The Marriage Project, the production company behind Latvian auteur Signe Baumane’s Annecy Jury Distinction winner “My Love Affair with Marriage,” has unveiled key casting details for the award-winning filmmaker’s next feature, “Karmic Knot.”
Written and directed by Baumane, whose previous works “Rocks In My Pockets” and “My Love Affair With Marriage” have garnered critical acclaim, “Karmic Knot” tells the multi-generational story of a tight-knit family striving to survive in Soviet-occupied Latvia from the 1970s to the early 1990s. As the Soviet Union collapses, the family aspires to rebuild their world, even more insular than before, while one member harbors ambitions that could change everything.
Promising a cinematic experience that blends Hollywood glamour with Broadway brilliance, the film’s A-list cast is headlined by Tony-Award-nominated actor Patrick Wilson, renowned for his roles in “The Conjuring” film series and “Insidious.” Wilson will voice the film’s protagonist, Ansis, a civil...
Written and directed by Baumane, whose previous works “Rocks In My Pockets” and “My Love Affair With Marriage” have garnered critical acclaim, “Karmic Knot” tells the multi-generational story of a tight-knit family striving to survive in Soviet-occupied Latvia from the 1970s to the early 1990s. As the Soviet Union collapses, the family aspires to rebuild their world, even more insular than before, while one member harbors ambitions that could change everything.
Promising a cinematic experience that blends Hollywood glamour with Broadway brilliance, the film’s A-list cast is headlined by Tony-Award-nominated actor Patrick Wilson, renowned for his roles in “The Conjuring” film series and “Insidious.” Wilson will voice the film’s protagonist, Ansis, a civil...
- 30/1/2025
- de Jamie Lang
- Variety Film + TV
Polish-born Dagmara Domińczyk, who stars in “Succession” as Karolina Novotney, the head of PR for Waystar Royco, embraces her Eastern European heritage in the upcoming animation “My Love Affair With Marriage.” Directed by Signe Baumane, also behind 2014’s “Rocks in My Pockets,” the film – inspired by Baumane’s turbulent past relationships – will premiere at Tribeca and Annecy.
New Europe Film Sales is handling sales at the Cannes Market, alongside Un Certain Regard title “Godland,” Berlinale premieres “Beautiful Beings” and “A Piece of Sky,” as well as two other animations, “The Peasants” and “Yuku and the Himalayan Flower.”
The actor, who voices main character Zelma, torn between traditional views on marriage, a women’s role and her own happiness, felt “an instant connection” with the Latvian animator.
“We understood each other. We both come from the Eastern Bloc – it’s something we have in our genes, in our DNA. For Signe,...
New Europe Film Sales is handling sales at the Cannes Market, alongside Un Certain Regard title “Godland,” Berlinale premieres “Beautiful Beings” and “A Piece of Sky,” as well as two other animations, “The Peasants” and “Yuku and the Himalayan Flower.”
The actor, who voices main character Zelma, torn between traditional views on marriage, a women’s role and her own happiness, felt “an instant connection” with the Latvian animator.
“We understood each other. We both come from the Eastern Bloc – it’s something we have in our genes, in our DNA. For Signe,...
- 24/5/2022
- de Marta Balaga
- Variety Film + TV
Inspired by similar feminist film weeks in London and Berlin, the co-founders of Woman With a Movie Camera are bringing New York Feminist Film Week to the city’s Anthology Film Archives. Designed to illuminate cultural and cinematic approaches to feminism — intersectional, transnational and everything in between — the first annual Nyffw features a hearty slate of films directed by filmmakers both known and rising, but you don’t have to be in attendance to catch up on some of the most seminal screenings on their calendar.
Read More: Female Filmmakers Are ‘Grossly Underrepresented’ When It Comes to Directing Opportunities, New Study Finds
The inaugural Nyffw has divided its slate into a series of thoughtfully curated programs which tackle topics as wide-ranging as “Dismantling Islamophobia,” “Trans/Action” and “Bodies,” along with a special tribute to Barbara Hammer and an entire program dedicated to “feminist film genealogies.” Animation fans and those who...
Read More: Female Filmmakers Are ‘Grossly Underrepresented’ When It Comes to Directing Opportunities, New Study Finds
The inaugural Nyffw has divided its slate into a series of thoughtfully curated programs which tackle topics as wide-ranging as “Dismantling Islamophobia,” “Trans/Action” and “Bodies,” along with a special tribute to Barbara Hammer and an entire program dedicated to “feminist film genealogies.” Animation fans and those who...
- 6/3/2017
- de Kate Erbland
- Indiewire
Rocks In My Pockets will screen Tuesday, September 29 at 7pm at Emerson Auditorium in the Institute for Health Education at St. Luke’s Hospital
In the new animated gem Rocks In My Pockets, Latvian-born artist and filmmaker Signe Baumane tells five fantastical tales based on the courageous women in her family and their battles with madness. With boundless imagination and a twisted sense of humor, she has created daring stories of art, romance, marriage, nature, business, and Eastern European upheaval-all in the fight for her own sanity. Employing a unique, beautifully textured combination of papier-mâché stop-motion and classic hand-drawn animation (with inspiration from Jan Svankmajer and Bill Plympton), Baumane has produced a poignant and often hilarious tale of mystery, mental health, redemption and survival.
The critics are praising Rocks In My Pockets
Simon Foster at Screen-Space wrote:
“….Baumane draws upon a rich history of European animation to propel Rocks in My Pockets,...
In the new animated gem Rocks In My Pockets, Latvian-born artist and filmmaker Signe Baumane tells five fantastical tales based on the courageous women in her family and their battles with madness. With boundless imagination and a twisted sense of humor, she has created daring stories of art, romance, marriage, nature, business, and Eastern European upheaval-all in the fight for her own sanity. Employing a unique, beautifully textured combination of papier-mâché stop-motion and classic hand-drawn animation (with inspiration from Jan Svankmajer and Bill Plympton), Baumane has produced a poignant and often hilarious tale of mystery, mental health, redemption and survival.
The critics are praising Rocks In My Pockets
Simon Foster at Screen-Space wrote:
“….Baumane draws upon a rich history of European animation to propel Rocks in My Pockets,...
- 25/9/2015
- de Tom Stockman
- WeAreMovieGeeks.com
Competition titles revealed; exclusive first footage to screen from Pixar’s The Good Dinosaur and Disney’s Zootopia.
The Annecy International Animation Film Festival (June 15-20) is to spotlight the contribution of women to animation and their growing presence in the medium.
This year’s Honorary Cristal will be awarded to French director Florence Miailhe, whose unusual technique has been called “film painting”. She was first at Annecy in 2000 with Au premier dimanche d’aout, which won the Cear for Best Short Film, and won a special mention at Cannes in 2006 for her short Conte de quartier.
Sticking with the female focus, there will be films about maternity and sexuality, the female imagination and a strand titled The Future Is Woman.
Canadian filmmaker Janet Perlman, who secured an Oscar nomination with The Tender Tale of Cinderella Penguin (1981), will also be the subject of a special focus.
This year’s festival, overseen by artistic...
The Annecy International Animation Film Festival (June 15-20) is to spotlight the contribution of women to animation and their growing presence in the medium.
This year’s Honorary Cristal will be awarded to French director Florence Miailhe, whose unusual technique has been called “film painting”. She was first at Annecy in 2000 with Au premier dimanche d’aout, which won the Cear for Best Short Film, and won a special mention at Cannes in 2006 for her short Conte de quartier.
Sticking with the female focus, there will be films about maternity and sexuality, the female imagination and a strand titled The Future Is Woman.
Canadian filmmaker Janet Perlman, who secured an Oscar nomination with The Tender Tale of Cinderella Penguin (1981), will also be the subject of a special focus.
This year’s festival, overseen by artistic...
- 29/4/2015
- de michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Ivan Ostrochovský’s boxer drama Goat (Koza) has been named Best Film at the 20th Vilnius International Film Festival.
The film, which had its world premiere in the Berlinale’s Panorama section in February, won the ¨New Europe - New Names¨ competition at the festival, which ran from March 19 to April 2.
The film, about a former Olympic boxer who goes on a punishing ‘tour’ to raise some fast cash, also took home the Cicae Art Cinema Award.
Goat (Koza), which won the works in progress prize at last year’s Karlovy Vary, is handled internationally by fledgling sales company Pluto Film.
The ¨New Europe - New Names¨ jury, which included Chilean director Cristián Jiménez, Israeli actress Hadas Yaron, and Romanian actor Vlad Ivanov, gave its award for Best Director to Ukraine’s Myroslav Slaboshpytskiy for The Tribe and its acting honours to Hungary’s Márton Kristóf (Afterlife) and Bulgaria’s Margita Gosheva (The Lesson).
Meanwhile, the Baltic...
The film, which had its world premiere in the Berlinale’s Panorama section in February, won the ¨New Europe - New Names¨ competition at the festival, which ran from March 19 to April 2.
The film, about a former Olympic boxer who goes on a punishing ‘tour’ to raise some fast cash, also took home the Cicae Art Cinema Award.
Goat (Koza), which won the works in progress prize at last year’s Karlovy Vary, is handled internationally by fledgling sales company Pluto Film.
The ¨New Europe - New Names¨ jury, which included Chilean director Cristián Jiménez, Israeli actress Hadas Yaron, and Romanian actor Vlad Ivanov, gave its award for Best Director to Ukraine’s Myroslav Slaboshpytskiy for The Tribe and its acting honours to Hungary’s Márton Kristóf (Afterlife) and Bulgaria’s Margita Gosheva (The Lesson).
Meanwhile, the Baltic...
- 7/4/2015
- de screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Exclusive: Poland-based sales outfit concludes number of deals on its slate.
Poland-based growing sales outfit New Europe Film Sales has concluded a number of deals ahead of Efm on its slate.
Bas Devos’ Violet, a Berlinale selection last year, has sold to Poland (Alter Ego) and Lithuania (Kaunas Ff).
Signe Baumane’s animated Rocks In My Pockets, a Us-Latvia production and Latvia’s submission to the Oscar race, has sold to Spain (Yowu Entertainment) with other deals being negotiated now.
Papusza by the late Polish director Krzysztof Krauze and Joanna Kos-Krauze has continued to sell well, adding deals to Denmark (51 Shadows), Sweden (Njutafilms), Spain (Pirámide) and Italy (Pfa).
Finally, New Europe has sold the vampire comedy Summer of Blood by Onur Tukel to Taiwan (MovieCloud).
Here at the Efm, New Europe’s slate also includes Dominga Sotomayor’s Forum title Mar, Miguel Llanso’s Crumbs and Eirik Svensson’s One Night in Oslo.
Poland-based growing sales outfit New Europe Film Sales has concluded a number of deals ahead of Efm on its slate.
Bas Devos’ Violet, a Berlinale selection last year, has sold to Poland (Alter Ego) and Lithuania (Kaunas Ff).
Signe Baumane’s animated Rocks In My Pockets, a Us-Latvia production and Latvia’s submission to the Oscar race, has sold to Spain (Yowu Entertainment) with other deals being negotiated now.
Papusza by the late Polish director Krzysztof Krauze and Joanna Kos-Krauze has continued to sell well, adding deals to Denmark (51 Shadows), Sweden (Njutafilms), Spain (Pirámide) and Italy (Pfa).
Finally, New Europe has sold the vampire comedy Summer of Blood by Onur Tukel to Taiwan (MovieCloud).
Here at the Efm, New Europe’s slate also includes Dominga Sotomayor’s Forum title Mar, Miguel Llanso’s Crumbs and Eirik Svensson’s One Night in Oslo.
- 10/2/2015
- de wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
2015 will see two new Pixar animated features come to theaters and win over audiences worldwide. But while this year looks like it’s going to be a profitable one for the studio behind films that have become pillars of computer animation, 2014 was a quiet year for them. As a result, other studios like WB and “The Lego Movie” or Dreamworks and the second installment in the “How to Train Your Dragon” series had much less competition during most of the year.
Another great side effect of this Pixar-less year was the attention given to much smaller features with inventive stories and handcrafted visual artistry. Among these, traditional animation soared with the release of new films from acclaimed animators like Bill Plympton, Cartoon Saloon's Tomm Moore, and Studio Ghibli’s Isao Takahata, as well as Signe Baumane’s mind-bending feature debut. There were also 3D animated alternatives from two pairs of French filmmakers, Hélène Giraud & Thomas Szabo and Stéphane Berla & Mathias Malzieu.
From the 20 films competing to be nominated as Best Animated Feature at the 87th Academy Awards, only 6 were created using 2D animation and only one, Laika’s “The Boxtrolls,” represented the stop-motion technique. But despite being outnumbered by works done solely using digital tools, these films prove that intimate storytelling and laborious work can certainly be more rewarding than following the industry’s conventions.
Since these films and their creators often don’t have the resources that major studios do for promotion, several of them might have slipped through the cracks. However, they are worthy of as much, or even more praise as any big budget animated feature released last year. Here is a list of 8 of them that deserve a wider audience. Many of them are visual wonders that challenge our imagination in heartwarming, intelligent, and even provocative ways. Furthermore, two of them managed to become Academy Award nominees against the odds.
"Cheatin'"
Dir: Bill Plympton
Country: U.S.
Language: English
U.S Distribution: None Yet
PC: Bill Plympton Studios
Where to Watch? Plympton's latest screened at numerous festivals around the world during 2013- 2014 and it had a one-week theatrical run in Los Angeles back in August. For information on future screenings and a possible Blu-ray/DVD release visit the film's official site Here or follow the director on Facebook and on Twitter @plymptoons
"Giovanni's Island"
Dir: Mizuho Nishikubo
Country: Japan
Language: Japanese/Russian
U.S Distribution: Gkids
PC: Production I.G.
Where to Watch? After playing at several festivals the film received a one-week qualifying run in Los Angeles last November. For future information on a broader theatrical or home entertainment release visit Gkids or Production I.G.
"Henry & Me"
Dir: Barrett Esposito
Country: U.S.
Language: English
U.S Distribution: Henry & Me Productions
PC: Reveal Animation Studios
Where to Watch? Following a short NYC theatrical run in August, the film became available on DVD and digital platforms on September 30, 2014.
"Jack and the Cuckoo-Clock Heart"
Dir: Stéphane Berla & Mathias Malzieu
Country: France/Belgium
Language: French/English
U.S Distribution: Shout! Factory
Isa: EuropaCorp
Where to Watch? The film opened theatrically in select cities on September 24, 2014. It's now available on Blu-Ray/DVD and digital platforms.
"Minuscule: Valley of the Lost Ants"
Dir: Hélène Giraud & Thomas Szabo
Country: France/Belgium
Language: No Dialogue
U.S Distribution: None Yet
Isa: Futurikon
Where to Watch? The film had its qualifying one-week theatrical run in December. For a future opportunities to see the film check the official site Here.
"Rocks in My Pockets"
Dir: Signe Baumane
Country: Latvia
Language: English/Latvian
U.S Distribution: Zeitgeist Films
Isa: New Europe Film Sales
Where to Watch? Although the film opened back in August, there are still a few theatrical engagements coming up. Find them Here. It will also be released on DVD/Digital Download on January 29, 2015 via the film's official site.
"Song of the Sea" - Academy Award Nominee
Dir: Tomm Moore
Country: Ireland/Luxembourg/Belgium/France/Denmark
Language: English/ Scottish Gaelic
U.S Distribution: Gkids
Isa: WestEnd Films
Where to Watch? Currently playing in Los Angeles, NYC, and Toronto and expanding to more U.S. cities in upcoming weeks. For exact dates visit Here.
"The Tale of the Princess Kaguya" - Academy Award Nominee
Dir: Isao Takahata
Country: Japan
Language: Japanese
U.S Distribution: Gkids
Isa: Wild Bunch
Where to Watch? Currently playing in several theaters around the country. For exact locations and dates visit Here . The film will be released on Blu-Ray/DVD on February 17, 2015.
Another great side effect of this Pixar-less year was the attention given to much smaller features with inventive stories and handcrafted visual artistry. Among these, traditional animation soared with the release of new films from acclaimed animators like Bill Plympton, Cartoon Saloon's Tomm Moore, and Studio Ghibli’s Isao Takahata, as well as Signe Baumane’s mind-bending feature debut. There were also 3D animated alternatives from two pairs of French filmmakers, Hélène Giraud & Thomas Szabo and Stéphane Berla & Mathias Malzieu.
From the 20 films competing to be nominated as Best Animated Feature at the 87th Academy Awards, only 6 were created using 2D animation and only one, Laika’s “The Boxtrolls,” represented the stop-motion technique. But despite being outnumbered by works done solely using digital tools, these films prove that intimate storytelling and laborious work can certainly be more rewarding than following the industry’s conventions.
Since these films and their creators often don’t have the resources that major studios do for promotion, several of them might have slipped through the cracks. However, they are worthy of as much, or even more praise as any big budget animated feature released last year. Here is a list of 8 of them that deserve a wider audience. Many of them are visual wonders that challenge our imagination in heartwarming, intelligent, and even provocative ways. Furthermore, two of them managed to become Academy Award nominees against the odds.
"Cheatin'"
Dir: Bill Plympton
Country: U.S.
Language: English
U.S Distribution: None Yet
PC: Bill Plympton Studios
Where to Watch? Plympton's latest screened at numerous festivals around the world during 2013- 2014 and it had a one-week theatrical run in Los Angeles back in August. For information on future screenings and a possible Blu-ray/DVD release visit the film's official site Here or follow the director on Facebook and on Twitter @plymptoons
"Giovanni's Island"
Dir: Mizuho Nishikubo
Country: Japan
Language: Japanese/Russian
U.S Distribution: Gkids
PC: Production I.G.
Where to Watch? After playing at several festivals the film received a one-week qualifying run in Los Angeles last November. For future information on a broader theatrical or home entertainment release visit Gkids or Production I.G.
"Henry & Me"
Dir: Barrett Esposito
Country: U.S.
Language: English
U.S Distribution: Henry & Me Productions
PC: Reveal Animation Studios
Where to Watch? Following a short NYC theatrical run in August, the film became available on DVD and digital platforms on September 30, 2014.
"Jack and the Cuckoo-Clock Heart"
Dir: Stéphane Berla & Mathias Malzieu
Country: France/Belgium
Language: French/English
U.S Distribution: Shout! Factory
Isa: EuropaCorp
Where to Watch? The film opened theatrically in select cities on September 24, 2014. It's now available on Blu-Ray/DVD and digital platforms.
"Minuscule: Valley of the Lost Ants"
Dir: Hélène Giraud & Thomas Szabo
Country: France/Belgium
Language: No Dialogue
U.S Distribution: None Yet
Isa: Futurikon
Where to Watch? The film had its qualifying one-week theatrical run in December. For a future opportunities to see the film check the official site Here.
"Rocks in My Pockets"
Dir: Signe Baumane
Country: Latvia
Language: English/Latvian
U.S Distribution: Zeitgeist Films
Isa: New Europe Film Sales
Where to Watch? Although the film opened back in August, there are still a few theatrical engagements coming up. Find them Here. It will also be released on DVD/Digital Download on January 29, 2015 via the film's official site.
"Song of the Sea" - Academy Award Nominee
Dir: Tomm Moore
Country: Ireland/Luxembourg/Belgium/France/Denmark
Language: English/ Scottish Gaelic
U.S Distribution: Gkids
Isa: WestEnd Films
Where to Watch? Currently playing in Los Angeles, NYC, and Toronto and expanding to more U.S. cities in upcoming weeks. For exact dates visit Here.
"The Tale of the Princess Kaguya" - Academy Award Nominee
Dir: Isao Takahata
Country: Japan
Language: Japanese
U.S Distribution: Gkids
Isa: Wild Bunch
Where to Watch? Currently playing in several theaters around the country. For exact locations and dates visit Here . The film will be released on Blu-Ray/DVD on February 17, 2015.
- 18/1/2015
- de Carlos Aguilar
- Sydney's Buzz
Those who follow our content know that the Best Foreign Language Film race is one of the ones we follow closely, if not the closest. Tomorrow morning the five nominees for the Academy Award in this category will be announced bringing the months long journey to an end. The real climax will happen once the winner is announced in February, but for the five lucky finalists, a nomination is already a miraculous feat. It has been a long road in which many factors besides the quality of the films come into play.
