Tenet

Many reviewers say you have to watch this movie multiple times to really get it all. No, I won't do that. I say a good movie is understandable with one viewing where the viewer is paying attention.

This is a relatively simple story, told in a complex manner with lots of special effects and aggressive sound track. Our future civilization has figured a way to interact with the past and now, in our PRESENT they intend to correct a problem we caused them, and if necessary destroy the world as we know it. So the PRESENT day leaders have to prevent that.

My wife and I watched it on a 2-disc DVD set from our public library. Much of the dialog is difficult to understand because the actors often fail to enunciate, so I had to turn on subtitles about half-way through. The second DVD is filled with extras.

It is a pretty good, entertaining movie, but often very confusing. I would not put it in the top tier of favorite movies. Nolan's "Inception" for example is a much better movie.

I'd suggest people read the synopsis on Wikipedia before watching the time. Otherwise it would be too hard to follow. If you're the type of person who enjoys watching a movie multiple times and dissecting it then you'll enjoy Tenet

Listen we all know Nolan swings for the fences of what's possible and pushes the realms of normality. This film for whatever reason just doesn't mesh together the way most of his films do even with complex suspension of disbelief aspects. It's often scattered and juxtaposed to a near outrageous level. The visuals are spectacular at times but also seem way too extravagant to take seriously other times. Robert Pattinson is flawless and probably the standout of the film with his vigorous performance. The same cannot be said about John David Washington's barren and emotionless lack of effort. I can't believe he was given the starring role. He brings the interest level down to almost unwatchable levels. Overall this is one of Nolan's rare misfires which he is capable of once in awhile.

Trying to take my bias opinion away from my critical, logical opinion. Few people comprehend the immense detail with the story, I don't even comprehend all of it, but now I understand enough to believe that this is Nolan's most elaborate story yet. This is a complicated movie, and complicated in a good way. If you (as an audience) don't enjoy or understand this movie I understand why and I don't blame you, but on the contrary if you do enjoy this movie, if you understand the story, then I understand why you may believe this to be one of the most intelligent films of all time. (BOLD claim). We already knew what to expect with the quality of cinematography, visual, score, and even to a certain extent, the wild plot that Christopher Nolan ALWAYS delivers because he's consistent with all his films. What we received with this film though, was simply unexpected. This wasn't a film like the dark knight which provides authenticity to a sci-fi world, or even inception which provided clarity after simple attention. This is a film that is intended to be searched, discovered, thought of, looked at, and inspected in every way possible. And yet, this a film intended to give no easy answers, no simple clarity, no instant gratification. This is a film that wants to defy the odds of films by building curiosity over time rather than losing it. Overall I have a lot to discover, a lot to learn, and a lot to understand from this film, yet I'm extremely pleased with its performance in most categories a film has to offer.

I have a huge amount of respect for director Christopher Nolan. His recent films Inception, Interstellar, and Dunkirk are three of the best things I've ever seen on film and I automatically want to see whatever new production he comes out with. So, I'm just back from the theater having seen Tenet for the first time (I'm pretty sure there will be a second and third time) and in one sense I have no idea what rating to give. At a minimum it would be worth at least 6/10 for its technical quality alone. But it might be 10/10 for the quality of its fiendishly intricate storyline, which leaves your head spinning by the end. But it' s not without a few problems (see below). So, OK -- 8/10 it is.

Among Nolan's previous works I'd say 'Tenet' owes the most to 'Inception' for its complex, ever-shifting, multilayered plot. For Inception it was the Russian-doll dreamworlds within dreamworlds. For Tenet, it's playing with time and time reversal (as you see from any trailer or synopsis out there). We've had any number of time-travel movies before, and one sure thing they're good for is setting up paradoxes, but the way Nolan deploys this on screen is at times genuinely and startlingly new (as just one example, there's a car chase on a busy freeway where one car is speeding backwards but time-reversed, so from its POV it's racing forward, which is why it can travel that fast driving backward ... and there are many more scenes that I won't spoil.) There are things here we've never seen on screen before.

In the barest of bare-bones summary, the plot is all about a hunt for The Algorithm, something that enables this messing with the timeline The uber-evil Andrei (Kenneth Branagh) aims to use it to start WW III, or even (in a total burst of nihilism) ring down the curtain on all of reality. The shadowy team called Tenet aims to stop this. Keep up with it if you can. On the surface, it's an excellent James Bond imitation. Exposition scenes are followed by thunderous action, rinse, repeat -- pretty much from start to finish. How confused you are at any given moment depends (like Inception) on how many questions are running through your mind: why are we in THIS location now, who's doing what to whom, and what precisely are the characters after? The overall impression, though (again, like Inception) is that there IS substance underneath the high-octane surface and that repeated viewings and study will bring it out. We'll see.

So the production quality is, as usual for Nolan, first-rate. There are big, bravura scenes (wait till you see the big opener in a concert hall) but plenty of close, person-to-person ones to balance. One thing that might be a little jarring is that the scene-to-scene transitions are extremely abrupt and extremely frequent, and I assume that's deliberate -- there's no time for viewers to think even if we want to. But I'll accept that as a feature rather than a bug. The overall flow isn't necessarily helped by the music score (by Ludwig Goransson), which is epic but also insistent and omnipresent. Too much of a good thing. Lots of the personal scenes would just have worked better for me with no background score stepping on the dialog.

For the acting: I thought John David Washington (as The Protagonist) was OK but rather wooden, and he's on screen most of the time. I kept visualizing Will Smith in the part instead -- but maybe he'd have taken over the movie too much and that's not the result Nolan wanted? I don't know. But I liked Robert Pattinson and Elizabeth Debicki quite a lot. They both have substantial, essential roles and they have more nuance and humanity than anything they've done before. Kenneth Branagh still can't do a good Russian accent (though to be fair, not many native-English actors can) and although he's fine, I think as an actor he's much better suited to Shakespeare or Hercule Poirot. There's a big cast of smaller roles (among which is the always-welcome Michael Caine), adding to the difficulty of keeping up with what's developing.

So there it is. I'm looking forward to figuring out more of what's under the hood of this thing.