Anonymous Content and Boat Rocker have partnered to co-finance and co-sell an untitled political thriller feature documentary by Emmy Award-winning filmmakers Jesse Moss (“Boys State”) and Tony Gerber (“The Notorious Mr. Bout”).
Produced by Boat Rocker’s Matador Content, the project was shot over the course of two days last month in Washington, D.C.
While details on the project are being kept under wraps, Moss teased it as a “an utterly unique story that is equal parts political thriller, dystopian science fiction and intimate cinema vérité.”
“It expands the form of non-fiction filmmaking in exciting ways and is of enormous significance to our political future. We can’t wait to share it,” Moss continued.
Moss and Gerber previously co-directed “Full Battle Rattle,” a critically acclaimed film about life inside the U.S. Army’s Iraq simulation in the California desert. Moss’s credits also include “Boys State” which won a...
Produced by Boat Rocker’s Matador Content, the project was shot over the course of two days last month in Washington, D.C.
While details on the project are being kept under wraps, Moss teased it as a “an utterly unique story that is equal parts political thriller, dystopian science fiction and intimate cinema vérité.”
“It expands the form of non-fiction filmmaking in exciting ways and is of enormous significance to our political future. We can’t wait to share it,” Moss continued.
Moss and Gerber previously co-directed “Full Battle Rattle,” a critically acclaimed film about life inside the U.S. Army’s Iraq simulation in the California desert. Moss’s credits also include “Boys State” which won a...
- 2/9/2023
- by Elsa Keslassy
- Variety Film + TV
"The Notorious Mr. Bout," the latest doc from co-directors Tony Gerber ("Full Battle Rattle") and Maxim Pozdorovkin ("Pussy Riot: A Punk Prayer") delves into the life of a famous Russian arms dealer. Aside from terrific archival footage the film also takes a long look at the way Bout's case was handled and if it was done so fairly. Also whether or not that matters when everyone knows you're a bad, bad man.
- 11/4/2015
- by Christopher Llewellyn Reed
- Hammer to Nail
You may know the co-directors of The Notorious Mr. Bout for their prior individual projects, the likes include Maxim Pozdorovkin’s co-directed project HBO alongside Mike Lerner, Pussy Riot: A Punk Prayer, and Tony Gerber’s acclaimed collaboration with Jesse Moss, Full Battle Rattle, but together Pozdorovkin and Gerber have created a surprisingly funny depiction of international crime by profiling famed arms dealer and novice documentarian, Viktor Bout.
Utilizing a treasure trove of footage shot by the Merchant of Death himself, the filmmakers reimagine the glorified public image bestowed upon him by the bloodthirsty mainstream media by deeply investigating his entire mercantile career via interviews with his best friends and biggest enemies. The Notorious Mr. Bout has been picked up for distribution worldwide by Kaleidoscope Film Distribution, sadly excluding Us screens, so domestically they still seem to be waiting it out. The film premiered earlier this year in Park...
Utilizing a treasure trove of footage shot by the Merchant of Death himself, the filmmakers reimagine the glorified public image bestowed upon him by the bloodthirsty mainstream media by deeply investigating his entire mercantile career via interviews with his best friends and biggest enemies. The Notorious Mr. Bout has been picked up for distribution worldwide by Kaleidoscope Film Distribution, sadly excluding Us screens, so domestically they still seem to be waiting it out. The film premiered earlier this year in Park...
- 11/3/2015
- by Jordan M. Smith
- IONCINEMA.com
They say that truth is stranger than fiction, and while Viktor Bout inspired Nicolas Cage's character in "Lord Of War," the real story of the infamous arms dealer beats anything you could put down on paper. Today we have an exclusive clip from the documentary"The Notorious Mr. Bout" Read More: The Films Of Nicolas Cage: A Retrospective Directed by Tony Gerber and Maxim Pozdorovkin, the movie details the rise and fall of Russian entrepreneur, war profiteer, aviation magnate, arms smuggler and even amateur filmmaker Bout, who was captured in 2008. But as you'll see in the scene below, Bout was either the victim of entrapment or fell prey to a clever sting. Following a premiere at the Sundance Film Festival in 2014, "The Notorious Mr. Bout" hits VOD today. Watch below.