The first few submissions were announced in mid-August and from that point on dozens of countries selected a film to participate. That’s the first cut. Each film had to compete against all the other eligible films released in their respective country that year. In some cases the competition might be slight, but in territories with a sizable film industry the selection process is not as clear-cut.
Once the submission deadline arrived, a total of 83 nations had submitted an entry - a record number. Several entries came from countries submitting for the first time. Out of those 83 films I personally managed to watch a little over 60 via festivals, screenings, and screeners. I was able to chat with about 30 of the films’ directors and learn about their personal stories and how differently they each approach the filmmaking process. Every year this is really a lesson on artistic diversity, industry development, and political and social sensitivities from across the globe. It’s truly amazing.
There were many great and memorable films among the entries I was able to watch and I hope all of them get distributions deals eventually. However, as with everything, we all have our favorites. The 12 films listed below are some of the best cinematic works I witness in the past year overall, not only among those in a foreign language. Several of them are among my ten favorite films of the year and others are included in my longer year-end list. “Timbuktu,” “Gett,” “White God,” and hopefully “Tangerines” will be among my 2015 favorites.
It has been a great year for World Cinema. Go out there and see these films. They are all incredible works of art each in its own right.
Read More: Carlos Aguilar's Top 60 Films of 2014
Read More: 83 Submissions for the Best Foreign Language Film Academy Award
Argentina
"Wild Tales" (Relatos Salvajes)
Dir: Damián Szifrón
Language: Spanish
U.S Distribution: Sony Pictures Classics
Isa: Film Factory Entertainment
Trailer
Where to Watch? The film will screen at Sundance 2015 in the Spotlight section later this month. It will open theatrically on February 20, 2015. "Wild Tales" will also be the Miami International Film Festival's Opening Night Film on March 6, 2015.
Read More: Sydney Levine's Feature Piece on "Wild Tales"
Belgium
"Two Days, One Night" (Deux jours, une nuit)
Dir: Jean-Pierre Dardenne & Luc Dardenne
Language: French/Arabic
U.S Distribution: Sundance Selects
Isa: Wild Bunch
Trailer
Where to Watch? Currently playing in NYC (opened Dec. 24, 2014) and L.A. (Opened January 9, 2015)
Read More: The Dardenne Brothers on "Trow Days, One Night" and Marion Cotillard
Canada
"Mommy"
Dir: Xavier Dolan
Language: French/English
U.S Distribution: Roadside Attractions
Isa: Seville International
Trailer
Where to Watch? Opens Friday January 23, in L.A. and NYC
Estonia
"Tangerines" (Mandariinid)
Dir: Zaza Urushadze
Language: Estonian/Russian
U.S Distribution: None Yet
Isa: Cinemavault
Trailer
Where to Watch? The film doesn't a U.S. distribution deal yet. Hopefully the attention given by both the Golden Globes and the Academy Awards will change that soon.
Hungary
"White God" (Fehér isten)
Dir: Kornél Mundruczó
Language: Hungarian/English
U.S Distribution: Magnolia Pictures
Isa: The Match Factory
Trailer
Where to Watch? As part of the Spotlight section the film will screen at this year's Sundance Film Festival. The theatrical release is scheduled for March 27, 2015.
Read More: Kornel Mundruczo on "White God"
Israel
"Gett, the Trial of Viviane Amsalem" (Gett: Le Procès de Viviane Amsalem)
Dir: Ronit Elkabetz♀ & Shlomi Elkabetz
Language: Hebrew/French/Arabic
U.S Distribution: Music Box Films
Isa: Films Distribution
Trailer
Where to Watch? Opens in L.A. and NYC on February 13, 2015
Read More: Ronit and Shlomi Elkabetz on "Gett, the Trial of Viviane Amalem"
Latvia
"Rocks in My Pockets" (Akmeņi manās kabatās)
Dir: Signe Baumane ♀
Language: Latvian
U.S Distribution: Zeitgeist Films
Isa: New Europe Film Sales
Trailer
Where to Watch? The film still has a few theatrical engagements around the country, which can be found on the distributor's site. It will also be released on DVD and digital platforms on January 29, 2015.
Read More: Sydney Levine's Feature Piece on "Rocks in My Pockets"
Mauritania
"Timbuktu"
Dir: Abderrahmane Sissako
Language: French/Arabic/Bambara/English/Songhay/Tamasheq
U.S Distribution: Cohen Media Group
Isa: Le Pacte
Trailer
Where to Watch? Opens in NYC January 28, 2015 and in L.A. January 30, 2015
Poland
"Ida"
Dir: Pawel Pawlikowski
Language: Polish
U.S Distribution: Music Box Films
Isa: Portobello Film Sales
Trailer
Where to Watch? Available on Blu-ray/DVD and digital platforms. It's also available for instant streaming for Netflix subscribers.
Read More: Pawel Pawlikowski on "Ida"
Read More: Review - "Ida"
Russia
"Leviathan" (Левиафан)
Dir: Andrey Zvyagintsev
Language: Russian
U.S Distribution: Sony Pictures Classics
Isa: Pyramide International
Trailer
Where to Watch? Currently playing in NYC (Opened Dec. 25, 2014) and L.A. (Opened Dec. 31, 2014)
Read More: Andrey Zvyagintsev on "Leviathan"
Sweden
"Force Majeure" (Turist)
Dir: Ruben Östlund
Language: Swedish/English
U.S Distribution: Magnolia Pictures
Isa: Coproduction Office (Paris)
Trailer
Where to Watch? Still playing in select theaters around the country. It will be released on Blu-ray/DVD and digital platforms on February 10, 2015.
Read More: Ruben Östlund and Johannes Kuhnke on "Force Majeure"
Turkey
"Winter Sleep" (Kis uykusu)
Dir: Nuri Bilge Ceylan
Language: Turkish/English
U.S Distribution: Adopt Films
Isa: Memento Films International
Trailer
Where to Watch? Currently playing in NYC (Opened Dec. 19, 2014). The film opens in select theaters around the country on January 16, 2015 and in L.A. on January 23, 2015.
The first few submissions were announced in mid-August and from that point on dozens of countries selected a film to participate. That’s the first cut. Each film had to compete against all the other eligible films released in their respective country that year. In some cases the competition might be slight, but in territories with a sizable film industry the selection process is not as clear-cut.
Once the submission deadline arrived, a total of 83 nations had submitted an entry - a record number. Several entries came from countries submitting for the first time. Out of those 83 films I personally managed to watch a little over 60 via festivals, screenings, and screeners. I was able to chat with about 30 of the films’ directors and learn about their personal stories and how differently they each approach the filmmaking process. Every year this is really a lesson on artistic diversity, industry development, and political and social sensitivities from across the globe. It’s truly amazing.
There were many great and memorable films among the entries I was able to watch and I hope all of them get distributions deals eventually. However, as with everything, we all have our favorites. The 12 films listed below are some of the best cinematic works I witness in the past year overall, not only among those in a foreign language. Several of them are among my ten favorite films of the year and others are included in my longer year-end list. “Timbuktu,” “Gett,” “White God,” and hopefully “Tangerines” will be among my 2015 favorites.
It has been a great year for World Cinema. Go out there and see these films. They are all incredible works of art each in its own right.
Read More: Carlos Aguilar's Top 60 Films of 2014
Read More: 83 Submissions for the Best Foreign Language Film Academy Award
Argentina
"Wild Tales" (Relatos Salvajes)
Dir: Damián Szifrón
Language: Spanish
U.S Distribution: Sony Pictures Classics
Isa: Film Factory Entertainment
Trailer
Where to Watch? The film will screen at Sundance 2015 in the Spotlight section later this month. It will open theatrically on February 20, 2015. "Wild Tales" will also be the Miami International Film Festival's Opening Night Film on March 6, 2015.
Read More: Sydney Levine's Feature Piece on "Wild Tales"
Belgium
"Two Days, One Night" (Deux jours, une nuit)
Dir: Jean-Pierre Dardenne & Luc Dardenne
Language: French/Arabic
U.S Distribution: Sundance Selects
Isa: Wild Bunch
Trailer
Where to Watch? Currently playing in NYC (opened Dec. 24, 2014) and L.A. (Opened January 9, 2015)
Read More: The Dardenne Brothers on "Trow Days, One Night" and Marion Cotillard
Canada
"Mommy"
Dir: Xavier Dolan
Language: French/English
U.S Distribution: Roadside Attractions
Isa: Seville International
Trailer
Where to Watch? Opens Friday January 23, in L.A. and NYC
Estonia
"Tangerines" (Mandariinid)
Dir: Zaza Urushadze
Language: Estonian/Russian
U.S Distribution: None Yet
Isa: Cinemavault
Trailer
Where to Watch? The film doesn't a U.S. distribution deal yet. Hopefully the attention given by both the Golden Globes and the Academy Awards will change that soon.
Hungary
"White God" (Fehér isten)
Dir: Kornél Mundruczó
Language: Hungarian/English
U.S Distribution: Magnolia Pictures
Isa: The Match Factory
Trailer
Where to Watch? As part of the Spotlight section the film will screen at this year's Sundance Film Festival. The theatrical release is scheduled for March 27, 2015.
Read More: Kornel Mundruczo on "White God"
Israel
"Gett, the Trial of Viviane Amsalem" (Gett: Le Procès de Viviane Amsalem)
Dir: Ronit Elkabetz♀ & Shlomi Elkabetz
Language: Hebrew/French/Arabic
U.S Distribution: Music Box Films
Isa: Films Distribution
Trailer
Where to Watch? Opens in L.A. and NYC on February 13, 2015
Read More: Ronit and Shlomi Elkabetz on "Gett, the Trial of Viviane Amalem"
Latvia
"Rocks in My Pockets" (Akmeņi manās kabatās)
Dir: Signe Baumane ♀
Language: Latvian
U.S Distribution: Zeitgeist Films
Isa: New Europe Film Sales
Trailer
Where to Watch? The film still has a few theatrical engagements around the country, which can be found on the distributor's site. It will also be released on DVD and digital platforms on January 29, 2015.
Read More: Sydney Levine's Feature Piece on "Rocks in My Pockets"
Mauritania
"Timbuktu"
Dir: Abderrahmane Sissako
Language: French/Arabic/Bambara/English/Songhay/Tamasheq
U.S Distribution: Cohen Media Group
Isa: Le Pacte
Trailer
Where to Watch? Opens in NYC January 28, 2015 and in L.A. January 30, 2015
Poland
"Ida"
Dir: Pawel Pawlikowski
Language: Polish
U.S Distribution: Music Box Films
Isa: Portobello Film Sales
Trailer
Where to Watch? Available on Blu-ray/DVD and digital platforms. It's also available for instant streaming for Netflix subscribers.
Read More: Pawel Pawlikowski on "Ida"
Read More: Review - "Ida"
Russia
"Leviathan" (Левиафан)
Dir: Andrey Zvyagintsev
Language: Russian
U.S Distribution: Sony Pictures Classics
Isa: Pyramide International
Trailer
Where to Watch? Currently playing in NYC (Opened Dec. 25, 2014) and L.A. (Opened Dec. 31, 2014)
Read More: Andrey Zvyagintsev on "Leviathan"
Sweden
"Force Majeure" (Turist)
Dir: Ruben Östlund
Language: Swedish/English
U.S Distribution: Magnolia Pictures
Isa: Coproduction Office (Paris)
Trailer
Where to Watch? Still playing in select theaters around the country. It will be released on Blu-ray/DVD and digital platforms on February 10, 2015.
Read More: Ruben Östlund and Johannes Kuhnke on "Force Majeure"
Turkey
"Winter Sleep" (Kis uykusu)
Dir: Nuri Bilge Ceylan
Language: Turkish/English
U.S Distribution: Adopt Films
Isa: Memento Films International
Trailer
Where to Watch? Currently playing in NYC (Opened Dec. 19, 2014). The film opens in select theaters around the country on January 16, 2015 and in L.A. on January 23, 2015.
- 14/1/2015
- de Carlos Aguilar
- Sydney's Buzz
Tim here. Year-end listmaking mania tends to skip right by animation, with only a glance in the direction of a solitary film that doesn’t tend to reveal much imagination on the part of the listmakers (probably, if you are a critic in 2014, your favorite animated feature was The Lego Movie, unless it was The Lego Movie. But I hear some folks really liked The Lego Movie). The Annie Awards do what they can, but they’re weirdly over-politicized.
All of which is to say, it’s the perfect time, before 2015 has a chance to warm up, to throw a little more light on animated film in the year that was than just rubber-stamping a Best Animated Feature award and moving on. May I present to you this unranked list of
Six Great Vocal Performances from 2014
Alison Brie as “Princess Unikitty”, The Lego Movie
Yes, the exact same Lego Movie...
All of which is to say, it’s the perfect time, before 2015 has a chance to warm up, to throw a little more light on animated film in the year that was than just rubber-stamping a Best Animated Feature award and moving on. May I present to you this unranked list of
Six Great Vocal Performances from 2014
Alison Brie as “Princess Unikitty”, The Lego Movie
Yes, the exact same Lego Movie...
- 3/1/2015
- de Tim Brayton
- FilmExperience
Yes, that’s a six and a zero. It’s not a typo. While excessive might be the first adjective that comes to mind when looking at a year-end list with 60 films, it was the only way that I was able to highlight all the great works that I was able to watch this year. Even with such an extensive best-of countdown I was forced to leave at least another dozen great films. In 2014 I watched around 300 theatrically released films, and about 130 more between unreleased films from the festival circuit, the Oscar Foreign Language Submissions, and new films I watched as a screener for a couple festivals. Taking all these into consideration, a Top 60 list did not seem like an outrageous feat.
There were many other films that I did in fact watch but didn’t make the list, such as “Wild,” “Interstellar,” “The Imitation Game,” “Unbroken,” “The Theory of Everything,” “Big Hero 6,” “Big Eyes,” "A Most Violent Year" and “Into the Woods.” Although none of these ended up among my favorites, many of them served as vehicles for the cast to deliver outstanding performances or showcased great cinematography and VFX. I mention this to clarify that their omission was a conscious decision.
Evidently, there were several acclaimed films I did not manage to watch, which could have made a difference. These include films like "Love is Strange," “Maps to the Stars,” “Stray Dogs,” “Top Five,” and “Rosewater.”
The films on this list include films that had a regular release in 2014, films that some consider to be 2013 films but which got a full release in 2014, and films that had a one-week qualifying run in 2014 but which will officially open in 2015. Other amazing films that I saw at festivals, but which did not have a theatrical release of any form this year will be included in next year’s list. Examples of these include “The Tribe,” “Timbuktu,” “The Voices” “Gueros,” “Viktoria,” and “Kumiko, the Treasure Hunter.”
Like with all lists, this is a very personal selection of films that connected with me on different levels. Some choices might be strange, others expected, but all of them speak to what I find interesting or great about cinema. I hope that with this list you can find titles you haven’t hear of or others you might have forgotten about. It has been such a terrific year for films. Here is hoping for 2015 to be even more inspiring.
Feel free to share with us what your favorite films of 2014 were in the comments section.
Honorary Mention for Favorite TV Series: "Over the Garden Wall"
In Patrick McHale’s enchanting Cartoon Network miniseries, “Over the Garden Wall,” brothers Wirt (Elijah Wood) and adorable Greg (Collin Dean) travel through the Unknown, a magical forest filled with peculiar characters. Blending a classic fable look with witty humor and catchy songs for a fantastically refreshing 2D cartoon, the show is rapidly - and deservingly - becoming a fan favorite. Once you see little Greg performing the sweet tune Potatoes and Molasses, it will all make sense.
Top 60 Films Of 2014
60. "Happy Christmas"
Anna Kendrick is an irresponsible, yet charming, young woman in Joe Swanberg’s holiday-infused family dramedy. “Happy Christmas” is small in scope but big in subtle amusement. Baby Jude Swanberg steals every scene.
59."Mood Indigo"
Whimsical, ingenious, and uniquely confected, Michel Gondry’s adaption of Boris Vian’s novel stars Audrey Tautou and Romain Duris. His latest romantic fantasy is heartwarming visual candy.
Review "Mood Indigo"
Carlos Aguilar's interview with Tautou
58. "Lilting"
A cross-cultural connection in the aftermath of tragedy is at the center of Hong Khaou’s touching debut. Through great performances and ethereal cinematography the filmmaker reassures us love is the only language that matters.
Carlos Aguilar's interview with Hong Khaou
57. "Captain America: The Winter Soldier"
With an intelligent and fun screenplay, this new entry in the Marvel universe showed us that - despite all the badassery he is capable of - all that Steve Rogers wants is his best friend back.
Review "Captain America: The Winter Soldier"
56. "Oculus"
Mike Flanagan doesn’t resort to excessive gore or a monumental story to instill fear. Instead, he uses the effective mechanics of his story to turn a room with an old mirror, a camera, and a pair of youngsters into a terrifying space.
55. "Rich Hill"
Looking at a segment of the American population from a uniquely compassionate and insightful perspective, “Rich Hill” cherishes the humanity of its subject rather than patronizing them.
54. "The Notebook"
The brutality of war is observed through the eyes of a pair of twin brothers who decide to detach themselves from any emotional connection in order to survive. Unflinching and powerful, “The Notebook” is part dark fairytale and part historical drama.
Review "The Notebook"
Carlos Aguilar's interview with János Szász
53. "Blue Ruin"
This gritty and unpredictable thriller follows a man whose thirst for revenge becomes his death sentence. Macon Blair’s character goes from passively hiding in the shadows to becoming a ruthless rookie assassin. Tension is the name of the game here.
52. "The Book of Life"
The ancient Mexican celebration of Day of the Death comes to life in this vibrant and surprisingly authentic animated feature from Jorge Gutierrez and producer Guillermo del Toro. It’s a colorful and intricately designed vision of beloved tradition.
51. "The German Doctor" (Wakolda)
Lucia Puenzo’s captivating mystery focuses on infamous Nazi physician Josef Mengele, as he tries to test his disturbing practices on family while hiding in the Argentine countryside. Elegantly executed and definitely unsettling
Review "The German Doctor"
Carlos Aguilar's interview with Lucia Puenzo
Sydney Levine's Case Study on "The German Doctor"
50. "Still Alice"
Lost, confused, but still fighting to preserve her individuality while facing the imminent effects of Alzheimer’s disease, Alice refuses to give up. Julianne Moor is absolutely stunning and heartbreaking.
49. "American Sniper"
Eastwood’s best film in a long time packs thrilling combat sequences as it looks at post-9/11 American patriotism via a simple man turned murder weapon. Bradley Cooper delivers the best performance of his career.
48. "The Lego Movie "
Pop culture has never been as hilarious and witty as in this uniquely animated story about individuality, the nature of heroism, and the power of a child’s imagination. With cameos galore and jokes aplenty, everything is indeed awesome.
47. "Manuscripts Don't Burn "
Mohammad Rasoulof’s fearless cinematic statement denouncing the Iranian regime is an incredible testament to the power of film as a cultural weapon against injustice. Not only is the film politically relevant, but also an all-around gripping thriller.
Review "Manuscripts Don't Burn"
46. "Guardians of the Galaxy "
This summer Marvel outdid itself with the truly enjoyable first installment of its newest franchise. Charismatic Chris Pratt as Star Lord, a more than memorable soundtrack, and an eclectic group of sidekicks made this the smartest summer hit.
45. "In Bloom"
Set in Tbilisi, Georgia, this unique coming-of-age tale is a riveting hidden gem that sports mesmerizing performances from its young cast. The filmmakers find evocative, everyday beauty in the hardships of life in a war-torn country.
Review "In Bloom"
44. "Goodbye to Language"
Godard’s use of 3D in this highly experimental work produces a physical reaction on the viewer that proves how alive the auteur’s vision still is. He is as cryptic, curious, innovative, unapologetic, and brilliant as he was over 50 years ago.
43. "Mistaken for Strangers"
Tom Berninger’s personal documentary is not a film about The National, but about a man trying to find his own path while reconnecting with his older brother – who happens to be a rock star. Fun, heartfelt, and honest.
