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Director Andrzej Żuławski’s 1981 horror film Possession is so unique, it’s difficult to imagine anyone even attempting to remake it. The mind-bending creature feature was a reflection of the issues Żuławski was dealing with at the time; his marriage had ended in a devastating divorce, he was driven out of his home country of Poland because the Communist government didn’t approve of his filmmaking endeavors, and Possession was his way of purging dark emotions. It’s not something that can be replicated – but Parker Finn, the writer/director of Smile and the upcoming Smile 2, has an approach to the material that he wants to share with the world. It was announced earlier this year that Finn will be writing and directing a Possession remake, with Robert Pattinson producing through his company Icki Eneo Arlo. (Whether or not Pattinson takes an acting role in the film will depend...

Fans of Andrzej Żuławski’s 1981 psychological horror movie Possession weren’t exactly thrilled to learn that a remake is on the way from Paramount and Smile filmmaker Parker Finn, but director Razka Robby Ertanto beat the remake to the punch with Possession: Kerasukan.

The loose Indonesian remake of the cult horror film has quietly been available to stream on Netflix for months.

The synopsis reads the same, “Returning from military duty, Faris is shocked to learn that his wife wants a divorce. He decides to investigate and discovers a sinister secret.”

Żuławski’s film recently received a new 4K restoration, “Banned upon release in 1981, Żuławski’s stunningly choreographed nightmare of a marriage unraveling is an experience unlike any other. Professional spy Mark (Sam Neill) returns to his West Berlin home to find his wife Anna (Isabelle Adjani) insistent on a divorce. As Anna’s frenzied behavior becomes ever more alarming,...

Inspired by Andrzej Zulawski’s cult horror, Possession, the Indonesian horror drama Possession: Kerasukan, directed by Razka Robby Ertanto, is visually enticing; however, it doesn’t have that standout quality. The supernatural is not convincing, and while the idea is impactful, it feels forced visually. At times, things unfold too conveniently, and there are scenes that are not executed well, but the message at the core of the film is well conveyed. Faris and Ratna were in a loveless marriage. They were so entangled in their emotional mess that their son, Budi, was often ignored. Faris was a Navy man, and he had to stay away from home for months at a time. Ratna was a writer, and she’d recently been working on a play. She had decided to divorce Faris as soon as he returned home. Ratna’s decision to divorce him left Faris shocked. He refused to...