I am not a typical fan of the Filipino romantic-comedy genre, but this film is definitely one of my favorites under this class. "That Thing Called Tadhana" has a brilliantly crafted story-line, yet modestly simple. The plot literally comprehends only two subjects who are the protagonist couple. The love story is basically a strangers-into-lovers development. One of the noticeable innovations in this films is the lessened use of background music in every scene. Background soundtracks or music are generally mood setters for a particular scene. The scenes in this movie did not make use of such accessories. It primarily relied its witty dialogue, impressive acting of the actor and actress (especially Angelica Panganiban) and beautiful cinematography. Moreover, the symbolisms or analogies used in the movie significantly and perfectly reflected the plot of the story. A manifestation of intelligent writing. "That Thing Called Tadhana" is a standout among Filipino romantic-comedies!
19 Reviews
Not too bad for a romantic film!
rprince-832-629422 February 2015
-That Ting Called Tadhana (2015) movie review: -That Thing called Tadhana is a rom-com from the Philippines, so if you don't like foreign films that's okay, that follows a girl who runs into a guy at an airport, and they become friends and try to figure out how to move on from personal grief.
-Okay, it sounds cheesy, but it was pretty real and heartfelt. It also was not as funny at a rom-com or as romantic as a rom-com, which I thought helped its authenticity.
-The story was great. I thought it was originally handled and compelling.
-The film is slow, to that is one downside.
-I don't know any of the actors in it, but I thought they all did a great job!
-The characters are real and deep, but also hopeful and easy to like.
-The music is- actually I can't recall any of the music, so it is either really fitting for background music or really forgettable.
-Honestly there is not much to say about the film. Basically if you do not hate foreign films and like romantic films that offer something really realistic and believable, That Thing Called Tadhana is totally worth checking out at full price! -I don't think is has a rating, but it has some language in it, including a few F-words. Good news, it is all subtitles though!
-Okay, it sounds cheesy, but it was pretty real and heartfelt. It also was not as funny at a rom-com or as romantic as a rom-com, which I thought helped its authenticity.
-The story was great. I thought it was originally handled and compelling.
-The film is slow, to that is one downside.
-I don't know any of the actors in it, but I thought they all did a great job!
-The characters are real and deep, but also hopeful and easy to like.
-The music is- actually I can't recall any of the music, so it is either really fitting for background music or really forgettable.
-Honestly there is not much to say about the film. Basically if you do not hate foreign films and like romantic films that offer something really realistic and believable, That Thing Called Tadhana is totally worth checking out at full price! -I don't think is has a rating, but it has some language in it, including a few F-words. Good news, it is all subtitles though!
a refreshing turn in Philippine cinema
gercs8 February 2015
I have to admit that I don't watch a lot of Philippine movies, and the willingness is even lower when it comes to the romance genre. In that department, they tend to follow the same formula over and over; and generally, it's not hard for them to be tagged "cheesy". Finally, after a period of hibernation towards watching Filipino movies in their theatrical release, we have decided to watch a Filipino film. We came up with a shortlist, but then a rather cheesy title took the number one spot. All right, let's try this one if we can bear it. But then, it turned out to be an irony because it was rather refreshing to watch. Yes, it's enjoyable and memorable.
What stood out is the insightful and introspective take on rather mundane things about relationships and life in general. The film even reminded me of Linklater's Before Sunrise and Before Sunset. Just like these films, the driving force is the dialogue, and in many occasions, the writing is smart and funny. The film's prevailing tone is a fun and thoughtful joyride. Aside from literally traveling with the characters, you become part of the protagonist's soul-searching after her failed long-term relationship. You're in for a treat with interesting characters, engaging dialogue, and some breathtaking scenery. Worth mentioning is the Sagada trip, which showcased impressive directorial shots. In terms of the performances, it felt like Angelica Panganiban took the wheel, and her partner played the role of a passenger reacting to her driving skills. They were put together in a fateful encounter, and the combination rather worked out well given the risk of being contrived. It worked best when the dialogue is minimal.
Although it was not devoid of cheesy conversations and perhaps ineffective jokes, it contained several well-paced scenes, just like in Coppola's Lost In Translation, that allow us to contemplate about the truths that the film has brought up rather indirectly. In fact, certain scenes, just like the one on the streets of Baguio about 'the heart' and 'the arrow', were reminiscent of the creativity of Gondry's Eternal Sunshine of the Spotless Mind. Also, the guitar background music has set a similar tone. If the film's rough edges were polished, it had some striking qualities of a film widely considered by international critics as a masterpiece. However, in itself, it is already a refreshing turn in the direction of Philippine cinema. If you're looking for a film to enjoy under the turf of quality storytelling, this film will definitely deliver.
What stood out is the insightful and introspective take on rather mundane things about relationships and life in general. The film even reminded me of Linklater's Before Sunrise and Before Sunset. Just like these films, the driving force is the dialogue, and in many occasions, the writing is smart and funny. The film's prevailing tone is a fun and thoughtful joyride. Aside from literally traveling with the characters, you become part of the protagonist's soul-searching after her failed long-term relationship. You're in for a treat with interesting characters, engaging dialogue, and some breathtaking scenery. Worth mentioning is the Sagada trip, which showcased impressive directorial shots. In terms of the performances, it felt like Angelica Panganiban took the wheel, and her partner played the role of a passenger reacting to her driving skills. They were put together in a fateful encounter, and the combination rather worked out well given the risk of being contrived. It worked best when the dialogue is minimal.
