Goodbye Honey (2020) Poster

(2020)

User Reviews

Review this title
14 Reviews
Sort by:
Filter by Rating:
5/10
Tropes done well on a microbudget
aarpcats19 November 2021
A lonely truck driver is approached by a desperate girl at a remote road side stop. The truck driver is exhausted from working and the girl seems out of her mind with paranoia.

There are plot holes galore (truckers are restricted to the number of hours they can drive, for one. Truckers typically are connected by satellite to their dispatchers, etc.) but the performances are better than they are in most indie films.

I liked the movie in spite of the flaws, and enjoyed the grinding sense of unease it delivered.

Give it a chance.
5 out of 5 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
Not bad
ukheather28 November 2021
It's actually not too bad a film. Obviously on a budget but the acting was fine and least the storyline was a bit different.

Stick with it if you aren't sure to start with. It's not bad.

Ignore the 1's. It's not a 1.
3 out of 3 found this helpful. Was this review helpful? Sign in to vote.
Permalink
3/10
Garbage
poeboy_71 June 2021
Warning: Spoilers
This movie is terrible. Never mind the bad acting, which can be overlooked on account of the low budget, but some of the story elements make any sense. She drives a moving truck but can't keep track of her keys, has no organization or care taken with the stuff she's hauling, the girl who escaped and needs help is terrible at asking for help or explaining why she needs it...this movie is not worth your time. Nobody in this movie is even remotely likable.
3 out of 5 found this helpful. Was this review helpful? Sign in to vote.
Permalink
2/10
Don't waste your time you've been warned
wolfmanrtcw-3543125 May 2021
The the writing is horrible the story is horrible I could go on and on but I'd be wasting your time just don't watch it

Banging your head against the wall would be time better used.
5 out of 10 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
Decent
BandSAboutMovies14 May 2021
Warning: Spoilers
A trucker (Pamela Jayne Morgan) has just pulled her rig into a state park to rest when a hysterical young woman (Juliette Alice Gobin) accosts her, claiming that she's fleeing from being a kidnap victim. She doesn't believe a word the younger woman tells her, which leads to a fight between the two of them that ends with lost keys, a broken phone and nothing but the dark of night around them both.

After this bad beginning, the women start bonding over their shared history of abuse and trauma. But if they want to make it out of this dark night of the soul alive, they better learn how to trust one another.

Writer Todd Rawiszer and director Max Strand have put together a taut thriller here that starts with high tension and doesn't let up until a late in the story reveals that makes all of the coincidences of the story aa little hard to swallow. Luckily, the two leads carry this movie over that barrier and deliver a rewarding film that shows that the talent that made this film may be unknown, but it won't be that way for long.
4 out of 9 found this helpful. Was this review helpful? Sign in to vote.
Permalink
4/10
SMH
gab-6759912 May 2021
Warning: Spoilers
If this is what I have to look forward to as far as future movies go, I might as well just give up now. There was no real connection or emotion between the two lead actresses'. The whole "Pour Mountain Dew over your head" was sad and laughable. No one in their right mind would do that with a BAT pointed at them. I mean a BAT, come on! Then the story changed and I thought maybe just maybe there would be hope for this movie yet. I was wrong! Boring, slow, even the high points were muted by the bad acting and lack of a good story. I do not recommend this movie at all and anyone rating it over a 5 is lying. This movie was not even half good.
4 out of 9 found this helpful. Was this review helpful? Sign in to vote.
Permalink
1/10
Dreck doesn't even begin to cover it
catrace-971754 June 2021
This shoddy waste if time was enragingly bad. Between the laughably terrible acting, plotholes you could drive a truck through, & illogical story, it beggars belief anyone rated this nonsense more than 1 star. Some prize chump admitted to watching this garbage TWICE. On PURPOSE. Wtaf. It was awful on literally every level & everyone involved should be banned from film making. Ffs.
3 out of 7 found this helpful. Was this review helpful? Sign in to vote.
Permalink
3/10
Could have been a great movie
eprusulis13 May 2021
Warning: Spoilers
This movie could have been like a 10 but Pamela Jayn Miller did not ask this real well and her script was terrible but she could not act like excite not excited but like scared she couldn't pull off being shocked so for example when this girl first comes up to her and tells her she's been kidnapped she doesn't play her answer well and some reason without any reason she just doesn't believe her there's also a scene that was written that like she lost her keys and instead of them just continually looking for her keys until they find them so they can leave with the truck they just stop so there were a couple scenes that were written really bad that drops the overall tea reading it do p lol,
3 out of 9 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
Interesting Thriller That Plays with Troupes
Reviews_of_the_Dead29 April 2021
This was another film from Nightmares Film Festival. It made its Ohio premiere at the festival. When Jaime was looking through the titles and synopsis of the movies that she was intrigued by, this one caught her attention so we watched it together. This is actually also my second viewing of the film as a screener thanks to Justin Cook as well. The synopsis here is after escaping abduction; a frantic woman must coerce an exhausted truck driver to hide in the back of her truck for the night. The two women take refuge not knowing what the rest of the night has in store.