Carlos Aguilar's interview with Tom and Matt Berninger
42. "Manakamana"
Simple on the surface but hauntingly poetic, this documentary focuses on a series of people as they travel up to a sacred shrine in Nepal. Their faces speak in silences, laughter, and visible sadness, which form a language far more stirring than ephemeral words.
41. "Whiplash"
J.K. Simmons is a nightmarish instructor in Damien Chazelle’s fascinating debut about a young drummer by obsessive passion. The final sequence is an astonishing showstopper that sports marvelous, flawless editing
40. "The Overnighters"
What starts as the story about a Good Samaritan helping those in need despite criticisms, turns into an examination of a conflicted man. Faith, lies, regret and the judgmental eyes of an entire community will become his agonizing cross to bear.
39. "Rocks in My Pockets"
Latvian artist Signe Baumane uses 2D animation to work through her insecurities, her relationships with her estrange family, and depression. Craft and substance merge to construct an absorbing personal statement that is unexpectedly relatable.
Sydney Levine's Feature Piece on "Rocks in My Pockets"
38. "The Missing Picture"
To reconstruct his family’s past, and by extension that of his homeland under the Khmer Rouge, director Rithy Panh uses clay figurines and evocative narration in the absence of images from the time. One of the most original documentaries ever made.
Review "The Missing Picture"
37. "Snowpiercer"
Art house sensibilities imbedded into a powerful post-apocalyptic tale from South Korean director Bong Joon-ho gave us a superbly sophisticated actioner. Chris Evans delivers a different, but equally great heroic performance. However, Tilda Swinton takes the prize here.
36. "Life Itself"
Roger Ebert’s love for life and movies was endless. Despite major health issues near the end, his spirits and voice were never weakened. Steve James intimate documentary captures both the man and the critic in a lovely manner.
35. "Gone Girl"
Fincher’s latest focuses on a media circus fueled by a couple’s despicable lies and the public’s voyeuristic desire to find a villain and a victim. While Ben Affleck is good here, the film thrives on Rosamund Pike’s wickedly clever role.
34. "Two Days, One Night"
Only the Dardenne brothers can transform seemingly banal situations into compelling narratives that question the morality of their characters. In their latest masterful effort Marion Cotillard’s talent shines as she balances desperation, pride, and hope.
33. "Foxcatcher"
Driven by a trifecta of great performances, Bennett Miller’s drama shows a disturbed man in search of recognition and validation by any means necessary. Channing Tatum deserves more praise for his nuanced work here.
32. "Omar"
At once timeless and decisively current, Hany Abu-Asad’s Shakespearean crime drama deals with Israeli-Palestinian relations from a humanistic point of view. The political issues that serve as context become more urgent when seen through the characters’ struggles.
Review "Omar"
Carlos Aguilar's interview with Hany Abu-Assad
31. "Mr. Turner"
The awe-inspiring cinematography and Timothy Spall’s grumpy, yet endearing portrayal of one of Britain’s most revered painters make of “Mr. Turner” another successful addition to Mike Leigh’s near-perfect track record.
30. "Nymphomaniac"
Blasphemous, explicit, and cerebral as most of Lars von Trier’s works, this two-part recollection of the anecdotes takes us into the tortured mind of a sex addict. There is no sugarcoating or redemption to be found here, only a skillful provocateur who loves to revel in the playful bleakness of it all.
Review "Nymphomaniac Vol. 1"
Review "Nymphomaniac Vol. 2"
29. "Gloria"
A middle-aged woman takes control of her life in this excellent Chilean dramedy. The title character, played by the lovely Paulina Garcia, wants to find love once again and to live without restrains. As she dances the night away we are certain that, despite the hardships, she will.
Review "Gloria"
Sydney Levine's interview with Sebastian Lelio and Paulina Garcia
28. "The Babadook"
A vicious boogieman terrorizes a mother and her son in this Australian horror masterpiece. Like with the best films in the genre, is what you don’t see that’s the most disturbing. Dir. Jennifer Kent uses creepy guttural sounds, shadows, and a malevolent children’s book to psychologically inflict fear.
27. "Ernest & Celestine"
Delightfully crafted to look like a collection of gorgeous moving watercolors, this French animated feature based on Gabrielle Vincent’s books is a visual treat and reminds us of the innocent fables from yesteryear.
Carlos Aguilar's interview with Benjamin Renner
26. "Hide Your Smiling Faces"
Two brothers growing up in a small town are confronted with the notion of death and the complexities of the adult world in this remarkably done debut by Daniel Patrick Carbone. An absolute must-see that deserves a wider audience.
Review "Hide Your Smiling Faces"
25. "Stranger by the Lake"
In Alain Guiraudie’s beachside mystery, a murderous romance hides underneath warm weather and desire. This provocative, darkly comedic and splendidly acted slow-burner shows that danger is sometimes the most lethal aphrodisiac.
Carlos Aguilar's interview with Alain Guiraudie
24. "Heli"
Amat Escalante’s brave and brutally honest depiction of Mexico’s violent present is unquestionably a difficult cinematic experience. However, the filmmaker is capable of finding resilient hope in the midst of overwhelming despair.
Review "Heli"
Carlos Aguilar's interview with Amat Escalante
23. "CitizenFour"
Few embellishments are needed when you have such a shocking and important story told not from an outsider’s perspective, but from its source. Fiction falls short in comparison to the truths and secrets encompassed in Laura Poitras account of the Edward Snowden case.
22. "Force Majeure"
Gender roles are questioned with humorous but poignant observations on marriage and societal expectations in this Swedish hit from Ruben Östlund. Laugh-out-loud moments galore and an unforgettable “man cry” sequence are the result of a catastrophic controlled avalanche.
Carlos Aguilar's interview with Ruben Östlund and Johannes Kuhnke
21. "The Guest"
Adam Wingard’s perversely comedic stunner about a devilishly deceiving visitor was by far one of the most outrageously fun films I saw this year. It’s a masterwork of madness. I can’t wait to see what Wingard, writer Simon Barrett, and star Dan Stevens do next.
20. "Obvious Child"
Jenny Slate’s Donna Stern is navigating adulthood through laughter. Her standup performances are unfiltered, moving, and often hilariously distasteful, but always sincere. Slate and director Gillian Robespierre are a match made in comedy heaven.
Review "Obvious Child"
Carlos Aguilar's interview with Gillian Robespierre and Jenny Slate
19. "Inherent Vice"
There are numerous wacky characters and subplots in Paul Thomas Anderson’s adaption of Thomas Pynchon novel, but the real magic happens when Joaquin Phoenix and Josh Brolin are together on screen. “Motto panukeiku!” is all I have to say.
18. "Starred Up"
Jack O’Connell’s award-deserving performance packs raw energy, ferocious anger, and tragic vulnerability. Violence and respect are the only useful currencies in this potent prison drama that’s as thrilling as it’s emotionally devastating.
Carlos Aguilar's interview with David Mackenzie
17. "Listen Up Philip"
Brimming with originality and uncompromising humor, Alex Ross Perry’s look at the writing craft is pure brilliance. Jason Schwartzman stars as an obnoxious, self-centered young author. He is as utterly amusing and revels in his character’s hilarious arrogance.
16. "Boyhood"
Thanks to Richard Linklater’s perseverance we were able to experience an incredible and incomparable cinematic journey. Filled with small, but affecting moments of sorrow and joy, a child’s life - and that of those around him - literally unfolds on screen somewhere between reality and fiction.
15. "Selma"
Avoiding all the dreaded biopic clichés, director Ava DuVernay created a powerful historical drama that couldn’t be more opportune. Among a star-studded cast, David Oyelowo delivers a knockout performance as Dr. Martin Luther King Jr.
14. "Under the Skin"
Life on earth as seen by a seductive alien is simultaneously frightening and revelatory in Jonathan Glazer’s dazzling sci-fi character study. Scarlett Johansson is superb as a creature intrigued by the virtues and shortcomings of human nature.
Review "Under the Skin"
13. "The Grand Budapest Hotel"
Everything we love about Wes Anderson and much more is included in this stylized beauty of a film. Ralph Fiennes is an irreverent, classy, womanizer that gets into trouble with an array of quirky villains played by a topnotch cast. From its score to the production design, this is Anderson at his best.
12. "The Boxtrolls"
Laika’s craftsmanship reached a new level of delightful greatness with this darkly comedic period piece. Their brand of stop-motion animation is impeccable. Each character is meticulously created with a wonderful physicality that no other medium can provide.
Review "The Boxtrolls"
11. "Leviathan"
Andrey Zvyagintsev’s masterpiece dissects the complexity of Russian society through a family drama that is as intimate as it is monumental in the themes it explores. Religion, government, and betrayal are all monsters haunting a righteous man at the mercy or their powers.
Carlos Aguilar's interview with Andrey Zvyagintsev
10. "Only Lovers Left Alive"
Between desolated Detroit and a moody Marrakesh, Jim Jarmusch's darkly comedic film delivers an incredibly original tale about familiar bloodsuckers. Permeated in groovy rock and roll music, vintage wardrobe, blissful production design, and an otherworldly atmosphere, “Only Lovers Left Alive” reclaims vampires as graceful, complex, and cultured beings, rather than the vehicle for teenage fantasies
Review "Only Lovers Left Alive"
9. "Nightcrawler"
Brutally unapologetic about the bloodthirsty practices of today’s media, Dan Gilroy’s directorial debut is a fantastic vehicle for Jake Gyllenhaal to deliver a performance unlike anything he’s done before. Outrageously insightful, Gilroy’s writing is a perverse delight that is at once analytical and utterly entertaining.
8. "Birdman"
While definitely hilarious, Inarritu’s latest work offers sharp observations on the nature of art and artists. This is a giant leap into new territory for the acclaimed Mexican filmmaker. His undeniable talent directing actors is what elevates his work from just a brilliant idea to a work that thrives on touching human vulnerability. Added to this, Emanuel Lubeski’s work in the cinematography department is a visual treat.
7. "Wild Tales"
This insanely inventive collection of deranged stories questions violence and revenge from a comedic angle. Besides being a complete riot that packs in uproarious humor, Damian Szifron’s film demonstrates his ability to create a cohesive film out of diverse vignettes united by the dark side of human nature. From start to finish, “Wild Tales” is truly a savagely fun trip.
Sydney Levine's Feature Piece on "Wild Tales"
6. "The Tale of the Princess Kaguya"
Studio Ghibli’s co-founder Isao Takahata demonstrates once more that his work is as spectacular as anything else the studio has created. His brand of handcrafted animation is of a uniquely exquisite kind that flows on the screen like streams of vibrant beauty. ‘The Tale of the Princess Kaguya” is perhaps his most striking work
5. "A Girl Walks Home Alone at Night"
This black and white, Persian-language vampire film is a revelation. Style and story elegantly arranged to be poetic and ethereal throughout. Undoubtedly the most dazzling feature debut of the year. Ana Lily Amirpour has a unique vision forged out of her fascination with genre films, music, and other peculiar interests, all of which blend into a delightful cocktail of beauty, danger, and pure originality.
4. "Winter Sleep"
Nuri Bilge Ceylan defines what being an auteur means every times he is behind the camera. Palme d’Or or not, “Winter Sleep” is the only film over 3 hours that has kept me fully engaged for every second of it. Every line of dialogue is as thought provoking as the next without being pretentious. He finds the fibers of human behavior and stretches them to their limit in every single scene. Absolutely mesmerizing
Review "Winter Sleep"
Sydney Levine's Feature Piece on "Winter Sleep" from Cannes
3. "Mommy"
The tenderly violent love between a mother and a son make for an intoxicating tour de force. Xavier Dolan plays with aspect ratios, music, evocative cinematography and raw, maddening emotions to produce one of the most heartbreaking and intense experiences I’ve ever had watching a film. I was in a complete state of exhilaration until the very last, perfect, frame.
2. "Ida"
There is not a single miscalculation in Pawel Pawlikowski’s immaculate post-Holocaust drama. Each frame is a stunning work of sheer perfection. Flawless cinematography, riveting performances by both leading actresses, and a story that is subtle on the surface but carries intense undertones about spirituality and the consequences of guilt, make of “Ida” a masterwork to be cherished for years to come
Review "Ida"
Sydney Levine's interview with Pawel Pawlikowski
1. "Song of the Sea"
I'm certain some people will think me crazy for choosing this film as my favorite of the year, but witnessing Tomm Moore’s gorgeous and ethereal craftsmanship was an unforgettable experience. What he was able to achieve here, both in technique and emotional poignancy, is absolutely outstanding. "Song of the Sea" is one of the most blissfully beautiful animated films ever made. It is a gem beaming with awe-inspiring, heartwarming magic. It will be a long time before animation reaches this level of mesmerizing artistry again.
Review "Song of the Sea"
Carlos Aguilar's interview with Tomm Moore...
There were many other films that I did in fact watch but didn’t make the list, such as “Wild,” “Interstellar,” “The Imitation Game,” “Unbroken,” “The Theory of Everything,” “Big Hero 6,” “Big Eyes,” "A Most Violent Year" and “Into the Woods.” Although none of these ended up among my favorites, many of them served as vehicles for the cast to deliver outstanding performances or showcased great cinematography and VFX. I mention this to clarify that their omission was a conscious decision.
Evidently, there were several acclaimed films I did not manage to watch, which could have made a difference. These include films like "Love is Strange," “Maps to the Stars,” “Stray Dogs,” “Top Five,” and “Rosewater.”
The films on this list include films that had a regular release in 2014, films that some consider to be 2013 films but which got a full release in 2014, and films that had a one-week qualifying run in 2014 but which will officially open in 2015. Other amazing films that I saw at festivals, but which did not have a theatrical release of any form this year will be included in next year’s list. Examples of these include “The Tribe,” “Timbuktu,” “The Voices” “Gueros,” “Viktoria,” and “Kumiko, the Treasure Hunter.”
Like with all lists, this is a very personal selection of films that connected with me on different levels. Some choices might be strange, others expected, but all of them speak to what I find interesting or great about cinema. I hope that with this list you can find titles you haven’t hear of or others you might have forgotten about. It has been such a terrific year for films. Here is hoping for 2015 to be even more inspiring.
Feel free to share with us what your favorite films of 2014 were in the comments section.
Honorary Mention for Favorite TV Series: "Over the Garden Wall"
In Patrick McHale’s enchanting Cartoon Network miniseries, “Over the Garden Wall,” brothers Wirt (Elijah Wood) and adorable Greg (Collin Dean) travel through the Unknown, a magical forest filled with peculiar characters. Blending a classic fable look with witty humor and catchy songs for a fantastically refreshing 2D cartoon, the show is rapidly - and deservingly - becoming a fan favorite. Once you see little Greg performing the sweet tune Potatoes and Molasses, it will all make sense.
Top 60 Films Of 2014
60. "Happy Christmas"
Anna Kendrick is an irresponsible, yet charming, young woman in Joe Swanberg’s holiday-infused family dramedy. “Happy Christmas” is small in scope but big in subtle amusement. Baby Jude Swanberg steals every scene.
59."Mood Indigo"
Whimsical, ingenious, and uniquely confected, Michel Gondry’s adaption of Boris Vian’s novel stars Audrey Tautou and Romain Duris. His latest romantic fantasy is heartwarming visual candy.
Review "Mood Indigo"
Carlos Aguilar's interview with Tautou
58. "Lilting"
A cross-cultural connection in the aftermath of tragedy is at the center of Hong Khaou’s touching debut. Through great performances and ethereal cinematography the filmmaker reassures us love is the only language that matters.
Carlos Aguilar's interview with Hong Khaou
57. "Captain America: The Winter Soldier"
With an intelligent and fun screenplay, this new entry in the Marvel universe showed us that - despite all the badassery he is capable of - all that Steve Rogers wants is his best friend back.
Review "Captain America: The Winter Soldier"
56. "Oculus"
Mike Flanagan doesn’t resort to excessive gore or a monumental story to instill fear. Instead, he uses the effective mechanics of his story to turn a room with an old mirror, a camera, and a pair of youngsters into a terrifying space.
55. "Rich Hill"
Looking at a segment of the American population from a uniquely compassionate and insightful perspective, “Rich Hill” cherishes the humanity of its subject rather than patronizing them.
54. "The Notebook"
The brutality of war is observed through the eyes of a pair of twin brothers who decide to detach themselves from any emotional connection in order to survive. Unflinching and powerful, “The Notebook” is part dark fairytale and part historical drama.
Review "The Notebook"
Carlos Aguilar's interview with János Szász
53. "Blue Ruin"
This gritty and unpredictable thriller follows a man whose thirst for revenge becomes his death sentence. Macon Blair’s character goes from passively hiding in the shadows to becoming a ruthless rookie assassin. Tension is the name of the game here.
52. "The Book of Life"
The ancient Mexican celebration of Day of the Death comes to life in this vibrant and surprisingly authentic animated feature from Jorge Gutierrez and producer Guillermo del Toro. It’s a colorful and intricately designed vision of beloved tradition.
51. "The German Doctor" (Wakolda)
Lucia Puenzo’s captivating mystery focuses on infamous Nazi physician Josef Mengele, as he tries to test his disturbing practices on family while hiding in the Argentine countryside. Elegantly executed and definitely unsettling
Review "The German Doctor"
Carlos Aguilar's interview with Lucia Puenzo
Sydney Levine's Case Study on "The German Doctor"
50. "Still Alice"
Lost, confused, but still fighting to preserve her individuality while facing the imminent effects of Alzheimer’s disease, Alice refuses to give up. Julianne Moor is absolutely stunning and heartbreaking.
49. "American Sniper"
Eastwood’s best film in a long time packs thrilling combat sequences as it looks at post-9/11 American patriotism via a simple man turned murder weapon. Bradley Cooper delivers the best performance of his career.
48. "The Lego Movie "
Pop culture has never been as hilarious and witty as in this uniquely animated story about individuality, the nature of heroism, and the power of a child’s imagination. With cameos galore and jokes aplenty, everything is indeed awesome.
47. "Manuscripts Don't Burn "
Mohammad Rasoulof’s fearless cinematic statement denouncing the Iranian regime is an incredible testament to the power of film as a cultural weapon against injustice. Not only is the film politically relevant, but also an all-around gripping thriller.
Review "Manuscripts Don't Burn"
46. "Guardians of the Galaxy "
This summer Marvel outdid itself with the truly enjoyable first installment of its newest franchise. Charismatic Chris Pratt as Star Lord, a more than memorable soundtrack, and an eclectic group of sidekicks made this the smartest summer hit.
45. "In Bloom"
Set in Tbilisi, Georgia, this unique coming-of-age tale is a riveting hidden gem that sports mesmerizing performances from its young cast. The filmmakers find evocative, everyday beauty in the hardships of life in a war-torn country.
Review "In Bloom"
44. "Goodbye to Language"
Godard’s use of 3D in this highly experimental work produces a physical reaction on the viewer that proves how alive the auteur’s vision still is. He is as cryptic, curious, innovative, unapologetic, and brilliant as he was over 50 years ago.
43. "Mistaken for Strangers"
Tom Berninger’s personal documentary is not a film about The National, but about a man trying to find his own path while reconnecting with his older brother – who happens to be a rock star. Fun, heartfelt, and honest.
Carlos Aguilar's interview with Tom and Matt Berninger
42. "Manakamana"
Simple on the surface but hauntingly poetic, this documentary focuses on a series of people as they travel up to a sacred shrine in Nepal. Their faces speak in silences, laughter, and visible sadness, which form a language far more stirring than ephemeral words.
41. "Whiplash"
J.K. Simmons is a nightmarish instructor in Damien Chazelle’s fascinating debut about a young drummer by obsessive passion. The final sequence is an astonishing showstopper that sports marvelous, flawless editing
40. "The Overnighters"
What starts as the story about a Good Samaritan helping those in need despite criticisms, turns into an examination of a conflicted man. Faith, lies, regret and the judgmental eyes of an entire community will become his agonizing cross to bear.
39. "Rocks in My Pockets"
Latvian artist Signe Baumane uses 2D animation to work through her insecurities, her relationships with her estrange family, and depression. Craft and substance merge to construct an absorbing personal statement that is unexpectedly relatable.