Although it was not devoid of cheesy conversations and perhaps ineffective jokes, it contained several well-paced scenes, just like in Coppola's Lost In Translation, that allow us to contemplate about the truths that the film has brought up rather indirectly. In fact, certain scenes, just like the one on the streets of Baguio about 'the heart' and 'the arrow', were reminiscent of the creativity of Gondry's Eternal Sunshine of the Spotless Mind. Also, the guitar background music has set a similar tone. If the film's rough edges were polished, it had some striking qualities of a film widely considered by international critics as a masterpiece. However, in itself, it is already a refreshing turn in the direction of Philippine cinema. If you're looking for a film to enjoy under the turf of quality storytelling, this film will definitely deliver.
On the Question: Where Do Broken Hearts Go?
prospectus_capricornium16 February 2015
One of the most endearing assets that 'That Thing Called Tadhana' has is that, while it follows a simple storyline, it is delivered with utmost sincerity and honesty. The film arrives in an age of Philippine cinema where the romantic comedy genre is defined by its capacity to deliver and imbue "kilig" to the audience; it is expected to get silenced and drowned by the loud clamor and screams for the widely familiar romcoms headlined by today's biggest loveteams like KathNiel and KimXi, but it nonetheless, survives and sets itself apart, a quiet star amid the sea of supernovas.
The story begins with a chance encounter: a man (JM De Guzman) trying to lend a hand to a stranger trying to forget her past and its heartaches. They start a journey that both of them don't know where it ends; it seems unlikely, but throughout that trip, something that isn't familiar, develops, it moves in a lazy pace, but it nevertheless feels right and heading to a better place. TADHANA's message is delivered in quiet and unassuming ways, yet it's recognizable, and speaks in deafening volumes to everyone who shares the same struggle that both the leads are undergoing.
Without the female lead's (Angelica Panganiban) seemingly endless rants and emotional outbursts, the film is naturally quiet and calm. This is the film that isn't too reliant on music or any heavily orchestrated score to set its mood or enhance whatever it is that is already there, instead, it lets its own natural melodies hum and conjure the necessary emotions needed to make every scene work. That being said, you would also realize, that every time it makes use of music as an emotional tool, it works perfectly and delivers the shiver in numerous folds. You would applaud on how endearing and genuine the performances of our leads are; in spite of the cliché lines they throw now and then, it is how realistic their presentation of both their dialogues and characters, that make the two and their stories, really relatable. Angelica is brilliant here, so is JM, and together they make an undeniably overwhelming chemistry.
The question "Where Do Broken Hearts Go" rings throughout the whole movie. As our protagonists take attempts to answer it, the film makes us travel from Rome, Manila to Baguio and to the breathtaking landscape of Sagada. TADHANA never answers that, but it sends a hint that wherever it goes, as long as you're moving on, it will end up being OK.
This movie deserves a perfect 10/10.
The story begins with a chance encounter: a man (JM De Guzman) trying to lend a hand to a stranger trying to forget her past and its heartaches. They start a journey that both of them don't know where it ends; it seems unlikely, but throughout that trip, something that isn't familiar, develops, it moves in a lazy pace, but it nevertheless feels right and heading to a better place. TADHANA's message is delivered in quiet and unassuming ways, yet it's recognizable, and speaks in deafening volumes to everyone who shares the same struggle that both the leads are undergoing.
Without the female lead's (Angelica Panganiban) seemingly endless rants and emotional outbursts, the film is naturally quiet and calm. This is the film that isn't too reliant on music or any heavily orchestrated score to set its mood or enhance whatever it is that is already there, instead, it lets its own natural melodies hum and conjure the necessary emotions needed to make every scene work. That being said, you would also realize, that every time it makes use of music as an emotional tool, it works perfectly and delivers the shiver in numerous folds. You would applaud on how endearing and genuine the performances of our leads are; in spite of the cliché lines they throw now and then, it is how realistic their presentation of both their dialogues and characters, that make the two and their stories, really relatable. Angelica is brilliant here, so is JM, and together they make an undeniably overwhelming chemistry.
The question "Where Do Broken Hearts Go" rings throughout the whole movie. As our protagonists take attempts to answer it, the film makes us travel from Rome, Manila to Baguio and to the breathtaking landscape of Sagada. TADHANA never answers that, but it sends a hint that wherever it goes, as long as you're moving on, it will end up being OK.
This movie deserves a perfect 10/10.
The Truth About Destiny: My Review of That Thing Called Tadhana
templar8813 November 2014
Warning: Spoilers
My girlfriend and I attended the premiere of a Cinema One Original last night. The title of the film was "That Thing Called Tadhana" by Antoinette Jadaone. After seeing the director's previous work, I was excited to see what her friends called, her passion project. With heavy expectations of what her magnum opus would look like, I eagerly anticipated the release of this film. The film did not disappoint and even raised the bar of what I thought Philippine cinema was capable of. In a heavily commercialized and canned industry, it's nice to see honest and genuine filmmaking. In fact, it's the honesty of the characters that set it apart from the often complicated modern day love stories that have become commonplace.
