- [first lines]
- Stella Gibson: Let's try something different. If you were on the other side of your bedroom, standing by the window, what would you have seen?
- Annie Brawley: Me on the bed. Him behind me. I was on my side at first. Tied up.
- Stella Gibson: What else? Can you see him clearly?
- Annie Brawley: No.
- Stella Gibson: It's okay. Let's take a step back.
- Katie Benedetto: Why are you staring at her?
- Paul Spector: I'm not.
- Katie Benedetto: She's not your type.
- Paul Spector: I don't have a type.
- Katie Benedetto: Liar.
- [last lines]
- Paul Spector: [restraining her from behind] I want you to come with me now. I want to talk to you. I don't want to have to hurt you, Rose. I don't want to have to hurt your beautiful family. But I will. I will if you scream or cry out when I release you. Do you understand? Okay. One, two, three.
- Rose Stagg: Peter?
- Ged Green: [menacingly to Gibson] What's the difference between James Olsen and a black cab? A black cab can take five in the back.
- Little Girl: [in her dark hallway] Are you a friend of Mummy's or Daddy's?
- Paul Spector: [whispering] Your mummy.
- Little Girl: What's your name?
- Paul Spector: Peter. Peter Piper. Peter Piper picked a peck of pickled peppers. A peck of pickled peppers Peter Piper picked. If Peter Piper picked a peck of pickled peppers where's the peck of pickled peppers that Peter Piper picked? It's called a tongue twister. You try it.
- Stella Gibson: Remember it's an addiction. He takes his fantasies and he turns them into reality. It makes him feel superior to the rest of us mere mortals. As such, in his own mind, he feels he has the right to decide who lives and who dies. In order to do the terrible things that he does, the killer dehumanizes his victims. Let's do the opposite. Let's keep them alive. For us, for their families, friends, work colleagues. For the public. Let's keep them alive until this man is caught.