New Indie
While I didn’t find Rian Johnson’s “Knives Out” (Lionsgate/Mrc) as wonderful a whodunit as most audiences (and critics), I do cheer his evident love for the genre and his energy and enthusiasm in revitalizing the all-star murder mystery. (Give me a crisp new story like this over a thousand sludgy remakes like the recent “Murder on the Orient Express.”) And it’s a win for everyone when an original movie — not a sequel, not a remake, not a reboot, not an adaptation — becomes a much-talked-about hit. So let’s hear it for more fresh takes on beloved movie tropes.
Also available: Keep your indies straight — “The Wave” (Echo Wolf/Epic) features Justin Long on a psychedelic trip, while the critically acclaimed “Waves” (Lionsgate) is a powerful tale of race and family featuring powerhouse acting from Sterling K. Brown, Taylor Russell and Kelvin Harrison, Jr.; the...
While I didn’t find Rian Johnson’s “Knives Out” (Lionsgate/Mrc) as wonderful a whodunit as most audiences (and critics), I do cheer his evident love for the genre and his energy and enthusiasm in revitalizing the all-star murder mystery. (Give me a crisp new story like this over a thousand sludgy remakes like the recent “Murder on the Orient Express.”) And it’s a win for everyone when an original movie — not a sequel, not a remake, not a reboot, not an adaptation — becomes a much-talked-about hit. So let’s hear it for more fresh takes on beloved movie tropes.
Also available: Keep your indies straight — “The Wave” (Echo Wolf/Epic) features Justin Long on a psychedelic trip, while the critically acclaimed “Waves” (Lionsgate) is a powerful tale of race and family featuring powerhouse acting from Sterling K. Brown, Taylor Russell and Kelvin Harrison, Jr.; the...
- 2/25/2020
- by Alonso Duralde
- The Wrap
As Slovakia today is showing a 4.2% growth rate, the second highest in the Eurozone, its families and their traditions are shifting as it transitions into global capitalism.
Milan, a construction worker and father of three, a fun, loving man with a laugh that warms you to hear, works in Germany with hopes of providing for his family in Slovakia. When he visits home for the holidays, he learns that his eldest son Adam has joined a paramilitary youth group responsible for the abuse and death of a young boy. In navigating a very tricky situation, given the size of the town and the fact that everyone knows everyone, Milan and his wife uncover truths about themselves, their family and the community around them.
See the trailer here.
To see the village folk, their young priest and Milan and his family come to loggerheads about issues of cohesiveness, community and family...
Milan, a construction worker and father of three, a fun, loving man with a laugh that warms you to hear, works in Germany with hopes of providing for his family in Slovakia. When he visits home for the holidays, he learns that his eldest son Adam has joined a paramilitary youth group responsible for the abuse and death of a young boy. In navigating a very tricky situation, given the size of the town and the fact that everyone knows everyone, Milan and his wife uncover truths about themselves, their family and the community around them.
See the trailer here.
To see the village folk, their young priest and Milan and his family come to loggerheads about issues of cohesiveness, community and family...
- 12/11/2019
- by Sydney Levine
- Sydney's Buzz
Olmo Omerzu's Vsechno bude (Winter Files) was the main winner at the Czech Lions, the local equivalent of the Academy Awards, which were held Saturday at Prague's Rudolfinum theater.
The road movie, which centers on two teenagers who set out on a car trip into frozen wastelands in search of adventure, collected best film, directing, script and editing honors.
The film's Eliska Krenkova and Jan Frantisek Uher also collected prizes for best supporting actress and best supporting actor, respectively.
Co-produced by the Czech Republic, Slovakia, Slovenia and Poland, Winter Files premiered at last year's Karlovy Vary International Film ...
The road movie, which centers on two teenagers who set out on a car trip into frozen wastelands in search of adventure, collected best film, directing, script and editing honors.
The film's Eliska Krenkova and Jan Frantisek Uher also collected prizes for best supporting actress and best supporting actor, respectively.
