Festival selects 12 titles for second edition of competitive strand.
Sofia Coppola’s The Beguiled, the Safdie Brothers’ Good Time, and François Ozon’s Amant Double (The Double Lover) all of which played in competition at Cannes, have been selected for this year’s international competition at the Jerusalem Film Festival (July 13-17).
Returning for a second time after launching in 2016, the festival’s international competition has picked a total of 12 titles and will again award a prize of $20,000 to the winning film.
Joining the aforementioned are: Hong Sang-soo’s On The Beach At Night Alone, Cãlin Peter Netzer’s Ana, Mon Amour, Nana Ekvtimishvili and Simon Groß’s My Happy Family, Ferenc Török’s 1945, Valeska Grisebach’s Western, Fellipe Barbosa’s Gabriel And The Mountain, Mohammad Rasoulof’s A Man Of Integrity, Stéphane Brizé’s A Woman’s Life, and Lav Diaz’s The Woman Who Left.
As previously announced, the festival...
Sofia Coppola’s The Beguiled, the Safdie Brothers’ Good Time, and François Ozon’s Amant Double (The Double Lover) all of which played in competition at Cannes, have been selected for this year’s international competition at the Jerusalem Film Festival (July 13-17).
Returning for a second time after launching in 2016, the festival’s international competition has picked a total of 12 titles and will again award a prize of $20,000 to the winning film.
Joining the aforementioned are: Hong Sang-soo’s On The Beach At Night Alone, Cãlin Peter Netzer’s Ana, Mon Amour, Nana Ekvtimishvili and Simon Groß’s My Happy Family, Ferenc Török’s 1945, Valeska Grisebach’s Western, Fellipe Barbosa’s Gabriel And The Mountain, Mohammad Rasoulof’s A Man Of Integrity, Stéphane Brizé’s A Woman’s Life, and Lav Diaz’s The Woman Who Left.
As previously announced, the festival...
- 6/28/2017
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
Barbet Schroeder, Amos Gitaï, post-truth era panel among May 23 highlights.
The Doc Day returns to Cannes on May 23 for its second year with the overarching goal of exploring how the non-fiction form creates impact and can bring peace to disrupted societies.
The Centre National du Cinéma et de l’Image Animée (Cnc) will introduce the morning session at the Plage du Gray d’Albion when Amos Gitaï will discuss his Directors’ Fortnight selection West Of The Jordan River (Field Diary Revisited) with critic Jean-Michel Frodon.
The session will include the round table ‘Documentaries in the Post-Truth Era’ moderated by Screen International and featuring Kathleen Lingo of the New York Times’ Op-Docs platform, investigative correspondent Laurent Richard from Premières Lignes Télévision, Ida Enterprise Documentary Fund director Carrie Lozano, Kathy Im, director of the John D. and Catherine T. MacArthur Foundation’s Journalism and Media Program, and Gonzalo Lamela, director of Films For Transparency.
“In a world...
The Doc Day returns to Cannes on May 23 for its second year with the overarching goal of exploring how the non-fiction form creates impact and can bring peace to disrupted societies.
The Centre National du Cinéma et de l’Image Animée (Cnc) will introduce the morning session at the Plage du Gray d’Albion when Amos Gitaï will discuss his Directors’ Fortnight selection West Of The Jordan River (Field Diary Revisited) with critic Jean-Michel Frodon.
The session will include the round table ‘Documentaries in the Post-Truth Era’ moderated by Screen International and featuring Kathleen Lingo of the New York Times’ Op-Docs platform, investigative correspondent Laurent Richard from Premières Lignes Télévision, Ida Enterprise Documentary Fund director Carrie Lozano, Kathy Im, director of the John D. and Catherine T. MacArthur Foundation’s Journalism and Media Program, and Gonzalo Lamela, director of Films For Transparency.
“In a world...
- 5/5/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.