Directed by
| Kris Carr | ||
| Sam Fowler | ||
Writing Credits (in alphabetical order)
| Kris Carr | ... | (written by) |
| Sam Fowler | ... | (written by) |
Cast (in credits order)
| Megan Purvis | ... | Nat | |
| Benjamin Sarpong-Broni | ... | Ethan | |
| Kim Spearman | ... | Frances | |
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Samuel Freeman | ... | Teddy |
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Hannah Louise Howell | ... | Pippa |
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Martin Thomas | ... | Campbell |
| David Patrick Stucky | ... | Blackwood | |
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Michael Haynes | ... | Mike |
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Anthony Wakefield | ... | Haines |
| James Knapp | ... | Mason | |
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Iacopo Paradisi | ... | Reid |
| Tony Manders | ... | Tim | |
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Annie Ray Williams | ... | Psychiatric Patient |
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Debden Clarke | ... | Receptionist |
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Abby Fowler | ... | Girl in the Red Bandana |
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Charles Clarke-Devonald | ... | The Monster |
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Ben Frederick | ... | The Monster |
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Ashton Bell | ... | The Monster |
Produced by
| Kris Carr | ... | executive producer |
| Sam Fowler | ... | executive producer |
| Charlie Pride | ... | producer |
| Frankie Pride | ... | executive producer |
| Sandra Urbanik | ... | assistant producer |
Music by
| Gabe Castro | ... | (original music by) |
Cinematography by
| Liam Hejsak | ||
Editing by
| Kris Carr | ||
| Sam Fowler | ||
| Charlie Pride | ||
Casting By
| Bel Smith | ||
Set Decoration by
| Abbie Jones | ||
Makeup Department
| Channelle | ... | makeup artist (as Channelle Lai) |
| Hayley Pavis | ... | makeup designer |
| Lucy Ryan | ... | makeup artist |
| Frankie Smith | ... | makeup artist |
| Renae Taylor | ... | makeup designer |
Production Management
| Charlie Pride | ... | production manager |
| Laura Sulca | ... | assistant production manager |
Second Unit Director or Assistant Director
| Scarlett Garland | ... | first assistant director |
| Nigel Parkes-Davies | ... | first assistant director |
Art Department
| Scarlett Garland | ... | additional set design |
| Abbie Jones | ... | props / set designer |
| Mike Peel | ... | prop maker |
| The Sonnyfive Sándor Szalay | ... | poster designer (as Sándor Szalay) |
| Laura Sulca | ... | props |
Sound Department
| Tom Graham | ... | boom operator |
| Harry Jones | ... | sound effects editor |
| Conor Kelly | ... | sound designer |
| Roland Montgomery | ... | sound recordist |
| Conor Page-Harries | ... | boom operator |
| Candela Palencia | ... | dialogue editor / re-recording mixer |
| Rachel Park | ... | sound effects editor |
| Robbie Scott | ... | re-recording mixer / sound effects editor |
| Elliot Sizeland | ... | sound recordist |
| Mike Tehrani | ... | adr mixer |
| Robert Weatherall | ... | studio manager |
Special Effects by
| Javier Aliaga | ... | prosthetic applicator |
| Charlie Bluett | ... | creature designer |
| Hayley Pavis | ... | prosthetic and makeup effect |
| Mike Peel | ... | additional creature suit designer |
| Renae Taylor | ... | prosthetic and makeup effect |
| Sandra Urbanik | ... | creature makeup artist |
Visual Effects by
| Tom Cowles | ... | visual effects artist |
| Nigel Parkes-Davies | ... | additional visual effects |
Stunts
| John Pasternak | ... | stunts |
| Henry Pickup | ... | stunt driver |
Camera and Electrical Department
| Jake Abraham | ... | spark |
| Alex Cullen | ... | gaffer |
| William Geraghty | ... | camera operator |
| Sid Hernandez | ... | spark |
| Jack Learmonth | ... | second assistant camera |
| Chris Loughlin | ... | aerial photography |
| Ben McLean | ... | spark |
| Joanna Mottram | ... | second assistant camera |
| Henry Pickup | ... | grip |
| Alex Rigert-Harnden | ... | gaffer |
| Helene Streissler | ... | first assistant camera |
Costume and Wardrobe Department
| Abbie Jones | ... | costume supervisor |
| Bel Smith | ... | costume supervisor |
| Laura Sulca | ... | costume supervisor |
Editorial Department
| Charlotte Barnes | ... | digital intermediate producer |
| Sophie Billington | ... | digital film bureau |
| Mario N. Bonassin | ... | post-production coordinator |
| Sara Buxton | ... | colorist |
| Tom Corbett | ... | digital film bureau |
| Zoe Cousins | ... | digital film bureau |
| Georgina Cranmer | ... | digital on-line editor |
| Sinéad Cronin | ... | digital on-line editor |
| Rob Farris | ... | digital intermediate head of production |
| Neil Harrison | ... | senior digital intermediate administrator |
| Timothy P. Jones | ... | digital film bureau |
| Patrick Malone | ... | digital intermediate head of department |
| Dean Otusanya-Wood | ... | digital film bureau |
| Alex Phillips | ... | digital film bureau |
| Alexander Phillips | ... | digital film bureau |
| Martin Poultney | ... | digital intermediate technician: commercial director: Goldcoast Post Production |
| Gordon Pratt | ... | digital film bureau |
| Finlay Reid | ... | digital intermediate assistant |
| Phillip Taylor | ... | digital intermediate technical manager |
| Daniel Tomlinson | ... | digital on-line editor |
| Laurent Treherne | ... | digital intermediate technologist |
| Evangeline White | ... | digital film bureau |
| Russell White | ... | digital on-line editor |
| Lawrence Hook | ... | digital intermediate assistant (uncredited) |
Script and Continuity Department
| Shaida Kazemi | ... | script supervisor |
| Bel Smith | ... | script supervisor |
Transportation Department
| Peter Carr | ... | unit driver |
| Peter Dykes | ... | unit driver |
| Nigel Parkes-Davies | ... | unit driver |
Additional Crew
| Nikita Danilovs | ... | production assistant |
| Alastair Morrison | ... | production assistant |
Thanks
| Tim Beasley | ... | special thanks |
| Charlie Bluett | ... | special thanks |
| Kathryn Carmichael | ... | special thanks |
| Kieron Evans | ... | special thanks |
| Rob Farris | ... | special thanks |
| Simon Knight | ... | special thanks |
| Patrick Malone | ... | very special thanks |
| Adam J. Merrifield | ... | special thanks |
| Andy Smith | ... | special thanks |
| Robert Weatherall | ... | special thanks |