- 11/3/2015
- by Edward Davis
- The Playlist
Tinker, Tailer, Soldier, Spoof: Gerber & Pozdorovkin Indulge Bout
You probably know him by his wildly exaggerated media coined title, the ‘Merchant of Death’, or you might even remember Nicolas Cage’s war mongering Hollywood fictionalization of the man in Lord of War, but the real life Viktor Bout, though undeniably complicit in the black market arms trade, may have been more a business savvy buffoon than the master of ballistics he’s thought to be. Collaborating for the first time, directors Tony Gerber and Maxim Pozdorovkin paint a very different picture of the man than we are used to seeing. Harvesting a wealth of hilarious and humanizing home movies shot by Bout himself and his wife, Alla, the filmmakers reveal a man not obsessed with weaponry nor money, but one whose joy springs from time spent with his adoring network of family and friends, as well as from the simple pleasures of tourism,...
You probably know him by his wildly exaggerated media coined title, the ‘Merchant of Death’, or you might even remember Nicolas Cage’s war mongering Hollywood fictionalization of the man in Lord of War, but the real life Viktor Bout, though undeniably complicit in the black market arms trade, may have been more a business savvy buffoon than the master of ballistics he’s thought to be. Collaborating for the first time, directors Tony Gerber and Maxim Pozdorovkin paint a very different picture of the man than we are used to seeing. Harvesting a wealth of hilarious and humanizing home movies shot by Bout himself and his wife, Alla, the filmmakers reveal a man not obsessed with weaponry nor money, but one whose joy springs from time spent with his adoring network of family and friends, as well as from the simple pleasures of tourism,...
- 11/3/2015
- by Jordan M. Smith
- IONCINEMA.com
I enjoyed Andrew Niccol‘s Lord of War when it came out in 2005. It was a fast-paced, enjoyable ride down the rabbit hole of the illegal arms trade, but I had no idea Nicolas Cage‘s character Yuri Orlov was based on a real life “Merchant of Death”. His name is Viktor Bout and he wasn’t even arrested until three years after Hollywood sensationalized the myth of his businessman seen as an international criminal throughout the media. As directors Tony Gerber and Maxim Pozdorovkin sought to tell a tale within this sector of gun smuggling, he of course would prove the logical subject to focus on. The fact he was an amateur filmmaker who documented his travels via home video only made the prospect more intriguing.
Their documentary The Notorious Mr. Bout begins with the 2008 sting operation that brought the titular Russian down. There he sits in grainy black...
Their documentary The Notorious Mr. Bout begins with the 2008 sting operation that brought the titular Russian down. There he sits in grainy black...
- 11/3/2015
- by Jared Mobarak
- The Film Stage
Read More: Exclusive: Meet The Man Who Inspired 'Lord Of War' In Clip From Sundance Doc 'The Notorious Mr. Bout' Andrew Niccol's 2005 film "Lord of War" earned Nicolas Cage some of the best reviews of his varied career. Cage played Yuri Orlov, a Ukrainian-American gunrunner, and now the inspiration behind the character is coming to light in a new documentary from Tony Gerber and Maxim Pozdorovkin. Titled "The Notorious Mr. Bout," the doc exposes the wild life and unconvential professions of Russian buisnessman Viktor Bout. The official synopsis reads: "Viktor Bout was a Russian entrepreneur, a war profiteer, an aviation magnate, an arms smuggler and, strangest of all, an amateur filmmaker. Until three days prior to his 2008 arrest on charges of conspiring to kill Americans, Bout kept the camera running, documenting a life spent in the grey areas of international law. Dubbed the 'merchant of death,' Viktor Bout...
