"True Detective" Night Finds You (TV Episode 2015) Poster

(TV Series)

(2015)

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8/10
The rat in the dark
quincytheodore28 June 2015
Warning: Spoilers
Second episode opens plenty of development for the characters as the investigation starts, although the pace has been slowed down compared to introductions of first episode. The case itself doesn't move much aside from a few leads, it does give a more structured backdrops for both actual and political landscape.

Each authority organization wants a claim over the Caspar case for their respective agenda, hence they agree to mesh together a special task force. Perhaps, the most invested party is Frank Seymon (Vince Vaughn) whose money is missing, allegedly misplaced by Caspar. The show invests much time to his role, and luckily he's gradually getting better. He looks more towards the kingpin mob persona as the show progresses.

Paul Woodrugh (Taylor Kitsch) is still bizarre, he's almost a third wheel in the investigation. Furthermore, he is displayed on having a couple of dysfunctional relationships with women, which uncomfortably includes his mother. Colin Farrell as Velcoro still shows strong performance, he's nothing but a mess, but still functioning as detective. It's the kind of performance that shouts, "How did I end up like this?"

The chemistry with Rachel McAdams is sufficient, considering the bulk of investigation consists of two of them being unenthusiastic partners. They don't have the spark like Matt and Woody did, this might deter some viewers, but they do serve their purpose, at least decently enough.

The show also gives a couple of narratives for the setting which is a good addition to set more clarity early on. Visually, it gives more diverse colors with some shots of the city from land and air beyond the brown murky tone. If there's any hindrance, it's that the case begins to veer much into political territory than actual crime thriller, but there might be pay off somewhere along the line.

With more concentrated plot, equal distribution of spot light and harrowing twist at the end, second episode maintains a solid continuation.
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8/10
"I Don't Like Being on a Ledge"
lavatch17 February 2018
Warning: Spoilers
In the opening moments of this second episode, the oily businessman Frank Semyon (Vince Vaughn) is depicted in a private confessional to his wife. He is recalling the harrowing experience of being locked in a basement when he was six years old. His grandfather wanted to insure the lad's "safety" while he went off on a bender. But after the drunken grandfather was arrested, little Frankie nearly died while alone in the dark for a period of days without food. Frank is still haunted by the experience and confesses, "I don't like being on a ledge." That phrase could be the mantra of the others characters in this series.

The one cop who acts like a "true" detective is Antigone "Ani" Bezzerides (Rachel McAdams). Her own confessional comes when describes to her partner her history of a dysfunctional family with two siblings in jail and two having committed suicide. (From program #1, one of her sisters was questioned by the police, but it was never apparent that she was arrested.) Her response to the pain of her childhood is to bury herself in other people's problems in her police work.

Det. Ray Velcoro (Colin Farrell) seems like a top-notch detective. But he has been compromised in working for a criminal, earning extra money on the sly as he battles his ex-wife in court over child custody. Much more damaging to Velcoro's work ethic is his explosive temper. He killed the assailant of his ex-wife and recently beat to a pulp the father of a twelve-year-old who had taunted his son at school. Regarding his personal foibles, Velcoro shrugs them off as "bad habits, never lost one yet."

The third policeman is a detective-in-waiting: Paul Woodrugh (Taylor Kitsch), who requires Viagra to satisfy his demanding girlfriend, Em, who finally tires of his lack of honesty and walks out on him. Woodrugh too is haunted by a traumatic childhood. He is drawn into the web of police corruption in order to remain on the force, yet his one true love is to be on his "bike."

The city of Vinci is an apparent toxic waste dump, due to the greed of city officials and the general lawlessness of a community of underworld criminals like Frank Semyon, who has lost his bankroll to the now deceased Ben Caspere. He enlists his man on the inside, Velcoro, to discover the details of Caspere's demise and gives him lead in a Hollywood bungalow. But upon entering the tiny home, a mysterious figure appears, gets the drop on Velcoro, and then...BOOM!
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8/10
Review of season 2: Episodes 1-2
8512221 July 2015
Greetings from Lithuania.

Finally "True Detective" returned to us after a superb and brilliant season 1. New cast, new location, new case. To be honest, i wasn't' fan of this show after first three episodes of season 1 - this show started to become amazing starting from episode 4 - it was a breathtaking ride.

Season 2 started good, in my opinion 1st episode was even a bit more interesting then 1st seasons opening episode. Although the story is a bit complicated here and there, first episode of this season was good, a 9/10 worthy.

Episode 2 was a bit more disappointing. The story haven't really moved far, except for the final minute sure, but overall episode wasn't really interesting or involving. Although actors are doing great job here, it's the script who is a bit draggy and not that really interesting. Nevertheless it has strong sense of a real world, and i do hope that this show will kick in in the upcoming episodes. And what a shocker at the end! And by the way, is anyone here kinda hopes (or thinks) that this case is somehow connected to the one in season 1 ? Because the undertone of sexuality is somehow is very strong in both cases. Abyway it's just a guess, lets see what happens next. Episode 2 - 8/10.
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10/10
The Man in Black
lachrymologist28 June 2015
So many criticisms and off-the-wall speculations floated around the IMDb message boards immediately following the conclusion of the first episode of the second season of this show.

