Peaky Blinders (TV Series)
Black Tuesday (2019)
Full Cast & Crew
Directed by
| Anthony Byrne | ||
Writing Credits (in alphabetical order)
| Steven Knight | ... | (created by) |
| Steven Knight | ... | (written by) |
Cast (in credits order)
Produced by
| Bryony Arnold | ... | associate producer |
| Julie Brinkman | ... | associate producer |
| Jamie Glazebrook | ... | executive producer |
| Caryn Mandabach | ... | executive producer |
| David Mason | ... | executive producer |
| Patrick Spence | ... | executive producer |
Music by
| Anna Calvi | ||
Cinematography by
| Si Bell | ... | director of photography |
Editing by
| Paul Knight | ||
Production Design by
| Nicole Northridge | ||
Art Direction by
| Dean McLeod | ||
Set Decoration by
| Jonnie Mead | ... | set decorator |
Makeup Department
| Oonagh Bagley | ... | senior hair stylist / senior makeup artist |
| Sophie Battersby | ... | hair & makeup artist: dailies |
| Jules Chapman | ... | hair & makeup supervisor |
| Stacey Louise Holman | ... | makeup artist |
| Helen Masters | ... | junior makeup artist: daily |
| Jackie Sweeney | ... | makeup artist: daily |
| Jenny Watson | ... | hair trainee / makeup trainee |
| Laura Bernice Watson | ... | makeup artist: daily (as Laura Viana da Silva) |
| Chris Lyons | ... | special effects teeth (uncredited) |
Production Management
| Dee Collier | ... | post-production supervisor |
| Laurence P. Duke | ... | post production executive (as Laurence Ducceschi) |
| Jo Evans | ... | production executive |
| Rachel Jones | ... | production manager |
Second Unit Director or Assistant Director
| Arizona Eastwood | ... | Crowd 2nd Assistant Director |
| Sara Evans | ... | third assistant director |
| Sophie Kenny | ... | crowd third assistant director: daily |
| Michael King | ... | floor runner |
| Jon Midlane | ... | first assistant director (as Jonathan Midlane) |
| Gemma Nunn | ... | second assistant director |
Art Department
| Molly Barnard | ... | art department assistant |
| Andrew Berry | ... | graphic design assistant |
| Rebecca Rose Carey | ... | graphic designer |
| Natasha Carlyle | ... | art department trainee |
| Ian Crooks | ... | prop maker: DB |
| Callum Ferguson | ... | dressing props |
| Douglas Ferguson | ... | prop chargehand |
| Brian Gerrard | ... | construction rigger |
| Andrew Laybats | ... | lead scenic painter |
| Elsa McLenachan | ... | petty cash buyer |
| David Mills | ... | dressing props |
| Mark Morris | ... | Dressing Props |
| Gareth Palethorpe | ... | draughtsman: dailies |
| Alan Shaw | ... | property master |
| Joanna Tattersall | ... | production buyer |
Sound Department
| George Atkins | ... | adr mixer |
| Joshua Tot Carr | ... | sound trainee |
| Laura Clough | ... | sound trainee: dailies |
| Sarah Elias | ... | sound effects editor |
| Adele Fletcher | ... | dialogue & adr editor |
| Joe Furness | ... | source connect engineer |
| Ken Galvin | ... | adr mixer |
| Rebecca Glover | ... | foley recordist |
| Jim Goddard | ... | supervising sound fx editor |
| Ben Hossle | ... | second assistant sound |
| Michael Miller | ... | adr mixer |
| Forbes Noonan | ... | re-recording mixer |
| Alessandro Pascale | ... | first assistant sound |
| Nicky Poulton | ... | Sound Post Producer |
| Tristan Rose | ... | adr recordist |
| David Sendall | ... | assistant re-recording mixer |
| Karl Sveinsson | ... | adr recordist |
| Catherine Thomas | ... | foley artist / foley editor |
| Euan Toms | ... | adr assistant |
| Anna Wright | ... | foley artist |
| Stu Wright | ... | sound mixer |
| Mhairi Wyles-Lang | ... | adr bookings coordinator |
| Art Skehan | ... | adr recordist (uncredited) |
Special Effects by
| Dewi Alun Foulkes | ... | special effects technician |
| Arran Glassar | ... | special effects supervisor (as Arran Glasser) |
| Danny Hargreaves | ... | special effects supervisor: Real SFX |
| Dave Kneath | ... | special effects technician |
| Tom Scouse Lock | ... | special effects technician |
| Jade Poole | ... | special effects coordinator: Real SFX |
| Jack Taylor | ... | assistant technician |
Visual Effects by
| Tony Abejuro | ... | lead matchmover: BlueBolt |
| Lucy Ainsworth-Taylor | ... | visual effects executive producer |
| Oscar Atack | ... | roto/paint artist |
| Margherita Ballarin | ... | roto/prep artist: BlueBolt |
| Angela Barson | ... | visual effects executive supervisor |
| Ben Beaumont | ... | visual effects artist |
| Eddie Bonin | ... | visual effects executive: Netflix |
| Declan Boyle | ... | visual effects artist |
| Sarah Buisson | ... | visual effects editor |
| Theodore Burley | ... | visual effects producer: BlueBolt |
| Sarah Byers | ... | matchmove artist: BlueBolt |
| Venancio David | ... | flame artist |
| Clive De Souza | ... | visual effects artist |
| Emanuele Di Bacco | ... | digital compositor: Blue Bolt |
