Ole Bornedal’s World War II drama Shadows In My Eyes receives $2.4m.
As part of its new mandate to back higher-budget films, the Danish Film Institute has awarded its largest-ever feature film production grant - Dkk 16m ($2.4m) - to Ole Bornedal’s new film.
The World War II drama Shadows In My Eyes is about the real-life tragedy of 1945, when instead of bombing the Gestapo headquarters in Copenhagen, the Royal Air Force mistakenly hit the French school, killing several children and nuns.
Danish broadcaster TV2 and Sf Studios are also backing the film with a total budget of $8.6m.
As part of its new mandate to back higher-budget films, the Danish Film Institute has awarded its largest-ever feature film production grant - Dkk 16m ($2.4m) - to Ole Bornedal’s new film.
The World War II drama Shadows In My Eyes is about the real-life tragedy of 1945, when instead of bombing the Gestapo headquarters in Copenhagen, the Royal Air Force mistakenly hit the French school, killing several children and nuns.
Danish broadcaster TV2 and Sf Studios are also backing the film with a total budget of $8.6m.
- 5/10/2019
- by Wendy Mitchell
- ScreenDaily
Last year, Danish, Icelandic and Norwegian films triumphed with local audiences, fueling general attendance. In Sweden, local fare also upped their share of an overall sluggish market, while Finland had a quieter year after a record 2017. Everywhere “Mamma Mia-Here We Go Again” was number one except in Denmark where local films were back in favor.
Denmark
After two years of slide, Danish films were back in favour with local crowds, and boosted general admissions to 13 million (up 4.6%) and box office to Dkk 1.1 billion ($173 million). With 3.8 million admissions (up 34.2% from 2017), representing Dkk 290.9 million ($44.5 million) in revenue, local titles claimed a 29% market share, the success target just set in new Danish Film Agreement for 2019-2023.
“In a country like Denmark with a relatively small feature film production [21 films in 2018], the box office will inevitably vary from one year to the next,” commented Claus Ladegaard, CEO at the Danish Film Institute. The latter welcomed the...
Denmark
After two years of slide, Danish films were back in favour with local crowds, and boosted general admissions to 13 million (up 4.6%) and box office to Dkk 1.1 billion ($173 million). With 3.8 million admissions (up 34.2% from 2017), representing Dkk 290.9 million ($44.5 million) in revenue, local titles claimed a 29% market share, the success target just set in new Danish Film Agreement for 2019-2023.
“In a country like Denmark with a relatively small feature film production [21 films in 2018], the box office will inevitably vary from one year to the next,” commented Claus Ladegaard, CEO at the Danish Film Institute. The latter welcomed the...
- 1/28/2019
- by Annika Pham
- Variety Film + TV
Denmark, Iceland and Norway registered rises in 2018, but Finland and Sweden saw dips.
Denmark
Denmark has had a strong year for local films, led by Christoffer Boe’s The Purity Of Vengeance (also known as Journal 64), the Nordisk Film release that has already broken records as the highest-ever grossing local film in Danish cinemas and will remain on release until at least January 2019.
The film is the fourth and final feature that Zentropa has produced based on the bestselling Department Q series of novels, about two mismatched detectives solving cold cases; it has earned $10.1m (dkk66.4m) as of December...
Denmark
Denmark has had a strong year for local films, led by Christoffer Boe’s The Purity Of Vengeance (also known as Journal 64), the Nordisk Film release that has already broken records as the highest-ever grossing local film in Danish cinemas and will remain on release until at least January 2019.
The film is the fourth and final feature that Zentropa has produced based on the bestselling Department Q series of novels, about two mismatched detectives solving cold cases; it has earned $10.1m (dkk66.4m) as of December...
- 12/18/2018
- by Wendy Mitchell
- ScreenDaily
Denmark, Iceland and Norway registered rises in 2018, but Finland and Sweden saw dips.
Denmark
Denmark has had a strong year for local films, led by Christoffer Boe’s The Purity Of Vengeance (also known as Journal 64), the Nordisk Film release that has already broken records as the highest-ever grossing local film in Danish cinemas and will remain on release until at least January 2019.
The film is the fourth and final feature that Zentropa has produced based on the bestselling Department Q series of novels, about two mismatched detectives solving cold cases; it has earned $10.1m (dkk66.4m) as of December...
Denmark
Denmark has had a strong year for local films, led by Christoffer Boe’s The Purity Of Vengeance (also known as Journal 64), the Nordisk Film release that has already broken records as the highest-ever grossing local film in Danish cinemas and will remain on release until at least January 2019.
The film is the fourth and final feature that Zentropa has produced based on the bestselling Department Q series of novels, about two mismatched detectives solving cold cases; it has earned $10.1m (dkk66.4m) as of December...
- 12/18/2018
- by Wendy Mitchell
- ScreenDaily
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