Second edition of project platform will showcase 28 feature projects.
Upcoming feature films by Egyptian director Tamer el Said and Moroccan Bafta nominee Ismaël Ferroukhi are among the 28 projects to be showcased at the second edition of the Marrakech International Film Festival’s Atlas Workshops, running December 3 to 6.
“We got off to a good start in the first edition,” says Remi Bonhomme, who has spearheaded the meeting.
He notes the winner of the last year’s main post-production prize– Hassen Ferhani’s documentary 143 Sahara Street – went on to enjoy a successful festival career, clinching the best emerging director prize in...
Upcoming feature films by Egyptian director Tamer el Said and Moroccan Bafta nominee Ismaël Ferroukhi are among the 28 projects to be showcased at the second edition of the Marrakech International Film Festival’s Atlas Workshops, running December 3 to 6.
“We got off to a good start in the first edition,” says Remi Bonhomme, who has spearheaded the meeting.
He notes the winner of the last year’s main post-production prize– Hassen Ferhani’s documentary 143 Sahara Street – went on to enjoy a successful festival career, clinching the best emerging director prize in...
- 11/29/2019
- by 1100388¦Melanie Goodfellow¦0¦
- ScreenDaily
Films from Africa and the Middle East have enjoyed significant festival presence this year – such as Mati Diop’s French-Senegalese pic “Atlantics,” which won the Grand Jury Prize at the Cannes Film Festival. “In 2019 we saw a new generation of filmmakers emerging on the scene,” says Rémi Bonhomme program manager of Critics’ Week in Cannes and the coordinator of the Atlas Workshops, which run Dec. 3-6 at the Marrakech Film Festival.
At Cannes, in addition to Diop’s prize, Palestinian filmmaker Elia Suleiman won a Jury Special Mention award for his satire “It Must Be Heaven,” and seven African and Arab films screened in the different competitive sections. At Locarno, Senegalese writer-director Mamadou Dia’s won best first feature for “Nafi’s Father” and Algerian helmer Hassen Ferhani won best emerging director award for his documentary “143 Rue du Désert,” which won a postproduction prize at the 2018 Atlas Workshops. At Venice,...
At Cannes, in addition to Diop’s prize, Palestinian filmmaker Elia Suleiman won a Jury Special Mention award for his satire “It Must Be Heaven,” and seven African and Arab films screened in the different competitive sections. At Locarno, Senegalese writer-director Mamadou Dia’s won best first feature for “Nafi’s Father” and Algerian helmer Hassen Ferhani won best emerging director award for his documentary “143 Rue du Désert,” which won a postproduction prize at the 2018 Atlas Workshops. At Venice,...
- 11/25/2019
- by Martin Dale
- Variety Film + TV
A modest home with a strategic view of southern Lebanon is invaded by Israeli soldiers during the 2006 Lebanon War in the claustrophobic, inspired-by-real-events drama All This Victory (Jeedar El Sot). What the Israelis on the top floor don’t realize is that several Lebanese locals are huddled together on the first floor, hoping to never be noticed. The upstairs-downstairs dynamic in an Arab-Israeli context is, of course, already familiar from superior works such as Saverio Costanzo’s Locarno-winning debut, Private, in which Israeli soldiers occupied the second floor of a Palestinian home. The major difference here is that when ...
- 9/15/2019
- The Hollywood Reporter - Movie News
A modest home with a strategic view of southern Lebanon is invaded by Israeli soldiers during the 2006 Lebanon War in the claustrophobic, inspired-by-real-events drama All This Victory (Jeedar El Sot). What the Israelis on the top floor don’t realize is that several Lebanese locals are huddled together on the first floor, hoping to never be noticed. The upstairs-downstairs dynamic in an Arab-Israeli context is, of course, already familiar from superior works such as Saverio Costanzo’s Locarno-winning debut, Private, in which Israeli soldiers occupied the second floor of a Palestinian home. The major difference here is that when ...
- 9/15/2019
- The Hollywood Reporter - Film + TV
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