65
Metascore
6 reviews · Provided by Metacritic.com
- 88Slant MagazineChristopher GraySlant MagazineChristopher GrayThe distinctiveness of Matías Piñeiro's alluring brand of formalism lies in this deference to chance and alchemy.
- 83The A.V. ClubIgnatiy VishnevetskyThe A.V. ClubIgnatiy VishnevetskyIn an era in which the big movies are bigger and more expensive than they’ve ever been, few acts of resistance seem more meaningful than making a small, careful, and personal film that still wants nothing more than to invite the viewer into its private world.
- 60VarietyDennis HarveyVarietyDennis HarveyEven the most deliberately airy amusement can use more ingenious structuring and assertive personality than Pineiro is inclined to provide at this (still early) stage in his career.
- 50The New York TimesA.O. ScottThe New York TimesA.O. ScottThe Princess of France has an appealing lightness and modesty, but it also feels flimsy and thin, like clever scribblings in the margins of a book, fleeting insights in search of form and energy.
- 40The DissolveMike D'AngeloThe DissolveMike D'AngeloThe Princess Of France ambles from one low-key encounter to another, rarely engaging directly with the Bard, and never elevating its heart rate beyond the resting level.