Directed by
| Nóra Lakos | ||
Writing Credits (in alphabetical order)
| Fruzsina Fekete | ||
| Yvonne Kerékgyártó | ... | (co writer) |
| Nóra Lakos | ... | (co-writer) |
| Yuri Togkces | ... | (story) |
Cast (in credits order)
Produced by
| Dániel Erdélyi | ... | co-producer: Katapult Film |
| Katalin Harrer | ... | producer |
| Claudia Nador | ... | producer |
| Péter Reich | ... | producer |
| Alexander van Dülmen | ... | producer |
Music by
| Ádám Balázs | ||
Cinematography by
| Dániel Bálint | ||
Editing by
| Béla Barsi | ||
Casting By
| Kata Bartsch | ||
| Stern Dániel | ||
Production Design by
| Juci Szurdi | ||
Costume Design by
| Fruzsina Lányi | ||
Makeup Department
| Ancsa Kriskó | ... | makeup department head |
| Zoltán Tóth | ... | hair department head |
Production Management
| Sándor Baló | ... | production manager |
| Katalin Harrer | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Zsófia Müller | ... | third assistant director |
| Tímea Sipos-Tóth | ... | second assistant director |
| Gyöngyi Szabó | ... | first assistant director |
Art Department
| Szandra Riemer | ... | assistant production designer (as Riemer Szandra) |
| Tamás Stadler | ... | props |
| Ivett Szász | ... | assistant set decorator |
Sound Department
| András Horváth | ... | boom operator |
| Gábor Komlódi | ... | sound recordist |
| András Pór | ... | boom operator |
| Tamás Zányi | ... | sound |
| Lajos Érsek | ... | sound editor |
Visual Effects by
| Omar Saleh | ... | visual effects artist |
| Tamás Tarczi | ... | compositor / visual effects coordinator |
Stunts
| Balázs Farkas | ... | stunt coordinator |
| György Kökényesi | ... | stunts |
Camera and Electrical Department
| Ajnácska Csíkszentmihályi | ... | first assistant camera (as Csíkszentmihályi Ajnácska) |
| Eszter Galambos | ... | first assistant camera (as Galambos Eszter) |
| András Kasza | ... | first assistant camera |
| Patrick Linn | ... | first assistant camera |
| Dániel Pápai | ... | second assistant camera: b camera |
| Dániel Szekrényi | ... | best boy |
| Bence Szemerey | ... | still photographer |
| Bence Sági | ... | camera trainee |
Casting Department
| Bálint Antal | ... | casting coordinator |
Costume and Wardrobe Department
| Györgyi Marosi | ... | costumer |
| Bredács Milán | ... | costumer |
| Fanny Volcsánszky | ... | costume supervisor |
Editorial Department
| Éva Haraszin | ... | project coordinator: Hungarian Filmlab |
| Katalin Harrer | ... | hungarian spotting |
| Steven Lovy | ... | trailer editor |
| Gábor Pethõ | ... | digital intermediate technician |
| Dániel Pálfi | ... | assistant editor |
| Levente Salma | ... | trailer colorist |
Location Management
| Sára Berger | ... | assistant location manager |
| Judit Ritteródesz | ... | location manager |
Music Department
| Czech Balazs | ... | musician - drums |
| Ádám Balázs | ... | Conductor / musician - piano |
| József Barcza Horváth | ... | musician - double base |
| Balázs Calszes | ... | musician - whistle |
| Dominika Carpenter | ... | musician - flute |
| Dorottya Carpenter | ... | musician - cello |
| Bence Farkas | ... | instrumentation/musical director |
| Dora Károlyi | ... | musician - cello |
| György Mohai | ... | score recorded and mixed by |
| Ferenc Puss | ... | musician - violin |
| Balázs Sándor | ... | musician - clarinet (as Sandor Balazs) |
Script and Continuity Department
| Krisztina Szigeti | ... | script supervisor |
Additional Crew
| Andrea Goschi-Antal | ... | production accountant (as Andrea Antal) |
| Dóra Rapi | ... | production coordinator (as Dora Rapi) |
Thanks
| Erika Köcsky | ... | special thanks |
