Superficially this two-parter (episodes 9 and 10) are a great little escapist yarn, almost cinema quality, bring back memories of films that were staged on remote sea outposts (Sean Connery, Clint Eastwood, even Patrick McGoohan did these), have great acting (Ron Perlman in particular) and generally makes for a fun and satisfying viewer experience.
The job of the critic is to look deeper, however.
First Bokenkamp himself has a front writing credit. When you see the script penned by the series creator, you need to pay close attention.
Most TV shows today (this was not always the case) have a front and back story arc and the "challenge" is usually to keep both moving along without confusing the audience.
In this two-parter Bokenkamp pulls off an incredible writing feat, almost a magic trick. Essentially he brings the back arc (the "who is Lizzie to Red?" arc) into the forefront, lets it hang against a backdrop of a pyrotechnic thriller, teases the audience mercilessly, and yet by the end of the finale, the audience IS NO FURTHER AHEAD IN UNDERSTANDING THE "MYSTERY" of the series... an amazing feat. Deserves credit.
Also a note on the editing. The use of jump-cuts is extreme. I think some call this "Crazy Ivan" editing. It takes some getting used but it works well in this series.
The job of the critic is to look deeper, however.
First Bokenkamp himself has a front writing credit. When you see the script penned by the series creator, you need to pay close attention.
Most TV shows today (this was not always the case) have a front and back story arc and the "challenge" is usually to keep both moving along without confusing the audience.
In this two-parter Bokenkamp pulls off an incredible writing feat, almost a magic trick. Essentially he brings the back arc (the "who is Lizzie to Red?" arc) into the forefront, lets it hang against a backdrop of a pyrotechnic thriller, teases the audience mercilessly, and yet by the end of the finale, the audience IS NO FURTHER AHEAD IN UNDERSTANDING THE "MYSTERY" of the series... an amazing feat. Deserves credit.
Also a note on the editing. The use of jump-cuts is extreme. I think some call this "Crazy Ivan" editing. It takes some getting used but it works well in this series.