In the thread of great films like Before Sunrise and Lost in Translation, the story begins with a chance encounter. Mace is a distraught twenty-something removing items from her luggage to avoid excess baggage charges at the airport (something almost all Filipinos have done at some point). Anthony, another Filipino plane passenger, offers to put some of her things in his baggage so she can finally check in her suitcases. Unlike in most traditional meet cutes, the female protagonist is unusually silent and crying her eyes out. Anthony's single act of kindness sets the tone for the entire film. Without revealing too much of the plot, Anthony and Mace spend a two day long adventure, in which, Anthony tries to help Mace get over the breakup of her eight-year long relationship.
In the beginning, our male protagonist was trying to help out a total stranger in need but as the story progresses, the kinship between the characters progressively deepens as Mace goes through a self-imposed relationship catharsis. It gives cadence to the idea that lilies bloom in murky water. With each painful detail that Mace unravels, we care less and less about what she went through and more and more about her capability to transcend her hardship with the aid of Anthony. As she unravels, he begins to let his guard down also. He begins to share his disappointments in life, his untapped passions and his discomfort in his ability to commit. In their misery, they find in each other the companionship they truly desired.
The director put a fundamental question for us to answer. Are we truly destined to find our soul mates? Or are we who we are completely because of decisions we make? Without waxing poetic about names being written in the stars, the movie shows us that there are certain wonderful circumstances that we find ourselves in if we allow ourselves to enjoy the journey. No matter the situation, life leaves us room to recover if we allow ourselves to. In less than two days, our female protagonist found the strength to defeat her deep seated cynicism and regain her faith in the universe.
I'd like to end this review with my favorite concept of the movie. At one point, she asks him, why did she waste all this time on her ex? She regretted putting so much time and energy into the relationship. Anthony answered her by saying that every good deed deserves another and every kind act will be repaid in some other form in the future. If I were to describe Destiny, it would be in this very simple understanding of the way the world works. Be kind and you'll find kindness. Be generous and generosity will be given to you. Be loving and you will be loved.
Watch That Thing Called Tadhana in Cinema One Originals in select cinemas.
In the thread of great films like Before Sunrise and Lost in Translation, the story begins with a chance encounter. Mace is a distraught twenty-something removing items from her luggage to avoid excess baggage charges at the airport (something almost all Filipinos have done at some point). Anthony, another Filipino plane passenger, offers to put some of her things in his baggage so she can finally check in her suitcases. Unlike in most traditional meet cutes, the female protagonist is unusually silent and crying her eyes out. Anthony's single act of kindness sets the tone for the entire film. Without revealing too much of the plot, Anthony and Mace spend a two day long adventure, in which, Anthony tries to help Mace get over the breakup of her eight-year long relationship.
In the beginning, our male protagonist was trying to help out a total stranger in need but as the story progresses, the kinship between the characters progressively deepens as Mace goes through a self-imposed relationship catharsis. It gives cadence to the idea that lilies bloom in murky water. With each painful detail that Mace unravels, we care less and less about what she went through and more and more about her capability to transcend her hardship with the aid of Anthony. As she unravels, he begins to let his guard down also. He begins to share his disappointments in life, his untapped passions and his discomfort in his ability to commit. In their misery, they find in each other the companionship they truly desired.
The director put a fundamental question for us to answer. Are we truly destined to find our soul mates? Or are we who we are completely because of decisions we make? Without waxing poetic about names being written in the stars, the movie shows us that there are certain wonderful circumstances that we find ourselves in if we allow ourselves to enjoy the journey. No matter the situation, life leaves us room to recover if we allow ourselves to. In less than two days, our female protagonist found the strength to defeat her deep seated cynicism and regain her faith in the universe.
I'd like to end this review with my favorite concept of the movie. At one point, she asks him, why did she waste all this time on her ex? She regretted putting so much time and energy into the relationship. Anthony answered her by saying that every good deed deserves another and every kind act will be repaid in some other form in the future. If I were to describe Destiny, it would be in this very simple understanding of the way the world works. Be kind and you'll find kindness. Be generous and generosity will be given to you. Be loving and you will be loved.
Watch That Thing Called Tadhana in Cinema One Originals in select cinemas.
Should have been an 8. I won't spoil this but I'll warn you.
redtonix27 March 2015
I'm impressed with this movie. It was well filmed and scripted, that is until the ending. There is no ending, it just ends. We were left wondering what turn would've happened next? What was the "tadhana or destiny" of the characters? Why did it end unfinished? Was there going to be a sequel? In short, no. The direction was to simply cut away from the characters abruptly after building the story.
It was a bust for what should have been a very well told movie. If you like watching a movie build then cut out, then watch this movie. I'd recommend renting it because it's a waste of a theatrical release. Don't take a date to see this like I did. She (a filipina) was left feeling the same as I was, like we need a refund.
It was a bust for what should have been a very well told movie. If you like watching a movie build then cut out, then watch this movie. I'd recommend renting it because it's a waste of a theatrical release. Don't take a date to see this like I did. She (a filipina) was left feeling the same as I was, like we need a refund.
