Doraemon Nobita no Takarajima (2018) Poster

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8/10
An adventure full of childlike wonder and thrill, humour and witticisms, and unexpected poignance, this latest instalment in the Doraemon feature films is treasure indeed!
moviexclusive20 June 2018
No other animated character can claim to have had one big-screen feature each year for the past 12 years, but that alone is testament to the popularity of the time-travelling blue robot cat (not raccoon dog, mind you, which happens to be one of the running jokes in this movie). This 38th feature instalment in the Doraemon anime franchise sees the titular character and his boy companion Nobita embark on a seafaring journey to explore a mysterious island that has suddenly appeared off the southern coast of Japan, although when they eventually reach the volcanic land mass, they discover that there is more, much more, to the island than meets the eye.

As penned by novelist Genki Kawamura (who produced some of the most successful Japanese feature animations in recent memory, like 'Your Name', 'Fireworks' and 'The Boy and the Beast'), the story deliberately draws from some of the more memorable references of Robert Louis Stevenson's classic 'Treasure Island' novel, so those who remember the book will certainly recall the pirate named John Silver, his talking parrot and the boy whom Silver is fond of. In any case, the opening minutes of the movie give a quick rundown of these references, just before Nobita wakes up from his daydream and muses how he'd like to go on a real-life modern-day pirate adventure.

Nobita's wish - and perhaps to an equal extent, his pestering - become Doraemon's command, who pulls out a magical Treasure Hunter map to look for a yet-unexplored treasure island, as well as a miniature sailboat DIY kit and a magnifying glass to construct the square-rigged ship that they will use to reach the island. Nobita uses the Anywhere Door to ask his best friend and love interest Shizuka along, while the quick-tempered bully Gian and fox-faced rich kid Suneo invite themselves along the way. The quintet are also joined by the Mini-Doras, who prove resourceful as ever when the rest get into tight spots, so if you're keeping score, only Doraemon's younger sister Dorami sits out this one.

Without giving too much away, let's just say that Shizuka is kidnapped during their initial encounter with Flint and his band of pirates, owing to a striking resemblance she has with Flint's younger daughter Sarah. At the same time, Nobita will pick up Flint's elder son Flock, who reveals not only that he has run away from his father but also that Flint has some nefarious plan up his sleeve that will threaten the very fate and future of Planet Earth. It's not a literal adaptation of the book of course, but you'll appreciate the generous creative liberties that Kawamura and director Kazauki Imai have taken with the source material, even turning Flint's parrot into a chaperone robot named Quiz who likes to greet anyone and everyone he meets with riddles.

Make no mistake, this isn't just a feature-length version of the Saturday morning cartoons you'd probably acquaint the Doraemon character with; rather, Imai's film is really a rollicking adventure fit for the whole family (except of course for the fact that you'll have to be old enough to be able to read the subtitles to understand the dialogue). There is a genuine childlike sense of wonder and thrill every step of the way, thanks to Kawamura's inventive plotting as well as Imai's rich and vivid visual imagination. There are loads of humour and witticisms, courtesy of Doraemon's boundless gadgets and Quiz's verbal puzzles. And last but not least, there is even surprising poignance at the end of it, as Silver's ostensible selfish motivations are revealed to be no more than misguided obsessions about completing his beloved late wife's legacy.

It is no coincidence that 'Nobita's Treasure Island' has since gone and become the highest grossing instalment in Doraemon history, seeing as how there is plenty here to entertain those among us who are growing up and those among us who had grown up with the lovable robot cat. In particular, the latter will probably find the conclusion unexpectedly moving just as we did, and in fact come to sympathise with how Silver just wanted to do right for the sake of his children and their future. Like we said at the start, no other animated franchise has been as prolific or enduring, and this latest film is itself reason why Doraemon is so beloved and will likely continue to be for generations to come. There is treasure indeed in this fascinating time-travelling tale of discovery, friendship and reconciliation, so embrace your inner child and hop on for the adventure!
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6/10
Enjoyable overall, but I have many complaints about a major subplot...
albertonykus10 March 2024
Warning: Spoilers
In this movie, Nobita and his friends encounter pirates while searching for treasure out at sea (not to be confused with Nobita's Great Adventure in the South Seas, where they also did that). In general, I think this one is pretty good. Gian and Suneo get to do something cool. The Mini Doras have a lot of screentime, which is usually a plus. Quiz the robot parrot, who speaks in riddles, is a fun character.

However, I have one major issue with this movie: the fact that about half of it is taken up by an overdone "Shizuka gets kidnapped" subplot. Not only that, but relative to the amount of time spent on it, this may be the most poorly executed arc of its kind in the Doraemon movies so far. First of all, the reason given for why Shizuka gets kidnapped is frankly very silly. It's because the pirates mistake her for their captain's daughter, Sarah, who supposedly looks a lot like Shizuka... except the two of them have completely different hair and eye colors. Both this and the fact that Shizuka doesn't seem to know any of her kidnappers should have tipped the pirates off to their mistake, but they never properly catch on. Furthermore, when we meet Sarah herself, there's absolutely no indication that she has a history of getting lost or running away, making it even more of a stretch for these pirates to immediately assume that she was the same person as this frightened, dark-haired girl that they encountered on a random ship. (One pirate does point out the hair color discrepancy, only to be hastily brushed aside.)

In addition, to facilitate this kidnapping, the filmmakers invoke Shizuka's disappearing weapon. Right before she is captured, the protagonists are engaged in heated combat against the pirates that have boarded their ship, during which everyone, including Shizuka, is clearly wielding a weapon. We even see Shizuka use hers (the Reversal Cape, to be specific). Yet in the scene where she gets kidnapped, she is suddenly left defenseless on the deck, with no explanation for what happened to her gadget.

Okay, let's pretend that the reasoning for and circumstances around the kidnapping do make sense. It could at least serve an important narrative purpose, right? Maybe it motivates the other main characters to go after the pirates, starting a new chapter in their adventure... Well, it does, but this turns out to be unnecessary. Shortly after Shizuka is kidnapped, the protagonists rescue a boy lost at sea, who turns out to be Sarah's brother, Flock. Having left the pirate crew himself, Flock also hopes to give his sister a chance to escape. That alone probably would have provided more than enough reason for the main characters to help track down the pirates, as it's unlikely (at least in the movies) that Nobita and his friends would turn down the chance to help another kid who is in need.

All right, but maybe Shizuka could make some valuable contributions by being among the pirates. Perhaps her bonding with Sarah becomes significant- Hmm, not really. Sarah is pretty much on the same page as her brother from the beginning. Well then, maybe Shizuka can use an outsider's perspective to help convince the main antagonist not to follow through with his plan- Uh, nope, that doesn't happen either. There's even a scene where she is the only one present in the same room as the main antagonist, but nothing of that sort plays out. The most plot-relevant thing Shizuka does in this movie (helping Nobita save Doraemon from being trapped inside an energy ball) occurs after she is already reunited with the others, so I am really struggling to see the point of the kidnapping subplot here.

To end on a positive note, I do like this movie's ending song. It has an unusual style for a Doraemon song, but it's got character, and I don't hate that it's become the current opening theme for the regular Doraemon anime series.
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