Bedrag (TV Series 2016–2019) Poster

(2016–2019)

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8/10
Danish Corporate Crime Caper that is rather good
t-dooley-69-3869163 May 2016
Energreen is a company that is tipped to be a leading player in the renewable energies market. Headed by a young, charismatic go getter in the shape of Alexander Sødergren. They are looking to expand even further and hopefully float the stock too for a great mound of cash. The thing is when a thing is too good to be true then it usually isn't.

So when things start to unravel they have alternative tactics to close things down. This can mean paying off the culprits or maybe not. We have the parallel story of the fraud squad, the cops and a mechanic who all get involved in the goings on at this ever so green company. It is a web of intrigue where no prisoners are ever going to be taken.

Now this is Danish so falls nicely into the Nordic Noir genre of which I am a big fan. This has all the usual things you would expect in terms of a high calibre production and excellent acting. Thomas Bo Larsen as Mads, the police lead, is simply superb as the driven man but with marital strife and other problems. The full cast though are all exceptional. I really enjoyed this, so much so that I put off watching the final episode for a torturous three days – finally saw it last night and it keeps the guessing going till the final scene – seriously recommended.
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8/10
Addictive viewing
paul2001sw-122 April 2016
Strong Danish drama 'Follow the Money' proves you don't have to centre a story on murder (not that there aren't some of those) to have a strong detective drama. The Scandinavian realist approach will be familiar to viewers of 'The Killing' or recent Icelandic drama 'Trapped'; but there's less emphasis on mood-building, and more direct focus on the story (in the manner of 'Borgen'). Ultimately, it's almost an impossible task to make a drama out of a fraud, and bits of the series seem a little too simplistic to make sense, in spite of the intricacy of the plotting; likewise, one sympathises vaguely with the characters without caring too deeply. But the pace is nicely judged, and it makes for addictive viewing.
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8/10
Another solid Danish crime drama, elevated by distinct performances
BeneCumb30 June 2016
This decade has brought along so many strong Scandinavian dramas that it is often difficult to keep track and make distinctions - partially also due to the limited number of performers filling out major/important roles... The same applies to Bedrag, where modern "coryphaeuses" like Nikolaj Lie Kaas as Alexander Sødergren and Thomas Bo Larsen as Mads take part, but many smaller roles are also performed by many otherwise having bigger roles in famous series. Still, the two mentioned are not dominating too much, every character has its significance, and all in all, a solid cast is formed, to be widely followed and noticed.

True, a good series emanates from the plot, and it is pleasantly versatile; focusing on e.g. financial crimes only would have made the plot more arid and specific, not for wider audience, but inclusion of a punisher and petty thieves has provided thrilling and even some amusing moments, enabling to "freshen up" from sophisticated economic relations and terms. The ending is also many-featured, probably not satisfactory per se, but evidently more realistic as not all wrongdoers are caught and/or sentenced in real world.

