svu pilot “Payback.” (He would handle dozens of Svu episodes through 2005.)
At the 2012 Eddie Awards, Wolf presented him with a Career Achievement Award (he served as an American...
Ebold died Nov. 8 of cancer at the Motion Picture & Television Country House and Hospital in Woodland Hills, his family announced.
Ibold also was a film editor on the first six seasons of Magnum, P.I. from 1980-85 and worked on such other Donald P. Bellisario productions as Quincy M.E., Quantum Leap, Tequila and Bonetti and the 1995 pilot for a drama series called Crowfoot.
After collaborating with Wolf on Miami Vice in 1985-87 and on the 1997 NBC crime series Players, Ibold edited the 1990 L&o pilot “Everybody’s Favorite Bagman” and the 1999 L&o: Svu pilot “Payback.” (He would handle dozens of Svu episodes through 2005.)
At the 2012 Eddie Awards, Wolf presented him with a Career Achievement Award (he served as an American...
- 11/25/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
As the champagne flows at the Ronny Chieng-hosted Intl. Emmys gala ceremony in New York Nov. 25, the picture of television is changing. The globalization of content means streamers are increasingly looking to local production, allowing more people to come to the party.
Used to be that noms were made up of “a lot from the U.K., a few others from Europe and every once in a whole something from South America and Australia,” says Bruce L. Paisner, president and CEO of the Intl. Academy of Television Arts and Sciences. “Now we have more entries from countries where we used to have a few — like Brazil — and we’re getting lots of new countries.”
The 2019 noms highlight the shift. Programs and talent from 21 countries are up for awards, the broadest spread ever. Hungary makes its first showing, with a brace of nominations, but both Brazil and U.K. shows are taking center stage,...
Used to be that noms were made up of “a lot from the U.K., a few others from Europe and every once in a whole something from South America and Australia,” says Bruce L. Paisner, president and CEO of the Intl. Academy of Television Arts and Sciences. “Now we have more entries from countries where we used to have a few — like Brazil — and we’re getting lots of new countries.”
The 2019 noms highlight the shift. Programs and talent from 21 countries are up for awards, the broadest spread ever. Hungary makes its first showing, with a brace of nominations, but both Brazil and U.K. shows are taking center stage,...
- 11/21/2019
- by Stewart Clarke and John Hopewell
- Variety Film + TV
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