We start this off with an interesting cold open. There's a woman that flees down the stairs into a basement of a house. She is trying to find a way out and she is looking for items that she can use to aid in this. We will learn later on that her name is Allison (Peyton Michelle Edwards). When she finally gets the doors to freedom open, something causes her to back up in fear.

We're then taken to a woman truck driver. Her name is Dawn (Pamela Jayne Morgan). As full disclosure, I thought she was a lesbian to start out. There's a bumper sticker on the glove box for the passenger seat that states 'My wife is a nurse'. Later we will learn that her husband used to own this truck and their business. He abruptly passed away and she has taken over due to needing the income for her and her daughter.

She is exhausted. She sees a sign for a state park nearby so she pulls off to sleep for a little bit. Before doing so, she does call the person she is moving the stuff in the back of the truck for to keep them updated on her progress. From what she states, she is ahead of schedule and will make it on time. Things take a turn though when Phoebe Beenum (Juliette Alice Gobin) knocks on her window, asking for help. Dawn isn't sure what to believe, but the fear is real with the younger woman. She states she escaped from a trunk of a car and that she's been held captive for months. Dawn doesn't necessarily believe her story, but can see she is freaked out. This causes Phoebe to rashly grab for her phone, which in turn causes it to break. To make matters worse, Dawn can't find her keys. Phoebe freaks out that they can't leave and Dawn calms her that they have to be around here somewhere.

As the night goes on, Dawn hears more of Phoebe's story. There are a couple of guys who are there to drink and smoke. Dawn starts to believe that maybe the story could be true and is willing to help. Phoebe is convinced whoever she got away from is still out there. Is the fear that Phoebe has real? Is this person still out there? What makes it even crazier though are how they are connected.

Now where I want to start with my analysis on this movie is the fact that the cold open made me think of a lot of troupes you get in horror movies. I've seen things like Chained that is a variation on this idea and I mean, before seeing this movie for the first time, I did see Alone which also uses a similar premise. It isn't new, but what you really need to do is something that is different with the idea.

That's where I give credit to this movie. This idea is something we don't see a lot of. Dawn's character is deep in the sense that she had a path for her life. We learn about the middle of the movie that she was going to nursing school. Her husband tragically passed away so she gave up her dream to ensure her child got everything that she needed. That has her taking over driving this truck, which we learn she hates. There is emotion here though as this belonged to her husband, so it is something she also can't give up. It also does an interesting thing to strand them. She's exhausted and can't find the keys to her truck. We know they have to be around there somewhere, but if Phoebe is to be believed, maybe this person who is watching took them. I thought that worked well in building the tension and the fear.

