Macario De Souza, the writer/director behind ‘6 Festivals’.
Screen Australia has announced production funding for three feature films and one online project, to a total of $1.4 million.
The slate includes supernatural drama You Won’t Be Alone from writer/director Goran Stolevski and producers Kristina Ceyton and Samantha Jennings of Causeway Films; and 6 Festivals, a drama centred on a group of friends who commit to a bucket list of music festivals over one summer from writer/director Macario De Souza.
Also receiving funding are writer/director Tyson Johnston’s Streamline, about a prospective teen Olympic swimmer to played by Levi Miller; and Moments of Clarity, an online animated comedy about the existential truths of ordinary life from writer/director Tim Logan.
In addition to the above slate, completion funding was supplied to See Picture’s comedy feature June Again. Written and directed by JJ Winlove and produced by Jamie Hilton,...
Screen Australia has announced production funding for three feature films and one online project, to a total of $1.4 million.
The slate includes supernatural drama You Won’t Be Alone from writer/director Goran Stolevski and producers Kristina Ceyton and Samantha Jennings of Causeway Films; and 6 Festivals, a drama centred on a group of friends who commit to a bucket list of music festivals over one summer from writer/director Macario De Souza.
Also receiving funding are writer/director Tyson Johnston’s Streamline, about a prospective teen Olympic swimmer to played by Levi Miller; and Moments of Clarity, an online animated comedy about the existential truths of ordinary life from writer/director Tim Logan.
In addition to the above slate, completion funding was supplied to See Picture’s comedy feature June Again. Written and directed by JJ Winlove and produced by Jamie Hilton,...
- 10/15/2019
- by jkeast
- IF.com.au
Created, written and starred by real-life husband and wife team Adele Vuko and Christiaan Van Vuuren, directed by Van Vuuren’s brother Connor, and featuring the couple’s own children in key roles, Australian zom-com “Over and Out” features as one of Canneseries best-buzzed titles in the short-form competition.
The series’ five, five-minute episodes follow Lewis and Freya, a young couple and their two toddlers, struggling to make things work in a post-apocalyptic world full of zombies, cannibals, monsters and a host of other dangers that frighten almost as much as the perils of parenting. The series uses over-the-top humor to lampoon current hot-button issues such as the anti-vax movement, PC culture and the shifting of once-traditional roles in the family structure.
Australian production house Midwinter Films, behind Toronto Film Festival Discovery player “The Butterfly Tree,” produced the series, which was developed with assistance from Screen Australia and Youtube, and...
The series’ five, five-minute episodes follow Lewis and Freya, a young couple and their two toddlers, struggling to make things work in a post-apocalyptic world full of zombies, cannibals, monsters and a host of other dangers that frighten almost as much as the perils of parenting. The series uses over-the-top humor to lampoon current hot-button issues such as the anti-vax movement, PC culture and the shifting of once-traditional roles in the family structure.
Australian production house Midwinter Films, behind Toronto Film Festival Discovery player “The Butterfly Tree,” produced the series, which was developed with assistance from Screen Australia and Youtube, and...
- 4/9/2019
- by Jamie Lang
- Variety Film + TV
Canneseries will again this year shine a light on the up-and-coming short-form series format. Featuring promising and innovative formats which frequently end up on platforms popular among young audiences, the competition embraces new ways in which series can and are being consumed.
Emmy winning writer-producer Greg Garcia (“My Name is Earl”) heads the Short-Form Competition jury which includes French actress-director Fanny Sidney (“Mesrine”) and Norwegian actress Josefine Frida Petersen (“Skam”). The Best Short Form Series award will be handed out during the festival’s closing ceremony which will be broadcasted live on Canal Plus.
Three of the competition’s entries come from Canada – one from last year’s winning production company St Laurent TV – two from Argentina and Australia, and one each from the U.S., France and the U.K.
The series will screen April 9 and 10.
Taking place behind closed doors, “Do Not Disturb” is a sometimes sexy, sometimes...
Emmy winning writer-producer Greg Garcia (“My Name is Earl”) heads the Short-Form Competition jury which includes French actress-director Fanny Sidney (“Mesrine”) and Norwegian actress Josefine Frida Petersen (“Skam”). The Best Short Form Series award will be handed out during the festival’s closing ceremony which will be broadcasted live on Canal Plus.
Three of the competition’s entries come from Canada – one from last year’s winning production company St Laurent TV – two from Argentina and Australia, and one each from the U.S., France and the U.K.
The series will screen April 9 and 10.
Taking place behind closed doors, “Do Not Disturb” is a sometimes sexy, sometimes...
- 4/7/2019
- by Jamie Lang
- Variety Film + TV
Tegan Higginbotham.
Screen Australia is providing more than $400,000 in story development funding for 16 projects including feature films, television and online series, featuring such talent as Bruna Papandrea, Nick Verso, Priscilla Cameron, Lisa Shaunessy, Anthony Mullins, Kodie Bedford and Tegan Higginbotham.
The slate includes The Agency, a musical comedy about moral corruption in the advertising industry, comedic horror Gnomes centered on grudge-bearing garden gnomes in a fictional regional town, and the feature Misfit, which looks at a woman who suffers from an identity disorder.
Eleven projects were funded through the Generate fund, two via the Premium fund and three through the legacy development program which has been discontinued.
Head of development Nerida Moore said: “The new development guidelines have now been in action for five months. We drastically reduced eligibility barriers and will now fund projects for any screen platform. We’ve had a fantastic response from the industry and the...