Settle with a Conversation
billygoat10719 February 2015
One's first impression for That Thing Called Tadhana is it's a local rom-com with the style of Before Sunrise, since it's a long walk of conversations. The film is mainly about a girl who meets someone who she can express her emotional pain from a recent heartbreak. The entire movie is basically as simple as that, it somehow abandons the clichés of where a long conversations like this usually lead to and instead just be an example of what we love about human interaction. It can be blissful and bitter, but what's important here is to let these two naturally grow their relationship. The beauty here is it never compromises with demanded formula and just lets itself be honest about their fate.
This is basically a change of pace of the two, taking a break from their ordinary lives and finding a way to let go of the worst of their past by just talking out their backstories, drama and interests. It doesn't matter if they ever end up together, those discussions aren't only sweet talk or anything that would necessarily lead to romance, they are simply just honest conversations that share each other's cynicism, joys and mistakes until one gets relived from her bad memories. But out of this adventurous bond, you can really see how these two develop genuinely, feeling that they are really moving on in a new phase of their lives.
And around those meaty interaction, there's a total appeal in their road trip. From the city of Baguio to the mountain top of Sagada, the way they shoot these places just adds more things to love in these moments that already owns a rich personality. The lead couple can be quite charming, even with the amount of criticism and bitterness in their heads, they're basically just being relatable. Angelica Panganiban is the soul here, she carries the energy and the heart of these conversations, and that is absolutely what this character is meant to be. While JM De Guzman makes a good pair for not always taking the pain of his partner seriously until it becomes a big deal for the both of them.
That Thing Called Tadhana immediately triumphs in its honesty to its storytelling and opinions towards love, letting go and other stuff. The narrative doesn't need anything more than settling with these two characters trying to find a light after a disappointing and hurtful past. It's sometimes enough for just finding someone to tag along and run away to an unexpected vacation, despite of involving some awkward situations. Even in these simplest moments, it brings a satisfying solution from such emotional burden. That Thing Called Tadhana speaks more from the soul of a relationship because that is what makes it truly special.
This is basically a change of pace of the two, taking a break from their ordinary lives and finding a way to let go of the worst of their past by just talking out their backstories, drama and interests. It doesn't matter if they ever end up together, those discussions aren't only sweet talk or anything that would necessarily lead to romance, they are simply just honest conversations that share each other's cynicism, joys and mistakes until one gets relived from her bad memories. But out of this adventurous bond, you can really see how these two develop genuinely, feeling that they are really moving on in a new phase of their lives.
And around those meaty interaction, there's a total appeal in their road trip. From the city of Baguio to the mountain top of Sagada, the way they shoot these places just adds more things to love in these moments that already owns a rich personality. The lead couple can be quite charming, even with the amount of criticism and bitterness in their heads, they're basically just being relatable. Angelica Panganiban is the soul here, she carries the energy and the heart of these conversations, and that is absolutely what this character is meant to be. While JM De Guzman makes a good pair for not always taking the pain of his partner seriously until it becomes a big deal for the both of them.
That Thing Called Tadhana immediately triumphs in its honesty to its storytelling and opinions towards love, letting go and other stuff. The narrative doesn't need anything more than settling with these two characters trying to find a light after a disappointing and hurtful past. It's sometimes enough for just finding someone to tag along and run away to an unexpected vacation, despite of involving some awkward situations. Even in these simplest moments, it brings a satisfying solution from such emotional burden. That Thing Called Tadhana speaks more from the soul of a relationship because that is what makes it truly special.
A broken heart needs another heart to mend it up.
Reno-Rangan22 April 2015
A movie first must get notice in its domestic circuit, then rest of the world come check it out on the curious. I don't know this was a blockbuster or not in the local market, but heard lots praise for it, especially, from the youngsters. I have seen only a few Filipino movies and this one was one of the good films. Very very similar movie to 'Before' trilogy and a fine beginning of the series. Yes, I heard the second movie is already in talk, so guessed probably it going to end as a trilogy.
Unlike 'Before' trilogy, this movie is not set in the casual manner, between the two. Most importantly, it's a road movie, a travel tale. The one of two who meet are affected by the recent love failure. So, the narration concentrates mostly on romance and about mending the broken heart. A pair of two actors with a good chemistry and nicely shot in the beautiful places. Like advertising Filipino tourism, the movie takes us to the finest locations.
It commences just after the 8 years of romance ended for a woman. It does not show how, but later revealed by orally. Beautifully brought those heartbreaks and heartache on the screen. How the boys and girls mourn for their broken relationship was presented quite impressively. All the good times spent together pops out in the front and the rest of the stuffs are just pitch black. Even after breaking their heart, they feel they want to forgive them and give a second chance.
There are all kinds of love in this world, but never the same love twice.
I liked the honesty in the movie, I mean the characters talk as in reality, not the craps. If you ever was in love and saw the failure, you would know what I meant. Whatever the account between them, the animation narration was the plus point in this whole storytelling. The story begins with an arrow asking a question for a lost heart. And the answer is the movie itself that you are going know in the end. It might not understandable by the serious people, but morally appeals to the lover boys and girls, I mean to the guys who are insanely in love with someone.