Sydney Levine's Feature Piece on "Rocks in My Pockets"
38. "The Missing Picture"
To reconstruct his family’s past, and by extension that of his homeland under the Khmer Rouge, director Rithy Panh uses clay figurines and evocative narration in the absence of images from the time. One of the most original documentaries ever made.
Review "The Missing Picture"
37. "Snowpiercer"
Art house sensibilities imbedded into a powerful post-apocalyptic tale from South Korean director Bong Joon-ho gave us a superbly sophisticated actioner. Chris Evans delivers a different, but equally great heroic performance. However, Tilda Swinton takes the prize here.
36. "Life Itself"
Roger Ebert’s love for life and movies was endless. Despite major health issues near the end, his spirits and voice were never weakened. Steve James intimate documentary captures both the man and the critic in a lovely manner.
35. "Gone Girl"
Fincher’s latest focuses on a media circus fueled by a couple’s despicable lies and the public’s voyeuristic desire to find a villain and a victim. While Ben Affleck is good here, the film thrives on Rosamund Pike’s wickedly clever role.
34. "Two Days, One Night"
Only the Dardenne brothers can transform seemingly banal situations into compelling narratives that question the morality of their characters. In their latest masterful effort Marion Cotillard’s talent shines as she balances desperation, pride, and hope.
33. "Foxcatcher"
Driven by a trifecta of great performances, Bennett Miller’s drama shows a disturbed man in search of recognition and validation by any means necessary. Channing Tatum deserves more praise for his nuanced work here.
32. "Omar"
At once timeless and decisively current, Hany Abu-Asad’s Shakespearean crime drama deals with Israeli-Palestinian relations from a humanistic point of view. The political issues that serve as context become more urgent when seen through the characters’ struggles.
Review "Omar"
Carlos Aguilar's interview with Hany Abu-Assad
31. "Mr. Turner"
The awe-inspiring cinematography and Timothy Spall’s grumpy, yet endearing portrayal of one of Britain’s most revered painters make of “Mr. Turner” another successful addition to Mike Leigh’s near-perfect track record.
30. "Nymphomaniac"
Blasphemous, explicit, and cerebral as most of Lars von Trier’s works, this two-part recollection of the anecdotes takes us into the tortured mind of a sex addict. There is no sugarcoating or redemption to be found here, only a skillful provocateur who loves to revel in the playful bleakness of it all.
Review "Nymphomaniac Vol. 1"
Review "Nymphomaniac Vol. 2"
29. "Gloria"
A middle-aged woman takes control of her life in this excellent Chilean dramedy. The title character, played by the lovely Paulina Garcia, wants to find love once again and to live without restrains. As she dances the night away we are certain that, despite the hardships, she will.
Review "Gloria"
Sydney Levine's interview with Sebastian Lelio and Paulina Garcia
28. "The Babadook"
A vicious boogieman terrorizes a mother and her son in this Australian horror masterpiece. Like with the best films in the genre, is what you don’t see that’s the most disturbing. Dir. Jennifer Kent uses creepy guttural sounds, shadows, and a malevolent children’s book to psychologically inflict fear.
27. "Ernest & Celestine"
Delightfully crafted to look like a collection of gorgeous moving watercolors, this French animated feature based on Gabrielle Vincent’s books is a visual treat and reminds us of the innocent fables from yesteryear.
Carlos Aguilar's interview with Benjamin Renner
26. "Hide Your Smiling Faces"
Two brothers growing up in a small town are confronted with the notion of death and the complexities of the adult world in this remarkably done debut by Daniel Patrick Carbone. An absolute must-see that deserves a wider audience.
Review "Hide Your Smiling Faces"
25. "Stranger by the Lake"
In Alain Guiraudie’s beachside mystery, a murderous romance hides underneath warm weather and desire. This provocative, darkly comedic and splendidly acted slow-burner shows that danger is sometimes the most lethal aphrodisiac.
Carlos Aguilar's interview with Alain Guiraudie
24. "Heli"
Amat Escalante’s brave and brutally honest depiction of Mexico’s violent present is unquestionably a difficult cinematic experience. However, the filmmaker is capable of finding resilient hope in the midst of overwhelming despair.
Review "Heli"
Carlos Aguilar's interview with Amat Escalante
23. "CitizenFour"
Few embellishments are needed when you have such a shocking and important story told not from an outsider’s perspective, but from its source. Fiction falls short in comparison to the truths and secrets encompassed in Laura Poitras account of the Edward Snowden case.
22. "Force Majeure"
Gender roles are questioned with humorous but poignant observations on marriage and societal expectations in this Swedish hit from Ruben Östlund. Laugh-out-loud moments galore and an unforgettable “man cry” sequence are the result of a catastrophic controlled avalanche.
Carlos Aguilar's interview with Ruben Östlund and Johannes Kuhnke
21. "The Guest"
Adam Wingard’s perversely comedic stunner about a devilishly deceiving visitor was by far one of the most outrageously fun films I saw this year. It’s a masterwork of madness. I can’t wait to see what Wingard, writer Simon Barrett, and star Dan Stevens do next.
20. "Obvious Child"
Jenny Slate’s Donna Stern is navigating adulthood through laughter. Her standup performances are unfiltered, moving, and often hilariously distasteful, but always sincere. Slate and director Gillian Robespierre are a match made in comedy heaven.
Review "Obvious Child"
Carlos Aguilar's interview with Gillian Robespierre and Jenny Slate
19. "Inherent Vice"
There are numerous wacky characters and subplots in Paul Thomas Anderson’s adaption of Thomas Pynchon novel, but the real magic happens when Joaquin Phoenix and Josh Brolin are together on screen. “Motto panukeiku!” is all I have to say.
18. "Starred Up"
Jack O’Connell’s award-deserving performance packs raw energy, ferocious anger, and tragic vulnerability. Violence and respect are the only useful currencies in this potent prison drama that’s as thrilling as it’s emotionally devastating.
Carlos Aguilar's interview with David Mackenzie
17. "Listen Up Philip"
Brimming with originality and uncompromising humor, Alex Ross Perry’s look at the writing craft is pure brilliance. Jason Schwartzman stars as an obnoxious, self-centered young author. He is as utterly amusing and revels in his character’s hilarious arrogance.
16. "Boyhood"
Thanks to Richard Linklater’s perseverance we were able to experience an incredible and incomparable cinematic journey. Filled with small, but affecting moments of sorrow and joy, a child’s life - and that of those around him - literally unfolds on screen somewhere between reality and fiction.
15. "Selma"
Avoiding all the dreaded biopic clichés, director Ava DuVernay created a powerful historical drama that couldn’t be more opportune. Among a star-studded cast, David Oyelowo delivers a knockout performance as Dr. Martin Luther King Jr.
14. "Under the Skin"
Life on earth as seen by a seductive alien is simultaneously frightening and revelatory in Jonathan Glazer’s dazzling sci-fi character study. Scarlett Johansson is superb as a creature intrigued by the virtues and shortcomings of human nature.
Review "Under the Skin"
13. "The Grand Budapest Hotel"
Everything we love about Wes Anderson and much more is included in this stylized beauty of a film. Ralph Fiennes is an irreverent, classy, womanizer that gets into trouble with an array of quirky villains played by a topnotch cast. From its score to the production design, this is Anderson at his best.
12. "The Boxtrolls"
Laika’s craftsmanship reached a new level of delightful greatness with this darkly comedic period piece. Their brand of stop-motion animation is impeccable. Each character is meticulously created with a wonderful physicality that no other medium can provide.
Review "The Boxtrolls"
11. "Leviathan"
Andrey Zvyagintsev’s masterpiece dissects the complexity of Russian society through a family drama that is as intimate as it is monumental in the themes it explores. Religion, government, and betrayal are all monsters haunting a righteous man at the mercy or their powers.
Carlos Aguilar's interview with Andrey Zvyagintsev
10. "Only Lovers Left Alive"
Between desolated Detroit and a moody Marrakesh, Jim Jarmusch's darkly comedic film delivers an incredibly original tale about familiar bloodsuckers. Permeated in groovy rock and roll music, vintage wardrobe, blissful production design, and an otherworldly atmosphere, “Only Lovers Left Alive” reclaims vampires as graceful, complex, and cultured beings, rather than the vehicle for teenage fantasies
Review "Only Lovers Left Alive"
9. "Nightcrawler"
Brutally unapologetic about the bloodthirsty practices of today’s media, Dan Gilroy’s directorial debut is a fantastic vehicle for Jake Gyllenhaal to deliver a performance unlike anything he’s done before. Outrageously insightful, Gilroy’s writing is a perverse delight that is at once analytical and utterly entertaining.
8. "Birdman"
While definitely hilarious, Inarritu’s latest work offers sharp observations on the nature of art and artists. This is a giant leap into new territory for the acclaimed Mexican filmmaker. His undeniable talent directing actors is what elevates his work from just a brilliant idea to a work that thrives on touching human vulnerability. Added to this, Emanuel Lubeski’s work in the cinematography department is a visual treat.
7. "Wild Tales"
This insanely inventive collection of deranged stories questions violence and revenge from a comedic angle. Besides being a complete riot that packs in uproarious humor, Damian Szifron’s film demonstrates his ability to create a cohesive film out of diverse vignettes united by the dark side of human nature. From start to finish, “Wild Tales” is truly a savagely fun trip.
Sydney Levine's Feature Piece on "Wild Tales"
6. "The Tale of the Princess Kaguya"
Studio Ghibli’s co-founder Isao Takahata demonstrates once more that his work is as spectacular as anything else the studio has created. His brand of handcrafted animation is of a uniquely exquisite kind that flows on the screen like streams of vibrant beauty. ‘The Tale of the Princess Kaguya” is perhaps his most striking work
5. "A Girl Walks Home Alone at Night"
This black and white, Persian-language vampire film is a revelation. Style and story elegantly arranged to be poetic and ethereal throughout. Undoubtedly the most dazzling feature debut of the year. Ana Lily Amirpour has a unique vision forged out of her fascination with genre films, music, and other peculiar interests, all of which blend into a delightful cocktail of beauty, danger, and pure originality.
4. "Winter Sleep"
Nuri Bilge Ceylan defines what being an auteur means every times he is behind the camera. Palme d’Or or not, “Winter Sleep” is the only film over 3 hours that has kept me fully engaged for every second of it. Every line of dialogue is as thought provoking as the next without being pretentious. He finds the fibers of human behavior and stretches them to their limit in every single scene. Absolutely mesmerizing
Review "Winter Sleep"
Sydney Levine's Feature Piece on "Winter Sleep" from Cannes
3. "Mommy"
The tenderly violent love between a mother and a son make for an intoxicating tour de force. Xavier Dolan plays with aspect ratios, music, evocative cinematography and raw, maddening emotions to produce one of the most heartbreaking and intense experiences I’ve ever had watching a film. I was in a complete state of exhilaration until the very last, perfect, frame.
2. "Ida"
There is not a single miscalculation in Pawel Pawlikowski’s immaculate post-Holocaust drama. Each frame is a stunning work of sheer perfection. Flawless cinematography, riveting performances by both leading actresses, and a story that is subtle on the surface but carries intense undertones about spirituality and the consequences of guilt, make of “Ida” a masterwork to be cherished for years to come
Review "Ida"
Sydney Levine's interview with Pawel Pawlikowski
1. "Song of the Sea"
I'm certain some people will think me crazy for choosing this film as my favorite of the year, but witnessing Tomm Moore’s gorgeous and ethereal craftsmanship was an unforgettable experience. What he was able to achieve here, both in technique and emotional poignancy, is absolutely outstanding. "Song of the Sea" is one of the most blissfully beautiful animated films ever made. It is a gem beaming with awe-inspiring, heartwarming magic. It will be a long time before animation reaches this level of mesmerizing artistry again.
Review "Song of the Sea"
Carlos Aguilar's interview with Tomm Moore...
- 1/1/2015
- de Carlos Aguilar
- Sydney's Buzz
Voters for the Academy Awards can begin casting their ballots online next Monday, Jan. 29 — and those who’ve opted out of the Internet option and requested paper ballots already have those in their hands.
So as the start of voting nears, TheWrap has pored over Academy lists to offer some facts, figures and fun about the 2014 Oscar race. For starters, here are a few things you might not know unless you’ve examined the Academy’s 33-page “Reminder List of Productions Eligible for the 87th Academy Awards.”
See photos: Golden Globes 2015: The Nominees (Photos)
It ranges from “About Last Night” to “Yves Saint Laurent,...
So as the start of voting nears, TheWrap has pored over Academy lists to offer some facts, figures and fun about the 2014 Oscar race. For starters, here are a few things you might not know unless you’ve examined the Academy’s 33-page “Reminder List of Productions Eligible for the 87th Academy Awards.”
See photos: Golden Globes 2015: The Nominees (Photos)
It ranges from “About Last Night” to “Yves Saint Laurent,...
- 23/12/2014
- de Steve Pond
- The Wrap
Paramount's "Selma" from director Ava Duvernay is picking up steam this awards season. The Martin Luther King drama has been announced to be the opening night movie of the 26th annual Palm Springs International Film Festival. The festival will close on Sunday, January 11 with the Us premiere of "Boychoir" from director Francois Girard. David Oyelowo, who plays the beloved King in "Selma," is also being honored at the fest with Breakthrough Performance Award, Actor.
Here's the complete press release which includes the list of Easter European movies in a program titled Eastern Promises:
Palm Springs, CA (December 16, 2014) . The 26th annual Palm Springs International Film Festival (Psiff) will launch on Friday, January 2 with the opening night screening of the GoldenGlobe nominated Selma directed by Ava Duvernay. The Festival will wrap on Sunday, January 11 with the Us premiere of Boychoir directed by François Girard. New this year, the festival will focus on...
Here's the complete press release which includes the list of Easter European movies in a program titled Eastern Promises:
Palm Springs, CA (December 16, 2014) . The 26th annual Palm Springs International Film Festival (Psiff) will launch on Friday, January 2 with the opening night screening of the GoldenGlobe nominated Selma directed by Ava Duvernay. The Festival will wrap on Sunday, January 11 with the Us premiere of Boychoir directed by François Girard. New this year, the festival will focus on...
- 17/12/2014
- de Manny
- Manny the Movie Guy
Selma and Boychoir will bookend the 26th annual Palm Springs International Film Festival (Psiff), set to run from January 2-12.
For the first time, the festival will focus on 20 films from Eastern Europe in the strand called Eastern Promises.
The 20 films in Eastern Promises are:
Afterlife (Virág Zomborácz, Hungary);
Corn Island (George Ovashvili, Georgia);
Cowboys (Tomislav Mršić, Croatia);
Fair Play (Andrea Sedláčková, Czech Republic-Slovakia-Germany)
Ida (Pawel Pawlikowski, Poland);
In The Crosswind (Martti Helde, Estonia);
The Guide (Oles Sanin, Ukraine);
The Japanese Dog (Tudor Christian Jurgiu, Romania);
Kebab & Horoscope (Kristina Grozeva and Petar Valchanov Grzegorz Jaroszuk, Poland);
The Lesson (Kristina Grozeva and Petar Valchanov Bulgaria-Greece);
Mirage (Szabolcs Hajdu, Hungary-Slovakia);
No One’s Child (Vuk Ršumović, Serbia-Croatia);
The Reaper (Zvonimir Juric, Croatia-Slovenia);
Rocks In My Pockets (Signe Baumane, Latvia);
See You In Montevideo (Dragan Bjelogrlic, Serbia);
Tangerines (Zaza Urushadze, Estonia);
These Are The Rules (Ognjen Svilicic, Croatia-France-Serbia);
Three Windows And A Hanging (Isa Qosja, Kosovo);
The...
For the first time, the festival will focus on 20 films from Eastern Europe in the strand called Eastern Promises.
The 20 films in Eastern Promises are:
Afterlife (Virág Zomborácz, Hungary);
Corn Island (George Ovashvili, Georgia);
Cowboys (Tomislav Mršić, Croatia);
Fair Play (Andrea Sedláčková, Czech Republic-Slovakia-Germany)
Ida (Pawel Pawlikowski, Poland);
In The Crosswind (Martti Helde, Estonia);
The Guide (Oles Sanin, Ukraine);
The Japanese Dog (Tudor Christian Jurgiu, Romania);
Kebab & Horoscope (Kristina Grozeva and Petar Valchanov Grzegorz Jaroszuk, Poland);
The Lesson (Kristina Grozeva and Petar Valchanov Bulgaria-Greece);
Mirage (Szabolcs Hajdu, Hungary-Slovakia);
No One’s Child (Vuk Ršumović, Serbia-Croatia);
The Reaper (Zvonimir Juric, Croatia-Slovenia);
Rocks In My Pockets (Signe Baumane, Latvia);
See You In Montevideo (Dragan Bjelogrlic, Serbia);
Tangerines (Zaza Urushadze, Estonia);
These Are The Rules (Ognjen Svilicic, Croatia-France-Serbia);
Three Windows And A Hanging (Isa Qosja, Kosovo);
The...
- 16/12/2014
- de jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Three hundred twenty-three feature films are eligible for the 2014 Academy Awards, the Academy of Motion Picture Arts and Sciences announced today.
To be eligible for 87th Academy Awards consideration, feature films must open in a commercial motion picture theater in Los Angeles County by midnight, December 31, and begin a minimum run of seven consecutive days.
Under Academy rules, a feature-length motion picture must have a running time of more than 40 minutes and must have been exhibited theatrically on 35mm or 70mm film, or in a qualifying digital format.
Feature films that receive their first public exhibition or distribution in any manner other than as a theatrical motion picture release are not eligible for Academy Awards in any category. The “Reminder List of Productions Eligible for the 87th Academy Awards” is available at http://www.oscars.org/oscars/rules-eligibility.
The Academy of Motion Picture Arts and Sciences also announced that 114 scores...
To be eligible for 87th Academy Awards consideration, feature films must open in a commercial motion picture theater in Los Angeles County by midnight, December 31, and begin a minimum run of seven consecutive days.
Under Academy rules, a feature-length motion picture must have a running time of more than 40 minutes and must have been exhibited theatrically on 35mm or 70mm film, or in a qualifying digital format.
Feature films that receive their first public exhibition or distribution in any manner other than as a theatrical motion picture release are not eligible for Academy Awards in any category. The “Reminder List of Productions Eligible for the 87th Academy Awards” is available at http://www.oscars.org/oscars/rules-eligibility.
The Academy of Motion Picture Arts and Sciences also announced that 114 scores...
- 13/12/2014
- de Michelle McCue
- WeAreMovieGeeks.com
Original scores from The Boxtrolls, Divergent, Exodus: Gods And Kings and The Grand Budapest Hotel are among 114 scores eligible for nominations in the Original Score category for the 87th Oscars. The noms will be announced on January 15. The eligible scores along with their composers are listed below, in alphabetical order by film title:
“American Revolutionary: The Evolution of Grace Lee Boggs,” Vivek Maddala, composer
“Anita,” Lili Haydn, composer
“Annabelle,” Joseph Bishara, composer
“At Middleton,” Arturo Sandoval, composer
“Atlas Shrugged: Who Is John Galt?,” Elia Cmiral, composer
“Bears,” George Fenton, composer
“Belle,” Rachel Portman, composer
“Big Eyes,” Danny Elfman, composer
“Big Hero 6,” Henry Jackman, composer
“The Book of Life,” Gustavo Santaolalla and Tim Davies, composers
“The Boxtrolls,” Dario Marianelli, composer
“Brick Mansions,” Trevor Morris, composer
“Cake,” Christophe Beck, composer
“Calvary,” Patrick Cassidy, composer
“Captain America: The Winter Soldier,” Henry Jackman, composer
“The Case against 8,” Blake Neely, composer
“Cheatin’,” Nicole Renaud,...
