The Polish film industry is having a moment.
Back home, the box office for local-language movies is booming. Polish audiences are packing cinemas for action thrillers like Wladyslaw Pasikowski’s Pitbull: Last Dog ($14 million local gross) or Patryk Vega’s Botoks ($13.3 million) and rom-coms with titles like Pretend Fiance ($6.3 million) and Taxing Love ($6 million).
On the art house side, Polish cinema is arguably stronger than it’s been in a generation, thanks to the likes of Pawel Pawlikowski, who directed the 2015 Oscar foreign-language winner Ida and followed up this year with awards-season favorite Cold War, which earned him ...
Back home, the box office for local-language movies is booming. Polish audiences are packing cinemas for action thrillers like Wladyslaw Pasikowski’s Pitbull: Last Dog ($14 million local gross) or Patryk Vega’s Botoks ($13.3 million) and rom-coms with titles like Pretend Fiance ($6.3 million) and Taxing Love ($6 million).
On the art house side, Polish cinema is arguably stronger than it’s been in a generation, thanks to the likes of Pawel Pawlikowski, who directed the 2015 Oscar foreign-language winner Ida and followed up this year with awards-season favorite Cold War, which earned him ...
- 11/2/2018
- The Hollywood Reporter - Film + TV
The Polish film industry is having a moment.
Back home, the box office for local-language movies is booming. Polish audiences are packing cinemas for action thrillers like Wladyslaw Pasikowski’s Pitbull: Last Dog ($14 million local gross) or Patryk Vega’s Botoks ($13.3 million) and rom-coms with titles like Pretend Fiance ($6.3 million) and Taxing Love ($6 million).
On the art house side, Polish cinema is arguably stronger than it’s been in a generation, thanks to the likes of Pawel Pawlikowski, who directed the 2015 Oscar foreign-language winner Ida and followed up this year with awards-season favorite Cold War, which earned him ...
Back home, the box office for local-language movies is booming. Polish audiences are packing cinemas for action thrillers like Wladyslaw Pasikowski’s Pitbull: Last Dog ($14 million local gross) or Patryk Vega’s Botoks ($13.3 million) and rom-coms with titles like Pretend Fiance ($6.3 million) and Taxing Love ($6 million).
On the art house side, Polish cinema is arguably stronger than it’s been in a generation, thanks to the likes of Pawel Pawlikowski, who directed the 2015 Oscar foreign-language winner Ida and followed up this year with awards-season favorite Cold War, which earned him ...
- 11/2/2018
- The Hollywood Reporter - Movie News
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