Co-produced by the Czech Republic, Slovakia, Slovenia and Poland, Winter Files premiered at last year's Karlovy Vary International Film ...
- 3/23/2019
- The Hollywood Reporter - Film + TV
Two boys in early adolescence drive — in a car, no less! — through the wintry backwoods of the Czech Republic looking for some warmth in Winter Flies (Vsechno bude), from Slovenian-born director Olmo Omerzu (Family Film). Written by Petr Pycha, this road movie has many of the stock elements of the genre while simultaneously offering something akin to a fresh twist because the protagonists are 12 and “almost 15” instead of the usual adults. Though Omerzu cuts back and forth between a police interrogation and the boys’ adventures on the road, there’s no sense they are fleeing from ...
- 10/24/2018
- The Hollywood Reporter - Film + TV
Two boys in early adolescence drive — in a car, no less! — through the wintry backwoods of the Czech Republic looking for some warmth in Winter Flies (Vsechno bude), from Slovenian-born director Olmo Omerzu (Family Film). Written by Petr Pycha, this road movie has many of the stock elements of the genre while simultaneously offering something akin to a fresh twist because the protagonists are 12 and “almost 15” instead of the usual adults. Though Omerzu cuts back and forth between a police interrogation and the boys’ adventures on the road, there’s no sense they are fleeing from ...
- 10/24/2018
- The Hollywood Reporter - Movie News
Yesterday afternoon, the Academy of Motion Pictures Arts and Sciences announced which movies will be competing to win the Oscar for Best Foreign Language Feature. This first long list marks an important benchmark in the season. Yes, we can actually begin narrowing things down. To be fair, this is a category that doesn’t get the attention of Best Picture or Best Actor/Best Actress, but it’s still a big deal. The Academy has narrowed things down to 87 films, just shy of the record set last year. That many countries submitting movies for Oscar consideration is wonderful, especially since I’ve seen a handful of these and they’re largely excellent. The only notable exclusion was that Italy did not choose Happy as Lazarro to be their selection, despite the backing of Martin Scorsese and Netflix. That country opted for Dogman from Matteo Garrone, instead. Aside from that, it...
- 10/9/2018
- by Joey Magidson
- Hollywoodnews.com
‘Jirga’
Benjamin Gilmour’s Afghanistan-set drama Jirga will carry Australia’s hopes of being nominated for this year’s Best Foreign Language Film Oscar.
The international recognition as Australia’s official submission follows the film’s international premiere at the Toronto International Film Festival and winning the $100,000 best film prize, Australia’s richest, at CinfestOZ.
Produced and distributed by John Maynard, the film stars Sam Smith as a former Australian soldier who returns to Afghanistan seeking forgiveness and puts his life in the hands of the village justice system – the Jirga.
There are 87 countries vying for the prize, including first-time entrants Malawi and Niger and high-profile contenders such as Mexico’s Roma and Poland’s Cold War, both of which are hoping to break out of the foreign race and earn nominations for best picture, best director and more.
Gilmour said: “We are thrilled about the honour of representing Australia.
Benjamin Gilmour’s Afghanistan-set drama Jirga will carry Australia’s hopes of being nominated for this year’s Best Foreign Language Film Oscar.
The international recognition as Australia’s official submission follows the film’s international premiere at the Toronto International Film Festival and winning the $100,000 best film prize, Australia’s richest, at CinfestOZ.
Produced and distributed by John Maynard, the film stars Sam Smith as a former Australian soldier who returns to Afghanistan seeking forgiveness and puts his life in the hands of the village justice system – the Jirga.
There are 87 countries vying for the prize, including first-time entrants Malawi and Niger and high-profile contenders such as Mexico’s Roma and Poland’s Cold War, both of which are hoping to break out of the foreign race and earn nominations for best picture, best director and more.
Gilmour said: “We are thrilled about the honour of representing Australia.
- 10/8/2018
- by The IF Team
- IF.com.au
First-time submissions come from Malawi and Niger as Austrlia and New Zealand join the list.
