“Hit Man” is writer/director Richard Linklater’s most commercial film since “School of Rock.” While the indie icon has enjoyed some mild box office successes in his 30-year-plus career, those have largely been the product of overwhelmingly positive critical reception and the longtail word-of-mouth that accompanies a beloved gem like “Boyhood.”
But that’s not “Hit Man.” Linklater combines the fun of a screwball comedy, the twists and turns of a crime film, and a sexy romance featuring the magnetic charm of Glen Powell in a role that announces him as a full-blown movie star after having carried (along with co-star Sidney Sweeney) the surprise rom-com hit “Anyone But You” this winter, and ahead of anchoring the studio tentpole “Twisters” this summer.
“Hit Man,” which won over critics and audiences at the Venice and New York Film Festival, will almost certainly find its audience, but it won’t be in theaters,...
But that’s not “Hit Man.” Linklater combines the fun of a screwball comedy, the twists and turns of a crime film, and a sexy romance featuring the magnetic charm of Glen Powell in a role that announces him as a full-blown movie star after having carried (along with co-star Sidney Sweeney) the surprise rom-com hit “Anyone But You” this winter, and ahead of anchoring the studio tentpole “Twisters” this summer.
“Hit Man,” which won over critics and audiences at the Venice and New York Film Festival, will almost certainly find its audience, but it won’t be in theaters,...
- 6/7/2024
- by Chris O'Falt
- Indiewire
There’s always the risk of misusing 15 tightly mandated minutes on a director’s junket day. One imagines it increases twofold when the subject’s been of interest nearly your entire film-watching life, with whom you’d sooner exchange questions about a 2019 short produced for the Pompidou Centre than, say, what it’s like working with Glen Powell.
It was under these circumstances I had the fortune to interview Richard Linklater, who’s been on a major press jag for Hit Man, his biggest crowdpleaser in several years that arrives on Netflix this Friday, June 7. In a tight frame we managed to cover the strange connections it bears with his other recent premiere, and––an issue about which he clearly feels passionate––why the culture is asking us to remain 13 years old forever.
The Film Stage: I watched Gabe Klinger’s Double Play, and I loved seeing the many, many posters in your editing room.
It was under these circumstances I had the fortune to interview Richard Linklater, who’s been on a major press jag for Hit Man, his biggest crowdpleaser in several years that arrives on Netflix this Friday, June 7. In a tight frame we managed to cover the strange connections it bears with his other recent premiere, and––an issue about which he clearly feels passionate––why the culture is asking us to remain 13 years old forever.
The Film Stage: I watched Gabe Klinger’s Double Play, and I loved seeing the many, many posters in your editing room.
- 6/6/2024
- by Nick Newman
- The Film Stage
Am kommenden Freitag startet Richard Linklaters Actionkomödie „Hit Man“ bei Netflix. Unterdessen arbeitet der US-Regisseur und -Drehbuchautor an zahlreichen Projekten.
Richard Linklater, hier im Vorfeld der Premiere seiner Actionkomödie „Hit Man“ im vergangenen Jahr in Venedig, hat derzeit einiges in der Pipeline (Credit: Imago / Independent Photo Agency Int.)
Während am kommenden Freitag Richard Linklaters Actionkomödie „Hit Man“, die im vergangenen Jahr in Venedig ihre Premiere gefeiert hatte, bei Netflix startet, arbeitet der US-Regisseur und -Drehbuchautor an zahlreichen Projekten.
So arbeitet Linklater aktuell an einem weiteren Langzeitprojekt, nach „Boyhood“, den er in den Jahren 2002 bis 2013 realisierte, der Adaption von Stephen Sondheims Musical „Merrily We Roll Along“, dessen Handlung auf einen Zeitraum von 20 Jahren angelegt ist – und für dessen Umsetzung er sich auch exakt 20 Jahre Zeit lassen will.
In einem Interview mit der „New York Times“ darauf angesprochen, dass Linklater, der Ende des Monats seinen 64. Geburtstag feiern wird, ja dann über 80 Jahre...