Although the Season 1 had its somewhat clear - but not full-scale - end, I have read that Season 2 will follow. Good news, I will definitely watch it as well.
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8/10
Another fine Danish drama
peterrichboy25 March 2017
After the murder mystery suspense of the Killing and the Bridge followed by the political intrigue of Borgen. Follow the money takes us into the corrupt world of high finance and insider dealing. Of course no Danish drama would be complete without the odd murder thrown in and each character has personal and less than satisfactory family lives to deal with. It is a little slower than than some of its predecessors but nevertheless Follow The Money is a more than adequate addition the Nordic Noir genre.
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10/10
Gripping, masterful Danish thriller series
robert-temple-125 November 2016
Warning: Spoilers
This is a ten episode edge-of-your-seat Danish thriller series. It was written by the same team who wrote BORGEN (2010, see my review), so it was bound to be good, and it is indeed spectacularly good. The complex and interweaving story lines centre upon massive corporate fraud in the wind energy industry. There certainly is a good deal of that, as I know from direct experience of it. 'Green' campaigners who push for wind energy often get secret financial commissions from the wind turbine companies for each turbine sold as a result of their 'idealistic' lobbying, so the environmental movement is seriously corrupt. I myself was asked to join in such schemes and was shocked at the huge sums being paid under the table to environmental activists posing as pure idealists. So I did not need any convincing that the central plot of this series was realistic. The energy company at the centre of the drama is called Energreen, and its CEO is an ambiguously charming figure played expertly by Nikolaj Lie Kaas, who also appeared as Mathias Borch in THE KILLING (2012, see my review). He is a mixture of idealistic fervour combined with psychotic ruthlessness. He doesn't hesitate for a moment to have someone who is getting in his way murdered. The basic corruption technique of Energreen is to set up shell companies in multiple offshore jurisdictions who successively buy wind farms from each other at higher and higher prices, thus pumping up the supposed values of the wind farms in preparation for a float of the main company at a vastly inflated value. But the shell companies are all secretly owned by Energreen, so Energreen is continually buying assets from itself with borrowed money and pumping up all the values to fantasy levels artificially, and then faking the prospectuses to investors by claiming that the artificial values are genuine. Side by side with this, Energreen also claims to be on the verge of perfecting a revolutionary technique to transmit power over large distances without loss by using superconductivity. I almost fell off my seat when someone in the series suddenly mentioned the Meissner Effect. With a shock I realized that the script writers must have consulted a scientist. Walther Meissner discovered the Effect named after him in 1933, but only experts have ever heard of it. It describes how a magnetic field is expelled from a charged current when it becomes superconducting. Kaas keeps telling investors and everyone in the company that his mysterious subsidiary in Poland, which operates in complete secrecy, is on the verge of perfecting superconducting power transmission (at ambient temperature, i.e. Not requiring cooling to super-low temperatures.) This is all of course a fraud, and nothing of the kind is really happening, although Kaas is so deluded that he has convinced himself that maybe it will 'one day'. This is pretty sophisticated stuff for a TV series plot line. As it happens, in the real world, room temperature superconductivity has been demonstrated to exist and was first discovered in the 1970s. It happens inside our bodies, for instance, at the micro level. Freeman Cope published many technical papers about this before his mysterious early death. Information about this subject has largely been suppressed since the seventies by a combination of business, security, and military interests, using secrecy agreements and other methods. Consequently, only a tiny number of people are aware of this. There is no doubt that huge efforts are indeed being made to exploit room temperature superconductivity at the macro scale for industrial uses, such as the frictionless transmission of power over huge distances without loss passionately advocated by the fraudster Kaas. Indeed, the transmission of both positive and negative currents over astronomical distances takes place all the time in outer space by means of filamentary structures known as Birkeland Currents, named in honour of Kristian Birkeland, who first proposed them more than a century ago as the means of the Aurora Borealis being produced by currents from the Sun. I do not wish this review to turn into a physics lecture, but it is important to stress that this TV series has a serious grounding in advanced technological thinking, and has clearly had a scientific adviser of some kind, or at least has been based on some proper research by the script writers. The other main character in the series is the company lawyer named Claudia, played by Natalie Madueno. She manages to make the character fascinating, through her mixture of sensitivity and insensitivity, her apparent softness merely concealing a ruthlessness as great as that of her boss, Kaas. Both main characters are thus astonishingly successful studies of morally ambiguous people who have quietly gone over the edge into madness, and who are running a giant corporation. Well, nothing could be more realistic than that! Even the most remote backwoods person by now knows that most of the world's giant corporations are run by just such people. They are members of 'the international power elite' against which the world's population is now rebelling, an early sign of which was the election of Modi in India, and the latest example being the election of Trump in America. And we can be sure they they are just the beginning. This series therefore has a great deal to teach us, and is not merely entertainment. It also has a powerful sub-plot of two young yobs who are car thieves, and who become mixed up in an inextricable way with the corrupt dealings of the people they do not even know. And the third main character is an admirable policeman who will not give up trying to expose the corruption, played by Thomas Bo Larsen with a quiet manner which is powerfully effective. There is also a sub-plot involving his irritating and faithless wife who has multiple sclerosis and is having an affair with her doctor. This is a fantastic series, which should definitely not be missed.
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7/10
3rd season review
nyobatusa1 July 2019
Warning: Spoilers
I loved the series all 3 seasons but after finishing the last 10th episode, unfortunately i was hugely dissapointed because the story ended in a very cruel way, not sure if it is really necessary to end the series so poorly. Totally uncalled for and serves no purpose other then upseting the audience.
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10/10
Absolute best TV series
stephanloveme28 November 2016
Absolute best TV series I have seen. It is very relevant today. Follow the Money (Danish: Bedrag) is a Danish financial crime thriller set in the renewable energy business in Denmark. But ends with crime on a very high plan. You learn a lot about economy and society in this series. It's both entertaining and at the same time, a kind of education, to be more critical towards the top elite. In our world today, a few people own more, than half of the worlds population. If they wish, they can destroy a country. And that is what this TV-series is really about. It's relevant, it's possible in real life, and it's absolutely worth seeing. See it, you will not regret it.
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6/10
Slow-Moving Thriller Set in the Cutthroat World of High Finance
l_rawjalaurence5 April 2016
The opening credits set forth the theme of Jeppe Gjervig Gram, Jannik Tai Mosholt, and Anders Frithiof August's thriller. The protagonists are photographed in washed-out colors, in front of a filter showing water rising slowly from the bottom to the top of the frame. This suggests that they are somehow drowning; not physically drowning, perhaps, but unable to cope with a world riddled with corruption.

