Hector. A film starring the brilliant Peter Mullan as a homeless Glaswegian who embarks on his annual pilgrimage to a London shelter for christmas with his fellow homeless friends. A beautiful study of human kindness set amongst inner demons and long lost loved ones. A life affirming 8 out of ten
14 Reviews
Hello to Jason Issacs........
FlashCallahan27 October 2016
Warning: Spoilers
Hector has been living in and around the motorways for the last 15 years. His once comfortable family life has been replaced by a never-ending tour of service stations that offer him shelter, anonymity, washing facilities and food.
The narrative centres around his journey south from Scotland on his annual pilgrimage to a temporary Christmas shelter in London where he finds comfort, friendship and warmth.
Over the course of his odyssey, Hector decides to reconnect with his long estranged past. As his previous life catches up with him, the story of how he came to be leading an alternative life begins to emerge......
When we first meet the titular character, he is cleaning himself up in a service station lavatory, and I was sure that he was late for an interview, because this man doesn't dress like you stereotypical 'homeless person'.
And this is the fundamental message that this film carries.
We walk past these people on a daily basis, usually ignoring them or hoping you don't make eye contact with them, but this film is saying that these people have a story, these people have a life, and in Hectors case, these people have a lot of self respect.
Mullan is terrific as the titular character, one of the most sincere characters he's ever played, if you've seen some of his performances, you know he can be truly terrifying. This is another terrific aspect to the film. Because of the actors career, you instantly think that Hector has the potential to 'kick off', so all the different situations Hector finds himself in always have a certain air of tension.
And these situations act as a sort of anthology mini film as we follow the story complete. Some of his encounters are kind, some are bitter, and some are downright embarrassing for the people he encounters, but never once does Hector resent anybody or anything.
This is a man who has literally lost everything, so in some strange way, he's at peace with the world.
Even though the film is set at Christmas, it's not trying to be your atypical Christmas movie, with a saccharine ending, it's just a pleasant film about a pleasant character who unfortunately has been labelled by society.
Worth seeing.
The narrative centres around his journey south from Scotland on his annual pilgrimage to a temporary Christmas shelter in London where he finds comfort, friendship and warmth.
Over the course of his odyssey, Hector decides to reconnect with his long estranged past. As his previous life catches up with him, the story of how he came to be leading an alternative life begins to emerge......
When we first meet the titular character, he is cleaning himself up in a service station lavatory, and I was sure that he was late for an interview, because this man doesn't dress like you stereotypical 'homeless person'.
And this is the fundamental message that this film carries.
We walk past these people on a daily basis, usually ignoring them or hoping you don't make eye contact with them, but this film is saying that these people have a story, these people have a life, and in Hectors case, these people have a lot of self respect.
Mullan is terrific as the titular character, one of the most sincere characters he's ever played, if you've seen some of his performances, you know he can be truly terrifying. This is another terrific aspect to the film. Because of the actors career, you instantly think that Hector has the potential to 'kick off', so all the different situations Hector finds himself in always have a certain air of tension.
And these situations act as a sort of anthology mini film as we follow the story complete. Some of his encounters are kind, some are bitter, and some are downright embarrassing for the people he encounters, but never once does Hector resent anybody or anything.
This is a man who has literally lost everything, so in some strange way, he's at peace with the world.
Even though the film is set at Christmas, it's not trying to be your atypical Christmas movie, with a saccharine ending, it's just a pleasant film about a pleasant character who unfortunately has been labelled by society.
Worth seeing.
Recommend this thought-provoking movie!
lillightjc-8550010 August 2018
Warning: Spoilers
A rough diamond with real heart! How good to have a movie that gives more than a glimpse into the lives of homeless people! The actors were superb and each situation was so thoughtfully handled. I was grateful for the message of hope at the end. If only that was more common in real life!
Unexpectedly excellent
Vindelander20 December 2020
Really touching and well constructed film with a strong supporting cast for Peter Mullan in the title role. Especially worth viewing around Xmas time to remind us that most of us have no idea of how rough sleepers and people down on their luck really live.
It's the sort of film that George Orwell would have wanted for his book " Down And Out In Paris And London" I'm sure.
With supporting cast including Gina McKee and Stephen Tompkinson you can judge how highly regarded this film is.
With supporting cast including Gina McKee and Stephen Tompkinson you can judge how highly regarded this film is.