I thought it was about and for youngster, actually it's about the people who are on the leap from there to the middle age. So, the crisis here is, the chances are fading away to fall in love madly, crazily again. Those days, the playful younger days are gone, what should be done now onwards is the movie that chronicles with lots of fun, emotions and a simple twist at the end. Though, the end was not properly explained, but leaves open. I'd say save whatever you are going to predict it to be, because like I said the sequel's quest to fill it up. But I hope it makes the same impact as this one did to me.
It's more like a 'coming-of-age' for those who are between teen and middle age. I can't say it was the best, but a good movie. Since the loop is open, all I can do is wait for the follow up. Who knows, after the second and even better third movie, it might pop into one of the best romance-trilogies ever. So I'm keeping an open mind here. Hope they won't mess it up. In the meantime, you can give it a try because it was not any nearer to be called bad and I'm sure you would enjoy it if you like a simple romantic tale.
7/10
Unlike 'Before' trilogy, this movie is not set in the casual manner, between the two. Most importantly, it's a road movie, a travel tale. The one of two who meet are affected by the recent love failure. So, the narration concentrates mostly on romance and about mending the broken heart. A pair of two actors with a good chemistry and nicely shot in the beautiful places. Like advertising Filipino tourism, the movie takes us to the finest locations.
It commences just after the 8 years of romance ended for a woman. It does not show how, but later revealed by orally. Beautifully brought those heartbreaks and heartache on the screen. How the boys and girls mourn for their broken relationship was presented quite impressively. All the good times spent together pops out in the front and the rest of the stuffs are just pitch black. Even after breaking their heart, they feel they want to forgive them and give a second chance.
There are all kinds of love in this world, but never the same love twice.
I liked the honesty in the movie, I mean the characters talk as in reality, not the craps. If you ever was in love and saw the failure, you would know what I meant. Whatever the account between them, the animation narration was the plus point in this whole storytelling. The story begins with an arrow asking a question for a lost heart. And the answer is the movie itself that you are going know in the end. It might not understandable by the serious people, but morally appeals to the lover boys and girls, I mean to the guys who are insanely in love with someone.
I thought it was about and for youngster, actually it's about the people who are on the leap from there to the middle age. So, the crisis here is, the chances are fading away to fall in love madly, crazily again. Those days, the playful younger days are gone, what should be done now onwards is the movie that chronicles with lots of fun, emotions and a simple twist at the end. Though, the end was not properly explained, but leaves open. I'd say save whatever you are going to predict it to be, because like I said the sequel's quest to fill it up. But I hope it makes the same impact as this one did to me.
It's more like a 'coming-of-age' for those who are between teen and middle age. I can't say it was the best, but a good movie. Since the loop is open, all I can do is wait for the follow up. Who knows, after the second and even better third movie, it might pop into one of the best romance-trilogies ever. So I'm keeping an open mind here. Hope they won't mess it up. In the meantime, you can give it a try because it was not any nearer to be called bad and I'm sure you would enjoy it if you like a simple romantic tale.
7/10
That Thing Called Tadhana--the more toned-down and relate-able version of the Korean My Sassy Girl--but I mean that in a very good way.
cate_stuff18 February 2015
Warning: Spoilers
JM De Guzman, where have you been all this time??? There are actors who give theatrical performances and then there are the REALLY good actors who are able to give natural, believable, relate-able and subtle performances that come across the screen better than the most literal dialogue.
JM De Guzman has very expressive eyes. You can see the meaning behind his words through the twinkle in his eyes. Yes, you can quote me on that.
I admit I rarely watch Filipino movies but this one had me laughing and crying so hard. Very well-written screenplay and the characters are very lovable and relate-able.
There are a lot of tongue-in-cheek references to JohnLloyd-isms which make Angelica's dialogues all the more funnier (because as of this writing, as far as I know, Angelica and John Lloyd are still together). I can imagine Angelica and JM reading the scripts for the first time and laughing "I HAVE to do this movie!". Because the script/screenplay is THAT good.
Even though this film is pretty much a more down-to-earth adaptation of the Korean "My Sassy Girl",--hey, come on, beautiful heartbroken girl meets this plain-looking guy who is willing to go with her mood swings and road trip whims--- I like that there are still a lot of culturally unique themes that makes this truly Pinoy.
The only thing missing from this movie is a really good musical score or even an OST more substantial (or LSS-friendly) than "Where do broken hearts go" or "Tadhana" which you only really hear through an incoming call ringtone.
And having been a Baguio resident for many years, I loved that they showcased several spots in Baguio (and also Sagada) which made me miss that place all the more.
JM De Guzman has very expressive eyes. You can see the meaning behind his words through the twinkle in his eyes. Yes, you can quote me on that.
I admit I rarely watch Filipino movies but this one had me laughing and crying so hard. Very well-written screenplay and the characters are very lovable and relate-able.
There are a lot of tongue-in-cheek references to JohnLloyd-isms which make Angelica's dialogues all the more funnier (because as of this writing, as far as I know, Angelica and John Lloyd are still together). I can imagine Angelica and JM reading the scripts for the first time and laughing "I HAVE to do this movie!". Because the script/screenplay is THAT good.