- 10/6/2015
- by Zack Sharf
- Indiewire
On December 17, El Dia de St. Lazaro, something extraordinary happened! Equivalent to the “Fall of the Wall”, President Barak Obama simultaneously with Raul Castro of Cuba announced that diplomatic relations between our two countries was being restored; the last of the Cuban Five imprisoned for 15 years in the U.S. for spying (on Cuban terrorists based in Miami) would be returned to Cuba in exchange for Alan Gross (imprisoned for 5 years for bringing Cuba forbidden internet technology), and an unnamed CIA agent incarcerated for 20 years, along with other Cuban political prisoners; And that this would be the first step in finally normalizing relations between Cuba and the U.S.A.
Read More: Sydney Levine's First Impression at the 2014 Havana Film Festival
As my friends and I were driving from Trinidad to visit a sugar plantation which was the basis for the Cuban wealth of the 19th century, we got a message that in one hour Raul Castro would make the formal announcement and President Obama’s address would also be broadcast.
As we entered the former plantation home, now a restaurant, we heard the singing and jubilation coming from the bar and immediately joined in as the only Americans to share the joy; the Scotch (not rum) was flowing and the dancing and singing continued until the address came on the television.
I realized that in my 15 years of coming to Cuba, this was the moment I had been waiting for. We watched Raul Castro explain, and we watched President Obama explain, and as I watched the faces of the beautiful Cuban people as they listened, some with tears and others with smiles, all with great intensity, I understood the meaning of “rapprochement”. We turned toward each other in pure happiness and felt ourselves united after 55 years of separation.
This is The Place and I am here.
We knew when the Mercosur Heads of State were gathered under tight security at the Hotel Nacional during the first days of the festival that something was afoot. We heard that not only were they planning a possible counter boycott of U.S. in their upcoming May meeting, shutting out U.S. from attending, but the Hotel Nacional’s guest roster included the name of an American who was negotiating something much bigger.
Some speak of the idealism behind this long-wished-for move of U.S.; others speak of the economic necessity. Looking back at my most incredible year of traveling around Latin America, I understand that with the new expansion of the Panama Canal enabling the huge Chinese container ships to pass through, the most convenient next-stop-port for them is Havana. And from Havana, the most convenient port is not Cartagena or Cali in Colombia but New Orleans! And so we may see the rapprochement bring back the glorious days when music and adventure were equated with the Louisiana-Cuban connection. My hope is that the values held so dear in Cuba spread to U.S. and that we Americans don’t spread our U.S. arrogance when we land on the shores of the country which has managed 55 years with no help from us.
There is still more to this tale of reunion, but I am sworn to secrecy for the moment. But you will read it in papers other than this blog. Thirteen months of secret negotiations took place in Canada with the help of the Pope. At a wonderful dinner at a newly opened up Cuban-Russian restaurant on the Malecon, “Nostrovia”, our friend the restaurant owner, Rolando Almirante, whom we know as a documentary filmmaker and host of a weekly Cuban TV show, introduced us to a Canadian and an American both of whom had been involved with the long negotiations. Together we toasted the event with vodka.
To return to the Hotel Nacional and the festival:
Exceptionally quiet for those political reasons, it was also quiet because but there was none of the active debating over the new Law of Cinema which so excitedly animated the festival here last year. There was a low-key conference about the law of cinema and audiovisual culture held by the Cuban Association of Cinema Press with Fipresci and other invited guests to discuss and express opinions about whether most countries by now have a law of cinema, whether developing countries are planning on establishing a law of cinema, whether a law of cinema is necessary for a country aspiring to a higher level of culture for its population, and in what way would a law contribute to the development of production and to the appreciation of cinema. But you do not see everyone gathering in groups to discuss these ideas as they did last year.
Some of last year’s top filmmakers – producers like Ivonne Cotorruelo and Claudia Calvino are so busy preparing their next coproductions that they have no time for such discussions. Others shrug and resignedly express Cuban forbearance as usual.
I asked my friends what is the status of the law being established here in Cuba where only one law of cinema exists, which is the establishment of Icaic, the government institute that determines everything about film behind closed doors. Their answer was “Nothing”. Nothing has changed since last year. Discussions are continuing, and there will be a law established, but not yet…and so I learned that once the first big step is taken here, the next steps are very slow to follow.