This image is reinforced during the ten-part thriller through a tripartite plot. The chief executive of a Danish energy firm, Energreen (Nikolaj Lie Kaas) has ambitions to monopolize the market and is prepared to go to any lengths to achieve his aims - murder, corruption, manipulation. He enlists the services of idealistic lawyer Claudia (Natalie Madueño), and leads her on a series of increasingly violent adventures across Europe - Copenhagen, London, Paris, Rome. Deputed to investigate the case, police officer Mads (Thomas Bo Larsen) has his own domestic problems, as his wife Kristina (Line Kruse) dumps him for a doctor. The third plot focuses on car mechanic Nicky (Esben Smed Jensen) who finds a bag full of loot belonging to Energreen and tries his best to profit as a result, even if that results in blackmail.

The plot twists and turns throughout the ten episodes, providing sufficient cliff-hangers for viewers to continue watching. In truth, however, its pace is often painfully slow; little attention has been paid to either character-development or examining how the claustrophobic environment of the urban office can often restrict people's emotions, as well as their behavior. As a result the plot often seems rather contrived: each episode has to have its hook at the end, but frequently viewers see what that hook is going to be, even before the episode has concluded.

The series does possess its saving graces, including atmospheric cinematography from a variety of camera people, creating a gray world in which very little happiness seems to exist, other than the happiness provided by money. It seems that capitalist values have been left to flourish unrestricted, with the result that everyone, from the highest to the lowest social classes, is out to profit at others' expense. A profoundly depressing view of Western European life, to be sure.
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10/10
Season 3 review.
What a ride! The third and final season of the beloved show Follow the Money (original title: Bedrag) is certainly the best of the show and one of the best pieces of Nordic noir television ever. After the superb first and second season that dived into the murky waters of corporate greed and corruption, this one focuses on the hash smuggling business in Copenhagen. The characters that we met in the previous seasons are present but they are radically changed, almost transformed into something else. Alf has transferred from the fraud squad to the newly appointed Task Force Nørrebro which focuses on shutting down the hash trade and is after the city's major kingpins. Alf is a trainwreck after the events of the previous season. He has been shot twice in the stomach by the infamous "Swede" and he faced death in a brutal way. Today he is unable to sleep and he is functioning on a vicious mix of benzos and Ritalin. Nicky has been away in Spain for the last two years and he is back in Denmark but he has distanced himself from both his wife, Lina, and his little son, Milas. He is deep into the hash smuggling trade and he systematically launders the dirty money through a multitude of middlemen. Nicky sells to just everybody, the bikers, the immigrants' gangs in Nørrebro, and others. He is using a juice bar as a front business and he is working along with Lala, a young immigrant who has high ambitions. Nicky is working for a notorious Spanish hash kingpin, Marco, who is notorious for his toughness and resolve. Mads, played in the previous seasons by Thomas Bo Larsen, who was one of the main protagonists in seasons one and two has retired while we learn nothing about the fate of the young financial lawyer, Claudia (Natalie Madueño).

