Directed by
| Juan José Campanella | ||
Writing Credits (in alphabetical order)
| Juan José Campanella | ... | (screenplay) |
| Augusto Giustozzi | ... | (based upon a screenplay by: "Los muchachos de antes no usaban arsénico") |
| Darren Kloomok | ... | (screenplay) |
| José A. Martínez Suárez | ... | (based upon a screenplay by: "Los muchachos de antes no usaban arsénico") |
Cast (in credits order)
| Graciela Borges | ... | Mara Ordaz | |
| Oscar Martínez | ... | Norberto Imbert | |
| Luis Brandoni | ... | Pedro De Córdova | |
| Marcos Mundstock | ... | Martín Saravia | |
| Clara Lago | ... | Bárbara Otamendi | |
| Nicolás Francella | ... | Francisco Gourmand | |
| Luz Cipriota | ... | Hostess | |
| Maru Zapata | ... | Recepcionista | |
| Anwar Yoma | ... | Valet Parking | |
| Manuel Martínez Sobrado | ... | Omar Ghassan | |
| Ayelén Dotti | ... | Mara Joven | |
| Nicolás Fiore | ... | Pedro Joven | |
| Adriana Garibaldi | ... | Estela (as Adriana Marcela Garibaldi) | |
| Dana Gabriela Basso | ... | Elvira | |
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Marcela Cristina Morales | ... | Mara 2 |
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Alex Scott | ... | Pedro 2 |
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Gonzalo Abadie | ... | Norberto 2 |
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Fabián Abecasis | ... | Martín 2 (as Fabián Eduardo Abecasis) |
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Walter Urquiza | ... | Doble de riesgo Pedro |
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Ariel Arredondo | ... | Doble de riesgo Francisco |
Produced by
| Daniela Alvarado | ... | executive producer: tornasol films |
| Camilo Antolini | ... | associate producer |
| Muriel Cabeza | ... | executive producer: 100 bares / producer |
| Juan José Campanella | ... | producer |
| Gerardo Herrero | ... | producer |
| Axel Kuschevatzky | ... | producer |
| Mercedes Tarelli | ... | assistant producer |
| Martino Zaidelis | ... | associate producer |
Music by
| Emilio Kauderer | ||
Cinematography by
| Félix Monti | ||
Editing by
| Juan José Campanella | ||
Casting By
| Gabriela Fantl | ||
Art Direction by
| Nelson Noel Luty | ||
Costume Design by
| Cecilia Monti | ||
Makeup Department
| Leonardo Castaño | ... | additional makeup |
| Celeste Dunan | ... | assistant makeup artist |
| Osvaldo Esperón | ... | hair stylist |
| Sylvie Imbert | ... | makeup artist / special makeup effects artist |
| Beatushka Wojtowicz | ... | makeup department head |
Production Management
| Micaela Buye | ... | production manager |
| María Merediz | ... | post-production supervisor |
| Lina Montello | ... | assistant production manager |
Second Unit Director or Assistant Director
| Fernando Alcalde | ... | assistant director |
| María Chiapparo | ... | trainee assistant director |
| Lucila Podestá | ... | ad runner |
| Marianela Sberna | ... | first assistant director |
| Ana Laura Urriza | ... | additional second assistant director |
Art Department
| Angélica Alvear | ... | on set prop master |
| Nilda Baez | ... | assistant property master |
| Paula Benelbas | ... | art department / assistant art director |
| Fernando Brun | ... | set designer |
| Moreno Breser Federico | ... | art coordinator |
| Gabriel Ferreira | ... | assistant art producer |
| Daniel Ladner | ... | property master |
| Silvia Parravicini | ... | assistant art director |
| Lucho Vasquez | ... | assistant property master |
Sound Department
| María Elisa Canobra | ... | boom operator |
| Antonio Carmona | ... | adr recorder |
| Leyla de la Hoz | ... | foley artist |
| José Luis Díaz | ... | supervising sound editor |
| Carmen Gil | ... | assistant to studio manager |
| Pablo Daniel Gutiérrez | ... | foley artist / foley editor |
