In the wake of his mother's death and his father's remarriage, a headstrong boy named Mahito ventures into a dreamlike world shared by both the living and the dead.In the wake of his mother's death and his father's remarriage, a headstrong boy named Mahito ventures into a dreamlike world shared by both the living and the dead.In the wake of his mother's death and his father's remarriage, a headstrong boy named Mahito ventures into a dreamlike world shared by both the living and the dead.
- Won 1 Oscar
- 35 wins & 86 nominations total
Soma Santoki
- Mahito Maki
- (voice)
Masaki Suda
- The Grey Heron
- (voice)
Kô Shibasaki
- Kiriko
- (voice)
- (as Kou Shibasaki)
Yoshino Kimura
- Natsuko
- (voice)
Takuya Kimura
- Shoichi Maki
- (voice)
Keiko Takeshita
- Maid #1
- (voice)
Jun Fubuki
- Maid #2
- (voice)
Sawako Agawa
- Maid #3
- (voice)
Karen Takizawa
- Wara Wara
- (voice)
Shinobu Ôtake
- Maid #4
- (voice)
Kaoru Kobayashi
- Old Pelican
- (voice)
Shohei Hino
- Great-Uncle
- (voice)
- (as Shôhei Hino)
Nami Uehara
- Additional Voice
- (voice)
Takuya Yagyu
- Additional Voice
- (voice)
Storyline
Did you know
- TriviaIn December 2019, the film was announced to be 15% complete after three-and-a-half years of work. Producer Toshio Suzuki explained that Hayao Miyazaki, in the past, would be able to direct seven to ten minutes of animation per month, and they had scheduled five minutes of animation per month or about one hour per year on the film. However, Miyazaki was directing only about one minute of animation per month.
- GoofsWhen a knife is being honed on a steel the knife blade is facing up, it should be facing down. Whilst you can hone in either direction, up the steel away from you, or down the steel towards you, the blade should be facing towards the handle of the steel.
- Quotes
The Grey Heron: I'll be your guide.
- ConnectionsFeatured in AniMat's Crazy Cartoon Cast: End of the Year Embarrassments (2020)
Featured review
This is one of the good ones. However it reflects as much the passion and skill of Hayao Miyazaki as his old age confusion. His latest "last movie" starts one way and ends (abruptly) another. It has elements from his own life, his previous work and some new ideas, but the gist of the film is reconciling with loss and moving forward, recognizing there isn't much one can do. A very old man mentality in a movie about a child entering a magical world filled with wonder and dream logic.
The animation was so beautiful, the story a bit disjointed, but quite captivating. It was the ending that kind of disappointed. This film has been a long time in the making (in 2019 it was 15% complete, allegedly, with Miyazaki directing a minute of the film a month) and it shows.
The Japanese title is "How do you live?", the same as the Genzaburo Yoshino's instructional coming-of-age novel that Miyazaki's mother gifted him. In the film, the boy finds the book with a message from his dead mother, instructing him to read it, but it never goes anywhere. There are a lot of other hints and symbols that are quite opaque to non-Japanese, so I felt that I've missed chunks of what the movie was supposed to convey.
Perhaps the most interesting quality of the film is how easily it can be interpreted multiple ways, the ambiguity both confusing and thought provoking. As we experience dream and child logic we get a glimpse of the transmuted reality underneath. The grief, the loss, the benevolent yet oppressive culture, the futility and pain of war, the missing and missed parenting and so on.
Bottom line: is it a masterpiece or a slice of Miyazaki, jumbled beyond recognition? Both. I felt it might be a fitting farewell film, but also that I missed so many meanings from it. I liked it.
The animation was so beautiful, the story a bit disjointed, but quite captivating. It was the ending that kind of disappointed. This film has been a long time in the making (in 2019 it was 15% complete, allegedly, with Miyazaki directing a minute of the film a month) and it shows.
The Japanese title is "How do you live?", the same as the Genzaburo Yoshino's instructional coming-of-age novel that Miyazaki's mother gifted him. In the film, the boy finds the book with a message from his dead mother, instructing him to read it, but it never goes anywhere. There are a lot of other hints and symbols that are quite opaque to non-Japanese, so I felt that I've missed chunks of what the movie was supposed to convey.
Perhaps the most interesting quality of the film is how easily it can be interpreted multiple ways, the ambiguity both confusing and thought provoking. As we experience dream and child logic we get a glimpse of the transmuted reality underneath. The grief, the loss, the benevolent yet oppressive culture, the futility and pain of war, the missing and missed parenting and so on.
Bottom line: is it a masterpiece or a slice of Miyazaki, jumbled beyond recognition? Both. I felt it might be a fitting farewell film, but also that I missed so many meanings from it. I liked it.
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- El niño y la garza
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $46,832,867
- Opening weekend US & Canada
- $13,011,722
- Dec 10, 2023
- Gross worldwide
- $172,681,120
- Runtime2 hours 4 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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