“American Revolutionary: The Evolution of Grace Lee Boggs,” Vivek Maddala, composer
“Anita,” Lili Haydn, composer
“Annabelle,” Joseph Bishara, composer
“At Middleton,” Arturo Sandoval, composer
“Atlas Shrugged: Who Is John Galt?,” Elia Cmiral, composer
“Bears,” George Fenton, composer
“Belle,” Rachel Portman, composer
“Big Eyes,” Danny Elfman, composer
“Big Hero 6,” Henry Jackman, composer
“The Book of Life,” Gustavo Santaolalla and Tim Davies, composers
“The Boxtrolls,” Dario Marianelli, composer
“Brick Mansions,” Trevor Morris, composer
“Cake,” Christophe Beck, composer
“Calvary,” Patrick Cassidy, composer
“Captain America: The Winter Soldier,” Henry Jackman, composer
“The Case against 8,” Blake Neely, composer
“Cheatin’,” Nicole Renaud,...
- 13/12/2014
- de The Deadline Team
- Deadline
New Riga Meetings platform welcomes projects including two projects by Finnish film-maker Aku Louhimies.
Janis Nords’ second feature Mother I Love You and Juris Kursietis’ debut Modris were the big winners at the ¨Great Christopher¨ (¨Lielais Kristaps¨) National Film Competition held during the first edition of the Riga International Film Festival (December 2-12).
Nords, who graduated in film directing from the UK’s Nfts, received the top honour of best film as well as the trophy for best feature film director and best actress (for Vita Varpina’s performance as the single mother trying to make ends meet).
On presenting the direction prize to Nords, the competition jury’s chairman, veteran film director Janis Streics, said that he saw “a bright future ahead for Latvian cinema” on the strength of the line-up for this edition of the national film awards.
Mother I Love You, which is handled internationally by New Europe Film Sales, premiered at the...
Janis Nords’ second feature Mother I Love You and Juris Kursietis’ debut Modris were the big winners at the ¨Great Christopher¨ (¨Lielais Kristaps¨) National Film Competition held during the first edition of the Riga International Film Festival (December 2-12).
Nords, who graduated in film directing from the UK’s Nfts, received the top honour of best film as well as the trophy for best feature film director and best actress (for Vita Varpina’s performance as the single mother trying to make ends meet).
On presenting the direction prize to Nords, the competition jury’s chairman, veteran film director Janis Streics, said that he saw “a bright future ahead for Latvian cinema” on the strength of the line-up for this edition of the national film awards.
Mother I Love You, which is handled internationally by New Europe Film Sales, premiered at the...
- 12/12/2014
- de screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
As is usually the case, 2014 held a rich vein of great nonfiction cinema … that went mostly untapped by any wide audiences. But just because documentaries are perpetually under-served by popular (and even critical) attention doesn’t mean that we should neglect these films. This is a celebration of all the best docs to come out this year.
But first, for the sake of full disclosure, here are all the notable docs of 2014 that I haven’t gotten around to seeing yet:
1989, 20,000 Days on Earth, Ai Weiwei: The Fake Case, Big Joy, Big Men, Code Black, Evolution of a Criminal, The Great Flood, The Great Invisible, The Kill Team, National Gallery, The Missing Picture, Maidentrip, Manakamana, The Naked Opera, Virunga, Watchers of the Sky, What Now? Remind Me, Whitey
Next,we have some honorable mentions — other docs of 2014 that are well worth seeking out:
A Will for the Woods, Art and Craft,...
But first, for the sake of full disclosure, here are all the notable docs of 2014 that I haven’t gotten around to seeing yet:
1989, 20,000 Days on Earth, Ai Weiwei: The Fake Case, Big Joy, Big Men, Code Black, Evolution of a Criminal, The Great Flood, The Great Invisible, The Kill Team, National Gallery, The Missing Picture, Maidentrip, Manakamana, The Naked Opera, Virunga, Watchers of the Sky, What Now? Remind Me, Whitey
Next,we have some honorable mentions — other docs of 2014 that are well worth seeking out:
A Will for the Woods, Art and Craft,...
- 11/12/2014
- de Dan Schindel
- SoundOnSight
The Palm Springs International Film Festival has increasingly become an important stop on the awards calendar for foreign language films. While the desert fest hands out an international critics prize, it’s more about the filmmakers getting a chance to rub shoulders with Academy members just before nominations ballots are due. The upcoming 26th annual fest is running January 2-12 and has announced the movies that will compete for the Fipresci prize in its Awards Buzz section. Fifty of the 83 official submissions for the Best Foreign Language Film Oscar are on the list with the titles chosen believed by festival programmers to be the strongest entries in this year’s Academy Awards race. A special jury of international film critics will screen the films and hand out a Fipresci for an individual title as well as Best Actor and Best Actress. While the fest doesn’t always match the eventual Oscar winner,...
- 2/12/2014
- de Nancy Tartaglione
- Deadline
The organisers of the 26th annual Palm Springs International Film Festival (Psiff) will screen 50 of the 83 foreign-language Oscar submissions.
A jury of international film critics will be convened to bestow the Fipresci Award for best foreign language film of the year, as well as best actor and best actress in this category.
Further film programmes will be announced in the coming weeks. Psiff is set to run from January 2-12.
The Awards Buzz selections in alphabetical order of country are:
A Few Cubic Meters Of Love (Afghanistan), Jamshid Mahmoudi:
Wild Tales (Argentina), Damián Szifrón;
Charlie’s Country (Australia), Rolf de Heer;
The Dark Valley (Austria), Andreas Prochaska;
Nabat (Azerbaijan), Elchin Musaoglu;
Two Days, One Night (Belgium-France-Italy), Jean-Pierre Dardenne, Luc Dardenne;
The Way He Looks (Brazil), Daniel Ribeiro;
Mommy (Canada), Xavier Dolan;
To Kill A Man (Chile), Alejandro Fernández Almendras;
The Nightingale (China), Philippe Muyl;
Mateo (Colombia), Maria Gamboa;
Cowboys (Croatia), Tomislav Mršić;
Behavior (Cuba), Director [link=nm...
A jury of international film critics will be convened to bestow the Fipresci Award for best foreign language film of the year, as well as best actor and best actress in this category.
Further film programmes will be announced in the coming weeks. Psiff is set to run from January 2-12.
The Awards Buzz selections in alphabetical order of country are:
A Few Cubic Meters Of Love (Afghanistan), Jamshid Mahmoudi:
Wild Tales (Argentina), Damián Szifrón;
Charlie’s Country (Australia), Rolf de Heer;
The Dark Valley (Austria), Andreas Prochaska;
Nabat (Azerbaijan), Elchin Musaoglu;
Two Days, One Night (Belgium-France-Italy), Jean-Pierre Dardenne, Luc Dardenne;
The Way He Looks (Brazil), Daniel Ribeiro;
Mommy (Canada), Xavier Dolan;
To Kill A Man (Chile), Alejandro Fernández Almendras;
The Nightingale (China), Philippe Muyl;
Mateo (Colombia), Maria Gamboa;
Cowboys (Croatia), Tomislav Mršić;
Behavior (Cuba), Director [link=nm...
- 2/12/2014
- de jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Every year Hollywood gets a curated batch of films from dozens of countries seeking an Academy Award nomination for Best Foreign Language Film. One film per nation is chosen to represent the best of its cinematic production during the previous year. Certainly the chosen film is not always the ideal candidate, but the reasoning behind the selection usually follows two patterns: there are countries that go with the best film even if this is not the most appealing choice and there are countries that go with the most ambitious, industry-friendly, and financially successful work. This year the astonishing number of submissions – a total of 83 – makes for an incredible list of films that range from those that sport festival pedigree of the highest caliber, unknown gems looking for an audience, expensive visual achievements, and obscure art house hopefuls.
This year more than most, there are a great number of films with serious possibilities. There is no unshakable front-runner, but there are numerous favorites. Yet, looking at last year’s 9 shortlisted films and eventual 5 nominees, nothing is written in stone. Critics and audience favorites like “ The Past” (Iran), “Gloria” (Chile), “Heli” (Mexico), and “Wadjda” (Saudi Arabia) were left out to include surprises like “The Missing Picture“ (Cambodia), “An Episode in the Life of an Iron Picker” (Bosnia & Herzegovina) or “The Notebook” (Hungary).
With Awards Season now in full swing and knowing that this is one of the most difficult races to follow, here is a comprehensive list that includes information for each of the 83 submissions. Below each poster you will find the title of the film linked to its page on IMDb Pro followed by the title in the original language; the director’s name also linked to his/her IMDb Page; the language the film is primarily in; the name of the U.S. distributor if there is one; the name of the film’s International Sales Agent (Isa) or Production Company (PC) linked to the film’s page on Cinando; and a link to the film’s trailer (most of them have English subtitles, others are only in the original language, and a few are videos related to the film because a trailer wasn't available). In addition, reviews and interviews with many of these filmmakers will be added regularly.
Before getting into the list, let’s take a look at some of the statistics and patterns among these 83 foreign language features.
Period Dramas/Biopics
Several countries selected films based on the lives of prominent local figures or great period pieces, both showcase the level of films being produced across the globe in terms of production value and scope. Mexico’s “Cantinflas,” Venezuela’s “The Liberator,” Kyrgyzstan “Kurmanjan Datka Queen of the Mountains,” Bolivia’s “Forgotten,” Indonesia’s “Soekarno,” Greece’s “Little England,” Macedonia’s “To the Hilt,” Hong Kong’s “The Golden Era,” Austria’s “The Dark Valley,” Switzerland’s “The Circle,” Bulgaria’s “Bulgarian Rhapsody,” Serbia’s “ See You in Montevideo,” Slovakia’s “A Step Into the Dark” and New Zealand’s “The Dead Lands” are some of the most expensive films ever made in their respective territories. All of them are epic productions that highlight an important historical period using impressive cinematography, a great number of extras, intricate costumes, lavish locations, detailed production design, as well as great battle sequences in several of them. Other more traditional biopics/period pieces on the list include France’s “Saint Laurent,” The Netherlands “ Accused,” Germany’s “Beloved Sisters,” Spain’s “Living Is Easy with Eyes Closed” and the Czech Republic’s “Fair Play”
Masters and Festival Winners
Not surprisingly many of the films on the list come into this race after winning important awards at international festivals. Furthermore, a handful of them are from master filmmakers, masters in the making, or unique new voices. These films include Belgium’s “Two Days, One Night” (Cannes, Telluride, Tiff, Nyff, AFI Fest) by the Dardenne Brothers, Canada’s “Mommy” (Cannes, Telluride, Tiff, AFI Fest) by prodigy Xavier Dolan, Chile’s “To Kill a Man” (Sundance, Rotterdam, Cartagena) by Alejandro Fernandez Almendras, Hungary's "White God" (Cannes) by Kornél Mundruczó, Norway’s “1001 Grams” (Tiff) by Bent Hamer, Poland’s “Ida”(Tiff, Sundance) by Pawel Pawlikowski, Russia’s “Leviathan” (Cannes, Telluride, Tiff, AFI Fest) by Andrey Zvyagintsev, Sweden’s “Force Majeure” (Cannes, Telluride, Tiff) by Ruben Östlund, and Turkey’s “ Winter Sleep” (Cannes, Telluride, Tiff) by Nuri Bilge Ceylan. All of these films have played at renowned international festivals and most have earned important recognition there.
Out of the Box
Whether they are aware of their actual possibilities at a nomination or not, each year a few countries take the risk of sending a film that defies convention despite having more safe choices. But that is not say they are entirely out of the race, films like “The Missing Picture” and “Dogtooth” prove that sometimes there is room for daring and unique filmmaking. With “Rocks in My Pockets” Latvia is the only country to submit an animated film this year. The film is an inventive and colorful look at depression. Then there is the almost-silent and highly poetic Ecuadorian entry “Silence in Dreamland” and Singapore’s musically driven drama “Sayang Disayang.” However, the boldest selection has to be the Philippines’ “Norte, the End of History” by acclaimed auteur Lav Diaz, which runs over four hours and is inspired by Dostoyevsky Crime and Punishment.
Documentaries
Only two countries chose to go with non-fiction entries. One of them is Panama’s “Invasion,” which deals with the aftermath of the U.S. intervention in that country in 1989. This is the Central American nation’s first ever Oscar submission. The other documentary contending is Portugal’s “ What Now? Remind Me,“ a self-portrait by filmmaker Joaquim Pinto exploring his struggles living with HIV. One should note that Portugal is one of the few countries in Western Europe to have never obtained a nomination in the category despite entering films consecutively for several decades.
Lgbt
Films with stories that highlight sexual diversity occasionally make their way into this list. Last year the only Lgbt title submitted was “ Soongava: Dance of the Orchids,” which surprisingly came from Nepal and dealt with the relationship between two young women in the traditional Asian society. This time around two countries selected films with similar themes. Brazil’s festival darling “ The Way He Looks” – a sweet coming-of-age tale- was an audacious choice among the many other films the South American country produces every year. Then there is Switzerland’s “The Circle” about a pioneering gay publication during the 1940s/1950s in Zurich and the real life relationship between two of its prominent members.
Surprising Choices
As it usually happens, some countries go against what the industry expects and decide to send films that weren’t on most people’s radars. Bulgaria for example selected “Bulgarian Rhapsody” by veteran director Ivan Nitchev over Sundance’s “Viktoria” by young female director Maya Vitkova. Similarly, Ukraine overlooked Cannes favorite “The Tribe”- a powerful drama entirely in sign language - and decided to go with “The Guide” by Oles Sanin. Nevertheless, the most shocking decision came from China. Instead of selecting a Chinese-directed film like Berlin’s Golden Bear winner “Black Coal, Thin Ice” or Zhang Yimou’s “Coming Home,” the Chinese selection committee chose “The Nightingale” by French director Philippe Muyl. Despite having a European helmer the film is authentically Chinese in terms of language and story, but it was still an unexpected move from the traditionally patriotic country.
First Timers
The unprecedented number of entries is in part due to the addition of countries submitting for the first time. Besides aforementioned Panama, there are three other debutant nations in the mix. Kosovo- a tiny Balkan state often associated with the rampart war that afflicted the region a few decades ago - is finally showcasing its film production. Their entry titled “Three Windows and a Hanging” is said to be a high quality, affecting drama. Malta - a European island nation near Italy - is often used as astonishing location for big budget studio films. This year, however, “ Simshar,” a great immigration drama will represent the country. Lastly, Mauritania – a prominently Muslim nation in Sub-Saharan Africa – selected Abderrahmane Sissako’s “Timbuktu,”which played in competition at Cannes,as their inaugural submission. Although Sissako has had several successful films at international festivals, this is the first time his country decides to participate.
Female Directors
Out of the 83 films, 14 were directed by women. That’s 17% of all entries. What’s more interesting is the fact that some of these films come from countries that are often seen as traditionally patriarchal societies. 3 Latin American entries were created by female directors: Colombia’s “Mateo,” Costa Rica’s “Red Princesses” and the Dominican Republic’s “Cristo Rey.” 4 from Asia: Hong Kong’s “ The Golden Era,” India’s “Liar’s Dice,” Japan’s “The Light Shines Only There,” and Pakistan’s “Dukhtar.” 2 from the Middle East: Israel’s “Gett: The Trial of Viviane Amsalem” (Co-directed) and Palestine’s “Eyes of a Thief.” Lastly, 5 films from Europe: The Czech Republic’s “Fair Play,” Finland’s “Concrete Night,” Latvia’s “ Rocks in My Pockets,” Malta’s “Simshar” and the Netherlands’ “Accused.”
U.S. Distribution
Another interesting fact is the number of these films that already have U.S. distribution. Several of them have actually already opened theatrically here, and others are set to open early next year. Out 83 films, 24 already have U.S. distribution. That’s 29% of all films. Hopefully that number increases by the end of the season. The films are: Argentina’s “Wild Tales,” Austria’s “The Dark Valley,” Belgium’s “Two Days, One Night,” Brazil’s “The Way He Looks,” Canada’s “Mommy,” Chile’s “To Kill a Man,” France’s “Saint Laurent,” Germany’s “Beloved Sisters,” Hungary’s “White God,” Israel’s “ Gett: The Trial of Viviane Amsalem,” Italy’s “Human Capital,” Latvia’s “Rocks in My Pockets,” Mauritania’s “Timbuktu,” Mexico’s “Cantinflas,” Norway’s “1001 Grams,” The Philippines “Norte, the End of History,” Poland’s “Ida,” Portugal's "What Now? Remind Me," Russia’s “Leviathan,” Spain’s “Living Is Easy with Eyes Closed,” Sweden’s “Force Majeure,” Switzerland’s “The Circle,” Turkey’s “Winter Sleep,” and Venezuela’s “ The Liberator.”
To see which distribution company has each of these films please refer to the list below.
