Directed by
| Matt Lipsey | ||
Writing Credits (in alphabetical order)
| Kevin Cecil | ... | (adaptation) |
| Kevin Cecil | ... | (co-creator) |
| Kevin Cecil | ... | (writer) |
| David Walliams | ... | (adaptation) |
| David Walliams | ... | (based on the book by) |
| David Walliams | ... | (novel) |
| David Walliams | ... | (writer) |
Cast (in credits order)
Produced by
| Rhian Griffiths | ... | line producer (as Rhian McCosker-Smith) |
| Joanna Hanley | ... | producer |
| Hugo Heppell | ... | executive producer |
| Jo Sargent | ... | executive producer / producer |
| Gregor Sharp | ... | executive producer |
Music by
| Anne Dudley | ||
Cinematography by
| Francis De Groote | ||
Editing by
| Joe Randall-Cutler | ||
Casting By
| John Cannon | ||
| Julia Crampsie | ||
Production Design by
| Richard Drew | ||
Art Direction by
| Jo White | ||
Costume Design by
| Leah Archer | ||
Makeup Department
| Danielle Argent | ... | hair artist: daily / makeup artist: daily |
| Julie Atkins | ... | makeup artist |
| Nathaniel De'Lineadeus | ... | dental effects designer |
| Andrea Dowdall-Goddard | ... | hair stylist (as Andrea Dowdall-Goddard) / makeup artist (as Andrea Dowdall-Goddard) |
| Janita Doyle | ... | makeup designer |
| Chris Lyons | ... | special effects teeth |
| Louise Perkins | ... | makeup artist |
| Jackie Sweeney | ... | makeup artist |
| Laura Bernice Watson | ... | makeup artist (as Laura Viana da Silva) |
| Andrew Whiteoak | ... | hair stylist: dailies / makeup artist: dailies |
Production Management
| Leon Seth | ... | location unit manager |
Second Unit Director or Assistant Director
| Malinda Kaur | ... | second assistant director |
| Emma Lowe | ... | third assistant director |
Art Department
| Emma Ford | ... | Art department assistant Work Experience |
| Hannah Gawthorpe | ... | production buyer: art department |
| Ian Griffin | ... | dressing props |
| Chris Heap | ... | stand-by props |
| Rod Whiting | ... | property master |
Sound Department
| Matt Atkinson | ... | boom operator |
| Oscar Bloomfield-Crowe | ... | sound effects editor |
Camera and Electrical Department
| Will Anderson | ... | grip trainee |
| Steve Avison | ... | key grip |
| Sim Bala | ... | second assistant camera |
| Roddy Buxton | ... | electrician: Lighting Console Operator |
| Simon Dinnigan | ... | digital imagining technician |
| Salvador Gomez-Lopez | ... | gaffer |
| Mat Holloway | ... | electrician |
| Zoe Howard | ... | camera trainee |
| Chris Lane | ... | camera facilities coordinator |
| Carl Noble | ... | second camera assistant: b camera |
Casting Department
| Wayne Linge | ... | casting assistant |
| Paula McKie | ... | extras casting |
Costume and Wardrobe Department
| Terry Herfield | ... | costume assistant |
| Charlotte Smith | ... | costume assistant |
| Andrew Steele | ... | costume supervisor |
| Bocca Williams | ... | set costumer |
Editorial Department
| Barney Jordan | ... | on-line editor |
| Colin Peters | ... | colorist |
Music Department
| Chris Deacon | ... | musician: trumpet |
| Christopher Gutch | ... | composer agent |
| Arran Price | ... | composer assistant |
Script and Continuity Department
| Anita Christy | ... | script supervisor |
Transportation Department
| Victor Humphries | ... | action vehicles coordinator |
Additional Crew
| Shane Allen | ... | commissioned by |
| Chris Arnold | ... | Third AD/Floor Runner |
| Emily Axon | ... | location assistant |
| Alicia Boden | ... | production assistant |
| Jane Dimmock | ... | production secretary |
| Donna Harle | ... | development coordinator |
| Charlotte Moore | ... | commissioned by |
| Phil Pease | ... | safety assistant |
| Richard Todd | ... | production coordinator |
