Wow there was more to this movie than just the family drama itself, i am glad i got to see this movie, it was a full pack for me, so there's like a ton of lesson to be learnt here and there was a lot of inspiring traits and personally I'd recommend this movie to anyone who's having a second thought on actually seeing this movie, like i said it really literally got me there.
58 Reviews
Relatable Film for many Asian Families in USA
clarkmick3310 May 2020
This film is quite a surprise family drama that is very relatable for many children of parents working overseas. I liked how they did not shy away from showing the cultural fact that many successful Asian business men do take on many wives and mistresses yet unlike the west it is culturally acceptable to do so. Having Sasha the lead having to deal with all these dynamics was interesting to see. I liked how she was not black and white and while being kind she could also be selfish - that natural character progression is harder to find these days.
The lack of romantic connections was quite a surprise in the film and I must say this was a good thing. Sometimes life does not need to be filled with romance- I think this is what others might have expected. I much preferred this movie over a Crazy Rich Asians where most of the cast was filled with one dimensional characters!
Dispite the lead being good in her role I was quite surprised they choose a Japanese-American woman to play the part of a Chinese-American? Is that not like throwing Asians of all ethnicities into one basket?!
Overall a good Sunday Afternoon watch on some downtime.
The lack of romantic connections was quite a surprise in the film and I must say this was a good thing. Sometimes life does not need to be filled with romance- I think this is what others might have expected. I much preferred this movie over a Crazy Rich Asians where most of the cast was filled with one dimensional characters!
Dispite the lead being good in her role I was quite surprised they choose a Japanese-American woman to play the part of a Chinese-American? Is that not like throwing Asians of all ethnicities into one basket?!
Overall a good Sunday Afternoon watch on some downtime.
a princess learns about life
ferguson-65 March 2020
Greetings again from the darkness. Seeing Chinese films reach mainstream status is a nice development in a cinematic industry that too often segments by nationality. Jon M Chu's CRAZY RICH ASIANS was a huge hit in 2018, and then last year Lulu Wang's brilliant THE FAREWELL was a favorite. Now comes a semi-autobiographical tale from writer-director-producer Emily Ting. All three films revolve around Americanized young adults revisiting their Chinese roots, though each for different reasons.
Anna Akana stars as Sasha Li, a twenty-something one year removed from fashion school. We first see her on her birthday botching a job interview and running up a monster bar tab with her posse of friends at the club that night. Having ignored calls from her father in China, she is shocked and humiliated when she discovers her dad has cut her off from the trust fund she has been blowing through living the high life in Los Angeles. As viewers, we are immediately turned off by Sasha's immaturity and spoiled self. When her dad offers her a deal ... come back to China and work in his toy factory for a year in order to get her trust fund back, we (and her friends) see it as a no-brainer. But it's not until she gets an eviction notice and discovers her mother (Kelly Hu) is also being cut off, that she makes the decision to head back to the homeland.
Once Sasha is back in China, all of the pieces to the puzzle are present. It's a dysfunctional family headed by the father Teddy (Richard Ng) who seems dedicated to being a successful businessman, while proclaiming he's doing it all for the family ... a family that consists of multiple offspring from multiple women. His oldest daughter Carol (Lynn Chen) is Sasha's half-sister, though they barely know each other. Carol has been a dutiful loyal soldier to dad's toy company, and a bit envious of Sasha's free-wheeling lifestyle. Carol believes she has paid her dues, and it's now time for Sasha to pay hers. Sasha also meets two younger half-siblings, as well as a particularly young Lulu (Kendy Cheung), whose role Teddy describes as "she takes care of me." Yuck.
What happens next is relatively predictable. Sasha's fashion design skills prove valuable to dad's stale line of toys, so her ideas bring new life to the company and the employees. The latter are impacted by Sasha's insistence on better working conditions. Of course, Sasha being Sasha, her lack of business savvy leads to problems and a fallout. The film's wrap up is a bit too clean for the real world, but Ms. Akana has managed to win us over by this point, so we are apt to overlook the script and story issues.
Richard Ng seems a bit too old for his role as Teddy, but he excels in the business scenes where frustrations boil over. Teddy fails miserably as a father or relationship partner, but his instincts with Sasha seem sincere. Filmmaker Ting includes some commentary on social and cultural issues in China, including the 'One Child Policy', and the labor practices and family pressures. The film is part 'coming of age', part 'coming home', and part 'coming to grips'. The life lessons for Sasha are quite clear as she transitions from spoiled princess to reality-based citizen. Her family may still be packed with dysfunction, but then, whose isn't? Part of maturity is learning to deal with it, and understand that family does matter.