There were good criticisms - Justin Lin doesn't use film and in no way will he pull off the epic job that Cary Fukunaga did in the first season. Digital photography is cheaper, and in some ways, it certainly looks cheaper. I have no qualms with this line of dissension. I do think that the aesthetic used by Justin Lin (Nigel Bluck, visually) is gritty and well-honed, despite it not being as grand as Cary's vision (pulled off by the sumptuous photography of Adam Arkapaw), thus far. If that is a big enough concern, you're in luck, as in this season, we're getting more directors and DPs, and the Lin/Bluck team only operate on the first two episodes.

Now to the remarkably effusive tripe that paraded itself as criticism - "The writing is bad," seemed to be the general consensus, and I'll bite, in the sense that it's more muddy. We don't have two generally "good" guys taking us through a serial murder case. We have a panoply of characters, all whom generally and genuinely appear to have a seedy side, and a very complex plot. "The plot doesn't make sense," was another common qualm. If you're used to simple movies, totally expecting a Season 1 Redux, or need the straight-forward pampering of an Ernest Hemingway novel, you're not going to like this season, at least so far. Fortunately, for those of us who have read Pizzolatto's "Galveston" or any of a number of other complex novels, where we're not spoon-fed story-arc-pablum, we can handle not knowing for a while. We can also handle loose threads hanging, indefinitely - who knows what happened to the crazy cult from Tuttle Ministries after they caught at least one of the killers? Could this or future seasons answer lingering questions? We're meant to believe the battle for who gets to claim God goes on - anyone paying attention to the near steady level of asinine drivel spewing from the bible belt's buckle shiners knows it goes on, and on. This series seems to deal equally harshly with the New Age movement, and rightfully so.

The writing and dialogue are on par with the first season, although there is no Ruste here. It's a more human side of writing, but it's still tight and engrossing. It's still the best writing on television.

Who is the man we've seen now, twice, who apparently wears a Raven mask and marches around with a shotgun full of Super X shotgun ammo? Who will we ultimately find that we can rally behind in this season's characters, dead or alive?
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10/10
Second Season: Off To A Good Start
Marlo_Spencer29 June 2015
Warning: Spoilers
Please excuse my lack of using a more gripping review titled, but so-called fans of the show drove me to it. Stop your whining already - SEASON 2 HAS JUST BEGUN! Now that's out of the way...

I had to think about this episode after having watched it, and it dawned on me - maybe the ending was an insight into how HUNGRY Vince Vaughn's character of Frank Semyon happens to be when it comes to getting what he wants. His and Ray Velcoro's (Colin Farrell) last encounter had various undertones. And Ray did not take the money as the waitress tried to remind him of having left it. Coincidence? Ray was going to play ball with his team (i.e. the other Detectives) instead of the man who had recently lost everything because Casper's murder (not to mention he believes Ray is indebted to him). Just a theory of mine as I wait to find out what the hell is going to happen next and why.

True Detective is worthy of its name. If you're reading too much into it too soon /or comparing it to last season, then you're really not watching. Keep up the nice work

signed,

A Loyal Fan
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9/10
There's no difference between good and bad habits
jasperan24 July 2018
Warning: Spoilers
Bezzeride's lust, Velcoro's predicament with his son. Everything was very emotional.
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6/10
Good Habits & Bad Habits
ThomasDrufke29 June 2015
Last week True Detective got a lot of hate for either trying to copy too much of the first season's brooding tone, or the opposite of not capturing the aesthetic of the previous season. To me, the first episode was good enough to separate itself from the first season while also failing to establish it's own identity, if that makes sense. And I feel like this episode actually took a step back from last week. The episode was a lot more dialed back and the directing ended up being a major weak point. Justin Lin, who is known for his over-the-top directing style, didn't prove to nail the flow of what this episode needed. If we are going to focus on 4 main characters, then the episode needs to flow seamlessly and give us a steady tone.

I like Taylor Kitsch as an actor, and he's pretty good in his role in the show, but I'm still failing to see why his character is needed. I understand that he will likely prove to be useful or even end up saving the day somehow, but he is of no use to McAdams and Farrell as of now. With that being said, I'm not all that sure Farrell makes it out of this episode. If he does, that would have been a pretty big cop out. If that's the killer by the way, that's back to back seasons with some messed up animal faces doing the killings. But Farrell's story, although very similar to Woody Harrellson's of season 1, was probably the most compelling out of all the main characters, so it sucks to see him go. I was starting to enjoy those car ride talks with McAdams and him, very reminiscent of season 1 with the two leads.

I also haven't really bought into Vaughn in this role. Something about his character and or performance that just seems off. So whether it was the choppy directing to begin the episode or just the lack of motivation that seemed to plague each character, this episode really took a step back from last week.

+Farrell's performance

+McAdams distinguishes herself

-Choppy directing

-Vaughn

6.6/10
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6/10
Definitely Maybe
shesetsail2 July 2015
Warning: Spoilers
Yellow light and yellow teeth and yellow books, it's like the whole city of Vinci reflects the glare of a malign cosmic banana. In season 1, Carcosa is beautifully evoked in passing references. Now it's like we are in the heart of it, and it's bright, jaundice creeping in everywhere, strangely slow and poisonous.