I even like Phoebe's back-story. Here shortly I'll get into why it doesn't work for me though as well. I like the idea that Phoebe is kidnapped and gets free by fleeing into the woods. There's even an interesting aspect to this story where Allison, the other young woman that was captured, is her friend. The fear is there in both of these younger women. It also translates over to Dawn. Phoebe and Dawn have interesting interactions when Dawn ends up being humiliated trying to help her. There's anger there in Phoebe for not helping, but when you're as terrified as she is, it is hard to blame her. This sparks the growth and change in character we need for both of them. I should also point out; being that this is a thriller our characters can't immediately believe Phoebe. Seeing what she has endured, that makes me feel bad for her, because not being believed is something that many women struggle with. This makes it even more interesting that it is Dawn, another woman, instead of a male truck driver. I like this change to troupes we normally see.

To get back to what I was saying earlier, my biggest issue here is what happens with Cass (Paul C. Kelly). I'm not going to give away this back-story, as it is through a reveal given by Phoebe explaining what happened to her. What I will say is that I don't buy it. I get the sadness that he is experiencing and getting his revenge. The problem is that, the blame he is given is misguided. It didn't work for me and I think there could have been a bit more to raise this stakes to make it work better. What I can say is that blame can be misguided at times for sure.

What I will say though is the acting is good here. Gobin does a great job at showing her fear. I love that we get a bit of her being normal through flashback to show us before she was taken. When we first meet her she's terrified. The events of the night really make her grow which works. On the other side, we have Morgan. What works with her is that she has a tough exterior and I like as she interacts with Phoebe, the belief grows and the will to help. It also saves her by doing so, but I digress. Kelly doesn't have a big part in the movie, but once we learn about him, he becomes the face of the constant menace. I did like Rafe Soule and Jake Laurence as Zach and Tyler. They really just a bit part, but they do well in forcing Dawn to grow. The rest of the cast rounded this out for what was needed.

The last things to go over briefly would be the effects and the soundtrack. We don't get a lot in the way of effects, but we also don't need them. They really go subtle and the use of shadows is good to hide things. I will commend the cinematography there for sure. As for the soundtrack, it didn't really stand out, but it did fit for what was needed.

Now with that said, I can see another movie where people not find this a horror film. It really is a thriller, but I feel the reveals we get really make it close enough for me to include it. There are some dark elements and where Cass is willing to go to get his revenge. I think that the acting from the two leads really help to carry this movie. Seeing them grow into who they have to be by the end worked for me. There are some tropes here that we see quite a bit, but I like the different take on how they're used. The cinematography was good. There were some shots that definitely stood out to me. Aside from that, what little we get for the effects were good and the soundtrack fit for what was needed. I'd rate this as an above average movie and would recommend giving it a viewing for sure.
12 out of 26 found this helpful. Was this review helpful? Sign in to vote.
Permalink
2/10
No...
panta-47 June 2021
Thank you to all the friends and relatives here for writing the good reviews... but this was a film which just made me think of one thing: Max Strand and Todd Rawiszer, do not quit your daily jobs as production assistant and gimbal operator! And I hope that you both are doing those jobs well, because the work you did on this movie was bellow any standards. Bad screenplay full with illogical situations, characters appearing from nowhere and then disappearing, cinematography with lack of knowledge of basic usage of light... directing was the best part with acting - they together deserved 2 stars!

And I felt sorry for those actors! Poor souls... they will suffer for years being involved in this!
3 out of 10 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
Low budget triumph
nospammerz-1288725 December 2022
I have never written an IMDb review but wanted to for this film because it shows that there are no excuses. Many filmmakers whine about budget being the main restraint but this film is low budget and works. The key was strong casting. You believed the performances of "no names". No fancy sets, expensive or extensive locations or special effects. I was completely sutured. Kudos to the producer for gathering an effective team and writer for being strategic to maximize impact without money (at least not a lot necessary resources). And the cast kicked butt. I hope they all get recognized and make more work. Can't wait to see what they could do with a bigger budget.
2 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
1/10
An Actual Waste of Time
jacobjohnson-0539728 October 2021
Warning: Spoilers
Oftentimes, when discussing more artful films, a general audience member may feel that the slower pace actually hinders their experience because "nothing is going on". In good movies, sometimes this complaint is disproven by the subtler details of a film, like an interaction between characters that holds a lot of depth beyond simply the narrow perception of what the characters are saying. A director has a specific vision for what they're attempting to accomplish and feels as though they can take their time to really develop it.