Anna Akana stars as Sasha Li, a twenty-something one year removed from fashion school. We first see her on her birthday botching a job interview and running up a monster bar tab with her posse of friends at the club that night. Having ignored calls from her father in China, she is shocked and humiliated when she discovers her dad has cut her off from the trust fund she has been blowing through living the high life in Los Angeles. As viewers, we are immediately turned off by Sasha's immaturity and spoiled self. When her dad offers her a deal ... come back to China and work in his toy factory for a year in order to get her trust fund back, we (and her friends) see it as a no-brainer. But it's not until she gets an eviction notice and discovers her mother (Kelly Hu) is also being cut off, that she makes the decision to head back to the homeland.
Once Sasha is back in China, all of the pieces to the puzzle are present. It's a dysfunctional family headed by the father Teddy (Richard Ng) who seems dedicated to being a successful businessman, while proclaiming he's doing it all for the family ... a family that consists of multiple offspring from multiple women. His oldest daughter Carol (Lynn Chen) is Sasha's half-sister, though they barely know each other. Carol has been a dutiful loyal soldier to dad's toy company, and a bit envious of Sasha's free-wheeling lifestyle. Carol believes she has paid her dues, and it's now time for Sasha to pay hers. Sasha also meets two younger half-siblings, as well as a particularly young Lulu (Kendy Cheung), whose role Teddy describes as "she takes care of me." Yuck.
What happens next is relatively predictable. Sasha's fashion design skills prove valuable to dad's stale line of toys, so her ideas bring new life to the company and the employees. The latter are impacted by Sasha's insistence on better working conditions. Of course, Sasha being Sasha, her lack of business savvy leads to problems and a fallout. The film's wrap up is a bit too clean for the real world, but Ms. Akana has managed to win us over by this point, so we are apt to overlook the script and story issues.
Richard Ng seems a bit too old for his role as Teddy, but he excels in the business scenes where frustrations boil over. Teddy fails miserably as a father or relationship partner, but his instincts with Sasha seem sincere. Filmmaker Ting includes some commentary on social and cultural issues in China, including the 'One Child Policy', and the labor practices and family pressures. The film is part 'coming of age', part 'coming home', and part 'coming to grips'. The life lessons for Sasha are quite clear as she transitions from spoiled princess to reality-based citizen. Her family may still be packed with dysfunction, but then, whose isn't? Part of maturity is learning to deal with it, and understand that family does matter.
its okay
backnblack-061233 July 2022
Entitled daughter learns the real world of work.
TxMike5 August 2022
Sasha is a 20-something graduate of design school, a year earlier, and about all she does is party with her girlfriends and shop for expensive clothes. Her dad, much older (actor was about 80 during filming), is Chinese and runs a toy factory in a smaller Chinese town. When he calls she just ghosts him.
Then one evening faced with a $2000 tab in L. A. on her birthday with friends she is shocked to learn her credit card was no longer valid. Next day her bank accounts have been frozen. Seems dad has cut her off from her trust fund. She can't find a job and rent is due. So in spite of her grave reservations travels to China, if she will work for a year in the factory he will repay her $1Million.
So the story is actually full of surprises, her dad had been a serial philanderer, had several children with different mothers, but is wealthy. He is a hard-driving boss, he doesn't seem to be able to anything not related to the factory. The story is a growing experience for both Sasha and for her dad.
My wife and I watched it at home on Amazon streaming movies. I know many people object to what they see is the politically-incorrect depiction of work in China but hey, it is a fictional story. It didn't bother us.
Then one evening faced with a $2000 tab in L. A. on her birthday with friends she is shocked to learn her credit card was no longer valid. Next day her bank accounts have been frozen. Seems dad has cut her off from her trust fund. She can't find a job and rent is due. So in spite of her grave reservations travels to China, if she will work for a year in the factory he will repay her $1Million.
So the story is actually full of surprises, her dad had been a serial philanderer, had several children with different mothers, but is wealthy. He is a hard-driving boss, he doesn't seem to be able to anything not related to the factory. The story is a growing experience for both Sasha and for her dad.
My wife and I watched it at home on Amazon streaming movies. I know many people object to what they see is the politically-incorrect depiction of work in China but hey, it is a fictional story. It didn't bother us.
Simple but interesting story
realjingfr12 August 2022
closing generation
momomojojo13 April 2020
A romance movie. It is about family, the complexity of communication. Thoughts, the assumptions, the defense, the views. It make us opening our self up.
Down side, too easy. Normal story line but did have some surprising moments that I really do like (not following the standard line).
A movie for the youth show the possibility of what can be the reason behind everything.
Down side, too easy. Normal story line but did have some surprising moments that I really do like (not following the standard line).
A movie for the youth show the possibility of what can be the reason behind everything.
