The Last Race is a high art film about a blue-collar subject, and that unlooked-for ability to see beauty in the everyday is what makes it both a surprise and a success.
Unconventional in style and contemplative in tone, The Last Race represents more of a living document of a dwindling American subculture than a typical sports documentary.
This graceful, ruminative fragment of scrap-metal Americana marks a distinguished foray into feature filmmaking for renowned narrative photographer Dweck.
Dweck mixes cheerfully amateurish interviews and staged moments with the driving community and track eco-system with poetic and visceral footage of the action on the track, racing sequences often set to sacred choral music by Mozart.
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RogerEbert.comTomris Laffly
RogerEbert.comTomris Laffly
An empathetic examination of the traditional lifeline of a tight-knit community, threatened to be torn apart by an inevitable wave of capitalist takeover.