The Flag House
- Episode aired Mar 26, 2017
- TV-MA
- 52m
IMDb RATING
8.4/10
2.3K
YOUR RATING
Dar plays his hand. Quinn revisits his past.Dar plays his hand. Quinn revisits his past.Dar plays his hand. Quinn revisits his past.
Featured reviews
We should buy into the dramatic developments, which in this episode boils down to Carrie being blackmailed via her daughter and Madame President swearing (twice!) but all I can think about is that every man who gets close to Carrie lives to regret it - when he doesn't die of a violent death.
Brody sort of brought it up to himself, but still, being shot, turned into a junkie and hanged seems a lot even for a would-be terrorist. Poor Quinn went to hell and back and still hasn't learnt any better than staying away from Carrie. Aayan was shot by his uncle. Ginger German lover boy had his son kidnapped and former boss and lover Estes was kicked out by his wife and died in a terrorist attack.
Max is about to learn his lesson and Saul, after all what he's already been through was going to be discredited. The only thing that stopped Carrie was self-interest, otherwise she would have ratted off her mentor, protector and closer associate. But what is a little discrediting, when Carrie's used to see them die?
PS surely a US President should be able to express herself in a way slightly more sophisticated than threatening to beat somebody's "butt" and using the f-word when really upset.
Brody sort of brought it up to himself, but still, being shot, turned into a junkie and hanged seems a lot even for a would-be terrorist. Poor Quinn went to hell and back and still hasn't learnt any better than staying away from Carrie. Aayan was shot by his uncle. Ginger German lover boy had his son kidnapped and former boss and lover Estes was kicked out by his wife and died in a terrorist attack.
Max is about to learn his lesson and Saul, after all what he's already been through was going to be discredited. The only thing that stopped Carrie was self-interest, otherwise she would have ratted off her mentor, protector and closer associate. But what is a little discrediting, when Carrie's used to see them die?
PS surely a US President should be able to express herself in a way slightly more sophisticated than threatening to beat somebody's "butt" and using the f-word when really upset.
Honestly I'm disappointed about the plot development for this season. The writers work like Intel's Tick-Tock model--some peripheral updates on one episode and then finally, major development on the next. What new info this episode (10) feeds us that the previous one did not? Same could be said about E8&9. If Showtime decides to air one episode per week instead of releasing one season at the same time, then it should reward the subscribers with enough excitement weekly. If there's not enough material left in the reserve, shorten the season please.
Dar getting away with this stuff is a little ridiculous, but at least it gave us a different kind of villain, not just a terrorist like we get every single year.
This show might still be a little past its prime, but they've still built toward an entertaining conclusion. All the weird politics throughout the season; at least it looks like they've been building toward something.
This show might still be a little past its prime, but they've still built toward an entertaining conclusion. All the weird politics throughout the season; at least it looks like they've been building toward something.
I find it frustrating and irritating that Carrie would throw Saul under the bus after everything they've been through, AND I find it unrealistic that it has never occurred to Carrie that her child being taken away could be a manipulation? She's way smarter than that. And yet, I'm still eagerly watching each episode, because even when Homeland is bad it's still really good.
"The Flag House" sees the convergence of multiple plotlines as Carrie Mathison closes in on the truth behind the conspiracy. The episode opens with Carrie and Quinn tracing clues that lead them to a seemingly ordinary suburban home, which they suspect is a key location in the plot against President-elect Keane. The tension is palpable as they investigate the house, uncovering a cache of weapons and surveillance equipment that confirm their suspicions. Meanwhile, Saul's efforts to expose Dar Adal's machinations bring him into direct conflict with his old ally, leading to a tense standoff. Keane, increasingly isolated and paranoid, begins to take drastic measures to secure her position.
A particularly memorable scene is the intense confrontation between Carrie and Quinn inside the Flag House, where their investigation takes a dangerous turn. The discovery of the hidden arsenal underscores the gravity of the threat they face and the stakes of their mission. Another standout moment is Saul's heated argument with Dar Adal, which is charged with years of betrayal and conflicting loyalties. Themes of trust, betrayal, and the murky ethics of espionage are central to this episode, adding depth to the unfolding drama.
Directed by Michael Offer, "The Flag House" is a tense and gripping episode. The script by Alex Gansa and Ron Nyswaner is tightly woven, blending suspenseful action with character-driven drama. The cinematography is particularly effective in creating a sense of unease and tension, using tight framing and low lighting to enhance the claustrophobic atmosphere of the Flag House. Editing is sharp, especially in the action sequences and moments of revelation, maintaining a brisk and engaging pace. The pacing is well-executed, allowing for both high-stakes confrontations and quieter, introspective moments. The episode's primary strength lies in its ability to balance suspense and character development, though some plot points may feel slightly contrived.
A particularly memorable scene is the intense confrontation between Carrie and Quinn inside the Flag House, where their investigation takes a dangerous turn. The discovery of the hidden arsenal underscores the gravity of the threat they face and the stakes of their mission. Another standout moment is Saul's heated argument with Dar Adal, which is charged with years of betrayal and conflicting loyalties. Themes of trust, betrayal, and the murky ethics of espionage are central to this episode, adding depth to the unfolding drama.
Directed by Michael Offer, "The Flag House" is a tense and gripping episode. The script by Alex Gansa and Ron Nyswaner is tightly woven, blending suspenseful action with character-driven drama. The cinematography is particularly effective in creating a sense of unease and tension, using tight framing and low lighting to enhance the claustrophobic atmosphere of the Flag House. Editing is sharp, especially in the action sequences and moments of revelation, maintaining a brisk and engaging pace. The pacing is well-executed, allowing for both high-stakes confrontations and quieter, introspective moments. The episode's primary strength lies in its ability to balance suspense and character development, though some plot points may feel slightly contrived.
Did you know
- TriviaThe Sunnyside diner at the beginning of the episode was also featured in Goodfellas where Jimmy (Deniro) learns that Tommy (Pesci) got whacked.
Details
- Release date
- Country of origin
- Languages
- Filming locations
- Mill Neck Manor, Mill Neck, Long Island, New York, USA(opening sequence)
- See more company credits at IMDbPro
- Runtime52 minutes
- Color
- Sound mix
- Aspect ratio
- 16:9 HD
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