Even though this film is pretty much a more down-to-earth adaptation of the Korean "My Sassy Girl",--hey, come on, beautiful heartbroken girl meets this plain-looking guy who is willing to go with her mood swings and road trip whims--- I like that there are still a lot of culturally unique themes that makes this truly Pinoy.
The only thing missing from this movie is a really good musical score or even an OST more substantial (or LSS-friendly) than "Where do broken hearts go" or "Tadhana" which you only really hear through an incoming call ringtone.
And having been a Baguio resident for many years, I loved that they showcased several spots in Baguio (and also Sagada) which made me miss that place all the more.
Talkies with an ending that lets the audience decide
Sirfaro1115 February 2015
Warning: Spoilers
First time I saw the trailer of this movie, I figured it was a different kind of rom com. As it got its nationwide release, both critics and Facebook friends were raving and posting the lines from the movie. To not watch it means to be left out in the discussion, so we decided to watch it one afternoon. I have to narrate that because I was underwhelmed with the movie. Perhaps because I read too much reviews and saw too many clips before I went to see it. Almost every line was familiar already so there was no more surprise in my part. I still admire this work because you genuinely care about the two leads after getting to know them in the first half of the movie. The conversation that they shared were never boring although you kind of feel fed up with her by the time they arrive in Sagada. JM de Guzman was the perfect listening buddy ,with his own demons, but contented on hearing everything Angelica had to say. I am glad this movie was appreciated by so many people, proving you only need a good script to keep the audience listening. The ending though might leave you wanting more.
Love Never Loves the Same Way Twice!
spasek3 June 2020
While Love is unconditional, constant, and unchanging, the WAY we love is always different. People should hopefully take comfort in the fact that that makes, not only way you love someoone unique, but YOU unique as well.
Unfortunately, people tend to also forget that many relationships are finite. It's been said, "It is interesting to note that people can easily recognize when a relationship begins, but are unable or unwilling to recognize when a relationship ends."
Mace is a broken-hearted young woman coming off an 8-year relationship with her boyfriend who is living in Rome. Angelica Panganiban plays the role so realistically, you can feel her anger, frustration, and sense of loss. I would wager than anyone, who has ever been where she is, has felt exactly how she feels.
Anthony is a young man also returning home from Rome, and he sees Mace struggling to lighten her suitcase in order to meet the weight criteria. He decides to help her. He's also there through her rants and outbursts, but somehow, we get the sense that he understands her plight.
This is a film that reminded me a lot of "Before Sunrise," a brilliant movie where two people walk around Vienna getting to know each other. However, in this case, it's about two people spending time together, helping each other to heal. While Mace's hurts are recent, we discover that Anthony is also carrying some old hurts and regrets as well, but he's able to find ways to help Mace.
Angelica Panganiban and JM De Guzman are simply brilliant, and more importantly, real. They know their characters inside and out, and they are also very relatable. They could easily be anyone who has been where they are, and because the story is told in such a realistic tone, it works tremendously well.
Perhaps Mace will realize that making someone else the center of your life is always a disaster waiting to happen. Unless you love yourself first, you cannot give what you do not have. Relationships are never about finding someone to complete you. They are always about sharing your completeness with someone else. That is the secret!.
In any case, you learn from past relationships to find what you want in future relationships. And hopefully, when a relationship ends, you are grateful to that person for the time spent and wish them all the best as they continue their own journey.
Unfortunately, people tend to also forget that many relationships are finite. It's been said, "It is interesting to note that people can easily recognize when a relationship begins, but are unable or unwilling to recognize when a relationship ends."
Mace is a broken-hearted young woman coming off an 8-year relationship with her boyfriend who is living in Rome. Angelica Panganiban plays the role so realistically, you can feel her anger, frustration, and sense of loss. I would wager than anyone, who has ever been where she is, has felt exactly how she feels.
Anthony is a young man also returning home from Rome, and he sees Mace struggling to lighten her suitcase in order to meet the weight criteria. He decides to help her. He's also there through her rants and outbursts, but somehow, we get the sense that he understands her plight.
This is a film that reminded me a lot of "Before Sunrise," a brilliant movie where two people walk around Vienna getting to know each other. However, in this case, it's about two people spending time together, helping each other to heal. While Mace's hurts are recent, we discover that Anthony is also carrying some old hurts and regrets as well, but he's able to find ways to help Mace.
Angelica Panganiban and JM De Guzman are simply brilliant, and more importantly, real. They know their characters inside and out, and they are also very relatable. They could easily be anyone who has been where they are, and because the story is told in such a realistic tone, it works tremendously well.
Perhaps Mace will realize that making someone else the center of your life is always a disaster waiting to happen. Unless you love yourself first, you cannot give what you do not have. Relationships are never about finding someone to complete you. They are always about sharing your completeness with someone else. That is the secret!.
In any case, you learn from past relationships to find what you want in future relationships. And hopefully, when a relationship ends, you are grateful to that person for the time spent and wish them all the best as they continue their own journey.
