Directed by
| Bill Clark | ||
Writing Credits (in alphabetical order)
| Bill Clark | ||
Cast
Produced by
| Michael Berendt | ... | Associate Producer for Unlimited Pictures |
| Claire Best | ... | executive producer |
| Pippa Cross | ... | producer |
| Janette Day | ... | executive producer |
| Joanne Froggatt | ... | producer |
| Julian Gleek | ... | executive producer |
| Debbie Gray | ... | executive producer |
| Ros Hubbard | ... | producer |
| Phil Hunt | ... | executive producer |
| Peter Lang | ... | executive producer |
| Robert Little | ... | executive producer |
| Mel Paton | ... | producer |
| Diana Phillips | ... | executive producer |
| Compton Ross | ... | executive producer |
| Sam Tipper-Hale | ... | associate producer |
Music by
| Paul Saunderson | ||
Cinematography by
| Clive Norman | ||
Editing by
| Carmela Iandoli | ||
Production Design by
| David Bryan | ||
Art Direction by
| Thomas Bryan | ... | (as Tom Bryan) |
Costume Design by
| Alison McLaughlin | ||
Makeup Department
| Nathaniel De'Lineadeus | ... | dental effects designer |
| Freya Hargreaves | ... | silicone technician: Millennium FX |
| Terri Hargreaves | ... | buyer: Millennium FX |
| Martina Hawkins | ... | prosthetic effects administrator: Millennium FX |
| Melissa Lackersteen | ... | make-up & hair designer |
| Sammy Leigh | ... | make-up & hair assistant |
| Chris Lyons | ... | special effects teeth |
| Cliff Wallace | ... | prosthetic effects artist: Millennium FX |
| Kate Walshe | ... | prosthetic effects producer: Millennium FX |
Production Management
| Rebecca Pendarves | ... | production manager |
Second Unit Director or Assistant Director
| Jem Karto | ... | second unit director (as Jem Mehmet) |
| Dean Noutsos | ... | second assistant director |
| Stuart Williams | ... | first assistant director |
Art Department
| Amelia Bennett | ... | property master |
| Eloise Gleek | ... | art department assistant |
| Nicola Ray | ... | scenic artist |
| Emma Rhodes | ... | graphic designer (as Emma de Mattos) |
Sound Department
| Craig Barlow | ... | sound mixer |
| Robin Cowap | ... | foley artist |
| Adam Fletcher | ... | boom operator |
| Lindsey Greensmith | ... | sound mixer |
| Emma Heap | ... | foley artist |
| Gemma Thorn | ... | re-recording mixer / supervising sound editor |
Special Effects by
| Jocelyn Bennett-Snewin | ... | prosthetic effects sculptor: Millennium FX |
| Claire Green | ... | mould maker: Millennium FX |
| Cliff Wallace | ... | special effects makeup: sculptor |
| Olivia Whitaker | ... | mould maker: Millennium FX |
Stunts
| Vincent Keane | ... | stunt coordinator |
Camera and Electrical Department
| Roy Bell | ... | second assistant camera |
| Rana Darwish | ... | first assistant camera |
| Ben Gregory-Ring | ... | stills photographer: dailies |
| Sean McDonald | ... | best boy |
Casting Department
| Sophie Pearson | ... | casting assistant |
Costume and Wardrobe Department
| Maria Dagher | ... | costume assistant |
Editorial Department
| Tom Chandler | ... | assembly editor |
| Liam Shanagher | ... | colorist |
| Leon Noordzij | ... | trailer editor (uncredited) |
Location Management
| Curtis Burrell | ... | assistant location manager |
Music Department
| Sam Clifford | ... | composer: theme music |
| Jason Elliott | ... | score engineer / score mixer |
| James Keo | ... | composer: theme music |
| Marli Wren | ... | orchestrated by |
Script and Continuity Department
| Katie Collins | ... | script supervisor |
Additional Crew
| Goose Charlton | ... | assistant to the producers |
| Rebecca Macdonald | ... | post production producer |
| Christos Michaels | ... | legal services |
| Daniel Rogers | ... | health and safety advisor |
