54
Metascore
24 reviews · Provided by Metacritic.com
- 75IndieWireKate ErblandIndieWireKate ErblandThe result is an entertaining and insightful mashup of tropes, both respectful of what came before and willing to try new tricks. Being a weirdo, it seems, has never gone out of fashion, but now it has a different kind of future to conjure up.
- 70IGNKristy PuchkoIGNKristy PuchkoI absolutely love the first half of this film. Lister-Jones recaptures the magic of the original by welcoming the audience into a cool coven with warmth and radiant leads. It's a pleasure to tag along with this dynamic squad, whether they're dabbling in telekinesis, flirting with a crush, or taking on the forces of evil and misogyny. Slow-motion of moments awkward, lusty, and celebratory envelop us in the overwhelming emotions of the heady time that is teendom. Sadly, this spirited and powerful path is abandoned to lay the groundwork for a sequel that is -- as far we know -- not a certainty. Such plotting bogs down the rich and rewarding story of friendship, self-acceptance, and growth. Still, that franchise-forward choice aside, this sequel is wickedly fun and bewitching.
- 67The A.V. ClubKatie RifeThe A.V. ClubKatie RifeWriter-director Zoe Lister-Jones places less emphasis on the culture surrounding witchcraft—there’s no occult store to shoplift from in this film, for example—and more on the girls’ innate supernatural powers, manifested mostly as sparkly wisps of CGI and stunt people in harnesses being jerked across the frame. This is of a piece with more contemporary teen-witch entertainment like the rebooted Chilling Adventures Of Sabrina, as well as the film’s message about finding and harnessing one’s own innate magic.
- 60The GuardianBenjamin LeeThe GuardianBenjamin LeeThere’s ultimately too much in the film’s rushed 94-minute runtime for anything to really breathe.
- 60Los Angeles TimesKatie WalshLos Angeles TimesKatie WalshEverything hums along until it abruptly crashes and burns, and one can’t help but wonder if the film was picked apart to fit a PG-13 rating (the original is R) and a sub-100-minute runtime.
- 58ConsequenceJenn AdamsConsequenceJenn AdamsLegacy wears its heart on its sleeve and you can feel the love for the source material. There’s an endearing and timely focus on building community, which is foundational to real witchcraft, and the message that our differences are what make us strong is one worth repeating at every opportunity. Unfortunately, there are key ingredients missing in the cauldron, and the film feels stilted by its narrative arc.
- 50San Francisco ChronicleMick LaSalleSan Francisco ChronicleMick LaSalleThis is the sequel to “The Craft,” folks. For what it is, the movie’s OK, except that it tried to be more than it is, and it isn’t.
- 50Vanity FairRichard LawsonVanity FairRichard LawsonLister-Jones has a lot of good ideas that are given short shrift in this film. The potency of their implications is sapped by, among other things, the film’s seemingly hyper-conscious worry that it might put a foot wrong, especially within such a limited run time. Which may actually be The Craft: Legacy’s most modern dimension: it probably should have been a Netflix series.
- 40Screen RantMolly FreemanScreen RantMolly FreemanThe Craft: Legacy excels when reveling in its girl power witchcraft, but falls apart in the third act without a well-developed villain.
- 40The New York TimesKristen Yoonsoo KimThe New York TimesKristen Yoonsoo KimZoe Lister-Jones’s The Craft: Legacy, produced by Blumhouse (“Get Out”), is a disappointing distillation of the original that’s mostly devoid of personality.