Eighty-seven countries have submitted films for this year’s foreign language film Oscar, the Academy of Motion Pictures Arts and Sciences has revealed, a drop from the record 92 that submitted last year.
Countries submitting films in the category for the first time include Malawi, which has entered Shemu Joyah’s The Road to Sunrise, and Niger, whose submission is Rahmatou Keïta’s The Wedding Ring.
Submissions that had not previously been confirmed include Australian entry Jirga, from director Benjamin Gilmour, and New Zealand contender Yellow Is Forbidden,...
Eighty-seven countries have submitted films for this year’s foreign language film Oscar, the Academy of Motion Pictures Arts and Sciences has revealed, a drop from the record 92 that submitted last year.
Countries submitting films in the category for the first time include Malawi, which has entered Shemu Joyah’s The Road to Sunrise, and Niger, whose submission is Rahmatou Keïta’s The Wedding Ring.
Submissions that had not previously been confirmed include Australian entry Jirga, from director Benjamin Gilmour, and New Zealand contender Yellow Is Forbidden,...
- 10/8/2018
- by John Hazelton
- ScreenDaily
First-time submissions come from Malawi and Niger as Austrlia and New Zealand join the list.
Eighty-seven countries have submitted films for this year’s foreign language film Oscar, the Academy of Motion Pictures Arts and Sciences has revealed, a drop from the record 92 that submitted last year.
Countries submitting films in the category for the first time include Malawi, which has entered Shemu Joyah’s The Road to Sunrise, and Niger, whose submission is Rahmatou Keïta’s The Wedding Ring.
Submissions that had not previously been confirmed include Australian entry Jirga, from director Benjamin Gilmour, and New Zealand contender Yellow Is Forbidden,...
Eighty-seven countries have submitted films for this year’s foreign language film Oscar, the Academy of Motion Pictures Arts and Sciences has revealed, a drop from the record 92 that submitted last year.
Countries submitting films in the category for the first time include Malawi, which has entered Shemu Joyah’s The Road to Sunrise, and Niger, whose submission is Rahmatou Keïta’s The Wedding Ring.
Submissions that had not previously been confirmed include Australian entry Jirga, from director Benjamin Gilmour, and New Zealand contender Yellow Is Forbidden,...
- 10/8/2018
- by John Hazelton
- ScreenDaily
Eighty-seven countries have submitted films for consideration in the foreign language category for the 91st Academy Awards.
Oscar nominations will be announced on Jan. 22 and the ceremony will be held on Feb. 24 at Los Angeles’ Dolby Theatre. Malawi and Niger are first-time entrants. The Academy of Motion Picture Arts and Sciences made the announcement on Monday.
High-profile titles include Alfonso Cuaron’s “Roma,” the Mexican entry; Denmark’s “The Guilty”; Germany’s “Never Look Away,” from previous Oscar winner Florian Henckel von Donnersmarck; Hirokazu Kore-eda’s “Shoplifters,” the Japanese entry that won the Palme d’Or at this year’s Cannes Film Festival; Nadine Labaki’s “Capernaum,” the Cannes jury prize winner from Lebanon; and Pawel Pawlikowski’s “Cold War,” the Cannes best director prize winner from Poland.
The 2018 submissions are:
Afghanistan, “Rona Azim’s Mother,” Jamshid Mahmoudi, director;
Algeria, “Until the End of Time,” Yasmine Chouikh, director;
Argentina, “El Ángel,...
Oscar nominations will be announced on Jan. 22 and the ceremony will be held on Feb. 24 at Los Angeles’ Dolby Theatre. Malawi and Niger are first-time entrants. The Academy of Motion Picture Arts and Sciences made the announcement on Monday.
High-profile titles include Alfonso Cuaron’s “Roma,” the Mexican entry; Denmark’s “The Guilty”; Germany’s “Never Look Away,” from previous Oscar winner Florian Henckel von Donnersmarck; Hirokazu Kore-eda’s “Shoplifters,” the Japanese entry that won the Palme d’Or at this year’s Cannes Film Festival; Nadine Labaki’s “Capernaum,” the Cannes jury prize winner from Lebanon; and Pawel Pawlikowski’s “Cold War,” the Cannes best director prize winner from Poland.