Afghanistan
"A Few Cubic Meters of Love" (چند متر مکعب عشق)
Dir: Jamshid Mahmoudi
Language: Persian
U.S Distribution: None Yet
Isa: Dreamlab Films
Trailer
Argentina
"Wild Tales" (Relatos Salvajes)
Dir: Damián Szifrón
Language: Spanish
U.S Distribution: Sony Pictures Classics
Isa: Film Factory Entertainment
Trailer
Austria
"The Dark Valley" (Das finstere Tal)
Dir: Andreas Prochaska
Language: German
U.S Distribution: Film Movement
Isa: Films Distribution
Trailer
Australia
"Charlie's Country"
Dir: Rolf de Heer
Language: Yolŋu Matha/English
U.S Distribution: None Yet
Isa: Visit Films
Trailer
Azerbaijan
"Nabat"
Dir: Elcin Musaoglu
Language: Azerbaijani
U.S Distribution: None Yet
Isa: Dreamlab Films
Trailer
Bangladesh
"Glow of the Firefly" (Jonakir Alo)
Dir: Khalid Mahmood Mithu
Language: Bengali
U.S Distribution: None Yet
PC: Impress Telefilm
Trailer
Belgium
"Two Days, One Night" (Deux jours, une nuit)
Dir: Jean-Pierre Dardenne & Luc Dardenne
Language: French/Arabic
U.S Distribution: Sundance Selects
Isa: Wild Bunch
Trailer
Bolivia
"Forgotten" (Olvidados)
Dir: Carlos Bolado
Language: Spanish
U.S Distribution: None Yet
PC: Flor de Loto Pictures
Trailer
Bosnia & Herzegovina
"With Mom" (Sa mamom)
Dir: Faruk Loncarevic
Language: Bosnian
U.S Distribution: None Yet
PC: Scca/pro.ba
TraileR
Brazil
"The Way He Looks" (Hoje Eu Quero Voltar Sozinho)
Dir: Daniel Ribeiro
Language: Portuguese
U.S Distribution: Strand Releasing
Isa: Films Boutique Trailer
Bulgaria
"Bulgarian Rhapsody" (българска рапсодия)
Dir: Ivan Nitchev
Language: Bulgarian
U.S Distribution: None Yet
PC: Cinepaz Eood
Trailer
Canada
"Mommy"
Dir: Xavier Dolan
Language: French/English
U.S Distribution: Roadside Attractions
Isa: Seville International
Trailer
Chile
"To Kill a Man" (Matar a un Hombre)
Dir: Alejandro Fernández Almendras
Language: Spanish
U.S Distribution: Film Movement
Isa: Film Factory Entertainment
Trailer
China
"The Nightingale" (夜莺/Le promeneur d'oiseau)
Dir: Philippe Muyl
Language: Mandarin
U.S Distribution: None Yet
Isa: Kinology
Trailer
Colombia
"Mateo"
Dir: Maria Gamboa ♀
Language: Spanish
U.S Distribution: None Yet
Isa: Alpha Violet
Trailer
Costa Rica
"Red Princesses" (Princesas Rojas)
Dir: Laura Astorga ♀
Language: Spanish
U.S Distribution: None Yet
Isa: Latido Films Trailer
Croatia
"Cowboys" (Kauboji)
Dir: Tomislav Mrsic
Language: Croatian
U.S Distribution: None Yet
Isa: Wide
Trailer
Cuba
"Behavior" (Conducta)
Dir: Ernesto Daranas
Language: Spanish
U.S Distribution: None Yet
Isa: Latido Films
Trailer
Czech Republic
"Fair Play"
Dir: Andrea Sedlácková Andrea Sedlácková
Language: Czech
U.S Distribution: None Yet
Isa: IntraMovies
Trailer
Denmark
"Sorrow and Joy" (Sorg og glæde)
Dir: Nils Malmros
Language: Danish
U.S Distribution: None Yet
PC: Nordisk Film Production
Trailer
Dominican Republic
"Cristo Rey"
Dir: Leticia Tonos ♀
Language: Spanish
U.S Distribution: None Yet
Isa: The Little Film Company
Trailer
Ecuador
"Silence in Dreamland" (El Silencio en la Tierra de los Sueños)
Dir: Tito Molina
Language: Spanish
U.S Distribution: None Yet
PC: La Facultad
Trailer
Egypt
"Factory Girl" (فتاة المصنع )
Dir: Mohamed Khan
Language: Arabic
U.S Distribution: None Yet
PC: DayDream Art Production
Trailer
Estonia
"Tangerines" (Mandariinid)
Dir: Zaza Urushadze
Language: Estonian/Russian
U.S Distribution: None Yet
Isa: Cinemavault
Trailer
Ethiopia
"Difret"
Dir: Zeresenay Mehari
Language: Amharic
U.S Distribution: None Yet
Isa: Films Boutique Trailer
Finland
"Concrete Night" (Betoniyö)
Dir: Pirjo Honkasalo ♀
Language: Finnish
U.S Distribution: None Yet
Isa: Film Republic Trailer
France
"Saint Laurent"
Dir: Bertrand Bonello
Language: French
U.S Distribution: Sony Pictures Classics
Isa: Europacorp
Trailer
Georgia
"Corn Island" (სიმინდის კუნძული)
Dir: George Ovashvili
Language: Georgian/Abkhazian/Russian
U.S Distribution: None Yet
Isa: Arizona Productions
Trailer
Germany
"Beloved Sisters" (Die geliebten Schwestern)
Dir: Dominik Graf
Language: German /French
U.S Distribution: Music Box Films
Isa: Global Screen
Trailer
Greece
"Little England" (Μικρά Αγγλία)
Dir: Pantelis Voulgaris
Language: Greek
U.S Distribution: None Yet
PC: Black Orange
Trailer
Hong Kong
"The Golden Era" (黄金时代)
Dir: Ann Hui ♀
Language: Mandarin
U.S Distribution: None Yet
Isa: Edko Films
Trailer
Hungary
"White God" (Fehér isten)
Dir: Kornél Mundruczó
Language: Hungarian/English
U.S Distribution: Magnolia Pictures
Isa: The Match Factory
Trailer
Iceland
"Life in a Fishbowl" (Vonarstræti)
Dir: Baldvin Zophoníasson
Language: None Yet
U.S Distribution: None Yet
Isa: Films Boutique Trailer
India
"Liar's Dice" (लायर्स डाइस)
Dir: Geethu Mohandas ♀
Language: Hindi
U.S Distribution: None Yet
PC: Jar Pictures Trailer
Indonesia
"Soekarno"
Dir: Hanung Bramantyo
Language: Indonesian
U.S Distribution: None Yet
PC: Mvp Pictures
Trailer
Iran
"Today" (امروز )
Dir: Reza Mirkarimi
Language: Persian
U.S Distribution: None Yet
Isa: Dreamlab Films
Trailer
Iraq
"Mardan"
Dir: Batin Ghobadi
Language: Kurdish
U.S Distribution: None Yet
Isa: Versatile Trailer
Ireland
"The Gift" (An Bronntanas)
Dir: Tom Collins
Language: Irish/English
U.S Distribution: None Yet
PC: Rosg/De Facto Films
Trailer
Israel
"Gett: The Trial of Viviane Amsalem" (Gett: Le Procès de Viviane Amsalem)
Dir: Ronit Elkabetz ♀ & Shlomi Elkabetz
Language: Hebrew/French/Arabic
U.S Distribution: Music Box Films
Isa: Films Distribution
Trailer
Italy
"Human Capital" (Il Capitale Umano)
Dir: Paolo Virzì
Language: Italian
U.S Distribution: Film Movement
PC: Indiana Production Company
Trailer
Japan
"The Light Shines Only There" (そこのみにて光輝く)
Dir: Mipo Oh ♀
Language: Japanese
U.S Distribution: None Yet
Isa: Open Sesame
Trailer
Kosovo
"Three Windows and a Hanging" (Tri Dritare dhe një Varje)
Dir: Isa Qosja
Language: Albanian
U.S Distribution: None Yet
PC: CMb Productions
Trailer
Kyrgyzstan
"Kurmanjan Datka Queen of the Mountains" (Курманжан Датка)
Dir: Sadyk Sher-Niyaz
Language: Kirghiz
U.S Distribution: None Yet
PC: Aitysh Film
Trailer
Latvia
"Rocks in My Pockets" (Akmeņi manās kabatās)
Dir: Signe Baumane ♀
Language: Latvian
U.S Distribution: Zeitgeist Films
Isa: New Europe Film Sales
Trailer
Lebanon
"Ghadi" (غدي)
Dir: Amin Dora
Language: Arabic
U.S Distribution: None Yet
Isa: Fortissimo Films
Trailer
Lithuania
"The Gambler" (Lošėjas)
Dir: Ignas Jonynas
Language: Lithuanian
U.S Distribution: None Yet
Isa: Wide
Trailer
Luxembourg
"Never Die Young"
Dir: Pol Cruchten
Language: French
U.S Distribution: None Yet
Isa: EastWest Distribution
Trailer
MacEdonia
"To the Hilt" (До балчак)
Dir: Stole Popov
Language: Macedonian/French/English/ Turkish
U.S Distribution: None Yet
PC: Triangle Film- Skopje
Trailer
Malta
"Simshar"
Dir: Rebecca Cremona ♀
Language: Maltese
U.S Distribution: None Yet
PC: Kukumajsa Productions
Trailer
Mauritania
"Timbuktu"
Dir: Abderrahmane Sissako
Language: French/Arabic/Bambara/English/Songhay/Tamasheq
U.S Distribution: Cohen Media Group
Isa: Le Pacte
Trailer
Mexico
"Cantinflas"
Dir: Sebastian del Amo
Language: Spanish/English
U.S Distribution: Pantelion Films
Isa: 6 Sales
Trailer
Moldova
"The Unsaved" (La Limita de Jos a Cerului)
Dir: Igor Cobileanski
Language: Romanian
U.S Distribution: None Yet
Isa: Insomnia World Sales Trailer
Montenegro
"The Boys from Marx and Engels Street" (Djecaci iz ulice Marksa i Engelsa)
Dir: Nikola Vukcevic
Language: Serbian
U.S Distribution: None Yet
PC: Artikulacija Production
Trailer
Morocco
"The Red Moon" (القمر الأحمر)
Dir: Hassan Benjelloun
Language: Arabic
U.S Distribution: None Yet
PC: Bentaqerla
Trailer
Nepal
"Jhola" (झोला)
Dir: Yadav Kumar Bhattarai
Language: Nepali
U.S Distribution: None Yet
PC: Media for Culture
Trailer
The Netherlands
"Accused" (Lucia de B.)
Dir: Paula van der Oest ♀
Language: Dutch
U.S Distribution: None Yet
Isa: Fortissimo Films
Trailer
New Zealand
"The Dead Lands"
Dir: Toa Fraser
Language: Maori
U.S Distribution: None Yet
Isa: Xyz Films
Trailer
Norway
"1001 Grams" (1001 Gram)
Dir: Bent Hamer
Language: Norwegian/French/ English
U.S Distribution: Kino Lorber
Isa: Les Films du Losange
Trailer
Pakistan
"Dukhtar" (دختر، بیٹی)
Dir: Afia Nathaniel ♀
Language: Urdu
U.S Distribution: None Yet
PC: Zambeel Films
Trailer
Palestine
"Eyes of a Thief" (عيون الحراميه)
Dir: Najwa Najjar ♀
Language: Arabic
U.S Distribution: None Yet
PC: Ustura Films Trailer
Panama
"Invasion" (Invasión)
Dir: Abner Benaim
Language: Spanish
U.S Distribution: None Yet
Isa: Apertura Films Trailer
Peru
"The Gospel of the Flesh" (El Evangelio de la Carne)
Dir: Eduardo Mendoza de Echave
Language: Spanish
U.S Distribution: None Yet
PC: La Soga Producciones
Trailer
The Philippines
"Norte, the End of History" (Norte, Hangganan ng Kasaysayan)
Dir: Lav Diaz
Language: Tagalog/English
U.S Distribution: The Cinema Guild
Isa: M-Appeal World Sales
Trailer
Poland
"Ida"
Dir: Pawel Pawlikowski
Language: Polish
U.S Distribution: Music Box Films
Isa: Portobello Film Sales
Trailer
Portugal
"What Now? Remind Me" (E Agora? Lembra-me)
Dir: Joaquim Pinto
Language: Portuguese
U.S Distribution: The Cinema Guild
PC: C.R.I.M Productions
Trailer
Romania
"The Japanese Dog" (Câinele Japonez)
Dir: Tudor Cristian Jurgiu
Language: Romanian/Japanese
U.S Distribution: None Yet
Isa: M-Appeal World Sales
Trailer
Russia
"Leviathan" (Левиафан)
Dir: Andrey Zvyagintsev
Language: Russian
U.S Distribution: Sony Pictures Classics
Isa: Pyramide International
Trailer
Serbia
"See You in Montevideo" (Montevideo, vidimo se!)
Dir: Dragan Bjelogrlic
Language: Serbian/Spanish/ English
U.S Distribution: None Yet
PC: Intermedia Network
Trailer
Singapore
"Sayang Disayang"
Dir: Sanif Olek
Language: Malay/Indonesian
U.S Distribution: None Yet
PC: ReelJuice
Trailer
Slovakia
"A Step Into the Dark" (Krok do tmy)
Dir: Miloslav Luther
Language: Slovak
U.S Distribution: None Yet
PC: Trigon Production Trailer
Slovenia
"Seduce Me" (Zapelji me)
Dir: Marko Santic
Language: Slovenian
U.S Distribution: None Yet
PC: Radio-Television Slovenia
Trailer
South Africa
"Elelwani"
Dir: Ntshaveni Wa Luruli
Language: Venda
U.S Distribution: None Yet
Isa: EastWest FilmDistribution
Trailer
South Korea
"Haemoo" (해무)
Dir: Sung Bo Shim
Language: Korean
U.S Distribution: None Yet
Isa: Finecut
Trailer
Spain
"Living Is Easy with Eyes Closed" (Vivir es fácil con los ojos cerrados)
Dir: David Trueba
Language: Spanish
U.S Distribution: Outsider Pictures
Isa: 6 Sales
Trailer
Sweden
"Force Majeure" (Turist)
Dir: Ruben Östlund
Language: Swedish/English
U.S Distribution: Magnolia Pictures
Isa: Coproduction Office (Paris)
Trailer
Switzerland
"The Circle" (Der Kreis)
Dir: Stefan Haupt
Language: Swiss German/ German/ French
U.S Distribution: Wolfe Video
Isa: Wide House
Trailer
Taiwan
"Ice Poison" (冰毒)
Dir: Midi Z.
Language: Burmese/Chinese
U.S Distribution: None Yet
Isa: Flash Forward Enterteinment
Trailer
Thailand
"The Teacher's Diary" (คิดถึงวิทยา)
Dir: Nithiwat Tharathorn
Language: Thai
U.S Distribution: None Yet
Isa: Gth
Trailer
Turkey
"Winter Sleep" (Kis uykusu)
Dir: Nuri Bilge Ceylan
Language: Turkish/English
U.S Distribution: Adopt Films
Isa: Memento Films International
Trailer
Ukraine
"The Guide" (Поводир)
Dir: Oles Sanin
Language: Ukrainian/Russia/English
U.S Distribution: None Yet
PC: Pronto Film
Trailer
United Kingdom
"Little Happiness" (Uzun Yol)
Dir: Nihat Seven
Language: Turkish
U.S Distribution: None Yet
Isa: 7&7 Producers' Sales Services
Trailer
Uruguay
"Mr. Kaplan"
Dir: Álvaro Brechner
Language: Spanish
U.S Distribution: None Yet
Isa: Memento Films International
Trailer
Venezuela
"The Liberator" (Libertador)
Dir: Alberto Arvelo
Language: Spanish/English/ French
U.S Distribution: Cohen Media Group
Isa: Mundial
Trailer...
This year more than most, there are a great number of films with serious possibilities. There is no unshakable front-runner, but there are numerous favorites. Yet, looking at last year’s 9 shortlisted films and eventual 5 nominees, nothing is written in stone. Critics and audience favorites like “ The Past” (Iran), “Gloria” (Chile), “Heli” (Mexico), and “Wadjda” (Saudi Arabia) were left out to include surprises like “The Missing Picture“ (Cambodia), “An Episode in the Life of an Iron Picker” (Bosnia & Herzegovina) or “The Notebook” (Hungary).
With Awards Season now in full swing and knowing that this is one of the most difficult races to follow, here is a comprehensive list that includes information for each of the 83 submissions. Below each poster you will find the title of the film linked to its page on IMDb Pro followed by the title in the original language; the director’s name also linked to his/her IMDb Page; the language the film is primarily in; the name of the U.S. distributor if there is one; the name of the film’s International Sales Agent (Isa) or Production Company (PC) linked to the film’s page on Cinando; and a link to the film’s trailer (most of them have English subtitles, others are only in the original language, and a few are videos related to the film because a trailer wasn't available). In addition, reviews and interviews with many of these filmmakers will be added regularly.
Before getting into the list, let’s take a look at some of the statistics and patterns among these 83 foreign language features.
Period Dramas/Biopics
Several countries selected films based on the lives of prominent local figures or great period pieces, both showcase the level of films being produced across the globe in terms of production value and scope. Mexico’s “Cantinflas,” Venezuela’s “The Liberator,” Kyrgyzstan “Kurmanjan Datka Queen of the Mountains,” Bolivia’s “Forgotten,” Indonesia’s “Soekarno,” Greece’s “Little England,” Macedonia’s “To the Hilt,” Hong Kong’s “The Golden Era,” Austria’s “The Dark Valley,” Switzerland’s “The Circle,” Bulgaria’s “Bulgarian Rhapsody,” Serbia’s “ See You in Montevideo,” Slovakia’s “A Step Into the Dark” and New Zealand’s “The Dead Lands” are some of the most expensive films ever made in their respective territories. All of them are epic productions that highlight an important historical period using impressive cinematography, a great number of extras, intricate costumes, lavish locations, detailed production design, as well as great battle sequences in several of them. Other more traditional biopics/period pieces on the list include France’s “Saint Laurent,” The Netherlands “ Accused,” Germany’s “Beloved Sisters,” Spain’s “Living Is Easy with Eyes Closed” and the Czech Republic’s “Fair Play”
Masters and Festival Winners
Not surprisingly many of the films on the list come into this race after winning important awards at international festivals. Furthermore, a handful of them are from master filmmakers, masters in the making, or unique new voices. These films include Belgium’s “Two Days, One Night” (Cannes, Telluride, Tiff, Nyff, AFI Fest) by the Dardenne Brothers, Canada’s “Mommy” (Cannes, Telluride, Tiff, AFI Fest) by prodigy Xavier Dolan, Chile’s “To Kill a Man” (Sundance, Rotterdam, Cartagena) by Alejandro Fernandez Almendras, Hungary's "White God" (Cannes) by Kornél Mundruczó, Norway’s “1001 Grams” (Tiff) by Bent Hamer, Poland’s “Ida”(Tiff, Sundance) by Pawel Pawlikowski, Russia’s “Leviathan” (Cannes, Telluride, Tiff, AFI Fest) by Andrey Zvyagintsev, Sweden’s “Force Majeure” (Cannes, Telluride, Tiff) by Ruben Östlund, and Turkey’s “ Winter Sleep” (Cannes, Telluride, Tiff) by Nuri Bilge Ceylan. All of these films have played at renowned international festivals and most have earned important recognition there.
Out of the Box
Whether they are aware of their actual possibilities at a nomination or not, each year a few countries take the risk of sending a film that defies convention despite having more safe choices. But that is not say they are entirely out of the race, films like “The Missing Picture” and “Dogtooth” prove that sometimes there is room for daring and unique filmmaking. With “Rocks in My Pockets” Latvia is the only country to submit an animated film this year. The film is an inventive and colorful look at depression. Then there is the almost-silent and highly poetic Ecuadorian entry “Silence in Dreamland” and Singapore’s musically driven drama “Sayang Disayang.” However, the boldest selection has to be the Philippines’ “Norte, the End of History” by acclaimed auteur Lav Diaz, which runs over four hours and is inspired by Dostoyevsky Crime and Punishment.
Documentaries
Only two countries chose to go with non-fiction entries. One of them is Panama’s “Invasion,” which deals with the aftermath of the U.S. intervention in that country in 1989. This is the Central American nation’s first ever Oscar submission. The other documentary contending is Portugal’s “ What Now? Remind Me,“ a self-portrait by filmmaker Joaquim Pinto exploring his struggles living with HIV. One should note that Portugal is one of the few countries in Western Europe to have never obtained a nomination in the category despite entering films consecutively for several decades.
Lgbt
Films with stories that highlight sexual diversity occasionally make their way into this list. Last year the only Lgbt title submitted was “ Soongava: Dance of the Orchids,” which surprisingly came from Nepal and dealt with the relationship between two young women in the traditional Asian society. This time around two countries selected films with similar themes. Brazil’s festival darling “ The Way He Looks” – a sweet coming-of-age tale- was an audacious choice among the many other films the South American country produces every year. Then there is Switzerland’s “The Circle” about a pioneering gay publication during the 1940s/1950s in Zurich and the real life relationship between two of its prominent members.
Surprising Choices
As it usually happens, some countries go against what the industry expects and decide to send films that weren’t on most people’s radars. Bulgaria for example selected “Bulgarian Rhapsody” by veteran director Ivan Nitchev over Sundance’s “Viktoria” by young female director Maya Vitkova. Similarly, Ukraine overlooked Cannes favorite “The Tribe”- a powerful drama entirely in sign language - and decided to go with “The Guide” by Oles Sanin. Nevertheless, the most shocking decision came from China. Instead of selecting a Chinese-directed film like Berlin’s Golden Bear winner “Black Coal, Thin Ice” or Zhang Yimou’s “Coming Home,” the Chinese selection committee chose “The Nightingale” by French director Philippe Muyl. Despite having a European helmer the film is authentically Chinese in terms of language and story, but it was still an unexpected move from the traditionally patriotic country.
First Timers
The unprecedented number of entries is in part due to the addition of countries submitting for the first time. Besides aforementioned Panama, there are three other debutant nations in the mix. Kosovo- a tiny Balkan state often associated with the rampart war that afflicted the region a few decades ago - is finally showcasing its film production. Their entry titled “Three Windows and a Hanging” is said to be a high quality, affecting drama. Malta - a European island nation near Italy - is often used as astonishing location for big budget studio films. This year, however, “ Simshar,” a great immigration drama will represent the country. Lastly, Mauritania – a prominently Muslim nation in Sub-Saharan Africa – selected Abderrahmane Sissako’s “Timbuktu,”which played in competition at Cannes,as their inaugural submission. Although Sissako has had several successful films at international festivals, this is the first time his country decides to participate.
Female Directors
Out of the 83 films, 14 were directed by women. That’s 17% of all entries. What’s more interesting is the fact that some of these films come from countries that are often seen as traditionally patriarchal societies. 3 Latin American entries were created by female directors: Colombia’s “Mateo,” Costa Rica’s “Red Princesses” and the Dominican Republic’s “Cristo Rey.” 4 from Asia: Hong Kong’s “ The Golden Era,” India’s “Liar’s Dice,” Japan’s “The Light Shines Only There,” and Pakistan’s “Dukhtar.” 2 from the Middle East: Israel’s “Gett: The Trial of Viviane Amsalem” (Co-directed) and Palestine’s “Eyes of a Thief.” Lastly, 5 films from Europe: The Czech Republic’s “Fair Play,” Finland’s “Concrete Night,” Latvia’s “ Rocks in My Pockets,” Malta’s “Simshar” and the Netherlands’ “Accused.”
