Directed by
| Albert Kwak | ||
Writing Credits (in alphabetical order)
| Albert Kwak | ... | (screenplay) |
Cast
Produced by
| Lital Doron | ... | associate producer |
| Avonlea Elkins | ... | associate producer |
| Alexia Fox | ... | co-producer |
| Laina Kim | ... | executive producer |
| Angelique Klas | ... | associate producer |
| Albert Kwak | ... | executive producer |
| Mary Lee | ... | producer |
| Fernando Licon | ... | line producer |
Music by
| R. Kim Shultz | ||
Cinematography by
| Federico Jimenez | ||
| Vincent Paul | ||
| Nathan Vi | ||
Editing by
| Albert Kwak | ||
Production Design by
| Derek B. Mitchell | ||
Set Decoration by
| Minho Kim | ||
Costume Design by
| Angel Gutierrez | ||
| Mark Krenik | ||
Makeup Department
| Alexia Fox | ... | key makeup artist |
| Chelsea Fredrick | ... | makeup artist |
Second Unit Director or Assistant Director
| Dakota Hadfield | ... | assistant director |
Sound Department
| Federico Jimenez | ... | boom operator / sound editor |
| Joe Romersa | ... | a.d.r recordist / foley artist / sound mixer |
Special Effects by
| Renae Goodhew | ... | special effects technician |
Visual Effects by
| Jensen Gore | ... | digital compositor |
| Federico Jimenez | ... | title and graphic designer |
| Yuta Okamura | ... | visual effects |
Stunts
| Aleeto Lee | ... | stunt coordinator |
Camera and Electrical Department
| Kevin Bible | ... | camera operator: "b" camera / key grip |
| Richard Duryea | ... | camera operator |
| Fernando Licon | ... | grip |
| Meg Powell | ... | best boy grip (as Megan Powell) |
| John Tu | ... | additional grip |
| Nathan Vi | ... | gaffer / key grip |
Costume and Wardrobe Department
| Alexia Fox | ... | costumer |
Location Management
| Peter Kim | ... | location scout |
Additional Crew
| Thomas Sanchez | ... | production coordinator |