The 2018 submissions are:
Afghanistan, “Rona Azim’s Mother,” Jamshid Mahmoudi, director;
Algeria, “Until the End of Time,” Yasmine Chouikh, director;
Argentina, “El Ángel,...
- 10/8/2018
- by Dave McNary
- Variety Film + TV
A whopping 87 countries submitted entries in the Foreign-Language Film race at the 2019 Oscars. That is down by five from last year’s record 92 submissions but up by two from 2017, which had broken the benchmark of 83 set in 2015. The nations represented ranged from A (Afghanistan) to Y (Yemen). Among the contenders is the Mexican entry “Roma” by Oscar winner Alfonso Cuaron (“Gravity”). This Venice Film Festival winner is a strong contender in both this and the Best Picture race at the Oscars.
Predicting the eventual five Oscar nominees for Best Foreign-Language Film is made difficult by the two-step process.
First, the several hundred academy members of the Foreign-Language Film screening committee are required to watch a number of the submissions (upwards of a dozen) over a two-month period that ends in mid December. They will rate them from 6 to 10 and their top six vote-getters make it to the next round, as...
Predicting the eventual five Oscar nominees for Best Foreign-Language Film is made difficult by the two-step process.
First, the several hundred academy members of the Foreign-Language Film screening committee are required to watch a number of the submissions (upwards of a dozen) over a two-month period that ends in mid December. They will rate them from 6 to 10 and their top six vote-getters make it to the next round, as...
- 10/8/2018
- by Paul Sheehan
- Gold Derby
The Academy of Motion Picture Arts and Sciences has announced the official list of submissions for the 2019 Oscar for best foreign language film. There are 87 countries vying for the prize this awards season, including first-time entrants Malawi and Niger. Included among the titles are high-profile contenders such as Mexico’s “Roma” and Poland’s “Cold War,” both of which are vying to break out of the foreign race and earn nominations for best picture, best director, and more.
Nominations for the 91st Academy Awards will be announced on Tuesday, January 22, 2019. The 91st Oscars will be held on Sunday, February 24, 2019. Click here to view predictions for the foreign language Oscar race from IndieWire’s awards editor Anne Thompson.
2018 Foreign Oscar Submissions
Afghanistan, “Rona Azim’s Mother,” Jamshid Mahmoudi, director
Algeria, “Until the End of Time,” Yasmine Chouikh, director
Argentina, “El Ángel,” Luis Ortega, director
Armenia, “Spitak,” Alexander Kott, director
Australia, “Jirga,...
Nominations for the 91st Academy Awards will be announced on Tuesday, January 22, 2019. The 91st Oscars will be held on Sunday, February 24, 2019. Click here to view predictions for the foreign language Oscar race from IndieWire’s awards editor Anne Thompson.
2018 Foreign Oscar Submissions
Afghanistan, “Rona Azim’s Mother,” Jamshid Mahmoudi, director
Algeria, “Until the End of Time,” Yasmine Chouikh, director
Argentina, “El Ángel,” Luis Ortega, director
Armenia, “Spitak,” Alexander Kott, director
Australia, “Jirga,...
- 10/8/2018
- by Zack Sharf
- Indiewire
The Academy of Motion Picture Arts & Sciences announced today that 87 countries have qualified for this year’s Foreign Language Film competition. With some of the
strongest entries in recent years this is shaping up as one of the richest fields of contenders in memory. Of course one of the Netflix titles, Mexico’s Roma from director Alfonso Cuaron has been widely acclaimed at numerous festivals and already won top prize at Venice which makes it the front runner here. It is also expected to be in contention for a Best Picture nomination as well as other categories and that could enhance its chances. However could an upset be in the offing? I would say there are a number of equally fine movies in the mix here including Japan’s Cannes Palme d’Or winner, Shoplifters; Denmark’s riveting The Guilty; Germany’s epic Never Look Away from previous Oscar winner...