Biased movie filled with stereotypes
xmyxiemengyi7 November 2020
A fun film that explores what is meant to be an Asian American
jimmierocks10 April 2019
In the last few years we have seen unprecedented focus and interest for films featuring diverse actors with narratives that are deeply grounded in their ethnic cultures. Despite this trend, the stories that spoke to the Asian American experience were lacking. As it may seem exaggerated at parts, this film provides a much needed perspective into the life of an "Almost-Crazy Rich Asian".
The general formula that this story follows is not novel. The movie starts with Sasha, a spoiled and entitled international student, facing a typical recently graduated student problem - finding a job. Anna Akana does a great job of conveying her character as it made me feel both empathetic and schadenfreude. Finding a job sucks, but damn you deserve it for being so wasteful!
What follows, as you may expect from the title, Sasha goes back to China. Although at times the writing relies on cliché and rather hollow devices to demonstrate the complexity of its characters, for example, that there is more to Sasha than being a brat, the characters felt authentic.
Perhaps intended by the director, or simply decades of acting experience demonstrated by Lynn Chen's nuanced expressions, I definitely felt more attached to Carol (Lynn's character) than Sasha.
What felt unique about the film was its execution. It told a convincing coming-of-age story through the lense of an Asian American. Its contrast and blend of both American and Asian experiences felt real. Watching the roller coaster of Sasha and Carol's relationship, caused by the differences of their values - Asian Americans aren't all alike, was satisfying.
I was disappointed by how the movie chose to expose the root of Richard Ng's character, Teddy, the father. Somethings must be demonstrated rather than discussed over lunch.
Despite its flaws, the movie had plenty of heartwarming moments and twists that kept me entertained and invested. As an Asian Canadian, it was refreshing to see a story that sought to tackle the intricacies of our culture and familial conflicts. I left the theater wanting more. 95 minutes is short!
The general formula that this story follows is not novel. The movie starts with Sasha, a spoiled and entitled international student, facing a typical recently graduated student problem - finding a job. Anna Akana does a great job of conveying her character as it made me feel both empathetic and schadenfreude. Finding a job sucks, but damn you deserve it for being so wasteful!
What follows, as you may expect from the title, Sasha goes back to China. Although at times the writing relies on cliché and rather hollow devices to demonstrate the complexity of its characters, for example, that there is more to Sasha than being a brat, the characters felt authentic.
Perhaps intended by the director, or simply decades of acting experience demonstrated by Lynn Chen's nuanced expressions, I definitely felt more attached to Carol (Lynn's character) than Sasha.
What felt unique about the film was its execution. It told a convincing coming-of-age story through the lense of an Asian American. Its contrast and blend of both American and Asian experiences felt real. Watching the roller coaster of Sasha and Carol's relationship, caused by the differences of their values - Asian Americans aren't all alike, was satisfying.
I was disappointed by how the movie chose to expose the root of Richard Ng's character, Teddy, the father. Somethings must be demonstrated rather than discussed over lunch.
Despite its flaws, the movie had plenty of heartwarming moments and twists that kept me entertained and invested. As an Asian Canadian, it was refreshing to see a story that sought to tackle the intricacies of our culture and familial conflicts. I left the theater wanting more. 95 minutes is short!
A masterpiece of bias
lucapiero7 November 2020
Not My Usual Genre
westsideschl27 October 2021
Didn't expect much, but was surprised by the naturalness of the acting & dialogue as well as the subtle (and not so subtle) commentary on social, political behavior.
Filmed in part in Hong Kong before Beijing started limiting individual freedoms even further I liked the subtle jab where are lead (Sasha) takes a selfie to send & gets a no-service message (a jab at China's limiting of individual access to independent tech social services).
Neither the U. S. nor China came out looking that good. The U. S. for it's pursuit of materialism & China for it's denial of basic human freedoms.
Filmed in part in Hong Kong before Beijing started limiting individual freedoms even further I liked the subtle jab where are lead (Sasha) takes a selfie to send & gets a no-service message (a jab at China's limiting of individual access to independent tech social services).
Neither the U. S. nor China came out looking that good. The U. S. for it's pursuit of materialism & China for it's denial of basic human freedoms.
Men! It's 2020!
zibxwx7 November 2020
Such a good movie!! Gei ye kan xiao le
diseoldlee9 November 2020
I really enjoyed this movie
ladude-imdb8 July 2022
stereotype
lchyq32329 May 2020
Actually, it's a pretty decent movie about
Bad-Good-Great6 March 2020
The materialism of the spoiled Chinese young generation who took everything for granted with the money their parents earned so hard by their own endeavors and sacrifices. This movie is pretty good, sometimes, even felt better than "The Crazy Rich Asians", a movie focused on the Chinese overseas who live in Singapore. This movie is typical in Chinese style, except all the actors speaking in English.
The shallow materialism is still very strong, but not overly done as in "The Crazy Rich Asians". The leading actress did a pretty good job. Her transformation and development in her characteristic personality was subtle and convincing.
This is a pretty decent movie. Highly recommended.
Go Visiting Shenzhen In Person Please
dragonitedd8 November 2020
Not a creative storyline
cuwcdtt4 July 2020
An interesting insightful look of the complicated relationships between a patriarch and his daughters
hellorosetennesee1 August 2022
BRAVO to Emily Ting for writing a movie about a complicated relationship that few movies have examined.
We have all heard about Asian Tiger parents, and this movie actually delves into that, and the expectations that are placed on children according to birth order. Eldest daughters are often given the strictest standards, finances can be used to control -- all of it is true.
Is it EVERY truth about an Asian family? No. But it is a truth and Emily Ting deserves kudos for putting it out there.
(BTW - I am South Asian and there are many similarities that were shown. My sister and I loved it. It spoke to us.)
We have all heard about Asian Tiger parents, and this movie actually delves into that, and the expectations that are placed on children according to birth order. Eldest daughters are often given the strictest standards, finances can be used to control -- all of it is true.
Is it EVERY truth about an Asian family? No. But it is a truth and Emily Ting deserves kudos for putting it out there.
(BTW - I am South Asian and there are many similarities that were shown. My sister and I loved it. It spoke to us.)
Surely culturally insensitive?
iamtherobotman13 March 2020
In this day and age when all films seem to have to adhere to a certain standard of 'correctness' i find it odd that a Japanese American Youtube personality known for barking on about all kinds of acceptability should then take on a role of a Chinese American in this film.
I guess it's ok for some to deprive someone of job if it means their own pockets get lines with gold.
This woman ( Anna Akana ) is so full of double standards it's not real.
An entertaining and moving film that resonated with me!
aster-0579318 May 2019
I'm keeping this review somewhat general to avoid spoilers. This film resonated with me on so many levels, as I am Chinese American and worked in a family business, though here in the states. There is so much packed into 95 minutes, yet the film flows smoothly. I feel this film entertainingly provides a glimpse into the complex cultural balancing act faced by many Chinese and Chinese-American families, as our world has become increasingly globalized...
If I have to use 3 words to describe this film
vividevie8 November 2020
RABBISH
jackjiangjinjian21 February 2024
"Go Back To China" is a disappointing film because of its overly stereotypical and biased portrayal of Chinese students, social conditions, and politics. The director seems more concerned with creating opposition and exaggeration than truly reflecting the complex and diverse reality.
First, the film's depiction of Chinese students is too one-sided. Characters are often written as simple stereotypes, lacking depth and personality. This type of representation may mislead viewers into forming an inaccurate impression of Chinese students, rather than a true understanding of their diversity and complexity.
In addition, the movie seems to have an overly biased view of the current social situation and politics in China. Viewers may feel that stereotypes are being imposed rather than receiving an objective and in-depth understanding. Such representations may lead to misleading impressions of China rather than promoting cross-cultural understanding and dialogue.
When expressing cultural conflicts and family disputes, the film also fails to avoid falling into clichéd and cliched plot frameworks. This lack of innovation and depth may leave audiences feeling tedious and frustrated rather than inspiring empathy and thought.
Overall, "Go Back To China" failed to live up to expectations for a true, in-depth discussion of Chinese students, society, and politics. Audiences may be disappointed, thinking the film is a shallow stereotype rather than a true reflection of complex reality.
First, the film's depiction of Chinese students is too one-sided. Characters are often written as simple stereotypes, lacking depth and personality. This type of representation may mislead viewers into forming an inaccurate impression of Chinese students, rather than a true understanding of their diversity and complexity.
In addition, the movie seems to have an overly biased view of the current social situation and politics in China. Viewers may feel that stereotypes are being imposed rather than receiving an objective and in-depth understanding. Such representations may lead to misleading impressions of China rather than promoting cross-cultural understanding and dialogue.
When expressing cultural conflicts and family disputes, the film also fails to avoid falling into clichéd and cliched plot frameworks. This lack of innovation and depth may leave audiences feeling tedious and frustrated rather than inspiring empathy and thought.
Overall, "Go Back To China" failed to live up to expectations for a true, in-depth discussion of Chinese students, society, and politics. Audiences may be disappointed, thinking the film is a shallow stereotype rather than a true reflection of complex reality.
Wonderful coming of age story for the entire family
davidkwon-327478 March 2020
A spoiled young woman connects with her father (and step siblings), discovers her root and finds her self. Story is nothing new, but this movie tell it very well using modern China (and USA) as the background. Anna Akana is delightful as the LA-bred privileged daughter of wealthy Chinese manufacturer. Excellent family feature.
Thank you for this wonderful movie
utopiadz11 November 2020
I am always wondering how will they react when they finally find out it's 21st century now. The real question here is why an ignorant and expired woman has the resources to make a movie and put it online, this is definitely not a good sign for the human being.
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