U.S. Distribution
Another interesting fact is the number of these films that already have U.S. distribution. Several of them have actually already opened theatrically here, and others are set to open early next year. Out 83 films, 24 already have U.S. distribution. That’s 29% of all films. Hopefully that number increases by the end of the season. The films are: Argentina’s “Wild Tales,” Austria’s “The Dark Valley,” Belgium’s “Two Days, One Night,” Brazil’s “The Way He Looks,” Canada’s “Mommy,” Chile’s “To Kill a Man,” France’s “Saint Laurent,” Germany’s “Beloved Sisters,” Hungary’s “White God,” Israel’s “ Gett: The Trial of Viviane Amsalem,” Italy’s “Human Capital,” Latvia’s “Rocks in My Pockets,” Mauritania’s “Timbuktu,” Mexico’s “Cantinflas,” Norway’s “1001 Grams,” The Philippines “Norte, the End of History,” Poland’s “Ida,” Portugal's "What Now? Remind Me," Russia’s “Leviathan,” Spain’s “Living Is Easy with Eyes Closed,” Sweden’s “Force Majeure,” Switzerland’s “The Circle,” Turkey’s “Winter Sleep,” and Venezuela’s “ The Liberator.”
To see which distribution company has each of these films please refer to the list below.
Afghanistan
"A Few Cubic Meters of Love" (چند متر مکعب عشق)
Dir: Jamshid Mahmoudi
Language: Persian
U.S Distribution: None Yet
Isa: Dreamlab Films
Trailer
Argentina
"Wild Tales" (Relatos Salvajes)
Dir: Damián Szifrón
Language: Spanish
U.S Distribution: Sony Pictures Classics
Isa: Film Factory Entertainment
Trailer
Austria
"The Dark Valley" (Das finstere Tal)
Dir: Andreas Prochaska
Language: German
U.S Distribution: Film Movement
Isa: Films Distribution
Trailer
Australia
"Charlie's Country"
Dir: Rolf de Heer
Language: Yolŋu Matha/English
U.S Distribution: None Yet
Isa: Visit Films
Trailer
Azerbaijan
"Nabat"
Dir: Elcin Musaoglu
Language: Azerbaijani
U.S Distribution: None Yet
Isa: Dreamlab Films
Trailer
Bangladesh
"Glow of the Firefly" (Jonakir Alo)
Dir: Khalid Mahmood Mithu
Language: Bengali
U.S Distribution: None Yet
PC: Impress Telefilm
Trailer
Belgium
"Two Days, One Night" (Deux jours, une nuit)
Dir: Jean-Pierre Dardenne & Luc Dardenne
Language: French/Arabic
U.S Distribution: Sundance Selects
Isa: Wild Bunch
Trailer
Bolivia
"Forgotten" (Olvidados)
Dir: Carlos Bolado
Language: Spanish
U.S Distribution: None Yet
PC: Flor de Loto Pictures
Trailer
Bosnia & Herzegovina
"With Mom" (Sa mamom)
Dir: Faruk Loncarevic
Language: Bosnian
U.S Distribution: None Yet
PC: Scca/pro.ba
TraileR
Brazil
"The Way He Looks" (Hoje Eu Quero Voltar Sozinho)
Dir: Daniel Ribeiro
Language: Portuguese
U.S Distribution: Strand Releasing
Isa: Films Boutique Trailer
Bulgaria
"Bulgarian Rhapsody" (българска рапсодия)
Dir: Ivan Nitchev
Language: Bulgarian
U.S Distribution: None Yet
PC: Cinepaz Eood
Trailer
Canada
"Mommy"
Dir: Xavier Dolan
Language: French/English
U.S Distribution: Roadside Attractions
Isa: Seville International
Trailer
Chile
"To Kill a Man" (Matar a un Hombre)
Dir: Alejandro Fernández Almendras
Language: Spanish
U.S Distribution: Film Movement
Isa: Film Factory Entertainment
Trailer
China
"The Nightingale" (夜莺/Le promeneur d'oiseau)
Dir: Philippe Muyl
Language: Mandarin
U.S Distribution: None Yet
Isa: Kinology
Trailer
Colombia
"Mateo"
Dir: Maria Gamboa ♀
Language: Spanish
U.S Distribution: None Yet
Isa: Alpha Violet
Trailer
Costa Rica
"Red Princesses" (Princesas Rojas)
Dir: Laura Astorga ♀
Language: Spanish
U.S Distribution: None Yet
Isa: Latido Films Trailer
Croatia
"Cowboys" (Kauboji)
Dir: Tomislav Mrsic
Language: Croatian
U.S Distribution: None Yet
Isa: Wide
Trailer
Cuba
"Behavior" (Conducta)
Dir: Ernesto Daranas
Language: Spanish
U.S Distribution: None Yet
Isa: Latido Films
Trailer
Czech Republic
"Fair Play"
Dir: Andrea Sedlácková Andrea Sedlácková
Language: Czech
U.S Distribution: None Yet
Isa: IntraMovies
Trailer
Denmark
"Sorrow and Joy" (Sorg og glæde)
Dir: Nils Malmros
Language: Danish
U.S Distribution: None Yet
PC: Nordisk Film Production
Trailer
Dominican Republic
"Cristo Rey"
Dir: Leticia Tonos ♀
Language: Spanish
U.S Distribution: None Yet
Isa: The Little Film Company
Trailer
Ecuador
"Silence in Dreamland" (El Silencio en la Tierra de los Sueños)
Dir: Tito Molina
Language: Spanish
U.S Distribution: None Yet
PC: La Facultad
Trailer
Egypt
"Factory Girl" (فتاة المصنع )
Dir: Mohamed Khan
Language: Arabic
U.S Distribution: None Yet
PC: DayDream Art Production
Trailer
Estonia
"Tangerines" (Mandariinid)
Dir: Zaza Urushadze
Language: Estonian/Russian
U.S Distribution: None Yet
Isa: Cinemavault
Trailer
Ethiopia
"Difret"
Dir: Zeresenay Mehari
Language: Amharic
U.S Distribution: None Yet
Isa: Films Boutique Trailer
Finland
"Concrete Night" (Betoniyö)
Dir: Pirjo Honkasalo ♀
Language: Finnish
U.S Distribution: None Yet
Isa: Film Republic Trailer
France
"Saint Laurent"
Dir: Bertrand Bonello
Language: French
U.S Distribution: Sony Pictures Classics
Isa: Europacorp
Trailer
Georgia
"Corn Island" (სიმინდის კუნძული)
Dir: George Ovashvili
Language: Georgian/Abkhazian/Russian
U.S Distribution: None Yet
Isa: Arizona Productions
Trailer
Germany
"Beloved Sisters" (Die geliebten Schwestern)
Dir: Dominik Graf
Language: German /French
U.S Distribution: Music Box Films
Isa: Global Screen
Trailer
Greece
"Little England" (Μικρά Αγγλία)
Dir: Pantelis Voulgaris
Language: Greek
U.S Distribution: None Yet
PC: Black Orange
Trailer
Hong Kong
"The Golden Era" (黄金时代)
Dir: Ann Hui ♀
Language: Mandarin
U.S Distribution: None Yet
Isa: Edko Films
Trailer
Hungary
"White God" (Fehér isten)
Dir: Kornél Mundruczó
Language: Hungarian/English
U.S Distribution: Magnolia Pictures
Isa: The Match Factory
Trailer
Iceland
"Life in a Fishbowl" (Vonarstræti)
Dir: Baldvin Zophoníasson
Language: None Yet
U.S Distribution: None Yet
Isa: Films Boutique Trailer
India
"Liar's Dice" (लायर्स डाइस)
Dir: Geethu Mohandas ♀
Language: Hindi
U.S Distribution: None Yet
PC: Jar Pictures Trailer
Indonesia
"Soekarno"
Dir: Hanung Bramantyo
Language: Indonesian
U.S Distribution: None Yet
PC: Mvp Pictures
Trailer
Iran
"Today" (امروز )
Dir: Reza Mirkarimi
Language: Persian
U.S Distribution: None Yet
Isa: Dreamlab Films
Trailer
Iraq
"Mardan"
Dir: Batin Ghobadi
Language: Kurdish
U.S Distribution: None Yet
Isa: Versatile Trailer
Ireland
"The Gift" (An Bronntanas)
Dir: Tom Collins
Language: Irish/English
U.S Distribution: None Yet
PC: Rosg/De Facto Films
Trailer
Israel
"Gett: The Trial of Viviane Amsalem" (Gett: Le Procès de Viviane Amsalem)
Dir: Ronit Elkabetz ♀ & Shlomi Elkabetz
Language: Hebrew/French/Arabic
U.S Distribution: Music Box Films
Isa: Films Distribution
Trailer
Italy
"Human Capital" (Il Capitale Umano)
Dir: Paolo Virzì
Language: Italian
U.S Distribution: Film Movement
PC: Indiana Production Company
Trailer
Japan
"The Light Shines Only There" (そこのみにて光輝く)
Dir: Mipo Oh ♀
Language: Japanese
U.S Distribution: None Yet
Isa: Open Sesame
Trailer
Kosovo
"Three Windows and a Hanging" (Tri Dritare dhe një Varje)
Dir: Isa Qosja
Language: Albanian
U.S Distribution: None Yet
PC: CMb Productions
Trailer
Kyrgyzstan
"Kurmanjan Datka Queen of the Mountains" (Курманжан Датка)
Dir: Sadyk Sher-Niyaz
Language: Kirghiz
U.S Distribution: None Yet
PC: Aitysh Film
Trailer
Latvia
"Rocks in My Pockets" (Akmeņi manās kabatās)
Dir: Signe Baumane ♀
Language: Latvian
U.S Distribution: Zeitgeist Films
Isa: New Europe Film Sales
Trailer
Lebanon
"Ghadi" (غدي)
Dir: Amin Dora
Language: Arabic
U.S Distribution: None Yet
Isa: Fortissimo Films
Trailer
Lithuania
"The Gambler" (Lošėjas)
Dir: Ignas Jonynas
Language: Lithuanian
U.S Distribution: None Yet
Isa: Wide
Trailer
Luxembourg
"Never Die Young"
Dir: Pol Cruchten
Language: French
U.S Distribution: None Yet
Isa: EastWest Distribution
Trailer
MacEdonia
"To the Hilt" (До балчак)
Dir: Stole Popov
Language: Macedonian/French/English/ Turkish
U.S Distribution: None Yet
PC: Triangle Film- Skopje
Trailer
Malta
"Simshar"
Dir: Rebecca Cremona ♀
Language: Maltese
U.S Distribution: None Yet
PC: Kukumajsa Productions
Trailer
Mauritania
"Timbuktu"
Dir: Abderrahmane Sissako
Language: French/Arabic/Bambara/English/Songhay/Tamasheq
U.S Distribution: Cohen Media Group
Isa: Le Pacte
Trailer
Mexico
"Cantinflas"
Dir: Sebastian del Amo
Language: Spanish/English
U.S Distribution: Pantelion Films
Isa: 6 Sales
Trailer
Moldova
"The Unsaved" (La Limita de Jos a Cerului)
Dir: Igor Cobileanski
Language: Romanian
U.S Distribution: None Yet
Isa: Insomnia World Sales Trailer
Montenegro
"The Boys from Marx and Engels Street" (Djecaci iz ulice Marksa i Engelsa)
Dir: Nikola Vukcevic
Language: Serbian
U.S Distribution: None Yet
PC: Artikulacija Production
Trailer
Morocco
"The Red Moon" (القمر الأحمر)
Dir: Hassan Benjelloun
Language: Arabic
U.S Distribution: None Yet
PC: Bentaqerla
Trailer
Nepal
"Jhola" (झोला)
Dir: Yadav Kumar Bhattarai
Language: Nepali
U.S Distribution: None Yet
PC: Media for Culture
Trailer
The Netherlands
"Accused" (Lucia de B.)
Dir: Paula van der Oest ♀
Language: Dutch
U.S Distribution: None Yet
Isa: Fortissimo Films
Trailer
New Zealand
"The Dead Lands"
Dir: Toa Fraser
Language: Maori
U.S Distribution: None Yet
Isa: Xyz Films
Trailer
Norway
"1001 Grams" (1001 Gram)
Dir: Bent Hamer
Language: Norwegian/French/ English
U.S Distribution: Kino Lorber
Isa: Les Films du Losange
Trailer
Pakistan
"Dukhtar" (دختر، بیٹی)
Dir: Afia Nathaniel ♀
Language: Urdu
U.S Distribution: None Yet
PC: Zambeel Films
Trailer
Palestine
"Eyes of a Thief" (عيون الحراميه)
Dir: Najwa Najjar ♀
Language: Arabic
U.S Distribution: None Yet
PC: Ustura Films Trailer
Panama
"Invasion" (Invasión)
Dir: Abner Benaim
Language: Spanish
U.S Distribution: None Yet
Isa: Apertura Films Trailer
Peru
"The Gospel of the Flesh" (El Evangelio de la Carne)
Dir: Eduardo Mendoza de Echave
Language: Spanish
U.S Distribution: None Yet
PC: La Soga Producciones
Trailer
The Philippines
"Norte, the End of History" (Norte, Hangganan ng Kasaysayan)
Dir: Lav Diaz
Language: Tagalog/English
U.S Distribution: The Cinema Guild
Isa: M-Appeal World Sales
Trailer
Poland
"Ida"
Dir: Pawel Pawlikowski
Language: Polish
U.S Distribution: Music Box Films
Isa: Portobello Film Sales
Trailer
Portugal
"What Now? Remind Me" (E Agora? Lembra-me)
Dir: Joaquim Pinto
Language: Portuguese
U.S Distribution: The Cinema Guild
PC: C.R.I.M Productions
Trailer
Romania
"The Japanese Dog" (Câinele Japonez)
Dir: Tudor Cristian Jurgiu
Language: Romanian/Japanese
U.S Distribution: None Yet
Isa: M-Appeal World Sales
Trailer
Russia
"Leviathan" (Левиафан)
Dir: Andrey Zvyagintsev
Language: Russian
U.S Distribution: Sony Pictures Classics
Isa: Pyramide International
Trailer
Serbia
"See You in Montevideo" (Montevideo, vidimo se!)
Dir: Dragan Bjelogrlic
Language: Serbian/Spanish/ English
U.S Distribution: None Yet
PC: Intermedia Network
Trailer
Singapore
"Sayang Disayang"
Dir: Sanif Olek
Language: Malay/Indonesian
U.S Distribution: None Yet
PC: ReelJuice
Trailer
Slovakia
"A Step Into the Dark" (Krok do tmy)
Dir: Miloslav Luther
Language: Slovak
U.S Distribution: None Yet
PC: Trigon Production Trailer
Slovenia
"Seduce Me" (Zapelji me)
Dir: Marko Santic
Language: Slovenian
U.S Distribution: None Yet
PC: Radio-Television Slovenia
Trailer
South Africa
"Elelwani"
Dir: Ntshaveni Wa Luruli
Language: Venda
U.S Distribution: None Yet
Isa: EastWest FilmDistribution
Trailer
South Korea
"Haemoo" (해무)
Dir: Sung Bo Shim
Language: Korean
U.S Distribution: None Yet
Isa: Finecut
Trailer
Spain
"Living Is Easy with Eyes Closed" (Vivir es fácil con los ojos cerrados)
Dir: David Trueba
Language: Spanish
U.S Distribution: Outsider Pictures
Isa: 6 Sales
Trailer
Sweden
"Force Majeure" (Turist)
Dir: Ruben Östlund
Language: Swedish/English
U.S Distribution: Magnolia Pictures
Isa: Coproduction Office (Paris)
Trailer
Switzerland
"The Circle" (Der Kreis)
Dir: Stefan Haupt
Language: Swiss German/ German/ French
U.S Distribution: Wolfe Video
Isa: Wide House
Trailer
Taiwan
"Ice Poison" (冰毒)
Dir: Midi Z.
Language: Burmese/Chinese
U.S Distribution: None Yet
Isa: Flash Forward Enterteinment
Trailer
Thailand
"The Teacher's Diary" (คิดถึงวิทยา)
Dir: Nithiwat Tharathorn
Language: Thai
U.S Distribution: None Yet
Isa: Gth
Trailer
Turkey
"Winter Sleep" (Kis uykusu)
Dir: Nuri Bilge Ceylan
Language: Turkish/English
U.S Distribution: Adopt Films
Isa: Memento Films International
Trailer
Ukraine
"The Guide" (Поводир)
Dir: Oles Sanin
Language: Ukrainian/Russia/English
U.S Distribution: None Yet
PC: Pronto Film
Trailer
United Kingdom
"Little Happiness" (Uzun Yol)
Dir: Nihat Seven
Language: Turkish
U.S Distribution: None Yet
Isa: 7&7 Producers' Sales Services
Trailer
Uruguay
"Mr. Kaplan"
Dir: Álvaro Brechner
Language: Spanish
U.S Distribution: None Yet
Isa: Memento Films International
Trailer
Venezuela
"The Liberator" (Libertador)
Dir: Alberto Arvelo
Language: Spanish/English/ French
U.S Distribution: Cohen Media Group
Isa: Mundial
Trailer...
- 11/11/2014
- de Carlos Aguilar
- Sydney's Buzz
Though the Academy Awards won’t take place until next February, us critics are already all abuzz about which movies from this past year stand a fighting chance of earning Oscar gold. And though the jury is still out on some major categories, especially Best Actress and Best Picture, we now have a pretty solid idea of which films might be contending for a smaller but still extremely competitive category – Best Animated Feature.
2014 has been a great year for animation, from The Lego Movie way back in February right up to Big Hero 6, which opens this Friday, so it should be interesting to watch so many accomplished titles duke it out for that coveted golden statuette. Personally, I’m still rooting for The Lego Movie, which may have faded from voters’ minds considering its early release date but still stands (in my opinion) as one of the most visually engaging,...
2014 has been a great year for animation, from The Lego Movie way back in February right up to Big Hero 6, which opens this Friday, so it should be interesting to watch so many accomplished titles duke it out for that coveted golden statuette. Personally, I’m still rooting for The Lego Movie, which may have faded from voters’ minds considering its early release date but still stands (in my opinion) as one of the most visually engaging,...
- 6/11/2014
- de Isaac Feldberg
- We Got This Covered
The Academy of Motion Pictures Arts and Sciences has revealed that twenty films are set to compete for the Oscars this year in the animated feature film category. The list, in alphabetical order, is:
"Big Hero 6," "The Book Of Life," "The Boxtrolls," "Cheatin’," "Giovanni’s Island," "Henry & Me," "The Hero Of Color City," "How To Train Your Dragon 2," "Jack And The Cuckoo-Clock Heart," "Legends of Oz: Dorothy’s Return," "The Lego Movie," "Minuscule - Valley Of The Lost Ants," "Mr. Peabody & Sherman," "Penguins Of Madagascar," "The Pirate Fairy," "Planes: Fire & Rescue," "Rio 2," "Rocks In My Pockets," "Song Of The Sea," and "The Tale Of The Princess Kaguya".
Several of the films mentioned have not yet had their required Los Angeles qualifying run. Submitted features must fulfil the theatrical release requirements and comply with all of the category’s other qualifying rules before they can advance in the voting process.
"Big Hero 6," "The Book Of Life," "The Boxtrolls," "Cheatin’," "Giovanni’s Island," "Henry & Me," "The Hero Of Color City," "How To Train Your Dragon 2," "Jack And The Cuckoo-Clock Heart," "Legends of Oz: Dorothy’s Return," "The Lego Movie," "Minuscule - Valley Of The Lost Ants," "Mr. Peabody & Sherman," "Penguins Of Madagascar," "The Pirate Fairy," "Planes: Fire & Rescue," "Rio 2," "Rocks In My Pockets," "Song Of The Sea," and "The Tale Of The Princess Kaguya".
Several of the films mentioned have not yet had their required Los Angeles qualifying run. Submitted features must fulfil the theatrical release requirements and comply with all of the category’s other qualifying rules before they can advance in the voting process.
- 5/11/2014
- de Garth Franklin
- Dark Horizons
There are still six movies I need to add to the database, but today the Academy announced 20 movies that will compete for up to at least five nominations for Best Animated Feature at the 2015 Oscars. I've been tracking these for some time now and currently have Big Hero 6 at the top of the charts, but I'm beginning to think this may be The Lego Movie's award to lose. It's a difficult category to predict right now considering my personal opinion of those two top contenders and having not yet seen the likes of Studio Ghibli's The Tale of the Princess Kaguya or Song of the Sea, both of which could be top contenders, or Laika's The Boxtrolls, which has done modest business at the box office, hoping to crack $100 million worldwide by next weekend. Anyway, here's the complete list and I'll get the six I don't have in...
