Set in the near future, private detective David Carmichael is hired by Marlon Veidt, an eccentric businessman, to track down his missing daughter. David teams up with Jane, a highly advanced A.I. to solve the mystery.
Director:
Writer:
Awards:
- 2 nominations.
- See more »
Photos and Videos
Complete, Cast awaiting verification
| Guy Pearce | ... |
David Carmichael
|
|
| Matilda Anna Ingrid Lutz | ... |
Jane
(as Matilda Lutz)
|
|
| Jonathan Aris | ... |
Joseph Veidt
|
|
| Colin Salmon | ... |
Hawthorne
|
|
| Jóhannes Haukur Jóhannesson | ... |
Mr. Russell
(as Johannes Haukur Johannesson)
|
|
| Ned Dennehy | ... |
George
|
|
| Olwen Fouéré | ... |
Royale
(as Olwen Fouere)
|
|
| Antonia Campbell-Hughes | ... |
Jaden
|
|
| Fionnula Flanagan |
|
||
| Travis Fimmel | ... |
Marlon Veidt
|
|
| Maggie Cronin | ... |
Authoritative Woman
|
|
| Jorin Cooke | ... |
Hamilton
|
|
 |
Holly Demaine | ... |
Melissa Veidt
|
Directed by
| Andrew Baird | ||
Written by
| Bryan Edward Hill | ... | (written by) |
Produced by
| Andrew Baird | ... | producer (produced by) |
| Colin Bates | ... | co-producer |
| Shanan Becker | ... | executive producer |
| Martin Brennan | ... | producer (produced by) (p.g.a.) |
| Bill Bromiley | ... | executive producer (as William V. Bromiley) |
| Arianne Fraser | ... | executive producer |
| Bill Grantham | ... | executive producer |
| Robert Halmi | ... | executive producer |
| Bryan Edward Hill | ... | executive producer |
| Mark Huffam | ... | executive producer |
| Wes Hull | ... | co-producer |
| Katy Jackson | ... | co-producer |
| Michael Jefferson | ... | co-producer |
| Nathan Klingher | ... | executive producer |
| Hannah Leader | ... | executive producer |
| Anita Levian | ... | co-executive producer |
| Dave Lugo | ... | co-producer |
| Brendan Mullin | ... | co-producer |
| Delphine Perrier | ... | executive producer |
| Jib Polhemus | ... | producer (produced by) (p.g.a.) |
| Jim Reeve | ... | executive producer |
| Jonathan Saba | ... | executive producer |
| Ness Saban | ... | executive producer |
| Deborah Shaw-Kolar | ... | producer (produced by) (as Deborah Kolar) |
| Ryan Winterstern | ... | executive producer |
Music by
| Raffertie | ||
Cinematography by
| James Mather | ||
Editing by
| Tony Cranstoun | ||
Editorial Department
| Matt Branton | ... | colorist |
| Aaron Carroll | ... | post-production coordinator |
| Martin Fanning | ... | First Assistant Editor |
Casting By
| Carla Stronge | ||
Production Design by
| Philip Murphy | ||
Set Decoration by
| Dara Hand | ... | set decorator |
Costume Design by
| Susan Scott | ||
Makeup Department
| Katrina Doran | ... | makeup artist |
| Alana Fraser | ... | Hair and makeup junior |
| Chris Lyons | ... | special effects teeth |
| Pamela Smyth | ... | makeup department head |
| Kate Walshe | ... | prosthetics effects producer |
| Sharon Watson | ... | key hair stylist |
Production Management
| Paul W. Hazen | ... | Post-Production Supervisor: Los Angeles |
| Clodagh Z. McCarthy | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Barry Keil | ... | first assistant director |
| Edel McCormick | ... | third assistant director |
| Tanya Rosen | ... | second assistant director |
Art Department
| Simon Baxter | ... | graphic designer |
| Barry Caddell | ... | set dresser |
| Claire Fox | ... | buyer |
| Stephen Mullan | ... | standby props |
| Christopher Smith | ... | standby props |
Sound Department
| Peter Blayney | ... | dialogue editor |
| Kirsty Davis | ... | second assistant sound |
| Juan Martin Del Campo | ... | adr mixer |
| Derek Hehir | ... | production sound mixer |
| Fionán Higgins | ... | re-recording mixer (as Fionn Higgins) / supervising sound editor (as Fionn Higgins) |
| Andrew Kirwan | ... | sound effects editor |
| Terry McDonald | ... | 1st assistant sound |
| Eoghan McDonnell | ... | foley artist |
Special Effects by
| Jack McNally | ... | special effects technician |
| Ryan McNeill | ... | special effects supervisor |
| Nathan Stevenson | ... | Special effects trainee |
Visual Effects by
| Daniel Anderson | ... | cg artist: Windmill Lane |
| Nadège Dumont | ... | visual effects producer |
| John Kennedy | ... | visual effects supervisor |
| Donal Nolan | ... | Compositing supervisor |
| Kevin Ryan | ... | visual effects artist |