Escapism
FloydPangas18 June 2019
Akbay scene the best
mj-jarillas25 February 2015
Warning: Spoilers
That Thing Called Tadhana
*mild spoiler alert
I'm not a movie critic (I am but only with my wife). I don't usually watch Tagalog films. I don't even watch movies that much. But there is something with the movie "That Thing Called Tadhana" that compels me to write this "review". This is the first movie review that I wrote. Tadhana begins awkwardly, in an airport in Rome scene, showing Mace and her overweight baggage problems. Anthony helped her by offering to use his own baggage allowance. This is how the two characters of the movie met, with expectations that they will go on their separate ways upon reaching Manila airport, their destination. But Tadhana (Fate) have other plans. This is a story about two broken hearted individuals albeit in different ways, met at the airport, get to know each other a bit, supported each other's need of companion and by whimsical decision, they end up agreeing to go to a trip to Baguio and Sagada. The succeeding scenes are wonderful executions of the two characters conversation that reveals their compatibility. What struck me most of this movie is the amount of realistic dialogues between the characters. Most of the time it is not forced, it is very much relatable. Expletives are extensively used but for me, the emotional level of the scenes merits it. One of my favorite scenes is when Anthony is putting his arms around Mace, but he seems hesitant seemingly thinking that if he does, their budding friendship would possibly develop into something more romantic. At last, Anthony didn't continue as he thinks he does not want to start something too soon, and does not want to take advantage of Mace' vulnerability at the moment. For me, this is a clear sign that he really likes Mace and he wants to start a relationship with her at the right time, in the right way. I really like this scene as I think the protagonists acting are spot on and they are just so cute to watch. Even simple scenes like when they first hold hands are very much relatable. It is awkward but it is real. Mace said "pag ako nadapa.." (If I fall..), implying to Anthony that she needs support in walking downhill. Anthony then held her hand and they end up interlocking arms together. My interpretation is Mace wants to tell Anthony that its OK for him to hold her, and that she trust him. Contemplating about this movie, I can't help but to compare it with other Tagalog movies that I saw. I wish more and more movies like this comes out where the story is more based on reality, relatable, less over the top acting and with superb script. I will certainly watch out for Antoinette's next project.
*mild spoiler alert
I'm not a movie critic (I am but only with my wife). I don't usually watch Tagalog films. I don't even watch movies that much. But there is something with the movie "That Thing Called Tadhana" that compels me to write this "review". This is the first movie review that I wrote. Tadhana begins awkwardly, in an airport in Rome scene, showing Mace and her overweight baggage problems. Anthony helped her by offering to use his own baggage allowance. This is how the two characters of the movie met, with expectations that they will go on their separate ways upon reaching Manila airport, their destination. But Tadhana (Fate) have other plans. This is a story about two broken hearted individuals albeit in different ways, met at the airport, get to know each other a bit, supported each other's need of companion and by whimsical decision, they end up agreeing to go to a trip to Baguio and Sagada. The succeeding scenes are wonderful executions of the two characters conversation that reveals their compatibility. What struck me most of this movie is the amount of realistic dialogues between the characters. Most of the time it is not forced, it is very much relatable. Expletives are extensively used but for me, the emotional level of the scenes merits it. One of my favorite scenes is when Anthony is putting his arms around Mace, but he seems hesitant seemingly thinking that if he does, their budding friendship would possibly develop into something more romantic. At last, Anthony didn't continue as he thinks he does not want to start something too soon, and does not want to take advantage of Mace' vulnerability at the moment. For me, this is a clear sign that he really likes Mace and he wants to start a relationship with her at the right time, in the right way. I really like this scene as I think the protagonists acting are spot on and they are just so cute to watch. Even simple scenes like when they first hold hands are very much relatable. It is awkward but it is real. Mace said "pag ako nadapa.." (If I fall..), implying to Anthony that she needs support in walking downhill. Anthony then held her hand and they end up interlocking arms together. My interpretation is Mace wants to tell Anthony that its OK for him to hold her, and that she trust him. Contemplating about this movie, I can't help but to compare it with other Tagalog movies that I saw. I wish more and more movies like this comes out where the story is more based on reality, relatable, less over the top acting and with superb script. I will certainly watch out for Antoinette's next project.
THE THING CALLED TADHANA" is a story about heartbreak
littlemisshoneyblog5 March 2015
Warning: Spoilers
THE THING CALLED TADHANA" is a story about heartbreak and for positive-minded moviegoers, it is also a story about second chances in love. The story started in Rome, at the airport where we meet the two main character Mace (played by the talented Angela Panganiban) and Anthony (played by the charming JM De Guzman). Mace was trying to unload some of her excess baggage to accommodate her baggage allowance for the flight. This metaphor of excess baggage sets the tone of the movie as Anthony cockily volunteered himself to carry some of Mace's baggage. This gesture and a plane ride together from Italy to Manila gave the two characters a chance to start an unusual connection. There were no romantic sparks flying just yet especially from the obviously distraught Mace who slowly revealed her being jilted by her lover in Rome. The connection was more born out of irritation from Mace of Anthony's constant imposition in her depressing state. You have to wonder though what was Anthony real motive for helping Mace. Does he have a knight-and-shining-armor complex? He just loves being the savior to emotionally unstable women. Or he was superficially attracted to Mace upon seeing her at the airport? From what I know of men (sorry for the stereotype, boys), they would most likely give you attention or offer help if you are slightly bit (or more so) attractive. Same goes to initiating friendship with women. Upon deplaning, maybe out of loneliness, boredom or interest ( in Anthony's part), they manage to set a trip from Manila to Baguio to Sagada. The movie reminds me a lot of the movie Before Sunrise.