So here is what happened on Day 3, December 7 of the my festival:
Our friend Pascal Tessaud whose short from France “City of Lights” brought him to Los Angeles several years ago, had a screening of his new film “Brooklyn”. Its premiere screening here (It premiered in Cannes’ Acid section earlier this year) was to an odd audience of older people. No doubt they were expecting a film about “Brooklyn” (which used to be the name of a bar in Central Havana) but instead got a film about a young Afro-Swiss rapper-girl named “Brooklyn” who enters the rap scene of Paris, made up of Arabs and Africans.
“Afronorteamericano” films were also spotlighted with Oscar Micheaux’s “Assassination in Harlem” (1935), “Within our Gates” (1920), “Body and Soul” (1926) starring Paul Robeson, “Underworld” (1937), “Swing” (1938), and Spencer William’s “The Blood of Jesus” (1941).
Also showing were North American documentaries “Citizen Koch”, “The Notorious Mr. Bout”, “The Overnighters”, and an homage to filmmaker, Eugene Jarecki (“Capturing the Friedmans” 2003, “Arbitrage” 2012, “The Trials of Henry Kissinger” 2002, “Why We Fight” 2006, Emmy Award winning “Reagan” 2011 and 2012’s “The House I Live In” about the war against drugs which along with “Why We Fight” won the Grand Jury Prize for Best Documentary at Sundance) and a retrospective of Haitian filmmaker Raoul Peck. Trinidad & Tobago’s annual showcase featured “Creole Soup” from Guadalupe and “Legends of Ska” by American DJ and ska specialist Brad Klein. And of course there was the latest crop of new films from Latin America and the newest films from Cuba, and much, much more.
Today Benecio del Toro, a regular at this festival, won the Coral of Honor for his role as “Che” in Steven Soderbergh’s movies and for his role as the narcotraffiker, Pablo Escobar in the NBC miniseries “Drug Wars: The Camarena Story” and here now, as Escobar in “Escobar: Paradise Lost” directed by the Italian Andrea Di Stefano. For Benecio, Cuba is “a dream come true”.
Day 4, December 8.
There seems to be a trend toward films about children. The prize winning film “Conducta” and Cuba’s submission for Academy Award Nomination as Best Foreign Language Film has already won awards around the world including The Coral for Best Picture and Best Actor here in Havana. This young boy loses every government protection because of his family’s dysfunctions and yet he maintains the spirit of survival and transcendence. Another story from Argentina, Poland and Colombia, France and Germany, “Refugiado” directed by Diego Lerman, also deals with a child who returns home from a birthday party to find his mother unconscious on the floor. The mother then flees seeking a safe place for them and he experiences fear in all the formerly secure places he has known. “Gente de Bien” a Colombia-France coproduction directed by Franco Lolli also explores the world of a young boy, abandoned by his mother and placed in the disheveled home of his impecunious father, who is taken in by a teacher who means well but whose family refuses to accept him. This little kid reaches his limit when his dog dies; but thrown back to his caring if off-kilter father, you get the feeling he too will be all right after all.
A couple of new gay films showed: Cuba’s “Vestido de Novia” was so crowded I could not get near it. Lines around blocks and blocks to get into the 1,000 seat theater were incredible proof of how much Cubans love cinema. Winner of last year’s prize for a work-in-progress, “Vestido de Novia” (“Wedding Dress) will soon be on the festival circuit. Two years ago, at Guadalajara’s coproduction market “Cuatro Lunas” by Sergio Tovar Velarde was being pitched. A sort of primer on gayness, four stories tell the tale of 1) discovery of one’s gayness, 2) first gay love, 3) first gay betrayal of love and 4) love at a mature stage of life. Producer Fernando … hung out with us a bit as we all come from L.A. and have friends in common.
What – aside from the new rapprochement between Cuba and U.S.A. – is “good for the Jews”? A wonderful film from Uruguay, Spain and Germany, “Mr. Kaplan” directed by Alvaro Brechner and produced by my most helpful friend Mariana Secco, and my German friends Roman Paul and Gerhard Meixner (Isa: Memento) brought a new understanding for the good and the bad in our recent history. Almost a comedy and almost a tragedy, the film’s resolution served to transform our propensity to see and judge in black and white.