Richard Linklater, hier im Vorfeld der Premiere seiner Actionkomödie „Hit Man“ im vergangenen Jahr in Venedig, hat derzeit einiges in der Pipeline (Credit: Imago / Independent Photo Agency Int.)
Während am kommenden Freitag Richard Linklaters Actionkomödie „Hit Man“, die im vergangenen Jahr in Venedig ihre Premiere gefeiert hatte, bei Netflix startet, arbeitet der US-Regisseur und -Drehbuchautor an zahlreichen Projekten.
So arbeitet Linklater aktuell an einem weiteren Langzeitprojekt, nach „Boyhood“, den er in den Jahren 2002 bis 2013 realisierte, der Adaption von Stephen Sondheims Musical „Merrily We Roll Along“, dessen Handlung auf einen Zeitraum von 20 Jahren angelegt ist – und für dessen Umsetzung er sich auch exakt 20 Jahre Zeit lassen will.
In einem Interview mit der „New York Times“ darauf angesprochen, dass Linklater, der Ende des Monats seinen 64. Geburtstag feiern wird, ja dann über 80 Jahre...
- 6/4/2024
- by Jochen Müller
- Spot - Media & Film
Richard Linklater just had his hometown premiere for “Hit Man” in Austin May 15, at which his star and co-writer Glen Powell was inducted into the Texas Film Hall of Fame. But he’s already wrapped his next movie, “Nouvelle Vague.”
Shot in Paris, “Nouvelle Vague” tells the story of Jean-Luc Godard making his jump from Cahiers du Cinema film critic (Cahiers is also fittingly where the first look images from “Nouvelle Vague” made their debut) to filmmaker with the making of his first movie, “Breathless.” Guillaume Marbeck is Godard, and Zoe Deutsch plays his star Jean Seberg.
On the red carpet of the “Hit Man” premiere, Linklater talked to IndieWire about what he hopes viewers take away from “Nouvelle Vague” and, especially, what we can learn from the French New Wave filmmakers at this moment when there’s such doom and gloom about the future of cinema.
“Just absolute love and dedication to cinema,...
Shot in Paris, “Nouvelle Vague” tells the story of Jean-Luc Godard making his jump from Cahiers du Cinema film critic (Cahiers is also fittingly where the first look images from “Nouvelle Vague” made their debut) to filmmaker with the making of his first movie, “Breathless.” Guillaume Marbeck is Godard, and Zoe Deutsch plays his star Jean Seberg.
On the red carpet of the “Hit Man” premiere, Linklater talked to IndieWire about what he hopes viewers take away from “Nouvelle Vague” and, especially, what we can learn from the French New Wave filmmakers at this moment when there’s such doom and gloom about the future of cinema.
“Just absolute love and dedication to cinema,...
- 5/19/2024
- by Christian Blauvelt
- Indiewire
First look notwithstanding, details have been few and far between on Richard Linklater’s Nouvelle Vague, largely understood to concern the production of Jean-Luc Godard’s Breathless, making notable a new set report from Les Inrockuptibles. It should’ve been obvious from the jump that America’s premier hangout filmmaker would resurrect cinema’s most-influential group as, well, a group, with Linklater describing his film as (in a somewhat contradictory manner) “the story of a personal revolution in cinema led by one man, and all the people around him,” with the implication of actors playing Jacques Rivette, Éric Rohmer, Jacques Demy, Agnès Varda, Alain Resnais, and Jean Cocteau.
Fittingly, Nouvelle Vague will not start with Zoey Deutch’s Jean Seberg (admittedly odd combination of words) filming on the Champs-Élysées, but at least stretches back to the 1959 Cannes Film Festival, where, upon The 400 Blows‘ triumphant debut, Godard “succeeded in convincing producer...
Fittingly, Nouvelle Vague will not start with Zoey Deutch’s Jean Seberg (admittedly odd combination of words) filming on the Champs-Élysées, but at least stretches back to the 1959 Cannes Film Festival, where, upon The 400 Blows‘ triumphant debut, Godard “succeeded in convincing producer...
- 5/14/2024
- by Leonard Pearce
- The Film Stage
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.