more of my review at www.littlemisshoney.com
more of my review at www.littlemisshoney.com
what a movie !
unknownthing21 March 2015
Even though i don't know Filipino but watch it nevertheless. Feel like crying and laughing at the same times. Can really to both the actor. Superb acting and very real.totally recommend to everyone esp with the one with broken hearts.What a movie, movie like this come once in a decade. You can relate to both the character. Having been brought in a lots of over the top acting and unrealistic story lines from Bollywood it is a nice change for a while. I hope bollywood will not copy and spoil it . great location esp in the interior of Philippine. I am now a fan of Filipinos movies after this and metro manila. I really like the scene at the villages when the hero hesitate for a while.
Refreshed opinion on Filipino movies
netflix300012 January 2020
As a kid, I used to love Filipino movies such as Enteng Kabisote and a lot of FPJ action films. However, I grew up and slowly I started to realize how awful the qualities of these movies are, so I stopped watching Filipino movies altogether.
That Thing Called Tadhana changed my opinion on Filipino movies. I gave it a shot after some recommendations from friends, and boy did it not disappoint.
That Thing Called Tadhana changed my opinion on Filipino movies. I gave it a shot after some recommendations from friends, and boy did it not disappoint.
Aside from spoilers, this is the most important question you should be asking yourself: "Is this film a waste of time? My answer: yes."
discoprojects23 July 2019
Warning: Spoilers
If you're into cinema, good acting, and a good plot from start to finish, then stay away.
I was on a Filipino rom-com and romance binge for awhile. Some of my favorites were Kita Kita, Sid and Aya, Rakenrol, I Love You To Death, So Connected, and etc.
But I just watched "A Thing Called Tadhana," and after having high expectations, I thought the film was horrible. I'm into romance, but there was so many things I did not like in this film: slow pacing; a lot of drag and wasted time sound was very off (noisy background; too quiet or too loud vocals) some scenes made no sense or didn't help the film progress okay acting/same crying scenes over and over again (hardly any character development, shallow at best).
Spoiler: This film's about nice guys that don't get the girl, but the girl likes the guy as a "really good, or comforting friend" and that friend of yours that is so heartbroken that she uses anything of the slightest comfort to help herself feel better about her situation. There's a word for this: rebound. It's selfish, and it's a waste of time (like this film).
And that's the saddest reality about this movie. It's largely a waste of time, and leaves you feeling a bit empty or confused. I still don't know what I've learned from this film...
Although, is there anyone here that's willing to defend it?
I was on a Filipino rom-com and romance binge for awhile. Some of my favorites were Kita Kita, Sid and Aya, Rakenrol, I Love You To Death, So Connected, and etc.
But I just watched "A Thing Called Tadhana," and after having high expectations, I thought the film was horrible. I'm into romance, but there was so many things I did not like in this film: slow pacing; a lot of drag and wasted time sound was very off (noisy background; too quiet or too loud vocals) some scenes made no sense or didn't help the film progress okay acting/same crying scenes over and over again (hardly any character development, shallow at best).
Spoiler: This film's about nice guys that don't get the girl, but the girl likes the guy as a "really good, or comforting friend" and that friend of yours that is so heartbroken that she uses anything of the slightest comfort to help herself feel better about her situation. There's a word for this: rebound. It's selfish, and it's a waste of time (like this film).
And that's the saddest reality about this movie. It's largely a waste of time, and leaves you feeling a bit empty or confused. I still don't know what I've learned from this film...
Although, is there anyone here that's willing to defend it?
Terrible
jeonakeivy19 February 2015
Warning: Spoilers
Im really amazed how Filipino people admire and cherish this movie. Its terrible and disappointing.
Spoiler alert:
Its full of bitch dialogs from the pig looking angelica panganiban. She always say F word and do things like a slut does. Its so scary people of the Philippines see this as a masterpiece. I left the cinema on the part where her cursing is so crispy said. I felt disgust through my body. This is their model image?
If you want to contribute to the society ABSCBN is working out, watch this. 1/10. Filipino should be kind person not US based slut cursing everywhere anytime. Such a disgrace.
Spoiler alert:
Its full of bitch dialogs from the pig looking angelica panganiban. She always say F word and do things like a slut does. Its so scary people of the Philippines see this as a masterpiece. I left the cinema on the part where her cursing is so crispy said. I felt disgust through my body. This is their model image?
If you want to contribute to the society ABSCBN is working out, watch this. 1/10. Filipino should be kind person not US based slut cursing everywhere anytime. Such a disgrace.
SURPRISINGLY GOOD!
Honest_Reviewer3213 August 2019
This is one of those films that I watched without seeing the trailer or having any idea about what the film is about and had no expectations. The film only relied on its two lead actors without any other famous supporting casts, extras, special effects and musical background which made it so raw yet so good at the same time. It makes you go in a journey together with the characters that it makes you feel attached to them. You get to feel how they feel and you start to root for them to get together in the end. It had a really good story-telling and used breath-taking locations that makes you immerse in the story. Splendid acting from both Angelica and JM.
See also
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