Read More: Sydney Levine's First Impression at the 2014 Havana Film Festival
As my friends and I were driving from Trinidad to visit a sugar plantation which was the basis for the Cuban wealth of the 19th century, we got a message that in one hour Raul Castro would make the formal announcement and President Obama’s address would also be broadcast.
As we entered the former plantation home, now a restaurant, we heard the singing and jubilation coming from the bar and immediately joined in as the only Americans to share the joy; the Scotch (not rum) was flowing and the dancing and singing continued until the address came on the television.
I realized that in my 15 years of coming to Cuba, this was the moment I had been waiting for. We watched Raul Castro explain, and we watched President Obama explain, and as I watched the faces of the beautiful Cuban people as they listened, some with tears and others with smiles, all with great intensity, I understood the meaning of “rapprochement”. We turned toward each other in pure happiness and felt ourselves united after 55 years of separation.
This is The Place and I am here.
We knew when the Mercosur Heads of State were gathered under tight security at the Hotel Nacional during the first days of the festival that something was afoot. We heard that not only were they planning a possible counter boycott of U.S. in their upcoming May meeting, shutting out U.S. from attending, but the Hotel Nacional’s guest roster included the name of an American who was negotiating something much bigger.
Some speak of the idealism behind this long-wished-for move of U.S.; others speak of the economic necessity. Looking back at my most incredible year of traveling around Latin America, I understand that with the new expansion of the Panama Canal enabling the huge Chinese container ships to pass through, the most convenient next-stop-port for them is Havana. And from Havana, the most convenient port is not Cartagena or Cali in Colombia but New Orleans! And so we may see the rapprochement bring back the glorious days when music and adventure were equated with the Louisiana-Cuban connection. My hope is that the values held so dear in Cuba spread to U.S. and that we Americans don’t spread our U.S. arrogance when we land on the shores of the country which has managed 55 years with no help from us.
There is still more to this tale of reunion, but I am sworn to secrecy for the moment. But you will read it in papers other than this blog. Thirteen months of secret negotiations took place in Canada with the help of the Pope. At a wonderful dinner at a newly opened up Cuban-Russian restaurant on the Malecon, “Nostrovia”, our friend the restaurant owner, Rolando Almirante, whom we know as a documentary filmmaker and host of a weekly Cuban TV show, introduced us to a Canadian and an American both of whom had been involved with the long negotiations. Together we toasted the event with vodka.
To return to the Hotel Nacional and the festival:
Exceptionally quiet for those political reasons, it was also quiet because but there was none of the active debating over the new Law of Cinema which so excitedly animated the festival here last year. There was a low-key conference about the law of cinema and audiovisual culture held by the Cuban Association of Cinema Press with Fipresci and other invited guests to discuss and express opinions about whether most countries by now have a law of cinema, whether developing countries are planning on establishing a law of cinema, whether a law of cinema is necessary for a country aspiring to a higher level of culture for its population, and in what way would a law contribute to the development of production and to the appreciation of cinema. But you do not see everyone gathering in groups to discuss these ideas as they did last year.
Some of last year’s top filmmakers – producers like Ivonne Cotorruelo and Claudia Calvino are so busy preparing their next coproductions that they have no time for such discussions. Others shrug and resignedly express Cuban forbearance as usual.
I asked my friends what is the status of the law being established here in Cuba where only one law of cinema exists, which is the establishment of Icaic, the government institute that determines everything about film behind closed doors. Their answer was “Nothing”. Nothing has changed since last year. Discussions are continuing, and there will be a law established, but not yet…and so I learned that once the first big step is taken here, the next steps are very slow to follow.
So here is what happened on Day 3, December 7 of the my festival:
Our friend Pascal Tessaud whose short from France “City of Lights” brought him to Los Angeles several years ago, had a screening of his new film “Brooklyn”. Its premiere screening here (It premiered in Cannes’ Acid section earlier this year) was to an odd audience of older people. No doubt they were expecting a film about “Brooklyn” (which used to be the name of a bar in Central Havana) but instead got a film about a young Afro-Swiss rapper-girl named “Brooklyn” who enters the rap scene of Paris, made up of Arabs and Africans.