Screen Australia is providing more than $400,000 in story development funding for 16 projects including feature films, television and online series, featuring such talent as Bruna Papandrea, Nick Verso, Priscilla Cameron, Lisa Shaunessy, Anthony Mullins, Kodie Bedford and Tegan Higginbotham.
The slate includes The Agency, a musical comedy about moral corruption in the advertising industry, comedic horror Gnomes centered on grudge-bearing garden gnomes in a fictional regional town, and the feature Misfit, which looks at a woman who suffers from an identity disorder.
Eleven projects were funded through the Generate fund, two via the Premium fund and three through the legacy development program which has been discontinued.
Head of development Nerida Moore said: “The new development guidelines have now been in action for five months. We drastically reduced eligibility barriers and will now fund projects for any screen platform. We’ve had a fantastic response from the industry and the...
- 11/21/2018
- by The IF Team
- IF.com.au
Caitlin Yeo and Apra Amcos CEO Dean Ormston.
Caitlin Yeo and Matteo Zingales each won two awards at the annual annual Screen Music Awards staged by Apra Amcos and the Australian Guild of Screen Composers (Agcs) at the City Recital Hall in Sydney on Monday night.
Yeo won feature film score of the year and best soundtrack album for The Butterfly Tree, Priscilla Cameron’s movie about an ex-burlesque queen (Melissa George) who puts a curse on single dad Al (Ewen Leslie) and his son Fin (Ed Oxenbould).
The president of the Agsc, Yeo previously won feature film score of the year for Kim Mordant’s The Rocket in 2013.
Matteo Zingales was rewarded for his work on Hoodlum Entertainment’s Harrow as best television theme and for his collaboration with Antony Partos on Bunya Productions’ Mystery Road, which was deemed best music for a miniseries or telemovie.
Nerida Tyson-Chew took...
Caitlin Yeo and Matteo Zingales each won two awards at the annual annual Screen Music Awards staged by Apra Amcos and the Australian Guild of Screen Composers (Agcs) at the City Recital Hall in Sydney on Monday night.
Yeo won feature film score of the year and best soundtrack album for The Butterfly Tree, Priscilla Cameron’s movie about an ex-burlesque queen (Melissa George) who puts a curse on single dad Al (Ewen Leslie) and his son Fin (Ed Oxenbould).
The president of the Agsc, Yeo previously won feature film score of the year for Kim Mordant’s The Rocket in 2013.
Matteo Zingales was rewarded for his work on Hoodlum Entertainment’s Harrow as best television theme and for his collaboration with Antony Partos on Bunya Productions’ Mystery Road, which was deemed best music for a miniseries or telemovie.
Nerida Tyson-Chew took...
- 11/19/2018
- by The IF Team
- IF.com.au
Writer-director Paul Dano and Ed Oxenbould on the set of ‘Wildlife’.
Ed Oxenbould rates his role in Paul Dano’s Wildlife, in which he stars alongside Carey Mulligan and Jake Gyllenhaal, as among his favourites.
In the film, Oxenbould plays 14-year-old Joe, who has just moved to Montana with his parents Jeannette (Mulligan) and Jerry (Gyllenhaal). The ‘60s set coming-of-age tale centres on him as their marriage slowly disintegrates.
Oxenbould tells If that Joe is a complex, interesting character, who was bolstered through the writing of Dano and partner Zoe Kazan, who adapted Richard Ford’s novel of the same name.
“It was really different to anything I’d done before. It required a lot of emotion and a lot of watching, a lot of observing. That’s what made it seem really interesting; I thought it would be a great challenge.”
Wildlife, currently in limited release via Roadshow, had...
Ed Oxenbould rates his role in Paul Dano’s Wildlife, in which he stars alongside Carey Mulligan and Jake Gyllenhaal, as among his favourites.
In the film, Oxenbould plays 14-year-old Joe, who has just moved to Montana with his parents Jeannette (Mulligan) and Jerry (Gyllenhaal). The ‘60s set coming-of-age tale centres on him as their marriage slowly disintegrates.
Oxenbould tells If that Joe is a complex, interesting character, who was bolstered through the writing of Dano and partner Zoe Kazan, who adapted Richard Ford’s novel of the same name.
“It was really different to anything I’d done before. It required a lot of emotion and a lot of watching, a lot of observing. That’s what made it seem really interesting; I thought it would be a great challenge.”
Wildlife, currently in limited release via Roadshow, had...
- 11/5/2018
- by jkeast
- IF.com.au
Matteo Zingales and Antony Partos.
The musical partnership between Matteo Zingales and Antony Partos has served them well, earning them four combined nominations for year’s Screen Music Awards, to be staged jointly by Apra Amcos and the Australian Guild of Screen Composers (Agsc) in November.
Together Zingales and Partos are nominated for Best Music for a Mini-Series or Telemovie for Wake in Fright and Mystery Road, and both Feature Film Score of the Year and Best Soundtrack Album for HBO film Fahrenheit 451.
Separately, Zingales received an additional two nominations for Best Television Theme and Best Music for a Television Series for his work Harrow, and Partos is also nominated for Best Music for a Documentary for The Director and The Jedi.
Competing against Zingales and Partos for Best Feature Film Score of the Year are Caitlin Yeo for The Butterfly Tree, Christopher Gordon for Ladies in Black, and Richard Pleasance for Brothers’ Nest.
The musical partnership between Matteo Zingales and Antony Partos has served them well, earning them four combined nominations for year’s Screen Music Awards, to be staged jointly by Apra Amcos and the Australian Guild of Screen Composers (Agsc) in November.