Refreshingly different..
richardpascucci8 May 2021
From the minute the film started it grabbed my attention, what is Hectors story I thought. The characters were all likeable and you care and hope things work out well for them. It's a lesson in the importance of kindness and that there's more to a person than their appearance. Enjoy!
Better on second viewing
deadbull-951717 December 2020
Warning: Spoilers
The minority of films depict adult protagonists. Kids spend money and want too look at all that friskiness. Such is life and I stopped arguing with social physics decades ago.
But a person's face and body seem to move into their most memorable and most highly evolved form post 60. Usually by that time a person stops lying to themselves and is a long way from believing anything that comes from advertisements.
On first viewing I was looking for a portrait of an aging man on the street with nothing. But it turns out this man ran from his assets because of trauma and 1became a sort of professional avoider of everything. And the camera zooms in at a point where circumstance forces a very late life possibility for transition. My own perspectives on big city homelessness are infinitely more bleak and terminally hopeless and demented then watching this eminently sane and calm and urbane articulate and wise fellow hobbling through the streets, chin up, non alcoholic, refusing booze whenever its offered to him, seemed ridiculous.
But then I filtered it differently. If you take it on it's own terms, a man walking a hundred miles through the freezing rain and snow, crippled, with an important surgery imminent, because he likes his fellows in homelessness at a particular shelter during Xmas......and so goes for a stroll that would daunt an Olympic runner to get there.....
BUT, i paid more attention to his explanations of how this sorry plight developed, and while very little of his adventures enroute and relationships he reluctantly rebuilds were particularly plausible to me, the movie is well acted and has enough internal coherence to be interesting enough. Another film that pushes the limits of reality all the way, regarding the homeless, would be something like Cardboard Boxer. Actually, the. 2015 version of Frankenstein is the most accurate depiction of homelessness of these 3.
NONETHELESS (in addition to BUT) this hs something to offer. Good performance is always beguiling, and we have that here, and that's enough.
But a person's face and body seem to move into their most memorable and most highly evolved form post 60. Usually by that time a person stops lying to themselves and is a long way from believing anything that comes from advertisements.
On first viewing I was looking for a portrait of an aging man on the street with nothing. But it turns out this man ran from his assets because of trauma and 1became a sort of professional avoider of everything. And the camera zooms in at a point where circumstance forces a very late life possibility for transition. My own perspectives on big city homelessness are infinitely more bleak and terminally hopeless and demented then watching this eminently sane and calm and urbane articulate and wise fellow hobbling through the streets, chin up, non alcoholic, refusing booze whenever its offered to him, seemed ridiculous.
But then I filtered it differently. If you take it on it's own terms, a man walking a hundred miles through the freezing rain and snow, crippled, with an important surgery imminent, because he likes his fellows in homelessness at a particular shelter during Xmas......and so goes for a stroll that would daunt an Olympic runner to get there.....
BUT, i paid more attention to his explanations of how this sorry plight developed, and while very little of his adventures enroute and relationships he reluctantly rebuilds were particularly plausible to me, the movie is well acted and has enough internal coherence to be interesting enough. Another film that pushes the limits of reality all the way, regarding the homeless, would be something like Cardboard Boxer. Actually, the. 2015 version of Frankenstein is the most accurate depiction of homelessness of these 3.
NONETHELESS (in addition to BUT) this hs something to offer. Good performance is always beguiling, and we have that here, and that's enough.
The milk of human kindness. Totally enchanting movie.
markgorman28 November 2015
I was privileged to be at the premiere of this great movie at the Edinburgh International Film Festival tonight as guest of the co-producer, Simon Mallinson.
It's a low budget tale with a big human story at its heart that is carried off with consummate ease by its eponymous lead, Peter Mullan.
Mullan has slowly but surely risen up the star league over many, many years, but few parts can have given him such screen time, such total empathy with the viewer and such character.
Most people associate Mullan with aggressive, gritty, hard Scottish character parts but this, although gritty and Scottish, is the complete antithesis of that. He plays a long term homeless man that still cares about his appearance and his ability to integrate into his own form of society – his "real family" as he calls it.
It opens on Hector carefully going through his morning ablutions, only for the camera shot to widen and reveal that these are taking part in the public toilet of a northern Scottish shopping centre. Such is the lot of a homeless person that cares about how they look.
It's a road movie of sorts in that it follows the endless winter migrations of Mullen's character, Hector, North and South across the UK, sleeping in the outdoors, public toilets, motorway service station car parks, shopping centres but more positively in a London Christmas homeless shelter where he has, over the years, become something of a cause celebre.
