It is a work to be seen and rethought for a long time; to be enjoyed in its immediacy and inventiveness, and to be reworked later, to fully grasp the scope of what it says (and how it does it). The Italian cinema that tells us best, in 2014, is just this: outsider cinema, outside the large production / distribution circuits, but also from the picket fences and the more banal (and obsolete) classification attempts.
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