Together Zingales and Partos are nominated for Best Music for a Mini-Series or Telemovie for Wake in Fright and Mystery Road, and both Feature Film Score of the Year and Best Soundtrack Album for HBO film Fahrenheit 451.
Separately, Zingales received an additional two nominations for Best Television Theme and Best Music for a Television Series for his work Harrow, and Partos is also nominated for Best Music for a Documentary for The Director and The Jedi.
Competing against Zingales and Partos for Best Feature Film Score of the Year are Caitlin Yeo for The Butterfly Tree, Christopher Gordon for Ladies in Black, and Richard Pleasance for Brothers’ Nest.
- 10/17/2018
- by jkeast
- IF.com.au
Ewen Leslie and Jenna Coleman in ‘The Cry’ (Photo: BBC)
Playing a guy whose baby son is abducted in the BBC/ABC psychological drama The Cry directed by Glendyn Ivin was one of the most challenging roles in Ewen Leslie’s illustrious career.
The actor plays Alistair, an Australian political adviser working for the British Labour Party, who returns home with his wife Joanna (Doctor Who and Victoria’s Jenna Coleman) and infant.
En route to a small coastal town to see Alistair’s mother Elizabeth (Stella Gonet), the baby vanishes from their car, compounding the anguish for Alistair who is fighting for custody of his daughter Chloe (Markella Kavenagh) from an earlier marriage to Alexandra (Asher Keddie).
Based on Australian author Helen FitzGerald’s eponymous 2013 novel and scripted by Jacquelin Perske, the series will premiere next Sunday at 9pm on BBC1. The ABC is yet to reveal the air date.
Playing a guy whose baby son is abducted in the BBC/ABC psychological drama The Cry directed by Glendyn Ivin was one of the most challenging roles in Ewen Leslie’s illustrious career.
The actor plays Alistair, an Australian political adviser working for the British Labour Party, who returns home with his wife Joanna (Doctor Who and Victoria’s Jenna Coleman) and infant.
En route to a small coastal town to see Alistair’s mother Elizabeth (Stella Gonet), the baby vanishes from their car, compounding the anguish for Alistair who is fighting for custody of his daughter Chloe (Markella Kavenagh) from an earlier marriage to Alexandra (Asher Keddie).
Based on Australian author Helen FitzGerald’s eponymous 2013 novel and scripted by Jacquelin Perske, the series will premiere next Sunday at 9pm on BBC1. The ABC is yet to reveal the air date.
- 9/25/2018
- by The IF Team
- IF.com.au
Despite the devastating mudslides that overwhelmed the Santa Barbara, California community of Montecito last week — resulting in at least 20 deaths and the destruction of 100-plus homes — the Santa Barbara International Film Festival (Sbiff) will go on as usual. A reason to celebrate is “needed now more than ever,” wrote Sbiff director Roger Durling in a letter soon to be shared with festival-goers. He continued, “It is an opportunity for people to gather – reflect – experience – feel – and process,” noting that cinema attendance was strong during the Great Depression.
Launched in 1986, this year’s Sbiff will include films from 58 countries. Numbered among its 45 world premieres is opening night film “the public,” the first feature written and directed by Emilio Estevez since 2010’s “The Way.” Set at a Cincinnati public library, the film follows its homeless and marginalized patrons during a dangerous cold spell. The cast includes Alec Baldwin, Jena Malone (“Neon Demon...
Launched in 1986, this year’s Sbiff will include films from 58 countries. Numbered among its 45 world premieres is opening night film “the public,” the first feature written and directed by Emilio Estevez since 2010’s “The Way.” Set at a Cincinnati public library, the film follows its homeless and marginalized patrons during a dangerous cold spell. The cast includes Alec Baldwin, Jena Malone (“Neon Demon...
- 1/17/2018
- by Jenna Marotta
- Indiewire
It’s been a weekend full of reviews from the Toronto International Film Festival, and along with the premieres, it means producers or (if the film is lucky enough) distributors releasing the first look at footage in an attempt to drum up interest and stand out of the pack of hundreds of others at the festival. Well, it seems to have done the trick as we’re posting a round-up today.
First up, we have the first trailer for Let the Corpses Tan, the latest film from Hélène Cattet and Bruno Forzani, the duo behind Amer and The Strange Colour of Your Body’s Tears. We reviewed it here, and the preview displays some of the visual inventiveness at play. Along with that, there are previews for three other anticipated projects, including the Netflix documentary One of Us, arriving on the platform on October, as well as a pair of...
First up, we have the first trailer for Let the Corpses Tan, the latest film from Hélène Cattet and Bruno Forzani, the duo behind Amer and The Strange Colour of Your Body’s Tears. We reviewed it here, and the preview displays some of the visual inventiveness at play. Along with that, there are previews for three other anticipated projects, including the Netflix documentary One of Us, arriving on the platform on October, as well as a pair of...
- 9/11/2017
- by Jordan Raup
- The Film Stage
Exclusive: First-time feature writer-director Priscilla Cameron's The Butterfly Tree will wing to its North American premiere in the Discovery section of the Toronto Film Festival. The film, which stars Melissa George as a former burlesque queen who becomes the object of a grieving father and son's desires, bowed at the Melbourne International Film Festival earlier this month. Check out an exclusive clip above. George (Heartbeat, The Slap, The Good Wife) returns to…...