“Afronorteamericano” films were also spotlighted with Oscar Micheaux’s “Assassination in Harlem” (1935), “Within our Gates” (1920), “Body and Soul” (1926) starring Paul Robeson, “Underworld” (1937), “Swing” (1938), and Spencer William’s “The Blood of Jesus” (1941).
Also showing were North American documentaries “Citizen Koch”, “The Notorious Mr. Bout”, “The Overnighters”, and an homage to filmmaker, Eugene Jarecki (“Capturing the Friedmans” 2003, “Arbitrage” 2012, “The Trials of Henry Kissinger” 2002, “Why We Fight” 2006, Emmy Award winning “Reagan” 2011 and 2012’s “The House I Live In” about the war against drugs which along with “Why We Fight” won the Grand Jury Prize for Best Documentary at Sundance) and a retrospective of Haitian filmmaker Raoul Peck. Trinidad & Tobago’s annual showcase featured “Creole Soup” from Guadalupe and “Legends of Ska” by American DJ and ska specialist Brad Klein. And of course there was the latest crop of new films from Latin America and the newest films from Cuba, and much, much more.
Today Benecio del Toro, a regular at this festival, won the Coral of Honor for his role as “Che” in Steven Soderbergh’s movies and for his role as the narcotraffiker, Pablo Escobar in the NBC miniseries “Drug Wars: The Camarena Story” and here now, as Escobar in “Escobar: Paradise Lost” directed by the Italian Andrea Di Stefano. For Benecio, Cuba is “a dream come true”.
Day 4, December 8.
There seems to be a trend toward films about children. The prize winning film “Conducta” and Cuba’s submission for Academy Award Nomination as Best Foreign Language Film has already won awards around the world including The Coral for Best Picture and Best Actor here in Havana. This young boy loses every government protection because of his family’s dysfunctions and yet he maintains the spirit of survival and transcendence. Another story from Argentina, Poland and Colombia, France and Germany, “Refugiado” directed by Diego Lerman, also deals with a child who returns home from a birthday party to find his mother unconscious on the floor. The mother then flees seeking a safe place for them and he experiences fear in all the formerly secure places he has known. “Gente de Bien” a Colombia-France coproduction directed by Franco Lolli also explores the world of a young boy, abandoned by his mother and placed in the disheveled home of his impecunious father, who is taken in by a teacher who means well but whose family refuses to accept him. This little kid reaches his limit when his dog dies; but thrown back to his caring if off-kilter father, you get the feeling he too will be all right after all.
A couple of new gay films showed: Cuba’s “Vestido de Novia” was so crowded I could not get near it. Lines around blocks and blocks to get into the 1,000 seat theater were incredible proof of how much Cubans love cinema. Winner of last year’s prize for a work-in-progress, “Vestido de Novia” (“Wedding Dress) will soon be on the festival circuit. Two years ago, at Guadalajara’s coproduction market “Cuatro Lunas” by Sergio Tovar Velarde was being pitched. A sort of primer on gayness, four stories tell the tale of 1) discovery of one’s gayness, 2) first gay love, 3) first gay betrayal of love and 4) love at a mature stage of life. Producer Fernando … hung out with us a bit as we all come from L.A. and have friends in common.
What – aside from the new rapprochement between Cuba and U.S.A. – is “good for the Jews”? A wonderful film from Uruguay, Spain and Germany, “Mr. Kaplan” directed by Alvaro Brechner and produced by my most helpful friend Mariana Secco, and my German friends Roman Paul and Gerhard Meixner (Isa: Memento) brought a new understanding for the good and the bad in our recent history. Almost a comedy and almost a tragedy, the film’s resolution served to transform our propensity to see and judge in black and white.