Good news is, it really is moving forward, by which I mean we see part of something happening at the end of the episode. I like the discovery of the Hollywood house, the animal heads on the walls harking back nicely to the Courir Le Mardi Gras masks in Season 1, and a nice shock ending.

The writing's really patchy. What are they trying to achieve with Frank Semyon's dialogue? He occasionally slips into a kind of 'Youse guys' patois, which make him sound like a refugee from the Ant Hill Mob. Velcoro at least gets to speak like a normal person, even if he's just collided with yet another antique cop/father gone-to-the-bad meme. Now, having assaulted a school bully's parent and addressed the kid with memorable lines about 'inserting'* his father with his headless mother's corpse on the lawn, he is prevented from seeing his own son, a development that astonishes him. Who knew? Don't go expecting too much from Ventura county detectives, seems they're easily surprised. So far the most useful piece of information has come from a gangster who, on seeing water damage on his ceiling, prefers to ruminate at length on his traumatic memories rather than just fix the damn thing. We may be here for some time...

I guess Nic Pizzolatto couldn't be expected to create another Rustin Cohle/Marty Hart dynamic, and it would have been dumb to try. But what is he trying to create in its place? Does he even really know? This season is in danger of contacting Hannibal syndrome if it doesn't get going. I'm holding on, but two more episodes at this pace will be a real test.

*I suspect a direct quote may not meet website standards.
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7/10
Pick up steam!
mm-3930 June 2015
Warning: Spoilers
Night Finds you picks up speeds! True Detective's narrative shows the political and business side of crime. Vaughn's character is desperate and out of money, while we learn more of the desperation of the Farrell's character. The two other police are on the case for desperate reasons. One personal and the other career. The director creates and ambiance of fear, and sorrow for the series. The viewer learns that a murder Vitim intertwines all the characters together. A gloomy story of political corruption and greed creates is foreshadowed by the minor character. The ending is surprising by what happens and what the results are? The plot boils as each character is turns up personal heat with desperation. 7 out of 10
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It's getting better
gedikreverdi28 November 2021
Warning: Spoilers
They found the dead man's other house in Hollywood where he'd meet escorts who are very young women. Ray walked in the house alone. The man was murdered there probably because there's a pool of blood on the floor. A man with a raven mask shot him twice. The characters of Vince Vaughn and the highway police are a bit boring but Collin Ferrell is doing a great job so far and his character is quite intriguing.
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1/10
SPOILER ALERT: True killer of first season's legacy
olicarth29 June 2015
Warning: Spoilers
Warning! Frustrated review:

After watching the first episode of the second season, there was a light hope that the second episode actually might be worth watching... But it wasn't.

Just so I'm clear, the show isn't all that bad (in general), it's just a poor silhouette of the legacy which is left after great actors, characters as well as the story itself in the first season (I'm aware it might be too early to be so judgmental).

57 minutes of blunt torture, a terrifying amount of horse crap in which you need to fight through that pile of forced acting, fake dark atmosphere and incredibly boring back stories you finally come to one exciting minute in which "SPOILER" Velcoro gets shot. This moment wasn't about building up suspense, about making you want more, although they might use it as a poor excuse to make you believe there is more, but obviously there isn't much or else they would make it a lot more interesting, just like the season one.

This, the second season was merely a sad try to re-create something that was wonderful and, as expected, they have failed miserably. Thumbs up for the effort, but that's all.

P.S. As a real fan, I honestly hope that the show's third episode will shock and amaze and prove me wrong.
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Hollywood investigates Hollywood
greenwhich29 June 2015
Warning: Spoilers
I appreciate that this season, this time around, has more acts and more woven plot lines together, than the previously two man show. Where the first season read like a book, they have even started adding in some cinematography, this time around.

What bugs the hell out of me, found, in the first minutes of this episode. Only in Hollywood, does the highway patrol and the other roadkill, rabble, make the Homicide squad. Partial attempted explanation, but without any satisfaction. There are protocols, exams, and professionalism. Not! When upon being investigated by I.A, any mark of misconducted often preventing any promotion, she was an actress, likely, also hitting any press. Please hand in your badge. NO, it all gets swept under the rug, because OOPS you have found a body. Privy to the M.E/F.E before any promotion. Meanwhile the rest of any of the crossing lines, can also all get into the chopper, working out of the hangar, quickly assemble the flying squad. I get it, he is a ghost, so SHHHH, higher the busters.

Let us hope that any fictional story here gets better as this season progresses
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6/10
Plot, acting are spot on but the science behind it :(
hyphenpointhyphen21 September 2017
Warning: Spoilers
That last scene IMO blew it.

That shotgun was fired 2 times, once from let's estimate generous 4 meters distance and once point-blank (about half a meter distance) into the lower abdominal region. How on earth is Ray still alive, the internal hemorrhaging alone would have slowly killed him and why would a killer leave a witness behind - this scene just makes no sense at all.

This lack of detail really didn't fit
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