The tedium of his life is beautifully realised in the succession of lifts he gets from kind hearted (and possibly lonely) lorry and van drivers and the slow pace emphasises the sheer monotony of a life with no real purpose.
And his situation, already bleak is heightened by the fact that every step he takes is contorted by some form of unexplained leg pain. Hector's life is clearly far from a picnic.
But, despite this, what lies at the movie's core is the milk of human kindness.
Each lift acquired, each gesture of charity (a free cup of tea, a shared meal, the tenderness of the London homeless centre's manager, played beautifully by Sarah Solemani) adds weight to the fact that homeless people are more often than not castigated for their situation, assumed to be beggars, spongers, thieves.
But, the truth is, each has a story, a reason, for their situation. And it's this kindness that Hector elicits, dramatised in tiny vignettes again and again, that marks this movie out from the usual "it's grim up north" docudrama that dwells constantly on the misery of life where one is cast aside from society.
It would be wrong to explain why Hector finds himself in his own situation, and for so long, so I won't spoil it. It sort of doesn't matter, but we are curious. What does matter is how Mullan crafts his perfectly rendered character into a lovable, sympathetic man and the absolute epitome of what makes people good.
To that end director and writer (based on a true story) Jake Gavin is to be congratulated on not only what is a decisive and confident debut but also a great human love story that potentially offers more to come.
Hector could come back, that's for sure.
It's a low budget tale with a big human story at its heart that is carried off with consummate ease by its eponymous lead, Peter Mullan.
Mullan has slowly but surely risen up the star league over many, many years, but few parts can have given him such screen time, such total empathy with the viewer and such character.
Most people associate Mullan with aggressive, gritty, hard Scottish character parts but this, although gritty and Scottish, is the complete antithesis of that. He plays a long term homeless man that still cares about his appearance and his ability to integrate into his own form of society – his "real family" as he calls it.
It opens on Hector carefully going through his morning ablutions, only for the camera shot to widen and reveal that these are taking part in the public toilet of a northern Scottish shopping centre. Such is the lot of a homeless person that cares about how they look.
It's a road movie of sorts in that it follows the endless winter migrations of Mullen's character, Hector, North and South across the UK, sleeping in the outdoors, public toilets, motorway service station car parks, shopping centres but more positively in a London Christmas homeless shelter where he has, over the years, become something of a cause celebre.
The tedium of his life is beautifully realised in the succession of lifts he gets from kind hearted (and possibly lonely) lorry and van drivers and the slow pace emphasises the sheer monotony of a life with no real purpose.
And his situation, already bleak is heightened by the fact that every step he takes is contorted by some form of unexplained leg pain. Hector's life is clearly far from a picnic.
But, despite this, what lies at the movie's core is the milk of human kindness.
Each lift acquired, each gesture of charity (a free cup of tea, a shared meal, the tenderness of the London homeless centre's manager, played beautifully by Sarah Solemani) adds weight to the fact that homeless people are more often than not castigated for their situation, assumed to be beggars, spongers, thieves.
But, the truth is, each has a story, a reason, for their situation. And it's this kindness that Hector elicits, dramatised in tiny vignettes again and again, that marks this movie out from the usual "it's grim up north" docudrama that dwells constantly on the misery of life where one is cast aside from society.
It would be wrong to explain why Hector finds himself in his own situation, and for so long, so I won't spoil it. It sort of doesn't matter, but we are curious. What does matter is how Mullan crafts his perfectly rendered character into a lovable, sympathetic man and the absolute epitome of what makes people good.
To that end director and writer (based on a true story) Jake Gavin is to be congratulated on not only what is a decisive and confident debut but also a great human love story that potentially offers more to come.
Hector could come back, that's for sure.
Moving Brit Indie of the life of a homeless man
t-dooley-69-38691621 January 2017
Peter Mullan ('Tyrannosaur') plays the eponymous 'Hector' in this film. He is sleeping rough in some part of Scotland with two friends and it is deep winter. He is in failing health but seems to just carry on eking out an existence.
The film follows him on a journey from Scotland to London to a temporary Christmas shelter that he has been attending for years. Here he knows people and sees it as a sort of family. And family is the one thing he has been running from but now feels it is time to reconnect with those from his past.
Now this is a simple story on first looking at it – but the complexities that lead a person to any given point in their life are never so straightforward and that is the case here too. The film reveals at a slow pace but with absolute charm. This is the sort of film that moves you with its sheer force of story telling and sense of human frailty and as such is a wonderful piece of cinema that I can only recommend.