| Lauren Mullally | ... | visual effects editor |
| Christian Poullay | ... | matchmover: BlueBolt |
| Kim Rampaul | ... | visual effects artist: Netflix |
| Peppe Russo | ... | pipeline developer: BlueBolt |
| Maggie Starzer | ... | visual effects production coordinator: BlueBolt |
| Panos Theodoropoulos | ... | visual effects producer: BlueBolt |
| Tamara Toppler | ... | digital matte painter/environment artist (uncredited) |
Stunts
| Neil Chapelhow | ... | stunt double: Cillian Murphy |
| Dean Forster | ... | stunt coordinator |
| Richard Hall | ... | stunts |
| Tom Hallahan | ... | stunts |
| Paul Howell | ... | stunt performer |
| Robbie Keane | ... | stunt performer |
| Cristian Knight | ... | stunt performer |
| Kye Mckee | ... | stunts |
| Gordon Seed | ... | stunt coordinator |
| Chris Waite | ... | stunt performer |
Camera and Electrical Department
| Steve Avison | ... | grip |
| Will Baldy | ... | cinematographer: second unit |
| Michael Bonnar | ... | electrician |
| Edward Botham | ... | second assistant camera: "c" camera, dailies |
| Antonio Colangelo | ... | electrician: daily |
| Tom Finch | ... | first assistant camera: "a" camera |
| Andrew Michael Fletcher | ... | camera operator: "a" camera/steadicam operator |
| Lee Howarth | ... | standby rigger |
| George Jenkins | ... | electrician / lighting console operator |
| Lee Daniel Jones | ... | electrician |
| Nick Kemp | ... | grip trainee |
| Paul Kemp | ... | key grip |
| Abi McVeigh | ... | camera trainee |
| Alan Millar | ... | best boy / electrician: additional |
| Joseph Monks | ... | camera operator |
| Tom Ormrod | ... | assistant camera |
| Kevin Roberts | ... | lighting technician |
| Adam Sheldon | ... | camera trainee |
| James Shovlar | ... | digital imaging technician |
| Sam Smithard | ... | first assistant camera: "b" camera |
| Jordan Spencer | ... | electrician |
| Matt Squire | ... | still photographer |
| Eliot Stone | ... | second assistant camera: "a" camera |
| Ben Taylor | ... | second assistant camera: "b" camera |
| Oliver Whickman | ... | gaffer |
Casting Department
| Paula McKie | ... | extras casting |
Costume and Wardrobe Department
| Rianna Charles | ... | costume: daily |
| Ben Frost | ... | costume trainee |
| Ashleigh Lennox | ... | crowd costume supervisor |
| Robert Leop Macfarlane | ... | assistant costume designer (as Robert Macfarlane) |
| Jade McNaughton | ... | principal set costumer |
| Rachel Nott | ... | costume supervisor |
| Jane O'Donnell | ... | costumer |
| Barbara Pinn | ... | principal costume standby |
Editorial Department
| Anthony Berardo | ... | data i/o operator |
| Jo Bonincontro | ... | assistant editor trainee |
| Hugh Howlett | ... | assistant colourist |
| Elias Millward | ... | post-production coordinator |
| Emily Russul Saib | ... | junior colorist |
| Laura Saimre | ... | edit assistant |
| Paul Staples | ... | colorist |
| Asher Thornton | ... | first assistant editor |
Location Management
| Lorena Bramall | ... | location assistant |
| Michael Campbell | ... | location manager |
| Miglet Crichton | ... | supervising location manager |
| Jessica Dove | ... | location scout |
| Dan Whittle | ... | location assistant |
| David Whicker | ... | location security (uncredited) |
Music Department
| Zoë Ellen Bryant | ... | music supervisor |
| Ed Hamilton | ... | music editor |
| Amelia Hartley | ... | music supervisor |
| Pete Saville | ... | music supervisor |
Script and Continuity Department
| Karen Cluskey | ... | script supervisor |
Transportation Department
| Howard Cawthorne | ... | transportation captain |
| Michael Geary | ... | action vehicle supplier: Motorhouse |
| Simon Fraser Roe | ... | facilities hod |
Additional Crew
| Denzel Adebayo | ... | production assistant |
| Leah Blackaby | ... | production secretary |
| Julie Brinkman | ... | production staff |
| Victoria Brooks | ... | managing director: publicity |
| Jo Cameron Brown | ... | dialect coach |
| Paresh Dayalji | ... | floor runner |
| Olivia Dixon | ... | base runner |
| Richard Dobbs | ... | lead publicist / producer: EPK |
| Lucy du Boulay | ... | production finance manager |
| Liam Farnes | ... | assistant production coordinator |
| Sara Hamill | ... | director of production |
| Rory Hathaway | ... | production runner: dailies |
| Rebecca Hodgkiss | ... | body double: Annabelle Wallis |
| Jane Karen | ... | dialect coach |
| Keely Milovsorov | ... | production secretary: dailies |
| Lyndsay Myles | ... | personal assistant: Cillian Murphy |
| Sarah Oldman | ... | key floor runner (as Sarah Lamb) |
| Maria Pavlou | ... | production coordinator |
| Anu Pekkarinen | ... | director's assistant |
| Anita Sanderson | ... | assistant production accountant |
| Mark Shelley | ... | armorer |
| Carrie Smith | ... | epk producer |
| Gail Stezaker | ... | production accountant |
| Susan Waddell | ... | commercial director |