strongest entries in recent years this is shaping up as one of the richest fields of contenders in memory. Of course one of the Netflix titles, Mexico’s Roma from director Alfonso Cuaron has been widely acclaimed at numerous festivals and already won top prize at Venice which makes it the front runner here. It is also expected to be in contention for a Best Picture nomination as well as other categories and that could enhance its chances. However could an upset be in the offing? I would say there are a number of equally fine movies in the mix here including Japan’s Cannes Palme d’Or winner, Shoplifters; Denmark’s riveting The Guilty; Germany’s epic Never Look Away from previous Oscar winner...
- 10/8/2018
- by Pete Hammond
- Deadline Film + TV
Eighty-seven films have qualified in the 2018 Oscars race for Best Foreign Language Film, the Academy announced on Monday.
The number is five less than last year’s record of 92 entries, but significantly larger than the 60-odd qualifying films that were the norm only a few years ago. The 2018 race is also expected to be one of the most competitive in years, with a number of esteemed international directors and award-winning films competing for only nine spots on the shortlist and five nominations.
Los Angeles-based volunteers from all branches of the Academy will now watch all the eligible films at AMPAS screenings at the Samuel Goldwyn Theater in Beverly Hills and the Linwood Dunn Theater in Hollywood. This year, the Academy has made it easier to qualify to vote, dropping the number of films each voter must see from 17 or 18 down to 12 and eliminating the color-coded groups that made each voter...
The number is five less than last year’s record of 92 entries, but significantly larger than the 60-odd qualifying films that were the norm only a few years ago. The 2018 race is also expected to be one of the most competitive in years, with a number of esteemed international directors and award-winning films competing for only nine spots on the shortlist and five nominations.
Los Angeles-based volunteers from all branches of the Academy will now watch all the eligible films at AMPAS screenings at the Samuel Goldwyn Theater in Beverly Hills and the Linwood Dunn Theater in Hollywood. This year, the Academy has made it easier to qualify to vote, dropping the number of films each voter must see from 17 or 18 down to 12 and eliminating the color-coded groups that made each voter...
- 10/8/2018
- by Steve Pond
- The Wrap
Italy has chosen Matteo Garrone’s well-received Cannes drama Dogman as its Foreign Language Oscar hopeful.
Marcello Fonte stars as Marcello, a gentle dog groomer who finds himself involved in a dangerous relationship with Simone (Edoardo Pesce), a former violent boxer who terrorizes the entire neighbourhood. In an effort to reaffirm his dignity, Marcello must submit to an unexpected act of vengeance. Fonte won the Best Actor prize at Cannes.
Garrone’s Archimede produced alongside Rai Cinema’s Paolo Del Brocco, Le Pacte’s Jean Labadie, and Recorded Picture Company’s Jeremy Thomas. Magnolia has U.S. rights. Garrone’s previous credits include Gomorrah, Reality and Tale Of Tales, all of which played at Cannes.
Italy has been the most successful country in the Academy’s Foreign Language category, scoring 14 wins and 31 nominations. The country’s last nomination and win in the category came in 2013 with Paolo Sorrentino’s The Great Beauty.
Marcello Fonte stars as Marcello, a gentle dog groomer who finds himself involved in a dangerous relationship with Simone (Edoardo Pesce), a former violent boxer who terrorizes the entire neighbourhood. In an effort to reaffirm his dignity, Marcello must submit to an unexpected act of vengeance. Fonte won the Best Actor prize at Cannes.
Garrone’s Archimede produced alongside Rai Cinema’s Paolo Del Brocco, Le Pacte’s Jean Labadie, and Recorded Picture Company’s Jeremy Thomas. Magnolia has U.S. rights. Garrone’s previous credits include Gomorrah, Reality and Tale Of Tales, all of which played at Cannes.
