Directed by
| Cosmo Feilding-Mellen | ||
Writing Credits
| Cosmo Feilding-Mellen | ... | (writer) & |
| Connie Littlefield | ... | (writer) |
Cast (in credits order)
| Tim Scully | ... | Self | |
 |
Nick Sand | ... | Self |
|
|
Alice Einhorn | ... | Self - Nick's Childhood Sweetheart |
|
|
Billy Hitchcock | ... | Self - Psychedelic Patron (archive footage) |
| Timothy Leary | ... | Self - LSD Psychologist (archive footage) (as Dr Timothy Leary) | |
|
|
Jill Henry | ... | Self - Nick's partner, 1966-72 |
|
|
Mike Randall | ... | Self - Leader Brotherhood of Eternal Love |
|
|
Gordon White | ... | Self - Bureau of Narcotics & Dangerous Drugs |
|
|
Patrick Clark | ... | Self - Bureau of Narcotics & Dangerous Drugs |
|
|
Don Douglas | ... | Self - Tim's Lab Partner, 1965-68 |
|
|
Owsley Stanley | ... | Self - LSD Chemist (archive footage) |
|
|
Nancy Pinney | ... | Self - Getaway driver |
Produced by
| John Battsek | ... | executive producer: Passion Pictures |
| Helen Bennitt | ... | additional archive producer |
| George Chignell | ... | producer |
| Kate Coe | ... | additional archive producer |
| Omar Fayed | ... | executive producer: Persephone Pictures |
| Paul Gardner | ... | archive producer |
| Connie Littlefield | ... | producer |
| Andrew Ruhemann | ... | executive producer: Passion Pictures |
| Nicole Stott | ... | producer |
Music by
| The Heliocentrics | ... | (original music) |
Cinematography by
| Will Pugh | ... | director of photography |
Editing by
| Nick Packer | ... | (as Nicholas Packer) |
Production Design by
| Erik Rehl | ||
Art Direction by
| Gwyneth Binyon | ||
Art Department
| Michael Breakley | ... | art department assistant |
Sound Department
| Nicholas Ashe | ... | re-recording mixer |
| Tom Foster | ... | sound effects editor |
| Stephen Hopkins | ... | sound recordist: documentary crew |
| Theresa Radka | ... | sound recordist: doc umentary crew |
Visual Effects by
| Allison Brownmoore | ... | design director |
| Anthony Brownmoore | ... | vfx director |
| Isabel Howlett | ... | roto artist |
| Joe Nowacki | ... | lead motion designer |
| Sara Rai | ... | design: assistant |
| Doussa Sylvain | ... | animator |
Camera and Electrical Department
| Adam Feeney | ... | camera assistant: documentary crew / focus puller: drama crew |
| Mark Gibbon | ... | gaffer: drama crew |
| Brian Rigney Hubbard | ... | additional camera: documentary crew |
| Erik Rehl | ... | electrician: drama crew |
| Theresa Wong | ... | camera assistant: documentary crew |
Editorial Department
| Tom Cushing | ... | post-production manager |
| Steve Knight | ... | digital intermediate coordinator |
| Ben MacGregor | ... | conform editor |
| Jateen Patel | ... | digital colourist |
| Tom Rogers | ... | sales executive: Molinare |
Music Department
| Gary Welch | ... | music supervisor |
Additional Crew
| Paul Gardner | ... | archive producer |
| Jill Henry | ... | stills |
| Helena Lewis | ... | archive researcher |
| Connie Littlefield | ... | co director |
| Kate Parker | ... | production co-ordinator |
| Nancy Pinney | ... | stills |
| Mike Randall | ... | stills |
| Nick Sand | ... | stills |
| Tim Scully | ... | stills |
| Phoebe Young | ... | production assistant |
| Lee Meltzer | ... | film publicist (uncredited) |
Thanks
| Patrick Clark | ... | with special thanks |
| Don Douglas | ... | with special thanks |
| Alice Einhorn | ... | with special thanks |
| Jill Henry | ... | with special thanks |
| Nancy Pinney | ... | with special thanks |
| Usha Raetze | ... | with special thanks |
| Mike Randall | ... | with special thanks |
| Nick Sand | ... | with special thanks |
| Tim Scully | ... | with special thanks |
| Gordon White | ... | with special thanks (as Gordon E. White) |