- 8/22/2017
- Deadline
Teenage lust is complicated by a serious Oedipal complex in The Butterfly Tree, the debut feature from Australian director Priscilla Cameron. Starring Melissa George (The Slap) as a former chanteuse living in the most unlikely residential home in Queensland — a sequin-filled florist's shop and greenhouse that Baz Luhrmann would be envious of — this rather underpowered tale of sexual awakening and grief proceeds at a leisurely pace before a couple of late scenes that strive to outdo each other for sheer melodramatic overreach. Screening in the Toronto International Film Festival's Discovery sidebar next month after premiering at the Melbourne International...
- 8/21/2017
- by Harry Windsor
- The Hollywood Reporter - Movie News
Desire and secrets unfold from an unlikely friendship between a teenage boy and a moon-eyed florist in this ambitious, visually rich drama
Melissa George returns to Australian screens to star as a radiant, siren-like, moon-eyed florist in a visually rich and intensely styled drama that shimmers with stagey, hipster glamour. In The Butterfly Tree, her character Evelyn, a former burlesque dancer, arrives like Blanche DuBois, beautiful and moth-like with a chequered past and an airy demeanour; clearly a lost soul who prefers idealism over realism and is at the mercy of a brutal world.
The centrepiece location in the film, the first feature from long-time short-film writer/director Priscilla Cameron, is a greenhouse which was purpose built for the shoot in Mount Tamborine, Queensland. In an early scene, Evelyn welcomes 13-year-old Fin (Ed Oxenbould from Paper Planes) into her ambrosial plant-filled premises, beckoning him to gaze closely into blooming flowers.
Melissa George returns to Australian screens to star as a radiant, siren-like, moon-eyed florist in a visually rich and intensely styled drama that shimmers with stagey, hipster glamour. In The Butterfly Tree, her character Evelyn, a former burlesque dancer, arrives like Blanche DuBois, beautiful and moth-like with a chequered past and an airy demeanour; clearly a lost soul who prefers idealism over realism and is at the mercy of a brutal world.
The centrepiece location in the film, the first feature from long-time short-film writer/director Priscilla Cameron, is a greenhouse which was purpose built for the shoot in Mount Tamborine, Queensland. In an early scene, Evelyn welcomes 13-year-old Fin (Ed Oxenbould from Paper Planes) into her ambrosial plant-filled premises, beckoning him to gaze closely into blooming flowers.
- 8/14/2017
- by Luke Buckmaster
- The Guardian - Film News
Magna Szubanski in 'Three Summers'..
Ben Elton.s Three Summers will make its world premiere at the upcoming Melbourne International Film Festival (Miff), screening as the Centrepiece Gala..
Writer-director Elton shot the ensemble comedy, which stars Robert Sheehan, Rebecca Breeds, Michael Caton, Magda Szubanski, Deborah Mailman, Jacqueline McKenzie and John Waters, last year in Western Australia. It was produced by Sue Taylor and Michael Wrenn..Set over three summers at a fictional folk music festival in Wa, the film follows two musicians (Sheehan and Breeds) as they fall in love..
.It.s a great thrill and also a great honour to have Three Summers selected as this year.s Miff Centrepiece Gala Presentation,. said the writer-director..
.I cannot think of a better start for our movie than to be centre stage at this famous festival, which is such a true champion of Australian filmmaking. It.s also very...
Ben Elton.s Three Summers will make its world premiere at the upcoming Melbourne International Film Festival (Miff), screening as the Centrepiece Gala..
Writer-director Elton shot the ensemble comedy, which stars Robert Sheehan, Rebecca Breeds, Michael Caton, Magda Szubanski, Deborah Mailman, Jacqueline McKenzie and John Waters, last year in Western Australia. It was produced by Sue Taylor and Michael Wrenn..Set over three summers at a fictional folk music festival in Wa, the film follows two musicians (Sheehan and Breeds) as they fall in love..
.It.s a great thrill and also a great honour to have Three Summers selected as this year.s Miff Centrepiece Gala Presentation,. said the writer-director..
.I cannot think of a better start for our movie than to be centre stage at this famous festival, which is such a true champion of Australian filmmaking. It.s also very...
- 7/7/2017
- by Staff Writer
- IF.com.au
'The Butterfly Tree'..
Celebrating its tenth anniversary, the Miff Premiere Fund will present six world premieres at the 66th Melbourne International Film Festival (Miff), including Greg McLean.s survival thriller Jungle.
The festival runs August 3-20; the full program will be launched on July 11, with general public individual session tickets on sale from July 14..
The six premieres are:.
The Butterfly Tree, the feature debut of director Priscilla Cameron, is a coming-of-age tale of love and loss tinged with magical realism, starring Melissa George, Ewen Leslie, Ed Oxenbould and Sophie Lowe.
Naina Sen.s The Song Keepers chronicles the hidden musical legacy of ancient Aboriginal languages and German baroque songs that are being preserved by the Central Australian Aboriginal Women.s Choir.
Eddie Martin.s Have You Seen the Listers? is a moving personal account of the artistic and commercial rise of Australia.s most renowned street artist, which came with a deep personal cost.
In Westwind: Djalu.s Legacy, director Ben Strunin portrays Yolngu elder Djalu Gurruwiwi.s quest to pass his people.s ancient song lines and culture to the next generation — with a little help from global pop star Gotye..
Rabbit is a chilling fairytale feature debut from director Luke Shanahan in which identical twins are linked by more than just DNA, starring Alex Russell and Adelaide Clemens.
The opening night selection, Jungle stars Alex Russell and Daniel Radcliffe in a thriller based on the real-life story of adventurer Yossi Ghinsberg.
The Premiere Fund, which offers minority co-financing to new Australian narrative and documentary theatrical features that then premiere at Miff, has invested in a total of 56 projects. To celebrate the anniversary, Miff will have retro screenings of three classics:
Balibo (2009), Robert Connolly.s political thriller starring Oscar Isaac and Anthony Lapaglia. Bastardy (2008), Amiel Courtin-Wilson.s impressionistic portrait of the life of Indigenous arts personality Jack Charles.. Blessed (2009), Ana Kokkinos. drama about families, love and loss, starring Frances O'Connor, Miranda Otto, Deborra-Lee Furness, William McInnes, Sophie Lowe, Harrison Gilbertson and Reef Ireland.
Meanwhile www.miff.com.au will feature a new dedicated Premiere Fund page outlining all 56 investments along with a link to a new iTunes page where many of those films can be purchased..
Among the notable milestones over the 10 years:
Nearly 32 per cent of the fund.s films had female directors (versus Screen Australia-reported industry average of 16 per cent). Nearly 59 per cent had female producers (versus industry average of 32 per cent). 41 per cent included youth themes.. 27 per cent had elements portraying Culturally & Linguistically Diverse Communities (CALDs), with 5 per cent having Cald creative principals (director and/or producer(s). 16 per cent included Indigenous themes and/or characters (including Bran Nue Dae), and nearly 7 per cent had Indigenous creative principals. 13 per cent included Lgbti characters and/or issues, with 18 per cent involving Lgbti creative principals. Some 50% of Premiere Fund movies were helmed by first-time directors.
Miff Premiere Fund executive producer Mark Woods said, .The talent we have been able to support has been incredible — 19 per cent of Premiere Fund films are directed by alumni of Miff emerging director workshop Accelerator Lab and 48 per cent advanced their funding at Miff.s film financing event 37ºSouth Market — so we really do feel like we come on a long journey with these projects..
Celebrating its tenth anniversary, the Miff Premiere Fund will present six world premieres at the 66th Melbourne International Film Festival (Miff), including Greg McLean.s survival thriller Jungle.
The festival runs August 3-20; the full program will be launched on July 11, with general public individual session tickets on sale from July 14..
The six premieres are:.
The Butterfly Tree, the feature debut of director Priscilla Cameron, is a coming-of-age tale of love and loss tinged with magical realism, starring Melissa George, Ewen Leslie, Ed Oxenbould and Sophie Lowe.
Naina Sen.s The Song Keepers chronicles the hidden musical legacy of ancient Aboriginal languages and German baroque songs that are being preserved by the Central Australian Aboriginal Women.s Choir.
Eddie Martin.s Have You Seen the Listers? is a moving personal account of the artistic and commercial rise of Australia.s most renowned street artist, which came with a deep personal cost.
In Westwind: Djalu.s Legacy, director Ben Strunin portrays Yolngu elder Djalu Gurruwiwi.s quest to pass his people.s ancient song lines and culture to the next generation — with a little help from global pop star Gotye..
Rabbit is a chilling fairytale feature debut from director Luke Shanahan in which identical twins are linked by more than just DNA, starring Alex Russell and Adelaide Clemens.
The opening night selection, Jungle stars Alex Russell and Daniel Radcliffe in a thriller based on the real-life story of adventurer Yossi Ghinsberg.
The Premiere Fund, which offers minority co-financing to new Australian narrative and documentary theatrical features that then premiere at Miff, has invested in a total of 56 projects. To celebrate the anniversary, Miff will have retro screenings of three classics:
Balibo (2009), Robert Connolly.s political thriller starring Oscar Isaac and Anthony Lapaglia. Bastardy (2008), Amiel Courtin-Wilson.s impressionistic portrait of the life of Indigenous arts personality Jack Charles.. Blessed (2009), Ana Kokkinos. drama about families, love and loss, starring Frances O'Connor, Miranda Otto, Deborra-Lee Furness, William McInnes, Sophie Lowe, Harrison Gilbertson and Reef Ireland.
Meanwhile www.miff.com.au will feature a new dedicated Premiere Fund page outlining all 56 investments along with a link to a new iTunes page where many of those films can be purchased..
Among the notable milestones over the 10 years:
Nearly 32 per cent of the fund.s films had female directors (versus Screen Australia-reported industry average of 16 per cent). Nearly 59 per cent had female producers (versus industry average of 32 per cent). 41 per cent included youth themes.. 27 per cent had elements portraying Culturally & Linguistically Diverse Communities (CALDs), with 5 per cent having Cald creative principals (director and/or producer(s). 16 per cent included Indigenous themes and/or characters (including Bran Nue Dae), and nearly 7 per cent had Indigenous creative principals. 13 per cent included Lgbti characters and/or issues, with 18 per cent involving Lgbti creative principals. Some 50% of Premiere Fund movies were helmed by first-time directors.
Miff Premiere Fund executive producer Mark Woods said, .The talent we have been able to support has been incredible — 19 per cent of Premiere Fund films are directed by alumni of Miff emerging director workshop Accelerator Lab and 48 per cent advanced their funding at Miff.s film financing event 37ºSouth Market — so we really do feel like we come on a long journey with these projects..
- 6/22/2017
- by Don Groves
- IF.com.au
The Post Lounge, Melbourne.
Formerly a producer at Ddp Studios, Bronwyn Ketels found herself out of a job when Deluxe closed Ddp in Melbourne and Sydney.earlier this year. Ketels is now a senior post producer at the new Melbourne facility of long-established Queensland company, The Post Lounge..
In the wake of the closure of the biggest supplier in the local industry, Ketels writes for If about the new gig, and why, "although we are very small compared to Ddp/Deluxe... in Australia at the moment it doesn't make much sense to be that big."
Our new post facility is in a converted warehouse in Collingwood and we are offering picture post and VFX services on long-form and short-form TV and film projects. Rohan Cooper is our Operational Manager and main staff editor, Steve Cooper is the Owner, Managing Director and VFX Supervisor, and business partner Kurt Royan is the General Manager across both facilities.
Formerly a producer at Ddp Studios, Bronwyn Ketels found herself out of a job when Deluxe closed Ddp in Melbourne and Sydney.earlier this year. Ketels is now a senior post producer at the new Melbourne facility of long-established Queensland company, The Post Lounge..
In the wake of the closure of the biggest supplier in the local industry, Ketels writes for If about the new gig, and why, "although we are very small compared to Ddp/Deluxe... in Australia at the moment it doesn't make much sense to be that big."
Our new post facility is in a converted warehouse in Collingwood and we are offering picture post and VFX services on long-form and short-form TV and film projects. Rohan Cooper is our Operational Manager and main staff editor, Steve Cooper is the Owner, Managing Director and VFX Supervisor, and business partner Kurt Royan is the General Manager across both facilities.
- 10/28/2016
- by Bronwyn Ketels
- IF.com.au
The Post Lounge, Melbourne.
Formerly a producer at Ddp Studios, Bronwyn Ketels found herself out of a job when Deluxe closed Ddp in Melbourne and Sydney.earlier this year. Ketels is now a senior post producer at the new Melbourne facility of long-established Queensland company, The Post Lounge..
In the wake of the closure of the biggest supplier in the local industry, Ketels writes for If about the new gig, and why, "although we are very small compared to Ddp/Deluxe... in Australia at the moment it doesn't make much sense to be that big."
Our new post facility is in a converted warehouse in Collingwood and we are offering picture post and VFX services on long-form and short-form TV and film projects. Rohan Cooper is our Operational Manager and main staff editor, Steve Cooper is the Owner, Managing Director and VFX Supervisor, and business partner Kurt Royan is the General Manager across both facilities.
Formerly a producer at Ddp Studios, Bronwyn Ketels found herself out of a job when Deluxe closed Ddp in Melbourne and Sydney.earlier this year. Ketels is now a senior post producer at the new Melbourne facility of long-established Queensland company, The Post Lounge..
In the wake of the closure of the biggest supplier in the local industry, Ketels writes for If about the new gig, and why, "although we are very small compared to Ddp/Deluxe... in Australia at the moment it doesn't make much sense to be that big."
Our new post facility is in a converted warehouse in Collingwood and we are offering picture post and VFX services on long-form and short-form TV and film projects. Rohan Cooper is our Operational Manager and main staff editor, Steve Cooper is the Owner, Managing Director and VFX Supervisor, and business partner Kurt Royan is the General Manager across both facilities.
- 10/28/2016
- by Bronwyn Ketels
- IF.com.au
Harmony.
Filming has begun.around.Sydney and the Illawarra region on.Harmony, a new feature directed by Corey Pearson and starring Jacqueline McKenzie, Eamon Farren, Jessica Falkholt, Jerome Meyer, Paula Arundell and featuring Tessa James.
Harmony is the story of a girl who extracts fear from anyone she encounters, a gift she was born with but is unable to control. According to Pearson, the film "explores the co-dependence of love and fear. We all experience fear in our lives, and often we let that fear consume us and govern our actions, which can prevent us from chasing our dreams."
Peter Drinkwater, the film's producer and co-founder (along with Pearson) of Film Grit, said: .We listen to our audience and Harmony has a clear female teenage target market. At a script level, we used the company Screen Audience Research Australia (Sara) to run focus groups at a table read with the...
Filming has begun.around.Sydney and the Illawarra region on.Harmony, a new feature directed by Corey Pearson and starring Jacqueline McKenzie, Eamon Farren, Jessica Falkholt, Jerome Meyer, Paula Arundell and featuring Tessa James.
Harmony is the story of a girl who extracts fear from anyone she encounters, a gift she was born with but is unable to control. According to Pearson, the film "explores the co-dependence of love and fear. We all experience fear in our lives, and often we let that fear consume us and govern our actions, which can prevent us from chasing our dreams."
Peter Drinkwater, the film's producer and co-founder (along with Pearson) of Film Grit, said: .We listen to our audience and Harmony has a clear female teenage target market. At a script level, we used the company Screen Audience Research Australia (Sara) to run focus groups at a table read with the...
- 8/30/2016
- by Staff Writer
- IF.com.au
Ed Oxenbould in The Butterfly Tree.
Writer-director Priscilla Cameron.s debut feature, The Butterfly Tree, has commenced filming around Tamborine Mountain, Queensland.
The Butterfly Tree, formerly titled Bloom, stars Melissa George (Heartbeat, The Slap), Ewen Leslie (Top of the Lake, The Daughter), Ed Oxenbould (Paper Planes, Puberty Blues), and Sophie Lowe (The Beautiful Lie, The Returned).
The film tells the story of Evelyn, an ex-burlesque queen, who bewitches single dad Al and his teenage son Fin with her zest for life.
When father and son discover they are competing for the affections of the same woman, it reopens old wounds over the death of Fin.s mother.
The Butterfly Tree is being produced by Bridget Callow-Wright from Cowlick Entertainment.
"We are excited to see cameras rolling on The Butterfly Tree and congratulate Priscilla and Bridget for their original story going into production," said Screen Queensland CEO Tracey Vieira.
"Sq...
Writer-director Priscilla Cameron.s debut feature, The Butterfly Tree, has commenced filming around Tamborine Mountain, Queensland.
The Butterfly Tree, formerly titled Bloom, stars Melissa George (Heartbeat, The Slap), Ewen Leslie (Top of the Lake, The Daughter), Ed Oxenbould (Paper Planes, Puberty Blues), and Sophie Lowe (The Beautiful Lie, The Returned).
The film tells the story of Evelyn, an ex-burlesque queen, who bewitches single dad Al and his teenage son Fin with her zest for life.
When father and son discover they are competing for the affections of the same woman, it reopens old wounds over the death of Fin.s mother.
The Butterfly Tree is being produced by Bridget Callow-Wright from Cowlick Entertainment.
"We are excited to see cameras rolling on The Butterfly Tree and congratulate Priscilla and Bridget for their original story going into production," said Screen Queensland CEO Tracey Vieira.
"Sq...
- 7/21/2016
- by Staff Writer
- IF.com.au
Emma Slade, Steve Kearney, Briget Callow-Wright heading for the UK’s Production Finance Market.
Sales agents from across the world yesterday voted New Zealand’s Emma Slade as the producer at the 37º South Market who most deserves a spot at the UK’s Production Finance Market (Pfm) in October, plus $1,860 (A$2,000) in travel assistance.
Runner-ups Steve Kearney and Bridget Callow-Wright from Australia also won places – but no cash.
Organizers said 2,203 meetings were held as part of the eighth edition of the co-financing film market, which is part of the business arm of the Melbourne International Film Festival (Miff).
Slade will be seeking a sales agent for The Love Of Humankind, the lead project in her slate, during her visit to London.
The “vodka-fuelled tragicomedy about unrequited love” is to be directed by comedian Danny Mulheron (Fresh Meat) from a script by he and Brian Sergent.
Based on a stage play, her one-liner...
Sales agents from across the world yesterday voted New Zealand’s Emma Slade as the producer at the 37º South Market who most deserves a spot at the UK’s Production Finance Market (Pfm) in October, plus $1,860 (A$2,000) in travel assistance.
Runner-ups Steve Kearney and Bridget Callow-Wright from Australia also won places – but no cash.
Organizers said 2,203 meetings were held as part of the eighth edition of the co-financing film market, which is part of the business arm of the Melbourne International Film Festival (Miff).
Slade will be seeking a sales agent for The Love Of Humankind, the lead project in her slate, during her visit to London.
The “vodka-fuelled tragicomedy about unrequited love” is to be directed by comedian Danny Mulheron (Fresh Meat) from a script by he and Brian Sergent.
Based on a stage play, her one-liner...
- 8/4/2014
- by Sandy.George@me.com (Sandy George)
- ScreenDaily
Our International Sales Agent (Isa) of the Day coverage is back again for this year's Cannes Film Festival. We will feature successful, upcoming, innovative and trailblazing agents from around the world, and cover the latest trends in sales and distribution. Beyond the numbers and deals, this segment will also share inspirational and unique stories of how these individuals have evolved and paved their way in the industry, and what they envision for the new waves in global cinema.
108 Media is a new sales company out of Toronto. Founder Abhi Rastogi sees it as "a force that opposes the standards of the film industry, redefining boundaries of what is possible and achievable." 108 Media recently acquired the worldwide sales rights for The Insect King by Priscilla Cameron and will begin selling the picture at the Cannes Film Festival. 108 is also excited to bring titles like He Never Died, which stars Henry Rollins as a punk rocker cannibal and Camera Trap, a wildlife thriller about a film crew that pursues local sightings of a rare wildcat in Nepal.
Abhi Rastogi shares some of his history, sales and more about 108's Cannes lineup:
How did you start 108 Media?
I started the company two years ago. We looked at how sales and distribution was done for the last seven or eight years, and we looked at bringing something different to the independent marketplace. And so we've tried to stick to a certain model where you can expect not so regular things.
We are doing theatrical releases in North America. We've released seven films theatrically in the last one and a half years--some of the most high profile films being Midnight's Children, based on Salman Rushdie's book, The We And The I, based on Michel Gondry. We also act as a foreign sales company, so we're very excited to introduce new projects and new voices to the international market.
What's your background?
Prior to this, I was a managing director of a company called Cinesavvy. We produced films like Frankie & Alice, starring Halle Berry; I was an executive producer on the film. Lionsgate released it last month. Prior to that, I was a distribution manager at Cinemavault, which is a Toronto based sales company.
What will 108 bring to Cannes?
We're bringing first footage from the film He Never Died, which stars Henry Rollins as a punk rocker and a cannibal who never died. This was a film that I was introduced to in September. And as a sales agent, you also get involved with packaging a lot; we were able to package the film right after Tiff in record time. We shot the film in November, so we're bringing it to Cannes.
Then we're brining this amazing, stunning chiller that was made in Nepal called Camera Trap, produced by the very high profile Steve Christian of Pinewood Pictures from the UK. It was shot all on location in Nepal last year. It's about a crew that goes to look for a snow leopard and finds something else. What's amazing is that the filmmakers have done a lot of nature related visuals. The film is stunning, visually captivating, and very realistic.
How are sales?
The sales are doing very well, because we're realistic about what the market can bare. We want to bring exciting projects, but at the same time, we are very careful of what we are requesting from our buyers and what's needed on their parts to support these films. It's more about collaboration for us. We tend to do a lot of business with the same buyers.
Some territories are more challenging than others, but that's the nature of our business. Spain is challenging--there are fewer buyers that are chasing after much higher profile content. That's because there are just not enough outlets for independent films to be released there. France has been a bit more challenging because of the home video markets collapsing there.