Apart from Nicky and Alf, the third main character in this final season is Anna (Maria Rich), a bank employee who is sick of getting overstepped in her work. In the second episode, e watch as one of Anna's younger, more inexperienced, and less competent colleague gets promoted as a branch manager. This is the last straw for Anna who decides to prove her abilities in another way. She is beginning to launder money through the bank she is working and soon she meets Nicky. A collaboration begins and soon Anna is getting mixed up in a game that will prove dangerous for her and her family. The character of Anna is more compelling than those of both Mads' and Claudia's and the third season is all about the protagonists' desperate attempts to survive in a hostile, lethal environment where nobody can be trusted.

If one wants to talk about character development then the third season of this great show is a shining example of how to do it right. Both Nicky and Alf are the shadows of their former selves and this is evident in both their physical appearance and behavior. Meek and down-to-earth Alf has lost much weight and he is prone to outbursts of anger directed mainly to his colleagues in the police station. His addiction adds to the character's instability and establishes an important plot trope which is explored throughout the season. Nicky has become obsessive about caution and it seems that his sole care in the world is not to get caught by the police. He has adopted a routine which is filled with extreme prudence and even involves the everyday set-up of "traps" in his own house in order to find out if anyone has been inside it while he is out.

A special mention ought to be made about Esben Smed's superb performance as Nicky. Smed is excellent in a quite different role than that of the previous two seasons. He is a broken man as his son, Milas, is now in foster care and his ex-wife is in a psychiatric facility due to clinical depression. In the first few episodes, Nicky denies having a kid and it seems that he has decided to abandon his former life as a husband and father. But, as we can see in Smed's struggling facial expressions, he is far from sure about his decision. He is longing to see his son again and when he does we watch as he seeks the redemption of all the misdeeds he's done in the past. Nicky's arc is one of the most fascinating ever as far as Scandinavian TV crime shows are concerned, and his character one of the most compelling I've ever seen in a show.

This season is completely different in mood and tone than the previous two. The colors are gloomy, with the prominent use of black and red in contrast with the lighter tone of seasons one and two. The storyline involves some really disturbing events that were absent before and the overall mood is borderline depressing. Nevertheless, the audience identifies with all the main characters and is rooting for them, besides their obvious flaws. The ending is the most appropriate for this bleakest of bleak season and its shattering effect stays with the audience for days after watching the final episode.

This season is a must-see, especially for those who prefer their crime TV shows to be realistic and dark. Keep in mind that this is a totally different cycle and you should forget everything you've concluded about the series during the first two seasons. I've never seen such a radical change in the overall feeling and atmosphere in a TV series so far. It was a real treat and definitely the best show I've watched in the last three years. Do yourselves a favor and watch this. Get braced for an unforgettable trip into the gloomiest corners of Copenhagen's underbelly.
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7/10
Successfully Dark dive-in
Bunuelisto13 March 2020
At first, this Danish landscape appeared pretty flat, but the diversity of characters and their own struggles gives much relief to this serious dark dive.

This take on the matter, carefully presents each of them, without stigma (mostly) and lost of pace, make the whole realistic and we'll balanced.