| Gonzalo Matijas | ... | sound designer |
| Hugo Milt | ... | foley artist |
| Flavio Nogueira | ... | dialogue re-recording mixer |
| Rubén Piputto Santos | ... | sound mixer (as Rubén Piputto) |
| Alfonso Raposo | ... | re-recording mixer |
| Alejandro Rochette | ... | facilities assistant |
| Lisandro Rumeau | ... | boom operator |
| Gastón Victorica | ... | foley recordist |
| Matías Vilaro | ... | dialogue editor |
Special Effects by
| Franco Burattini | ... | weapons master |
Visual Effects by
| Gonzalo Arenas Norton | ... | visual effects artist |
| Guadalupe Barbara | ... | visual effects artist |
| Juan Francisco Biancardi | ... | visual effects artist |
| Carolina Bolatti | ... | visual effects coordinator |
| Guido Farji | ... | additional visual effects artist |
| Guido Ferraro | ... | lead compositor / visual effects artist |
| Marcelo G. García | ... | visual effects executive producer |
| Pablo E. Herrera | ... | visual effects artist |
| Mauricio Mansilla | ... | matchmove artist |
| Mariano Mendoza | ... | Asset Artist: Oner vfx |
| Marco Merletti | ... | visual effects artist |
| Rodrigo Tomasso | ... | visual effects supervisor |
| Alejandro Turano | ... | creature artist |
| Alejandro Villavicencio Vargas | ... | visual effects artist |
Stunts
| Ariel Arredondo | ... | stunt double for Francisco (as Ariel Arredondo Lopez Dickson) |
| Tatiana Sofía Coppola | ... | stunt double for Mara |
| Walter Urquiza | ... | stunt double for Pedro |
Camera and Electrical Department
| Fernando Blanc | ... | additional camera |
| Miguel Caram | ... | camera operator |
| Juan Alejo Fernandez | ... | grip |
| Juan José Fernández | ... | key grip |
| Valeria Fiorini | ... | still photographer |
| Alejo Giles | ... | Focus Puller Camera B |
| Ivan Insausti | ... | drone operator |
| Guillermo Kron | ... | second assistant camera: additional |
| Marcela Martínez | ... | focus puller |
| Paula Montenegro | ... | videoassist |
| Mariano Poleri | ... | digital imaging technician |
| Mariano Roth | ... | Second Assistant Camera B |
| Federico Santamarina | ... | best boy |
| Joaquín Silvatici | ... | second assistant camera |
Casting Department
| Maru Zapata | ... | casting assistant |
Costume and Wardrobe Department
| Nati Astudillo | ... | dress maker/cutter |
| Yamila Coller | ... | costume runner |
| Fátima Macera | ... | costume assistant |
| Lucia Marmorek | ... | costume assistant |
Editorial Department
| Lara de Gracia | ... | Deliverables / post production assistant |
| Raquel De La Haza | ... | color assistant |
| Alejandro Gigan Lopez | ... | post-production assistant |
| Javier Marchetti | ... | post and media technician |
| Belen Mora | ... | post-production coordinator (as Belén Mora) |
| Belén Mora | ... | post-production coordinator |
| Javier Valdés | ... | facilities manager |
| Edi Walger | ... | color scientist (as Eduardo Enrique Walger) |
Location Management
| Verónica Larumbe | ... | assistant location manager |
| Federico Noejovich | ... | location manager |
Music Department
| Irving Victoria | ... | composer: additional music |
Script and Continuity Department
| Daniela Nuñez | ... | script: continuity |
Additional Crew
| Rafael de León Belloc | ... | set runner |
| Paola Botrán | ... | marketing manager: international sales |
| Denise Brion | ... | production assistant |
| Marco Fernández | ... | set runner |
| Adrian Fiszbejn | ... | production assistant |
| Tony Gray | ... | English subtitles |
| Nicolas Mollis | ... | set runner |
| Lucía Ogdon | ... | Assistant to Mr. Campanella and Ms. Cabeza |
| Carmen Planes | ... | marketing |
| Edgardo Sanucci | ... | legal counsel |
| Mercedes Tarelli | ... | production assistant |
Thanks
| Emanuel Diez | ... | thanks |
| Ricardo Freixa | ... | thanks |
| Pedro Morando | ... | thanks |
