Directed by
| Francis Locke | ||
Writing Credits
| Francis Locke | ... | (written by) |
Cast (in credits order)
 |
Jenna West | ... | Carol |
|
|
Nicole Oring | ||
|
|
Elizabeth Grace | ... | (as Elizarah Grace) |
|
|
Crystal Ray | ||
|
|
John Kelley | ||
|
|
Edward Johnson | ... | (as Leland Jay) |
|
|
David Williams | ||
Produced by
| Alexander Davis | ... | executive producer |
| Francis Locke | ... | producer |
| Nayenezgani | ... | producer |
| Pearl Stone | ... | line producer |
Music by
| Blade Simpson | ||
Cinematography by
| Bernard Susse | ... | director of photography |
Production Design by
| Victor Gungenstein | ||
Art Direction by
| Kelly Blakes | ||
Set Decoration by
| Howard Cadenston | ||
Makeup Department
| Kate Blanketry | ... | assistant makeup artist |
| Wanda Vullyvick | ... | key makeup artist |
Production Management
| Lyle Yates | ... | production manager |
Second Unit Director or Assistant Director
| Jenny Grey | ... | first assistant director |
| Baker Highson | ... | second assistant director |
Art Department
| Gerry Tolls | ... | swing crew captain |
Sound Department
| Richard J. Bates | ... | boom operator |
| Ivan Gorevich | ... | post production sound |
| Jeff Gumuld | ... | sound mixer |
Camera and Electrical Department
| Nigel Brown | ... | camera operator |
| Justin Fawcett | ... | first assistant cameraman |
| Vince Fikle | ... | gaffer |
| Janis Freddy | ... | best boy electric |
| Jay Frieder | ... | company grip |
| Bobby Hunters | ... | key grip |
| Kate Redstone | ... | dolly grip |
| Johnny Wagojuwski | ... | second assistant cameraman |
Editorial Department
| Trey Tran | ... | on-line supervisor |
| Ruger Tyler | ... | off-line editor |
Thanks
| Lori Baker | ... | special thanks: casting |
| Alexander Davis | ... | special thanks |
| Adriane Gold | ... | special thanks |
| Billy Moon | ... | special thanks |