Characters and actors quickly turn around an apparent déjà-vu feeling I first had, you get attached as the storyline unfolds.
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10/10
On the top-3 of the recent ''Nordic Noir'' exports.
DimitrisPassas-TapTheLine26 September 2018
''Bedrag'' is one of Denmark's finest television productions along with ''Forbrydelsen'', ''Bron/Broen'' and the other more than successful series of the Scandinavian crime fiction invasion of the last decade or so. Both seasons are equally captivating, having a rich and well-crafted plot narrated masterfully by following the lives of the three main characters of the series, Mads (Thomas Bo Larsen) who is a police officer working in the economic -''white collar''- crime section, Claudia (Natalie Madueño) an ambitious lawyer working for big international firms and Nicky (Esben Smed Jensen) a young ex-con who begins to climb the criminal hierarchy. The first season is focused on a massive non-government organization called ''Energreen'', the director being the -always- fascinating Nikolaj Lie Kaas, and Mad's unwearying attempts to build a case against it in order to reveal the scams committed by the head members of the board. The viewer witnesses the evolvement of the intricate plot while, at the same time, enjoys the exceptionally well-outlined characters whose actions move the story forward. We have the chance to become familiar with the three protagonists' thoughts and actions and understand their motives and this is supported by the great performances of all three actors, the brightest being Esben Smed Jensen's portrayal of Nicky a young hoodlum who is struggling to harmonize the quiet family life with a constantly rising criminal activity. The second season is equally absorbing, starring David Dencik, Sonja Richter and other talented actors, and more emotionally stimulating especially in the ending episodes. ''Bedrag'' is a pleasurable and rewarding viewing experience and sets an example for the over-expensive American productions lacking quality. My rating would be a solid 9/10.
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6/10
Nordic TV continues to climb!
CrisMovieCorner21 April 2016
Warning: Spoilers
"Follow The Money" is a Danish Crime/Thriller set in the cut throat world of big finance, more specifically in renewable energies. The show follows Mads (Thomas Bo Larsen) and his fraud squad who are of the belief that something is seriously wrong with the energy firm Energreen. His fears are confirmed when lawyer Claudia (Natalie Madueno) uncovers all is not seems on the surface.

Another Norsk export that hits the ground running, whatever they seem to touch over there currently just turns to gold. While this is of a very different vein to our previously reviewed "Trapped" this one comes from a different calibre of director, this time around the show was developed and directed by different people the show was developed by Jeppe Gjervig Gram, Jannik Tai Mosholt,with direction by Per Fly. Fly has recently signed on to direct "Backstabbing for Beginners" starring Theo James and Ben Kingsley of which he wrote and is directing. Fly does extremely well to create tension in a subject that from the outside would struggle to interest the everyday man, it's a very high-class area of a high-class sector. I knew little to nothing and still don't about the finance sector, but that didn't stop the tension from feeling real and being able to bring me to my seats edge on many occasions.

Another stellar cast in a Nordic television show should come as no surprise to anybody who has watched a since episode in any of the shows. The acting across the border is wonderful again, with stand out performances from Thomas Bo Larsen and Nikolaj Lie Kaas, two very contrasting characters that play so well off each other in this cut throat world. Along with supporting characters the casting is spot on as usual, resulting in performances to rival the "big TV" you see over here in the UK or over in the US.

The plot twists and turns in attempts to throw the viewer that seem to come a little more often than is necessary do their job well to keep you drawn in to what is going on with Evergreen. The main issue that show seemed to have was the pacing was far too slow, it can be seen what they were trying to do with a slow burn to bring you into the world, but it kind of served as a wedge that ends up to an extent alienating the viewer. The constant use of hooks to keep you coming back each episode aren't as necessary as the show-runners would like, to the point at which some of the hooks are noticeable before an episode ends. This does little to take away from the enjoyment of the show it just felt unnecessary as if they were worried the story as a whole wouldn't entice viewers but it does.

Overall, the show is a good thrill ride in the world of big finance, chalked full of great acting performances and wonderfully shot cinematography which is expected with shows of this nature. If you have even a miniscule interest in the subject at question or the current flock of television shows coming out of the Nordic countries then this is definitely one for you, alternatively if you're new to this area of TV this is a great stepping stone to other shows like "Trapped" or "The Bridge". Another enjoyable show to sink your teeth into that will keep you highly entertained throughout the 10 episode run, I will certainly be keeping my eye on Nordic Noir & Beyond releases in the coming weeks, months and years to come.
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4/10
Not Nordic Noir, just a very bad Danish Soap Opera
qui_j22 January 2022
To label this series, "Nordic Noir" is a misnomer! It's just a poorly done Danish Soap that embodies the usual themes that characterize productions from that country e.g sustainable energy, saving the world, corruption, and a lot of "moralizing"! The plot is overly complex, and with poor editing, often loses continuity. Some scenes are just randomly stuck in for 5 seconds! There are many subplots that only add to the confusions since many have no relevance to the main plot. Sometimes, coupled with really bad acting, the script and dialog appears to be improvised and made up. Hard to watch!