Stunts
| Donal O'Farrell | ... | stunt coordinator |
| William Willoughby | ... | stunt double |
Camera and Electrical Department
| Peter Brown | ... | Camera Trainee Dailies |
| Tom Callander | ... | drone pilot |
| Ray Carlin | ... | camera operator |
| Martin Cattigan | ... | best boy |
| Phil Crothers | ... | drone camera operator |
| Rebekah Davis | ... | camera trainee: dailies |
| Andy Gardner | ... | a camera focus puller |
| Oscar Gardner | ... | camera trainee dailies |
| Dave King | ... | key grip |
| Lee McFadden | ... | electrician |
| Aidan Monaghan | ... | still photographer |
| Declan O'Grianna | ... | b camera operator: dailies |
Casting Department
| Michael Hooley | ... | casting associate |
| Hayley Russell | ... | casting assistant |
Costume and Wardrobe Department
| Marie-Therese Breen | ... | costume supervisor |
| Natasha McQuillan | ... | costume trainee |
| Catherine Ramsey | ... | costume dailies |
| Timmy White | ... | additional costumer |
Location Management
| Alastair Agnew | ... | Unit Manager / assistant location manager |
| Grant Bobbett | ... | location manager |
| John Vaughan | ... | location scout |
Music Department
| David Fish | ... | music supervisor |
| Rupert Hollier | ... | music supervisor |
Script and Continuity Department
| Marie Clare Cushinan | ... | script supervisor |
Additional Crew
| Canan Avsar | ... | assistant production accountant |
| Paula Byrden | ... | clearance coordinator |
| Alana Crow | ... | business & legal affairs |
| Pearce Cullen | ... | assistant production coordinator |
| Samantha Laming | ... | production accountant |
| Clare McAuley | ... | production assistant |
| Matthew Mulligan | ... | production coordinator |
| Tom Wakefield | ... | production assistant |
Thanks
| Evzen Kolar | ... | in memoriam |
| Glenys Webb | ... | in memoriam |
Production Companies
- Saban Films (presents)
- Highland Film Group (HFG) (presents)
- El Ride Productions (in association with)
- Northern Ireland Screen (in association with)
- Moffen Media (produced in association with)
- 23ten (produced in association with)
- Baird Films (produced in association with)
- Source Management + Production (produced in association with)
- Great Point Media
Distributors
- Universal Pictures (2021) (Non-US) (theatrical)
- Originals Factory (2021) (France)
- Paramount Pictures (2021) (United States)
- Saban Films (2021) (United States)
- Splendid Film (2021) (Germany) (Blu-ray)
- Splendid Film (2021) (Germany) (DVD)
- Splendid Film (2021) (Netherlands) (DVD)
Special Effects
Other Companies
- Freeway CAM B.V. (collection account management)
- Malde & Co. (uk accountant & tax advisors)
- Shoot Communications (walkie talkies and mobile communications)
- Siam Costumes International (costume house)
Storyline
| Plot Summary |
Set in the near future in a colony of state-of-the-art humanoid robots. When its creator's daughter goes missing, he hires private investigator David Carmichael, to bring her home. David teams up with Jane, a highly advanced and self-aware A.I., to track down the missing daughter. Moving through the dangerous iron jungle, they rapidly piece together the mystery, uncovering a crime that leads them to question the origins of Zone 414 and the true purpose behind the "City of Robots." |
| Plot Keywords | |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
|
Additional Details
| Also Known As |
|
| Runtime |
|
| Official Sites | |
| Country | |
| Language | |
| Color | |
| Aspect Ratio |
|
| Filming Locations |
Box Office
| Budget | $6,250,000 (estimated) |
Did You Know?
| Trivia | Principal photography was supposed to start in December 2019. Travis Fimmel was attached to play the lead role, but due to scheduling conflicts with Die in a Gunfight (2021), which was shooting in November and December, he dropped out, Guy Pearce replacing him. After the shooting of the film was moved to January 2020, Fimmel re-joined the project taking a supporting role. See more » |
| Movie Connections | Referenced in Interview with Bryan Edward Hill, writer of The Russian Specialist/The Mechanik (2022). See more » |
| Quotes |
Royale:
[to David]
When God makes something special, He makes it fragile. When we make something, we want to keep it alive forever. See more » |