Avis des utilisateurs

Director Emmanuel Courcol masterfully crafts a bittersweet comedy that flows effortlessly, much like the music at its core. The plot is simple: two brothers, separated at birth, reunite as adults. One is a celebrated orchestra conductor, while the other is a chef. For one, music represents a thriving career; for the other, it is a hard-earned passion, kept alive within a scrappy village band in northern France. Despite their contrasting lives, their shared love for music forges an unbreakable bond.

The music, with its universal language, unites and breaks down barriers between individuals. In the same vein, the film conveys a poignant message of empathy, solidarity, and brotherhood-a message that feels more vital than ever today.

I don't have an easy tear, but my eyes were shining as I left the hall.

Masterful performance by Benjamin Lavernhe. The story is very nice, light but not superficial, never dull.

Many melodies run through the film, the comedy, the drama, the 'protest' film (it reminded me of Kean Loach).

The red thread is music, in its purest manifestations from classical to jazz. The popular declination is very successful, making it a film for everyone. I will take my 9- and 12-year-old children to see it.

I think the only "flaw" in the film is the direction. Some parts of the film are not tied together well. But the rendering is still effective and, above all, emotionally impactful.

I was moved by this film in many ways (even though I saw it dubbed over in German in a German cinema), but one quality stood out to me: the care that had been given to really portraying music in the making: The rehearsal scenes of both the orchestras seemed very real to me, no-one was mimicking to play an instrument, they could all really play and apparently seemed to do so. For real! This is quite exceptional, for it isn't easy to find people who can both act and play an instrument.

The composing scene, with the 'composer' working with pencil and paper on the piano, was the only scene that musically struck me as a bit unrealistic, for it would be hard to find a composer under 50 that doesn't use a computer to write the notes.

It was also really moving to see how even the most different styles in music can travel straight to the heart and have an important function in peoples lives.

For the rest I found the story moving, original and well performed.

It's only the beginning of 2025 and already I feel like I've seen the best movie of the year.

It's one of the best movies I have ever seen.

'En Fanfare' reminds me a bit of 'Brassed Off', also about a brass band but then in a coal mine in The United Kingdom.

The beautiful classic music ties in nicely with the beautiful song 'Emmenez moi' of Charles Aznavour, my favourite French singer. The two leading actors - Benjamin Lavernhe and Pierre Lotin - are excellent in their roles of two brothers who only verly late in live know that they are brothers. It's a drama but with a lot of warmth and some laughs.

One can completely empathize with this realistic and deeply human story.

I highly recommend everyone to watch this beautiful film, but on the big screen in the cinema.

And when the film ended, there was applause from part of the almost full hall. I had never experienced this before in cinema, and I have been going for many years.

En Fanfare takes us on a profoundly human journey filled with generosity and hope. This touching and luminous film transforms a familiar premise into an inspiring reflection on brotherhood, adoption, and altruism.

// A classic story, reimagined The plot centers on two estranged brothers who meet late in life-one thriving in a world of prestige, the other leading a modest existence. While the theme feels timeless, En Fanfare stands out with its nuanced storytelling. Combining tender moments with delicate humor, it entertains while provoking thought. The narrative raises universal questions about our ability to live together and create meaningful connections.

// A cinematic and musical triumph The direction is polished, featuring visually striking scenes enhanced by an enriching soundtrack. Music plays a key role, almost as a character in itself, heightening the emotional impact. The cinematography's subtle contrasts reflect the dualities of the film, such as wealth and humility, isolation and solidarity. The balance between story and music creates a deeply immersive experience.

// Exceptional performances The cast delivers outstanding work, with Benjamin Lavernhe excelling as the conductor. He portrays a figure of authority who evolves with unexpected depth and sensitivity. Opposite him, Pierre Lottin shines as the humble yet quietly resilient brother, embodying authenticity. Their chemistry breathes life into heartfelt scenes, navigating tension and growing connection with ease.

// A hopeful and timely message In a time of societal division, En Fanfare feels like a necessary breath of fresh air. It challenges the narrative of individualism, offering an uplifting portrayal of empathy and mutual support. This optimism, deeply rooted in complex characters and realistic scenarios, reminds us of the best humanity has to offer.

En Fanfare is a joyous and inspiring film for anyone who believes in the power of connection and generosity. Delicate yet powerful, it is a must-watch.

Final score: 9/10 A deeply human film that will leave you feeling uplifted.

Just watched it on Varilux French Movie Festival in Brazil.

Nice story about bonding with family members, about the "what could have beens" in life.

It's a drama but with warmth and some laughs. Acting of the two main characters are on point, especially the brother played by Pierre Lotin whose role is a somewhat closed person but with good heart.

Believable story without being too dramatic. I really recommend it.

---

Just watched it on Varilux French Movie Festival in Brazil.

Nice story about bonding with family members, about the "what could have beens" in life.

It's a drama but with warmth and some laughs. Acting of the two main characters are on point, especially the brother played by Pierre Lotin whose role is a somewhat closed person but with good heart.

Believable story without being too dramatic. I really recommend it.

A moving rendition of the bond between two brothers at opposite ends of the social spectrum, of what a life's achievement means, and of the consequences of single decisions by parents on a child's destiny.

The screenplay manages to blend funny dialogues, unexpected situations, and serious moments. What could have been "only" a sad drama escapes that trap. With a great supporting cast, B Lavernhe and P Lottin succeed in bringing to life the bond and tension between a renowned director and an amateur brass band member E Courcol's, M Tomersy's, O Bonduel's, I Muscari and K Amara's storytelling and the quality of acting combine to make it one the great movies I've seen this year.

Oh how wonderful, a drama/comedy at its best. A country like France is truly a master at this. The actors are absolutely wonderful in their roles. The seriousness and humor are spot on. I really love that mix in a film. You are never disappointed. The film highlights many things that can be crucial in life. Without me revealing anything. After watching a film like this, you are filled with different emotions such as joy, hope and a little bit of sadness. Then the director has succeeded with his film in my opinion. The most important thing about film is that you are touched in one way or another. It is the experience and feelings you carry with you after you have seen a really good film. Watch the film and be touched in your own way.

"The Marching Band" (2024) is one of those rare films that stays with you long after the credits roll. Directed with incredible sensitivity and vision, it captures the raw emotions of its characters and presents a story that feels both deeply personal and universally relatable.

The performances are outstanding - every actor brings authenticity and depth to their role. The music, naturally central to the story, is woven in so seamlessly that it feels like a character of its own, carrying the audience through moments of joy, sorrow, and quiet reflection.

What moved me most was how the film portrayed resilience and human connection without ever feeling forced or overly sentimental. It's honest, heartfelt storytelling at its best.

Visually, the movie is stunning too - each frame feels carefully composed, almost poetic. The director's touch is gentle yet firm, allowing the story to unfold naturally while maintaining a clear artistic vision.

I wholeheartedly recommend "The Marching Band" to anyone who loves films that speak to the soul. It's a beautiful reminder of the power of art, music, and human perseverance.