Directed by
| Thomas Napper | ||
Writing Credits (in alphabetical order)
| Johnny Harris | ||
Cast
Produced by
| Andrew Eaton | ... | executive producer |
| Michael Elliott | ... | producer |
| Celine Haddad | ... | executive producer |
| Peter Hampden | ... | executive producer |
| Johnny Harris | ... | producer |
| Richard Holmes | ... | executive producer |
| Donna Mabey | ... | line producer |
| Nichola Martin | ... | executive producer |
| Norman Merry | ... | executive producer |
| Adam Smith | ... | executive producer |
Music by
| Paul Weller | ||
Cinematography by
| Tat Radcliffe | ||
Editing by
| David Charap | ||
Casting By
| Dixie Chassay | ||
Production Design by
| Nick Palmer | ... | (production design) |
Costume Design by
| Guy Speranza | ||
Makeup Department
| Jennifer Drew | ... | special makeup effects artist |
| Ellie Hoccom | ... | trainee hair and makeup-artist |
| Velina Iankova | ... | makeup artist: crowd daily |
| Becci Mapes | ... | makeup supervisor / prosthetics makeup supervisor |
| Scarlett O'Connell | ... | hair designer / makeup designer / prosthetics makeup designer |
| Matt Simpson | ... | assistant makeup artist |
| Nicole Dawn Taylor | ... | trainee make-up artist |
Production Management
| Miranda Jones | ... | post-production supervisor |
| Tom Plumtre | ... | unit manager |
Second Unit Director or Assistant Director
| Arizona Eastwood | ... | third assistant director |
| Liam Lock | ... | first assistant director |
| Gemma Nunn | ... | second assistant director |
| Amber Tordoff-Gibson | ... | trainee assistant director |
Art Department
| Annabelle Bevan | ... | production buyer |
| James Darnbrough | ... | scenic painter: dailies |
| Fred Duran-Jorda | ... | property master |
| Becky Gilbanks | ... | assistant art director |
Sound Department
| Jason Devlin | ... | boom operator |
| Justin Dolby | ... | dialogue editor |
| Robert Farr | ... | re-recording mixer |
| Stephen Griffiths | ... | supervising sound editor |
| Jerome McCann | ... | production sound mixer |
| Keith Partridge | ... | foley engineer |
| Matis Rei | ... | sound effects editor |
| Ryan Sellars | ... | sound trainee |
| Andy Shelley | ... | supervising sound editor |
| Barnaby Smyth | ... | foley artist / foley supervisor |
| James Hayday | ... | re-recording mixer (uncredited) |
Special Effects by
| Scott MacIntyre | ... | special effects supervisor (as Scott McIntyre) |
| Roy Murfin | ... | special effects technician |
| Scott Peters | ... | special effects supervisor |
| Eddy Popplewell | ... | special effects technician |
Visual Effects by
| Luke Butler | ... | digital compositor |
| Belinda Cumming | ... | visual effects coordinator |
| Andy Quinn | ... | visual effects supervisor |
| George Stone | ... | visual effects producer |
| Sheila Wickens | ... | digital compositor |
Stunts
| Matt Hermiston | ... | stunt performer |
| Vincent Keane | ... | stunt coordinator |
| Tom Lucy | ... | stunt coordinator |
Camera and Electrical Department
| Byron Bernardo | ... | standby rigger |
| Craig Cowper | ... | trainee electrician |
| Warwick Drucker | ... | grip: additional photography |
| Matt Fisher | ... | camera operator: "b" camera / steadicam operator |
| Callum Grant | ... | vt operator |
| Mark Langlay-Smith | ... | vt operator |
| Andy Lowe | ... | gaffer |
| Simon Marsh | ... | generator operator |
| Mitchell Payne | ... | camera trainee |
| Tim Potter | ... | first assistant camera |
| Núria Pérez | ... | digital imaging technician |
| Luke Shakesheff | ... | standby rigger |
| Robin Stone | ... | key grip |
| Chris Stones | ... | best boy |
| Amy H C Wilson | ... | second assistant camera: b camera dailies (as Amy H.C. Wilson) |
Casting Department
| Vanessa Baker | ... | adr voice casting |
| Edward Lloyd | ... | extras casting |
| Poppy Lloyd | ... | extras casting |
| Isabella Odoffin | ... | casting associate |
Costume and Wardrobe Department
| Caitriona Anglim | ... | junior costume assistant |
| Lisa Evans | ... | costume assistant |
| Hilary Hughes | ... | costume standby |
| Sophie O'Neill | ... | costume supervisor |
Editorial Department
| James Clarke | ... | head of di |
| Katie Croft | ... | digital intermediate assistant |
| Paul Dray | ... | senior post producer |
| Lisa Jordan | ... | facility director: Lipsync Post |
| Sam Margaritis | ... | dailies producer |
| Gez Morris | ... | first assistant editor |
| Lizzie Newsham | ... | digital intermediate coordinator |
| Jamie Welsh | ... | colorist |
Location Management
| Monty Allan | ... | location manager |
Script and Continuity Department
| Jane Simon | ... | script supervisor |
Transportation Department
| Graham Francis | ... | unit driver |
Additional Crew
| Shereene Amer | ... | finance manager: Creative England |
| Jacqui Barr | ... | marketing executive |
| Caroline Bean | ... | production coordinator |
| Charlotte Dudson | ... | production secretary |
| Giacomo Farci | ... | personal trainer: Johnny Harris |
| Julia Hall | ... | senior designer: LipSync Design |
| Paul Hillier | ... | insurance |
| Daniel Jackson | ... | production runner |
| Richard Juneman | ... | production accountant |
| Sarah Lebutsch | ... | sales director |
| Alexander Lloyd | ... | key floor runner |
| Nadiya Luthra | ... | post production coordinator |
| Emma Mager | ... | completion bond guarantor |
| Amilia Matthews | ... | social media |
| Barry McGuigan | ... | boxing consultant |
| Amy O'Connor | ... | floor runner |
| Andrew Orr | ... | international sales |
| Matthew Sanders | ... | unit publicist |
| Laia Senserrich | ... | head of development |
| Howard Watkins | ... | head of title design |
| Matthias Wood | ... | floor runner |