- 12/27/2014
- by Sydney Levine
- Sydney's Buzz
“Who’s Mr Bout?” is the first thing anyone asks on hearing the title. Think Nicolas Cage’s unscrupulous arms dealer in Lord of War (2005) and you have the answer. However, whereas Cage’s fictitiously-named Yuri Orlov, who is based on Mr Bout, the ‘Merchant of Death’, is slightly insane, the real-life character in directors Tony Gerber and Maxim Pozdorovkin’s documentary comes across as anything but – initially, more jolly capitalist cashing in on a lucrative shipping market in post-Soviet Russia than abject rogue.
The film is pieced together with homemade video from filmmaking enthusiast Viktor Bout to build a picture of him at home and in ‘the workplace’. It then follows the timeline of events until his arrest in Thailand in 2008, following a Us government sting operation that all seems too ‘easy’ to be true. There is also ‘present-day’ commentary from his loyal wife, Alla, as she bravely faces...
The film is pieced together with homemade video from filmmaking enthusiast Viktor Bout to build a picture of him at home and in ‘the workplace’. It then follows the timeline of events until his arrest in Thailand in 2008, following a Us government sting operation that all seems too ‘easy’ to be true. There is also ‘present-day’ commentary from his loyal wife, Alla, as she bravely faces...
- 8/16/2014
- by Lisa Giles-Keddie
- HeyUGuys.co.uk
Thanks to the increase in access to small scale non-fiction films through the barrage of streaming services viewers now have access to – Netflix, Hulu Plus, Amazon Prime, Mubi, Vudu, etc – people are watching more documentaries than ever before. You can literally turn on any web ready device of your choosing and be watching any number of top quality docs within a number of seconds. It’s nothing short of incredible. But, with ease of access comes an over saturation of content used to fill in the curatorial gaps. For every Marwencol, Senna, Gimme Shelter or The Act of Killing, there are heaps of ordures cinéma clogging up precious bandwidth. And let’s not forget, cinemas themselves are enjoying a renewed trust in the non-fiction form, exhibiting over 100 documentaries on the silver screen last year and banking over $50 Million at the box office in the process, not including the hundreds of...
- 7/28/2014
- by Jordan M. Smith
- IONCINEMA.com
"Lord of War" may not have been Nicolas Cage's shining moment, but it probably looked great on paper. The movie sees Cage jet-setting all over the planet with suitcases full of money, and making high-stakes weapons deals in exotic countries. The film is based on the life of Russian arms dealer Viktor Bout, and while "Lord of War" may have been a so-so movie, Bout's real life exploits are anything but average.
A new documentary about Bout -- "The Notorious Mr. Bout" -- has made its way to Hot Docs, and it's well worth a look. It may not be as flashy as Hollywood, but it does fill in the blanks on this unimaginable and surprisingly human story. Viktor Bout doesn't love it, but his nickname is "The Merchant of Death." According to authorities around the world, he has earned every letter of this macabre moniker, but Bout thinks...
A new documentary about Bout -- "The Notorious Mr. Bout" -- has made its way to Hot Docs, and it's well worth a look. It may not be as flashy as Hollywood, but it does fill in the blanks on this unimaginable and surprisingly human story. Viktor Bout doesn't love it, but his nickname is "The Merchant of Death." According to authorities around the world, he has earned every letter of this macabre moniker, but Bout thinks...
- 5/2/2014
- by Mark Wigmore
- Moviefone
The Pussy Riot documentary, Pussy Riot: A Punk Prayer, had its world premiere last year at Sundance. The doc was co-directed by Russian filmmaker Maxin Pozdorovkin, who now is teamed with a different director (Tony Gerber), but returned to the same festival with another documentary that explores a polemical legal case. Meet Viktor Bout. Russian. Businessman. Video aficionado. And, apparently, the notorious Taliban-supporting arms trafficker who inspired the Nicolas Cage movie Lord of War and conspired to kill Americans in 2008. The Notorious Mr. Bout asks simple yet precise questions: Who is Bout? What lead to his 2008 arrest by the DEA? Is he really the so-called "Merchant of Death" who supported terrorists and deserves to be incarcerated? To find these answers, the documentarians present...
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- 1/28/2014
- Screen Anarchy
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