The pace is like that of molasses traveling uphill, so one needs to use the Fast Forward button a lot in order to avoid the continuing moralizing about society, and useless historical references that have little relevance. The series shares a lot in common with other finance based soaps like "Billions", and after a while, begins to have a soporific effect on the viewer! The only redeeming feature about this is that viewers can watch it at intervals with the assurance that little would be changing between episodes.

Lastly, as with many Danish productions, events happen to suit the plot, and without any logic. So the plot moves along, but with huge, gaping holes in the plot! Guess this is all to ensure a happy ending with no loose ends!
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8/10
Follow the Money
Tweekums16 April 2016
Warning: Spoilers
Mads is a Copenhagen police officer who has started working with the fraud squad; he is convinced that there is something wrong with the energy firm Energreen. There is indeed something wrong; fraud is discovered by young corporate lawyer Claudia. She reports it and two employers are paid off on condition that they leave Denmark. Claudia is quickly promoted and soon finds herself drawn into the corruption while her boss, Alexander Sødergren, ensures that his signature doesn't appear on any paperwork linked to the fraud. If that wasn't enough a couple of small time criminals steal the car belonging to one of the men that was paid off; it contains two million euros and a laptop that contains evidence against Energreen… this makes their lives far more complicated because there are people who will kill to ensure that the fraud remains uncovered.

One might have thought that a drama about corporate fraud, with talk of things like shell companies, wouldn't be too exciting but this series managed to be fairly gripping from the start. This is of course helped by the fact that there is an element of real danger for some characters. While the viewer is in no doubt that Energreen is rotten there is no guarantee that their fraud will ultimately be exposed and those responsible punished as we are constantly reminded that corporate fraud is notoriously difficult to prove. The story is resolved in a satisfying way. The secondary plots concerning Mads' wife leaving him for her doctor and Claudia talking about moving to Paris with her son are a bit of a distraction from the main story but not overly so and it does show us other sides of the characters. The cast does an impressive job; most notably Thomas Bo Larsen as Mads, Natalie Madueño as Claudia and Nikolaj Lie Kaas as Sødergren. Overall I'd recommend this to people who have enjoyed other Scandi-dramas.

These comments are based on watching the series in Danish with English subtitles.
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9/10
Uniquely brilliant, unpredictable and thrilling!
axecise30 April 2021
This is a one-of-a-kind masterpiece of a storyline, with never ending surprises. Each season changes plot, but as the story develops, the mystery unfolds and the characters intertwine in a brilliant fashion. This is class A nordic television that stands in stark contrast to anything provided by Hollywood. It is dark, subtle, humorous, thrilling, creative and yet realistic portrait of how big money operates in the most deceptive manner, including institutional fraud as well and drug trafficking. This is one of those few series that is near-impossible to stop watching, and O cannot applaud the directors and actors enough for this absolute masterpiece. Wow!
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7/10
Worth watching overall!
catnapbc8 May 2022
Another very watchable series, though not quite on par with Borgen. The characters are a bit lop-sided in terms of believability, but the acting is generally very good with a few excellent main characters.

The storyline sometimes gets sidetracked and a bit absurd, but this is fiction and enjoyable entertainment. It may not be the usual fast-paced show that is geared towards a juvenile mind, but it is well done and the dialogue is mature and believable on the whole.

Scandinavian drama is a great alternative and companion to the many excellent British police/investigative and serious dramas we love to watch.
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8/10
Excellence again from the Danes.
keithnovak31 August 2021
I thoroughly enjoyed the first two seasons but season three is where I really sat up and paid attention. I love the characters in #3 ... Anna played by Maria Rich with her uncoordinated awkwardness in particular fascinates me as she slides comfortably into a life of crime away from her husband's stultifying presence.

Thank you Denmark for constantly restoring my faith in television drama! :)
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6/10
bad script
rdb5920 July 2022
First year is OK, wel written and well played, second season is rather over the top. If you don't know anything about banking, money trading etc. Don't write about it!