The film follows him on a journey from Scotland to London to a temporary Christmas shelter that he has been attending for years. Here he knows people and sees it as a sort of family. And family is the one thing he has been running from but now feels it is time to reconnect with those from his past.
Now this is a simple story on first looking at it – but the complexities that lead a person to any given point in their life are never so straightforward and that is the case here too. The film reveals at a slow pace but with absolute charm. This is the sort of film that moves you with its sheer force of story telling and sense of human frailty and as such is a wonderful piece of cinema that I can only recommend.
An emotional, thought provoking film
ruthconnolly9 July 2017
Came across this film on Netflix and enjoyed every minute. Laughed and cried. The acting was so realistic and the characters really drew me in. I was surprise home d that I had not been aware of "Hector" before and was pleased to find it. The film brought home the different reasons for becoming homeless and made me and my husband think deeper about how society help. I think that this film should be shown in schools to raise awareness.
Homelessness
fmwongmd12 February 2019
Superb
jmsneddon12320 December 2020
Brilliant Movie
mcfcspike27 December 2020
Take no notice of the "it's unrealistic" reviews. Some people are just so negative and will find fault with everything.
It's NOT a documentary about homelessness. It's a feature film.
Marvellous film with some fine performances.
Highly recommended.
Great, but.....
TomFarrell6314 December 2022
Warning: Spoilers
When you've invested time in a film, and you've really enjoyed it, you expect to see a conclusion, but that's not what you get here.
After a superb 84 minutes or so of character driven drama, you're just left hanging, and it leaves on an unsatisfactory note.
You warm to the characters and in a film with quite a short running time, that's no mean feat. What could be quite a depressing subject is treated sympathetically, and has moments of utter joy and humanity shining through.
If the ending had been tidier this would have been a definite 10 from me, I enjoyed the film that much, but I knock a couple of stars off for the ending.
I'd welcome a Hector 2!
After a superb 84 minutes or so of character driven drama, you're just left hanging, and it leaves on an unsatisfactory note.
You warm to the characters and in a film with quite a short running time, that's no mean feat. What could be quite a depressing subject is treated sympathetically, and has moments of utter joy and humanity shining through.
If the ending had been tidier this would have been a definite 10 from me, I enjoyed the film that much, but I knock a couple of stars off for the ending.
I'd welcome a Hector 2!
Sorry but I was very much disappointed about the unrealistic description of homeless people
torbenlicht6 May 2017
Warning: Spoilers
***several spoilers, so don't read if You want to be negat. surprised ***
1.The homeless Peter get's a hitchhike ride by a Maserati Ghibli on the highway which is highly unrealistic. Usually those with old trash cars give a ride not luxury car drivers of a fairly new car (if it's only the bad smell and dirty clothes of those riders.
2. Peter sleeps on the floor of a handicapped toilet in shopping mall and the white young cleaning man excuses himself for waking Peter up. Usually rough words would be uttered. And the cleaner would be either brown or black, at least not a young red-haired British.
3. All people at the shelter are expressively friendly, the opposite is true in reality.
4. Bad script, storyplay and dialogues.
5.Total waste of precious time of the viewers. Watch it only for Gina McKee from "The Croupier". She can't save the story because director didn't give her the main role of the female social worker. And Peter the homeless is a lousy actor.
Finally 1 star out of 10 is too much. I would give the film 0 star or even go into the minus 5 area.
Sorry but this is my honest opinion. I hope director didn't receive government money and if should be forced to pay back.
1.The homeless Peter get's a hitchhike ride by a Maserati Ghibli on the highway which is highly unrealistic. Usually those with old trash cars give a ride not luxury car drivers of a fairly new car (if it's only the bad smell and dirty clothes of those riders.
2. Peter sleeps on the floor of a handicapped toilet in shopping mall and the white young cleaning man excuses himself for waking Peter up. Usually rough words would be uttered. And the cleaner would be either brown or black, at least not a young red-haired British.
3. All people at the shelter are expressively friendly, the opposite is true in reality.
4. Bad script, storyplay and dialogues.
5.Total waste of precious time of the viewers. Watch it only for Gina McKee from "The Croupier". She can't save the story because director didn't give her the main role of the female social worker. And Peter the homeless is a lousy actor.
Finally 1 star out of 10 is too much. I would give the film 0 star or even go into the minus 5 area.
Sorry but this is my honest opinion. I hope director didn't receive government money and if should be forced to pay back.
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