Directed by
| Katerina Gorshkov | ||
Writing Credits
| Katerina Gorshkov | ... | (written by) |
Cast (in credits order)
Produced by
| Jaime Gallagher | ... | co-producer |
| Katerina Gorshkov | ... | producer |
| Vassili Gorshkov | ... | executive producer |
| Dmitri Krassotkine | ... | associate producer |
| Jason Schmid | ... | associate producer |
Music by
| Tim Wynn | ... | (original score by) |
Cinematography by
| Will Turner | ... | director of photography |
Editing by
| Brody Gusar | ||
| Jason Schmid | ||
Production Design by
| Cameron Barrett | ||
Art Direction by
| Chantal Massuh | ||
Costume Design by
| Aoife Baker | ||
Makeup Department
| Renae Goodhew | ... | makeup department head |
| Elaina Karras | ... | additional makeup |
| Laura Raczka | ... | additional makeup |
| Denise Ruelas | ... | additional makeup |
Production Management
| Aya Nakano | ... | unit production manager |
Second Unit Director or Assistant Director
| Kevin Huie | ... | first assistant director |
| Justin Trimm | ... | second assistant director |
Sound Department
| Andres Boulton | ... | re-recording mixer / supervising sound editor |
| Jim Fitzpatrick | ... | re-recording mixer |
| Martin Quiñones | ... | foley recordist (as Martin Quinones) |
| Ryan Villarreal | ... | foley artist |
| Nathanael Lentz | ... | sound mixer (uncredited) |
Visual Effects by
| Dorian Cleavenger | ... | visual effects |
| Tommy Ray Hall | ... | visual effects (as Tom Hall) |
| J. Emilio Martinez | ... | visual effects (as Emilio Martinez) |
| Jason Schmid | ... | visual effects |
Camera and Electrical Department
| Steve Apple | ... | gaffer |
| Richie Banks | ... | still photographer |
| Kenneth Buchler | ... | key grip electric |
| Steve Crowick | ... | best boy grip |
| Jeff Dolen | ... | additional cinematography (as Jeff Dolan) |
| Michael Gray | ... | key grip electric (as Mike Gray) |
| Bart Grillet | ... | key grip electric |
| Robert Grower | ... | gaffer: additional photography |
| Shawn LaFrance | ... | grip electric |
| Colin MacDonnell | ... | steadycam operator |
| Robert Mendoza | ... | digital management technician |
| Owen Patry | ... | additional camera assistant |
| Jen Pawlowski | ... | second assistant: "a" camera |
| David Perlis | ... | best boy electric |
| Chris Phelps | ... | grip |
| Symeon Platts | ... | gaffer |
| Jamie Sutor | ... | key grip electric (as Jamie Sutar) |
| Michael Taing | ... | still photography |
| Robert Upchurch | ... | gaffer |
| Paul Wiedt | ... | first assistant: "a" camera |
Casting Department
| Amanda Markowitz | ... | casting associate |
| Eryn Rea | ... | casting associate |
Editorial Department
| Shaley Brooks | ... | colorist |
| Aaron I. Butler | ... | consulting editor (as Aaron Butler) |
Location Management
| Rosemarie Rhodes | ... | location on-site manager (as Rosemary Rhodes) |
| Anna Tveritina | ... | location manager |
Music Department
| Casey Kolb | ... | composer: additional music |
Script and Continuity Department
| Anna Bowen | ... | additional script supervisor |
| Dora Hopkins | ... | script supervisor |
Additional Crew
| Dillon Buffington | ... | production assistant |
| Grant Ebert | ... | production assistant |
| Antonina Henderson | ... | set medic |
| Atkin Korkis | ... | production coordinator |
| Nolan Martz | ... | production assistant |
| Raymond McCann | ... | production assistant |
| Liz Rodriguez | ... | film publicist |
| Ricardo L. Seleuco | ... | production assistant (as Ricky L. Seleuco) |
| Jevon Stennis | ... | production assistant |
| Aaron Wells | ... | wild animal trainer |
Thanks
| Chad Schultz | ... | special thanks |