Characters are good and well played (main character policeman Mads is getting more and more annoying though), but storylines could be so much better.

Haven't seen third year yet.
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9/10
Brilliant show, in the vein of Borgen, The Bridge, etc.
westwelt8 December 2016
Warning: Spoilers
There are some flaws that are responsible for the -1 from a perfect ten. It's not a perfect show, just a very, very good one.

There are some TV/film clichés, but they're not that many. Some inconsistent behavior from characters that makes no sense. I won't get into them because they would be spoilers.

But it's beautifully written, well-directed and shot.

The actors are very completely convincing.

The way the show is written and structured is less around the life of one person and more about the interconnected lives of people, from detective to garage mechanic to lawyer to CEO and their friends and families.

It's similar to Game of Thrones or Breaking Bad in that way - cause and effect, action and reaction, domino and butterfly effects.

Must watch.
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7/10
mediocre show but fine acting and interesting enough to watch
nyobatusa26 November 2017
Warning: Spoilers
Season 1 - it is a well done intriguing plot that will keep you entertained however i must admit it is predictable right at the beginning of first five episodes you know what will happen to the somewhat unattractive but determined and naive journalist. we all know what kind of level of dirty money we are dealing with here. here in bedrag the plot is very realistic and diversified with different characters and their personal drama, it is a good character developed script, that it is easy to understand the motivation and even symphatize with bad guys. However I dont recommend to do that because you will be dissapointed at the end of 3rd season. I blame the writer, it is not generally good idea to make the audience 'care' about characters just to kill them off, it surely leaves audience frustruated and without motivation to watch at all.
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8/10
Highs and lows
lisbethinsydney3 January 2021
By all means begin with season 1 as this is the best in this series. Excellent casting featuring the charismatic Nikolaj Lie Kaas and a clever script with plenty of tight drama to keep the financial skullduggery from becoming obtuse.Season 2 gets a bit histrionic and overcooked. Maverick Mads singlehandedly saving Denmark from economic collapse was stretching things a bit too far. Season 3 doesn't tempt me. Even though Alf is one of the most interesting characters, Nicky isn't.
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6/10
Danish Soap Opera
Warin_West-El9 February 2023
Warning: Spoilers
I watched all of Season 1 and was extremely disappointed with the last episode. Thirteen minutes into Season 2, I was not pleased with the way the plot was developing (or not developing). So I decided to read some of the reviews here on IMDb to see if I should perhaps quit watching this series.

As others have pointed out, this isn't "Nordic Noir", it's just a poorly done Danish Soap Opera with sex scenes thrown in. The plot is overly complex and with poor editing, often loses continuity. There are far too many subplots, which only adds to the confusion.

The pace is SO slow one often needs to use the Fast Forward button, especially with scenes featuring Claudia. Events happen to suit the plot and without any logic. So the story plods along, but with huge, gaping holes. Little attention has been paid to either character-development or examining how the claustrophobic environment of urban offices restricts people's emotions and their behavior.

What we have is a gray world in which very little happiness exists, other than what is provided by money. Materialism has been left to flourish unchecked, with the result that everyone from the highest to the lowest social class pursues naked self-aggrandizement at the expense of others.

Not only is that a profoundly depressing view of European life, the story we're shown lacks the depth of wisdom necessary to see any possibilities beyond it.

I'll watch the entire first episode of Season 2 and then probably quit.

UPDATE: I couldn't make it all the way through that episode. Claudia and Mads were just too revolting to watch. What can I say . . . Bedrag was a drag.
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3/10
Terrible
jumak-9666115 March 2022
This serie (season 1) succeeds in increasing incredibility in every episode. This goes for the characters as well as for the storyline. In the final episodes it reaches a level of absurdness that makes it a terribly bad serie. What a huge difference with fantastic series like the killing.
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8/10
Gripping tv
geoffreyawhite7 January 2021
I really enjoyed this series. You want some of the baddies to get away and others to be caught by your favourite cops
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10/10
Another great Scandinavian show ..
jasonalaporta28 April 2019
Not much to say but I love the shows coming out of Scandinavia..I say keep them coming..make them more available in the U.S.
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