Goodbye Honey (2020) is not one of those films.

The direction is very bland and basic, showing a fundamental understanding of the core mechanics of filmmaking and nothing beyond that. The acting from the two principle characters is serviceable, while all the other actors are subpar. The soundtrack is a grating, thin John Carpenter-esque synthesizer loop that simply plays over and over throughout the whole movie in a way that's supposed to convince the audience what they're seeing is intense when it's really just a flaccid attempt to thrill. However, the biggest problem with this movie is the script and how frequently it wastes the audience's precious time on Earth.

Dawn is a trucker that, while attempting to sleep in a state park overnight, is interrupted by Phoebe, who is desperately attempting to flee her captor. Phoebe and Dawn waste time for about 20 minutes in attempting to discern whether they can trust one another enough in a repetitive sequence of scenes that mean fighting over the most minute details. Then, once that plot point has been exhausted, there's a banging at the cargo door of Dawn's truck. Phoebe hides, Dawn opens it up to attempt to ward off kidnappers and phone 911 (Phoebe accidentally broke Dawn's phone for convoluted reasons), and bartering for a phone call takes 20 minutes and goes nowhere, with the only development in the plot being that Dawn's hair is now soaked in Mountain Dew.

But wait, weren't those Phoebe's kidnappers? Well, evidently not, as once this scene ends, Phoebe reveals the two idiotic young men Dawn spoke with for 20 minutes weren't her kidnappers.

So my question is, like many other sequences: what is the narrative point in including these scenes? Nothing happens, we don't learn anything meaningful about our characters. There is no theme that is developed or spoken on. It's just scenes of our characters experiencing trauma with nothing more added.

Then Phoebe tells the story of her kidnapping in a hilariously-terrible sequence where a judge attempts to argue Castle Doctrine in shooting his own daughter and traps Phoebe in his basement ("I WAS WITHIN MY RIGHTS!"). The editing in these scenes is particularly obnoxious, reminding me more of Saw III than Room. After this overly-long flashback sequence is over, it's revealed that Phoebe's captor is actually the client Dawn is helping to move houses. (Cue canned audience gasping.)

Then, in the final minutes of the movie, Dawn and Phoebe kill the kidnapper by trapping him in the back of the truck and lighting him on fire with a molotov cocktail. This scene accounts for the *1* star I would give this movie, as it was the only moment where I felt my synapses firing at all.

Rarely does a movie actually make me angry, even terrible movies can be fun to laugh at. Plan 9 from Outer Space is a terrible film made by a terrible director, but at least that movie had a theme and a purpose for existing. Goodbye Honey doesn't, so what does that make it? Don't bother.
1 out of 4 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
VERY ENGROSSING STORYLINE
steveabraham811-113 August 2021
Warning: Spoilers
The movie kept me glued to the screen throughout and even had me talking back to the screen at times. Very professionally directed and edited. Very good casting and score. I loved the selection of fruit that was served to the prisoner. I am very proud of the writer/director. I see a big future for him.
4 out of 6 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
Super low budget masterpiece
josmanaba4 November 2022
Warning: Spoilers
First of all, this is not a big budget Hollywood movie, it's super cheap, so it's not fair to use high standards to measure it.

I admire what the production team (if any) did with just a few bucks, it's a great thriller where you don't know what's coming next, and when it comes it's a surprise, for example (spoiler) when the girl recognizes the furniture, you, like the girl in the movie, feel the chill and think, just like her, "it can't be".

This movie is a lesson to all those filmmakers who don't have enough money but want to start making their own art. You don't need lots of money, what you really need it's a decent script with an interesting story that people might like, and one or more twists to keep people engaged.
1 out of 1 found this helpful. Was this review helpful? Sign in to vote.
Permalink

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed