The Sound of My Voice: Meta Delivers Masterful Psychological Identity Horror
Does it come from without or within? ‘It’ being the perception of danger, delusion or paranoia in the case of the swift descent of the protagonist in The Intruder, a layered psychological genre piece from Argentina’s Natalia Meta, her first film since the 2014 debut Death in Buenos Aires. Based on a cult 1996 horror novel, El Mal Menor by C.E. Fieling, Meta consistently defies expectations in a film which eventually reveals itself to be more complex than any synopsis of its narrative could possibly dictate. Bolstered by an increasingly intense performance by Erica Rivas, who is supported by several noted Argentinean performers of international renown, it’s an oddly captivating odyssey which makes for as interesting a conversation piece as it does a cinematic experience.…...
Does it come from without or within? ‘It’ being the perception of danger, delusion or paranoia in the case of the swift descent of the protagonist in The Intruder, a layered psychological genre piece from Argentina’s Natalia Meta, her first film since the 2014 debut Death in Buenos Aires. Based on a cult 1996 horror novel, El Mal Menor by C.E. Fieling, Meta consistently defies expectations in a film which eventually reveals itself to be more complex than any synopsis of its narrative could possibly dictate. Bolstered by an increasingly intense performance by Erica Rivas, who is supported by several noted Argentinean performers of international renown, it’s an oddly captivating odyssey which makes for as interesting a conversation piece as it does a cinematic experience.…...
- 2/21/2020
- by Nicholas Bell
- IONCINEMA.com
Madrid — Just minutes after the Berlinale confirmed on Wednesday its selection in main competition, the pedigree producers of Argentine Natalia Meta’s “The Intruder” (“El Prófugo”) have dropped a first teaser-trailer for what has been described as a “pyscho-sexual fantastic thriller.”
They have also confirmed more details of one of the buzziest new titles from Latin America, announced with sales agent Film Factory Ent. in place at December’s Ventana Sur.
Film Factory has a strong record of crossover Argentine titles which roll off big fest berths to make a killing in Argentina and muscular theatrical takings abroad.
Can “The Intruder” go that way” Certainly, it has a potent South American cast: Erica Rivas as the neurotic protagonist, Nahuel Pérez Biscayart (“Bpm (Beats Per Minute), Berlin best actor winner Daniel Hendler (“The Lost Embrace”) and Almodovar regular Cecilia Roth (“Pain and Glory”).
Some key pointers to the title were made public by Variety in December.
They have also confirmed more details of one of the buzziest new titles from Latin America, announced with sales agent Film Factory Ent. in place at December’s Ventana Sur.
Film Factory has a strong record of crossover Argentine titles which roll off big fest berths to make a killing in Argentina and muscular theatrical takings abroad.
Can “The Intruder” go that way” Certainly, it has a potent South American cast: Erica Rivas as the neurotic protagonist, Nahuel Pérez Biscayart (“Bpm (Beats Per Minute), Berlin best actor winner Daniel Hendler (“The Lost Embrace”) and Almodovar regular Cecilia Roth (“Pain and Glory”).
Some key pointers to the title were made public by Variety in December.
- 1/29/2020
- by John Hopewell and Emiliano Granada
- Variety Film + TV
Buenos Aires — In one of the biggest deals clinched at this year’s Ventana Sur, Vicente Canales’ Film Factory Ent. has acquired international sales rights outside Latin America to “El Prófugo” (“The Intruder”).
Described by its makers as a“psycho-sexual fantastic thriller,” “The Intruder” stars two of Argentina’s most internationally-rated actors: Erica Rivas, extraordinary as the cheated-upon bride in “Wild Tales,” and Nahuel Pérez Biscayart, who earned international fame and a French Academy Cesar for Cannes critical and sales hit “Bpm (Beats Per Minute).”
The powerful cast also takes in Berlin best actor winner Daniel Hendler (“The Lost Embrace”) and Almodovar regular Cecilia Roth (“Pain and Glory”),
Being brought onto the market at this week’s Ventana Sur in Buenos Aires, “The Intruder” is produced by Benjamín Domenech, Santiago Gallelli and Matías Roveda at Argentina’s Rei Cine, which has built via international co-production into one of the most important producers in Latin America.
Described by its makers as a“psycho-sexual fantastic thriller,” “The Intruder” stars two of Argentina’s most internationally-rated actors: Erica Rivas, extraordinary as the cheated-upon bride in “Wild Tales,” and Nahuel Pérez Biscayart, who earned international fame and a French Academy Cesar for Cannes critical and sales hit “Bpm (Beats Per Minute).”
The powerful cast also takes in Berlin best actor winner Daniel Hendler (“The Lost Embrace”) and Almodovar regular Cecilia Roth (“Pain and Glory”),
Being brought onto the market at this week’s Ventana Sur in Buenos Aires, “The Intruder” is produced by Benjamín Domenech, Santiago Gallelli and Matías Roveda at Argentina’s Rei Cine, which has built via international co-production into one of the most important producers in Latin America.
- 12/4/2019
- by John Hopewell
- Variety Film + TV
The Orchard has secured North American rights to Luis Ortega’s “El Angel” following its debut at the Cannes Film Festival. It will debut in the U.S. later this year.
Reviewers in the south of France praised the film for its visual panache and compared its treatment of violence and criminality to the early work of Martin Scorsese and Quentin Tarantino.
“El Angel” tells the true story of Argentina’s longest-serving convicted murderer. It focuses on a baby-faced thief named Carlitos and his strong bond with a schoolmate named Ramon. Together, they will embark on a crime spree, one that only ends after Carlitos has committed over 40 robberies and 11 homicides. His cherubic good looks give him instant celebrity and the nickname “The Angel.”
The film has a big time sponsor in Pedro Almodovar and his brother Agustin. It is also backed by K&S Films (“Wild Tales”). The film stars...
Reviewers in the south of France praised the film for its visual panache and compared its treatment of violence and criminality to the early work of Martin Scorsese and Quentin Tarantino.
“El Angel” tells the true story of Argentina’s longest-serving convicted murderer. It focuses on a baby-faced thief named Carlitos and his strong bond with a schoolmate named Ramon. Together, they will embark on a crime spree, one that only ends after Carlitos has committed over 40 robberies and 11 homicides. His cherubic good looks give him instant celebrity and the nickname “The Angel.”
The film has a big time sponsor in Pedro Almodovar and his brother Agustin. It is also backed by K&S Films (“Wild Tales”). The film stars...
- 6/7/2018
- by Brent Lang
- Variety Film + TV
Here at the Guadalajara Film Festival (Ficg), Verónica Cura is presenting her latest film, "Death in Buenos Aires" ("Muerte en Buenos Aires"), an Argentine policier. She is also meeting with her international sales agent, Film Factory, the Mexican distributor and the director, first-timer Natalia Meta. The film stars Demian Bichir, Chino Darin , Monica Antonopulos , Carlos Casella , Hugo Arana, Jorgelina Aruzzi , Emilio Disi, Fabián Arenillas, Humberto Tortonese, Gino Renni , Wullich Martin and Luisa Kuliok.
After one month in release in Argentina, it has racked up admissions which is astonishing for a first feature with no TV backing. Its returns were greater than 2014 and first semester 2015’s hit by Daniel Burman, " The Mystery of Happiness" ("El misterio de la felicidad”) .
One of Argentina’s top producers, Verónica Cura ’s opinions on the business and on the importance of education are crucial to understanding what is happening in Latin American production today. Not only does she teach about film production from an artistic and organizational perspective, starting from the moment the idea takes hold, to project development, to shooting and all the way to theatrical exhibition, but her productions are seminal to the cinema of Argentina.
Vero started working in 1992 as a director and head of production. In 2001 she began producing her own films. From 2007 to 2009 she was President of the Association of Independent Producers and Vice President of the Chamber of Film Producers from 2009 to 2011. Veronica has been Vice President of the Argentina Productions Companies Union from 2011 to 2013 .
She was the line producer on 2009’s U.S.- Spain coproduction "There Be Dragons" directed by Roland Joffe. Her credits go as far back as the 1995 film “Moebius" and the 1993 documentary "Radio Olmos," both directed by Gustavo Mosquera. She has been involved in films such as "The Headless Woman" ("La Mujer Sin Cabeza") by Lucrecia Martel (Cannes Competition), "The Other" by Ariel Rotter (Berlinale winner of two Silver Bears and the Jury Grand Prize).
She was executive producer on "Las Acacias" by Pablo Giogelli (Camera D’Or, Cannes 2011), an Argentina–Spain coproduction, as well as "Whisky Romeo Zulu" … and many many more including "One Love" ("Un Amor") by Paula Hernandez in 2011, "In the Eyes Abides the Heart" by Mary Sweeney, a short for Turner Classics Channel, all directed by women, which is something of importance in today’s world. She also produced "Live-in Maid" by Jorge Gaggero (Sundance Special Jury Prize), "Torrent 3" by Santiago Segura, "The Dead and Being Happy" by Javier Rebolla and "The Game Maker" by John Paul Buscarini, among others.
She was the Academic Coordinator for Production at Enerc and teaches in different labs and schools throughout Latin America. She is also a former student of La Fuc. Most recently she spent 1 1/2 weeks in Cuba at the International Film School (Eictv) giving a week's seminar and working with a director and two writers on scripts as part of a new Doctorate program for screenwriters.
"Regarding The film business today, as in every part of the world, cinema in Argentina is facing new challenges. Only about 20% of the theaters remain Un-digitized. Producers must be thinking about budgets, distribution and new forms of exhibition."...
After one month in release in Argentina, it has racked up admissions which is astonishing for a first feature with no TV backing. Its returns were greater than 2014 and first semester 2015’s hit by Daniel Burman, " The Mystery of Happiness" ("El misterio de la felicidad”) .
One of Argentina’s top producers, Verónica Cura ’s opinions on the business and on the importance of education are crucial to understanding what is happening in Latin American production today. Not only does she teach about film production from an artistic and organizational perspective, starting from the moment the idea takes hold, to project development, to shooting and all the way to theatrical exhibition, but her productions are seminal to the cinema of Argentina.
Vero started working in 1992 as a director and head of production. In 2001 she began producing her own films. From 2007 to 2009 she was President of the Association of Independent Producers and Vice President of the Chamber of Film Producers from 2009 to 2011. Veronica has been Vice President of the Argentina Productions Companies Union from 2011 to 2013 .
She was the line producer on 2009’s U.S.- Spain coproduction "There Be Dragons" directed by Roland Joffe. Her credits go as far back as the 1995 film “Moebius" and the 1993 documentary "Radio Olmos," both directed by Gustavo Mosquera. She has been involved in films such as "The Headless Woman" ("La Mujer Sin Cabeza") by Lucrecia Martel (Cannes Competition), "The Other" by Ariel Rotter (Berlinale winner of two Silver Bears and the Jury Grand Prize).
She was executive producer on "Las Acacias" by Pablo Giogelli (Camera D’Or, Cannes 2011), an Argentina–Spain coproduction, as well as "Whisky Romeo Zulu" … and many many more including "One Love" ("Un Amor") by Paula Hernandez in 2011, "In the Eyes Abides the Heart" by Mary Sweeney, a short for Turner Classics Channel, all directed by women, which is something of importance in today’s world. She also produced "Live-in Maid" by Jorge Gaggero (Sundance Special Jury Prize), "Torrent 3" by Santiago Segura, "The Dead and Being Happy" by Javier Rebolla and "The Game Maker" by John Paul Buscarini, among others.
She was the Academic Coordinator for Production at Enerc and teaches in different labs and schools throughout Latin America. She is also a former student of La Fuc. Most recently she spent 1 1/2 weeks in Cuba at the International Film School (Eictv) giving a week's seminar and working with a director and two writers on scripts as part of a new Doctorate program for screenwriters.
"Regarding The film business today, as in every part of the world, cinema in Argentina is facing new challenges. Only about 20% of the theaters remain Un-digitized. Producers must be thinking about budgets, distribution and new forms of exhibition."...
- 3/11/2015
- by Sydney Levine
- Sydney's Buzz
Exclusive: New York-based festival veteran Laurence Asseraf is launching the invite-only Be Film International Features Festival as a platform to enable global films to find Us distribution.
This year’s inaugural event runs from October 24-26 in New York and will feature global films with a focus on Argentina.
“What we are trying to accomplish here, is bring home, in an intimate, relaxed, but highly professional setting certain foreign films that might have escaped the eyes of Us distributors while on their tour to all major festivals abroad,” said Asseraf (pictured).
“I knew Argentina very well since I lived there as a child,” said the French industry veteran, who also founded Be Film The Underground Film Festival. “Their cinema is very European and speaks to the world.”
The Argentinian Consulate will sponsor the opening night reception.
The line-up of screenings includes:
Muerte En Buenos Aires (Argentina) – Natalia Meta’s 1980s set mystery-drama in Buenos Aires starring [link=nm...
This year’s inaugural event runs from October 24-26 in New York and will feature global films with a focus on Argentina.
“What we are trying to accomplish here, is bring home, in an intimate, relaxed, but highly professional setting certain foreign films that might have escaped the eyes of Us distributors while on their tour to all major festivals abroad,” said Asseraf (pictured).
“I knew Argentina very well since I lived there as a child,” said the French industry veteran, who also founded Be Film The Underground Film Festival. “Their cinema is very European and speaks to the world.”
The Argentinian Consulate will sponsor the opening night reception.
The line-up of screenings includes:
Muerte En Buenos Aires (Argentina) – Natalia Meta’s 1980s set mystery-drama in Buenos Aires starring [link=nm...
- 9/30/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Exclusive: New York-based festival veteran Laurence Asseraf is launching the invite-only Be Film International Features Festival as a platform to enable global films to find Us distribution.
This year’s inaugural event runs from October 24-26 in New York and will feature global films with a focus on Argentina.
“What we are trying to accomplish here, is bring home, in an intimate, relaxed, but highly professional setting certain foreign films that might have escaped the eyes of Us distributors while on their tour to all major festivals abroad,” said Asseraf (pictured).
“I knew Argentina very well since I lived there as a child,” said the French industry veteran, who also founded Be Film The Underground Film Festival. “Their cinema is very European and speaks to the world.”
The Argentinian Consulate will sponsor the opening night reception.
The line-up of screenings includes:
Muerte En Buenos Aires (Argentina) – Natalia Meta’s 1980s set mystery-drama in Buenos Aires starring [link=nm...
This year’s inaugural event runs from October 24-26 in New York and will feature global films with a focus on Argentina.
“What we are trying to accomplish here, is bring home, in an intimate, relaxed, but highly professional setting certain foreign films that might have escaped the eyes of Us distributors while on their tour to all major festivals abroad,” said Asseraf (pictured).
“I knew Argentina very well since I lived there as a child,” said the French industry veteran, who also founded Be Film The Underground Film Festival. “Their cinema is very European and speaks to the world.”
The Argentinian Consulate will sponsor the opening night reception.
The line-up of screenings includes:
Muerte En Buenos Aires (Argentina) – Natalia Meta’s 1980s set mystery-drama in Buenos Aires starring [link=nm...
- 9/30/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.