Italy has been the most successful country in the Academy’s Foreign Language category, scoring 14 wins and 31 nominations. The country’s last nomination and win in the category came in 2013 with Paolo Sorrentino’s The Great Beauty.
- 9/25/2018
- by Andreas Wiseman
- Deadline Film + TV
France has selected Emmanuel Finkiel’s Memoir of War as its official selection for the Oscars’ Foreign Language film race. The pic, which Finkiel adapted from Marguerite Duras’ semi-autobiographical 1944 novel set in Nazi-occupied Paris, stars Mélanie Thierry in a story of love, loss, and perseverance against the backdrop of war.
Music Box Films holds U.S. rights to Memoir of War and released it in theaters last month.
The film came out on top on a shortlist that included Gaspar Noé’s Cannes buzz title Climax, the late Claude Lanzmann’s Les Quatre Sœurs, Mademoiselle De Joncquières by Emmanuel Mouret, and Xavier Legrand’s Jusqu’à La Garde. The choice was finalized today by France’s National Film Center (Cnc), which said the film, known in France as La Douleur (The Pain), has seen 350,00 submissions in French theaters.
The plot centers on Duras (Thierry) who is is an active...
Music Box Films holds U.S. rights to Memoir of War and released it in theaters last month.
The film came out on top on a shortlist that included Gaspar Noé’s Cannes buzz title Climax, the late Claude Lanzmann’s Les Quatre Sœurs, Mademoiselle De Joncquières by Emmanuel Mouret, and Xavier Legrand’s Jusqu’à La Garde. The choice was finalized today by France’s National Film Center (Cnc), which said the film, known in France as La Douleur (The Pain), has seen 350,00 submissions in French theaters.
The plot centers on Duras (Thierry) who is is an active...
- 9/21/2018
- by Patrick Hipes
- Deadline Film + TV
Nadine Labaki’s critical hit Capernaum, which was snapped up by Sony Classics in May, has been selected as Lebanon’s Foreign Language Oscar submission.
The Cannes Jury Prize winner, directed by Nadine Labaki, focuses on a 12-year-old boy in a fictitious Middle Eastern village who sues his parents for bringing him into a world of such suffering. The film features mostly non-professional actors. This year, The Insult by Ziad Doueiri won Lebanon’s first ever Academy Award nomination.
Also entering the Foreign Language race this week have been Brazil, Slovenia, Bulgaria, Pakistan, Thailand and Indonesia. Below is the full list of submissions to date.
2019 Foreign Language Film Oscar Submissions Algeria – Until The End Of Time – Yasmine Chouikh Austria – The Waldheim Waltz – Ruth Beckermann Belarus – Crystal Swan – Darya Zhuk Belgium – Girl – Lukas Dhont Bolivia – Muralla – Rodrigo Patiño Bosnia – Never Leave Me – Aida Begic Brazil – The Great Mystical Circus – Carlos Diegues...
The Cannes Jury Prize winner, directed by Nadine Labaki, focuses on a 12-year-old boy in a fictitious Middle Eastern village who sues his parents for bringing him into a world of such suffering. The film features mostly non-professional actors. This year, The Insult by Ziad Doueiri won Lebanon’s first ever Academy Award nomination.
Also entering the Foreign Language race this week have been Brazil, Slovenia, Bulgaria, Pakistan, Thailand and Indonesia. Below is the full list of submissions to date.
2019 Foreign Language Film Oscar Submissions Algeria – Until The End Of Time – Yasmine Chouikh Austria – The Waldheim Waltz – Ruth Beckermann Belarus – Crystal Swan – Darya Zhuk Belgium – Girl – Lukas Dhont Bolivia – Muralla – Rodrigo Patiño Bosnia – Never Leave Me – Aida Begic Brazil – The Great Mystical Circus – Carlos Diegues...
- 9/19/2018
- by Andreas Wiseman
- Deadline Film + TV
No surprise here, but Mexico just selected Oscar winner Alfonso Cuarón’s Roma from Netflix as its official submission for the Foreign Language Film Oscar.
After its launch in the fall festival space, Roma has been on fire, collecting the Golden Lion at Venice. Cuarón’s memoir to his homeland reportedly also played in a cinema down in Mexico City during August to qualify. Netflix is working to give Roma a theatrical release in Dolby Atmos, the format the director prefers. Deadline heard that qualifying theatrical run will start December 14 in select cities.
Much like how Ang Lee’s Crouching Tiger, Hidden Dragon received love throughout all Oscar categories outside of foreign language, it would come as no surprise to see the same here for Roma.
Cuarón produced, wrote, directed and shot the black-and-white pic about his memories growing up in Mexico City. In 2014, he became the first Mexico-born filmmaker...
After its launch in the fall festival space, Roma has been on fire, collecting the Golden Lion at Venice. Cuarón’s memoir to his homeland reportedly also played in a cinema down in Mexico City during August to qualify. Netflix is working to give Roma a theatrical release in Dolby Atmos, the format the director prefers. Deadline heard that qualifying theatrical run will start December 14 in select cities.
Much like how Ang Lee’s Crouching Tiger, Hidden Dragon received love throughout all Oscar categories outside of foreign language, it would come as no surprise to see the same here for Roma.
Cuarón produced, wrote, directed and shot the black-and-white pic about his memories growing up in Mexico City. In 2014, he became the first Mexico-born filmmaker...
- 9/14/2018
- by Anthony D'Alessandro
- Deadline Film + TV
With the deadline for submission fast approaching, this week has seen a host of new entrants for this year’s best foreign language film Oscar from European and Middle East markets. New submissions from Bosnia and Herzegovina, Croatia, Czech Republic, Egypt, Greece, Kosovo, Luxembourg and Montenegro will all compete for a slot amongst the five nominees for the Academy Award.
Bosnia and Herzegovina has selected Aida Begic’s drama “Never Leave Me” as its entry. The film, which is a Bosnia-Turkey co-production, tells the story of three Syrian boys living a difficult as refugees is a magical, mythical Turkish city. Bosnia has only seen one previous entry go through to be nominated with Danis Tanovic’s 2001 film “No Man’s Land,” which also went on to win.
Croatia will be represented by Ivan Salaj’s political comedy drama “The Eighth Commissioner.” It tells the story of an ambitious politician, caught...
Bosnia and Herzegovina has selected Aida Begic’s drama “Never Leave Me” as its entry. The film, which is a Bosnia-Turkey co-production, tells the story of three Syrian boys living a difficult as refugees is a magical, mythical Turkish city. Bosnia has only seen one previous entry go through to be nominated with Danis Tanovic’s 2001 film “No Man’s Land,” which also went on to win.
Croatia will be represented by Ivan Salaj’s political comedy drama “The Eighth Commissioner.” It tells the story of an ambitious politician, caught...
- 9/14/2018
- by Robert Mitchell
- Variety Film + TV
Screen’s regularly updated list of foreign language Oscar submissions.
Nominations for the 91st Academy Awards are not until Tuesday January 22, but the first submissions for best foreign-language film are now being announced.
Last year saw a record 92 submissions for the award, which were narrowed down to a shortlist of nine. This was cut to five nominees, with Sebastián Lelio’s transgender drama A Fantastic Woman ultimately taking home the gold statue.
Screen’s interview with Mark Johnson, chair of the Academy’s foreign-language film committee, explains the shortlisting process from submission to voting.
Submitted films must be released theatrically...
Nominations for the 91st Academy Awards are not until Tuesday January 22, but the first submissions for best foreign-language film are now being announced.
Last year saw a record 92 submissions for the award, which were narrowed down to a shortlist of nine. This was cut to five nominees, with Sebastián Lelio’s transgender drama A Fantastic Woman ultimately taking home the gold statue.
Screen’s interview with Mark Johnson, chair of the Academy’s foreign-language film committee, explains the shortlisting process from submission to voting.
Submitted films must be released theatrically...
- 9/13/2018
- by Ben Dalton
- ScreenDaily
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