At the same time, we're doing very well in Asia through our Tokyo office. We tend to sell well across the board, including Germany, the UK and Italy.
More about 108 Media:
Cannes Lineup:
Camera Trap
Honour
Replace
He Never Died
Case of Kyoto, Case of Schuichi
The Time Being
Fugly
Fanie Fourie’s Lobola
Shame The Devil
The Rescuers
Tough Bond
Overview
108 is an agitator – a force that opposes the standards of the film industry, redefining boundaries of what is possible and achievable.
The media industry is not what it used to be, it is untraditional and media is consumed differently, in an ever changing and increasingly diversified forms of delivery and interaction. 108 Media is as unpredictable, leading edge and flexible as today's media demands – we’re targeted, we’re quick to execute, and we give the audience what they want, where they want it, and when they want it!
The Why is the easy part, because it is required of a media company to do so or be left behind like print media. The How is the interesting part. 108 Media measures social, blog and web traffic and consumer patterns to fully understand its consumers' dynamics, location and tendencies, thereby building effective and timely strategies to maximize media exposure and consumption efficiency. Further, 108 Media controls the pipelines of delivery, creating a truly vertically integrated next-generation media company fully capable to producing, marketing, and distributing media to all major Digital VOD, Broadband VOD and Paid Cable platforms.
We cut the old mantras of advertising and media delivery and enable a truly cross-promotional and cross platform digital experience.
108 Media is a new sales company out of Toronto. Founder Abhi Rastogi sees it as "a force that opposes the standards of the film industry, redefining boundaries of what is possible and achievable." 108 Media recently acquired the worldwide sales rights for The Insect King by Priscilla Cameron and will begin selling the picture at the Cannes Film Festival. 108 is also excited to bring titles like He Never Died, which stars Henry Rollins as a punk rocker cannibal and Camera Trap, a wildlife thriller about a film crew that pursues local sightings of a rare wildcat in Nepal.
Abhi Rastogi shares some of his history, sales and more about 108's Cannes lineup:
How did you start 108 Media?
I started the company two years ago. We looked at how sales and distribution was done for the last seven or eight years, and we looked at bringing something different to the independent marketplace. And so we've tried to stick to a certain model where you can expect not so regular things.
We are doing theatrical releases in North America. We've released seven films theatrically in the last one and a half years--some of the most high profile films being Midnight's Children, based on Salman Rushdie's book, The We And The I, based on Michel Gondry. We also act as a foreign sales company, so we're very excited to introduce new projects and new voices to the international market.
What's your background?
Prior to this, I was a managing director of a company called Cinesavvy. We produced films like Frankie & Alice, starring Halle Berry; I was an executive producer on the film. Lionsgate released it last month. Prior to that, I was a distribution manager at Cinemavault, which is a Toronto based sales company.
What will 108 bring to Cannes?
We're bringing first footage from the film He Never Died, which stars Henry Rollins as a punk rocker and a cannibal who never died. This was a film that I was introduced to in September. And as a sales agent, you also get involved with packaging a lot; we were able to package the film right after Tiff in record time. We shot the film in November, so we're bringing it to Cannes.
Then we're brining this amazing, stunning chiller that was made in Nepal called Camera Trap, produced by the very high profile Steve Christian of Pinewood Pictures from the UK. It was shot all on location in Nepal last year. It's about a crew that goes to look for a snow leopard and finds something else. What's amazing is that the filmmakers have done a lot of nature related visuals. The film is stunning, visually captivating, and very realistic.
How are sales?
The sales are doing very well, because we're realistic about what the market can bare. We want to bring exciting projects, but at the same time, we are very careful of what we are requesting from our buyers and what's needed on their parts to support these films. It's more about collaboration for us. We tend to do a lot of business with the same buyers.
Some territories are more challenging than others, but that's the nature of our business. Spain is challenging--there are fewer buyers that are chasing after much higher profile content. That's because there are just not enough outlets for independent films to be released there. France has been a bit more challenging because of the home video markets collapsing there.
At the same time, we're doing very well in Asia through our Tokyo office. We tend to sell well across the board, including Germany, the UK and Italy.
More about 108 Media:
Cannes Lineup:
Camera Trap
Honour
Replace
He Never Died
Case of Kyoto, Case of Schuichi
The Time Being
Fugly
Fanie Fourie’s Lobola
Shame The Devil
The Rescuers
Tough Bond
Overview
108 is an agitator – a force that opposes the standards of the film industry, redefining boundaries of what is possible and achievable.
The media industry is not what it used to be, it is untraditional and media is consumed differently, in an ever changing and increasingly diversified forms of delivery and interaction. 108 Media is as unpredictable, leading edge and flexible as today's media demands – we’re targeted, we’re quick to execute, and we give the audience what they want, where they want it, and when they want it!
The Why is the easy part, because it is required of a media company to do so or be left behind like print media. The How is the interesting part. 108 Media measures social, blog and web traffic and consumer patterns to fully understand its consumers' dynamics, location and tendencies, thereby building effective and timely strategies to maximize media exposure and consumption efficiency. Further, 108 Media controls the pipelines of delivery, creating a truly vertically integrated next-generation media company fully capable to producing, marketing, and distributing media to all major Digital VOD, Broadband VOD and Paid Cable platforms.
We cut the old mantras of advertising and media delivery and enable a truly cross-promotional and cross platform digital experience.
- 5/13/2014
- by Erin Grover
- Sydney's Buzz
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.