- 4/11/2014
- de Brad Brevet
- Rope of Silicon
The Academy has received 20 submissions for the 87th Academy Awards’ animated feature film category.
The submitted features, listed in alphabetical order, are:
Big Hero 6
The Book Of Life
The Boxtrolls
Cheatin’
Giovanni’s Island
Henry & Me
The Hero Of Color City
How To Train Your Dragon 2
Jack And The Cuckoo-Clock Heart
Legends of Oz: Dorothy’s Return
The Lego Movie
Minuscule - Valley Of The Lost Ants
Mr. Peabody & Sherman
Penguins Of Madagascar
The Pirate Fairy
Planes: Fire & Rescue
Rio 2
Rocks In My Pockets
Song Of The Sea
The Tale Of The Princess Kaguya.
Several of the films have not yet had their required Los Angeles qualifying run.
Submitted features must fulfil the theatrical release requirements and comply with all of the category’s other qualifying rules before they can advance in the voting process.
At least eight eligible animated features must be theatrically released in Los Angeles County within the calendar year for...
The submitted features, listed in alphabetical order, are:
Big Hero 6
The Book Of Life
The Boxtrolls
Cheatin’
Giovanni’s Island
Henry & Me
The Hero Of Color City
How To Train Your Dragon 2
Jack And The Cuckoo-Clock Heart
Legends of Oz: Dorothy’s Return
The Lego Movie
Minuscule - Valley Of The Lost Ants
Mr. Peabody & Sherman
Penguins Of Madagascar
The Pirate Fairy
Planes: Fire & Rescue
Rio 2
Rocks In My Pockets
Song Of The Sea
The Tale Of The Princess Kaguya.
Several of the films have not yet had their required Los Angeles qualifying run.
Submitted features must fulfil the theatrical release requirements and comply with all of the category’s other qualifying rules before they can advance in the voting process.
At least eight eligible animated features must be theatrically released in Los Angeles County within the calendar year for...
- 4/11/2014
- de jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The Academy has received 20 submissions for the 87th Academy Awards’ animated feature film category.
The submitted features, listed in alphabetical order, are:
Big Hero 6
The Book Of Life
The Boxtrolls
Cheatin’
Giovanni’s Island
Henry & Me
The Hero Of Color City
How To Train Your Dragon 2
Jack And The Cuckoo-Clock Heart
Legends of Oz: Dorothy’s Return
The Lego Movie
Minuscule - Valley Of The Lost Ants
Mr. Peabody & Sherman
Penguins Of Madagascar
The Pirate Fairy
Planes: Fire & Rescue
Rio 2
Rocks In My Pockets
Song Of The Sea
The Tale Of The Princess Kaguya.
Several of the films have not yet had their required Los Angeles qualifying run.
Submitted features must fulfil the theatrical release requirements and comply with all of the category’s other qualifying rules before they can advance in the voting process.
At least eight eligible animated features must be theatrically released in Los Angeles County within the calendar year for...
The submitted features, listed in alphabetical order, are:
Big Hero 6
The Book Of Life
The Boxtrolls
Cheatin’
Giovanni’s Island
Henry & Me
The Hero Of Color City
How To Train Your Dragon 2
Jack And The Cuckoo-Clock Heart
Legends of Oz: Dorothy’s Return
The Lego Movie
Minuscule - Valley Of The Lost Ants
Mr. Peabody & Sherman
Penguins Of Madagascar
The Pirate Fairy
Planes: Fire & Rescue
Rio 2
Rocks In My Pockets
Song Of The Sea
The Tale Of The Princess Kaguya.
Several of the films have not yet had their required Los Angeles qualifying run.
Submitted features must fulfil the theatrical release requirements and comply with all of the category’s other qualifying rules before they can advance in the voting process.
At least eight eligible animated features must be theatrically released in Los Angeles County within the calendar year for...
- 4/11/2014
- de jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Twenty features have been submitted for consideration in the Animated Feature Film category for the 87th Academy Awards.
The submitted features, listed in alphabetical order, are:
“Big Hero 6”
“The Book of Life”
“The Boxtrolls”
“Cheatin’”
“Giovanni’s Island”
“Henry & Me”
“The Hero of Color City”
“How to Train Your Dragon 2”
“Jack and the Cuckoo-Clock Heart”
“Legends of Oz: Dorothy’s Return”
“The Lego Movie”
“Minuscule – Valley of the Lost Ants”
“Mr. Peabody & Sherman”
“Penguins of Madagascar”
“The Pirate Fairy”
“Planes: Fire & Rescue”
“Rio 2”
“Rocks in My Pockets”
“Song of the Sea”
“The Tale of the Princess Kaguya”
Several of the films have not yet had their required Los Angeles qualifying run. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules before they can advance in the voting process. At least eight eligible animated features must be theatrically...
The submitted features, listed in alphabetical order, are:
“Big Hero 6”
“The Book of Life”
“The Boxtrolls”
“Cheatin’”
“Giovanni’s Island”
“Henry & Me”
“The Hero of Color City”
“How to Train Your Dragon 2”
“Jack and the Cuckoo-Clock Heart”
“Legends of Oz: Dorothy’s Return”
“The Lego Movie”
“Minuscule – Valley of the Lost Ants”
“Mr. Peabody & Sherman”
“Penguins of Madagascar”
“The Pirate Fairy”
“Planes: Fire & Rescue”
“Rio 2”
“Rocks in My Pockets”
“Song of the Sea”
“The Tale of the Princess Kaguya”
Several of the films have not yet had their required Los Angeles qualifying run. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules before they can advance in the voting process. At least eight eligible animated features must be theatrically...
- 4/11/2014
- de Michelle McCue
- WeAreMovieGeeks.com
The Academy of Motion Picture Arts and Sciences revealed the 20 films that have submitted for this season's best animated picture Oscar. The films in contention, if they qualify, include: “Big Hero 6” “The Book of Life” “The Boxtrolls” “Cheatin’” “Giovanni’s Island” “Henry & Me” “The Hero of Color City” “How to Train Your Dragon 2” “Jack and the Cuckoo-Clock Heart” “Legends of Oz: Dorothy’s Return” “The Lego Movie” “Minuscule – Valley of the Lost Ants” “Mr. Peabody & Sherman” “Penguins of Madagascar” “The Pirate Fairy” “Planes: Fire & Rescue” “Rio 2” “Rocks in My Pockets” “Song of the Sea” “The Tale of the Princess Kaguya” As noted by the Academy in an official press release, several of the films have not yet had their required Los Angeles qualifying run. Unless those films fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules they cannot be part of the voting process.
- 4/11/2014
- de Gregory Ellwood
- Hitfix
Several of the films still need a qualifying one-week run in Los Angeles. Which are our picks for the frontrunners? Not having seen all the films, they are Disney's "Big Hero 6," DreamWorks/Fox's "How to Train Your Dragon 2," Warner Bros.' "The Lego Movie," and Fox's "The Book of Life." The submitted features, listed in alphabetical order, are:“Big Hero 6”“The Book of Life”“The Boxtrolls”“Cheatin’”“Giovanni’s Island”“Henry & Me”“The Hero of Color City”“How to Train Your Dragon 2”“Jack and the Cuckoo-Clock Heart”“Legends of Oz: Dorothy’s Return”“The Lego Movie”“Minuscule – Valley of the Lost Ants”“Mr. Peabody & Sherman”“Penguins of Madagascar”“The Pirate Fairy”“Planes: Fire & Rescue”“Rio 2”“Rocks in My Pockets”“Song of the Sea”“The Tale of the Princess Kaguya”...
- 4/11/2014
- de Anne Thompson
- Thompson on Hollywood
Boyhood, Foxcatcher, Birdman, Phoenix, Mr Turner among critics choices.
This year’s Talinn Black Nights Film Festival (Nov 13 – 30) will host a strand of 13 films curated by Screen International critics.
The strand includes Boyhood, Foxcatcher, Birdman, Phoenix, Mr Turner, The Tribe and ‘71.
Wendy Mitchell, editor of Screen International commented: “Screen International is proud to present our Critics Choice at Tallinn’s Black Nights Film Festival. 2014 has been a banner year for filmmaking, as evidenced by the diversity and quality of the global films our critics have championed, everything from the showbiz skewering of Birdman to a remarkable Ukrainian dialogue-free thriller, the Tribe.”
Screen International critics’ selection in the programme of Black Nights:
• “Tales” (Iran / director Rakhshan Bani Etemad)
• “Black Souls” (Italy / director Francesco Munzi)
• “The Wonders” (Italy, Switzerland / director Alice Rohrwac)
• “Eden” (France / director Mia Hansen Love)
• “A Pigeon sat on a branch reflecting on existence” (Sweden, Germany, Norway, France / director Roy Andersson)
• “Mr Turner” (United Kingdom / director...
This year’s Talinn Black Nights Film Festival (Nov 13 – 30) will host a strand of 13 films curated by Screen International critics.
The strand includes Boyhood, Foxcatcher, Birdman, Phoenix, Mr Turner, The Tribe and ‘71.
Wendy Mitchell, editor of Screen International commented: “Screen International is proud to present our Critics Choice at Tallinn’s Black Nights Film Festival. 2014 has been a banner year for filmmaking, as evidenced by the diversity and quality of the global films our critics have championed, everything from the showbiz skewering of Birdman to a remarkable Ukrainian dialogue-free thriller, the Tribe.”
Screen International critics’ selection in the programme of Black Nights:
• “Tales” (Iran / director Rakhshan Bani Etemad)
• “Black Souls” (Italy / director Francesco Munzi)
• “The Wonders” (Italy, Switzerland / director Alice Rohrwac)
• “Eden” (France / director Mia Hansen Love)
• “A Pigeon sat on a branch reflecting on existence” (Sweden, Germany, Norway, France / director Roy Andersson)
• “Mr Turner” (United Kingdom / director...
- 27/10/2014
- de andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
Finnish documentary expert Leena Pasanen has been appointed as the first non-German in the almost 60-year history of Dok Leipzig to succeed Claas Danielsen as its festival director.
Pasanen previously worked in documentary programming at public broadcaster Yle and as the director of the European Documentary Network in Copenhagen, among others.
She will take up her post on January 1, 2015 with an initial five-year contract .
Claas Danielsen, who has headed Dok Leipzig as festival director for the past ten years, will open his swansong edition on Oct 27 with Citizenfour, the final part of Laura Poitras’ 9/11 trilogy, centred on Nsa whistleblower Edward Snowden.
Sergei Loznitsa’s Maidan and Ulrich Seidl’s Im Keller are among 12 titles selected for the International Competition for Feature Documentaries to compete for the €10,000 Golden Dove.
Other films in this competitive section include Fernand Melgar’s The Shelter, which premiered at Locarno in August; Zuzanna Solakiewicz’s 15 Corners Of The World; Giovanni Donfrancesco’s [link...
Pasanen previously worked in documentary programming at public broadcaster Yle and as the director of the European Documentary Network in Copenhagen, among others.
She will take up her post on January 1, 2015 with an initial five-year contract .
Claas Danielsen, who has headed Dok Leipzig as festival director for the past ten years, will open his swansong edition on Oct 27 with Citizenfour, the final part of Laura Poitras’ 9/11 trilogy, centred on Nsa whistleblower Edward Snowden.
Sergei Loznitsa’s Maidan and Ulrich Seidl’s Im Keller are among 12 titles selected for the International Competition for Feature Documentaries to compete for the €10,000 Golden Dove.
Other films in this competitive section include Fernand Melgar’s The Shelter, which premiered at Locarno in August; Zuzanna Solakiewicz’s 15 Corners Of The World; Giovanni Donfrancesco’s [link...
- 21/10/2014
- de screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
x
A record 83 countries have submitted films for consideration in the Foreign Language Film category for the 87th Academy Awards. Kosovo, Malta, Mauritania and Panama are first-time entrants.
The 2014 submissions are:
Afghanistan, “A Few Cubic Meters of Love,” Jamshid Mahmoudi, director;
Argentina, “Wild Tales,” Damián Szifrón, director;
Australia, “Charlie’s Country,” Rolf de Heer, director;
Austria, “The Dark Valley,” Andreas Prochaska, director;
Azerbaijan, “Nabat,” Elchin Musaoglu, director;
Bangladesh, “Glow of the Firefly,” Khalid Mahmood Mithu, director;
Belgium, “Two Days, One Night,” Jean-Pierre Dardenne and Luc Dardenne, directors;
Bolivia, “Forgotten,” Carlos Bolado, director;
Bosnia and Herzegovina, “With Mom,” Faruk Lončarevič, director;
Brazil, “The Way He Looks,” Daniel Ribeiro, director;
Bulgaria, “Bulgarian Rhapsody,” Ivan Nitchev, director;
Canada, “Mommy,” Xavier Dolan, director;
Chile, “To Kill a Man,” Alejandro Fernández Almendras, director;
China, “The Nightingale,” Philippe Muyl, director;
Colombia, “Mateo,” María Gamboa, director;
Costa Rica, “Red Princesses,” Laura Astorga Carrera, director;
Croatia, “Cowboys,” Tomislav Mršić,...
A record 83 countries have submitted films for consideration in the Foreign Language Film category for the 87th Academy Awards. Kosovo, Malta, Mauritania and Panama are first-time entrants.
The 2014 submissions are:
Afghanistan, “A Few Cubic Meters of Love,” Jamshid Mahmoudi, director;
Argentina, “Wild Tales,” Damián Szifrón, director;
Australia, “Charlie’s Country,” Rolf de Heer, director;
Austria, “The Dark Valley,” Andreas Prochaska, director;
Azerbaijan, “Nabat,” Elchin Musaoglu, director;
Bangladesh, “Glow of the Firefly,” Khalid Mahmood Mithu, director;
Belgium, “Two Days, One Night,” Jean-Pierre Dardenne and Luc Dardenne, directors;
Bolivia, “Forgotten,” Carlos Bolado, director;
Bosnia and Herzegovina, “With Mom,” Faruk Lončarevič, director;
Brazil, “The Way He Looks,” Daniel Ribeiro, director;
Bulgaria, “Bulgarian Rhapsody,” Ivan Nitchev, director;
Canada, “Mommy,” Xavier Dolan, director;
Chile, “To Kill a Man,” Alejandro Fernández Almendras, director;
China, “The Nightingale,” Philippe Muyl, director;
Colombia, “Mateo,” María Gamboa, director;
Costa Rica, “Red Princesses,” Laura Astorga Carrera, director;
Croatia, “Cowboys,” Tomislav Mršić,...
- 10/10/2014
- de Michelle McCue
- WeAreMovieGeeks.com
The Academy of Motion Picture Arts and Sciences announced on Thursday the final submissions for the Foreign Language Film category for the 87th annual Academy Awards. A record 83 countries have entered a film for consideration, including Kosovo, Malta, Mauritania, and Panama for the first time. Notable selections include Xavier Dolan's Canadian drama Mommy, a favorite at this year's Cannes, Sweden's Force Majeure, and the Russian retelling of the Book of Job, Leviathan, winner of the Best Screenplay award at Cannes. Nominations will be announced on Thursday, Jan. 15, ahead of the live telecast on ABC Sunday, Feb. 22, from Hollywood. Last...
- 9/10/2014
- de Jake Perlman
- EW - Inside Movies
The Academy of Motion Picture Arts and Sciences has released the list of submissions for the 2015 Best Foreign Language Film Academy Award. According to the Academy's press release, a record 83 countries have submitted films for consideration, including first-timers Kosovo, Malta, Mauritania, and Panama. Now, if only all those movies were made available for online viewing — or at least on DVD (outside of their respective countries). The 2015 Oscar nominations will be announced live on Thursday, January 15, at 5:30 a.m. Pt in the Academy's Samuel Goldwyn Theater in Beverly Hills. The 2015 Oscar ceremony will be held on Sunday, February 22, at the Dolby Theatre at Hollywood & Highland Center in Hollywood. In the United States, the Oscarcast will be televised live by ABC; additionally, the Oscars will be televised live in more than 225 countries and territories worldwide. See below the full list of 2015 Best Foreign Language Film Oscar submissions. Afghanistan, A Few Cubic Meters of Love,...
- 9/10/2014
- de Steve Montgomery
- Alt Film Guide
The Academy has announced the complete list of 2015 Foreign Language Oscar contenders for the 2015 Oscar awards and again its a new record, topping last year's record 76 submissions, this year the list reaches 83 total submissions. Kosovo, Malta, Mauritania and Panama are first-time entrants. I've seen a few more on the list than I did last year and I actually have to assume with the buzz from those I've seen they may end up being major players. I'm particularly happy to see Xavier Dolan's Mommy in the field from Canada and it's great seeing the hilarious Wild Tales submitted by Argentina. The Russian submission of Leviathan (Leviafan) came, I think, as a bit of a surprise to everyone considering its subject matter, which could be looked at as critical of its native country. The Dardennes' Two Days, One Night has received a lot of acclaim everywhere it has played and we...
- 9/10/2014
- de Brad Brevet
- Rope of Silicon
The Hollywood Music in Media Awards (HMMAs) have announced the nominees in the Visual Media categories.
Showcasing the best and brightest in musical creation for visual media, the 5th Annual Hollywood Music in Media Awards (HMMAs) will be held at The Fonda Theater in Hollywood on Tuesday, November 4, 2014.
The 2014 HMMAs welcome back celebrity hosts including Oscar nominated actor Eric Roberts, former Matchbox 20 member Adam Gaynor, acclaimed Director/Writer/Producer Andy Fickman and Earth, Wind & Fire’s Verdine White. A portion of the proceeds will benefit Education Through Music – Los Angeles (Etmla). Honorees, performers, and special guests to be announced.
The field of entrants were narrowed down to final nominees by the Hmma advisory board and selection committee. The winners will be voted upon by music-media industry professionals comprised of select members of the Society of Composers and Lyricists (Scl), The Television Academy, the AMPAS Music Branch, Naras, performing rights organizations,...
Showcasing the best and brightest in musical creation for visual media, the 5th Annual Hollywood Music in Media Awards (HMMAs) will be held at The Fonda Theater in Hollywood on Tuesday, November 4, 2014.
The 2014 HMMAs welcome back celebrity hosts including Oscar nominated actor Eric Roberts, former Matchbox 20 member Adam Gaynor, acclaimed Director/Writer/Producer Andy Fickman and Earth, Wind & Fire’s Verdine White. A portion of the proceeds will benefit Education Through Music – Los Angeles (Etmla). Honorees, performers, and special guests to be announced.
The field of entrants were narrowed down to final nominees by the Hmma advisory board and selection committee. The winners will be voted upon by music-media industry professionals comprised of select members of the Society of Composers and Lyricists (Scl), The Television Academy, the AMPAS Music Branch, Naras, performing rights organizations,...
- 9/10/2014
- de Michelle McCue
- WeAreMovieGeeks.com
The Academy has received a record 83 submissions for the Best Foreign-Language Film Oscar.
Last year, a record 76 countries submitted features and the eventual winner was Italian entry The Great Beauty, directed by Paolo Sorrentino.
Nine finalists will be shortlisted, which will be whittled down to five nominees that will be announced on Jan 15, 2015.
The awards ceremony will be held on Feb 22, 2015 in the Dolby Theatre, Hollywood.
The 2014 submissions are (in alphabetical order of country):
Afghanistan, A Few Cubic Meters Of Love, Jamshid Mahmoudi
Argentina, Wild Tales, Damián Szifrón
Australia, Charlie’s Country, Rolf de Heer
Austria, The Dark Valley, Andreas Prochaska
Azerbaijan, Nabat, Elchin Musaoglu
Bangladesh, Glow Of The Firefly, Khalid Mahmood Mithu
Belgium, Two Days, One Night, Jean-Pierre Dardenne and Luc Dardenne
Bolivia, Forgotten, Carlos Bolado
Bosnia and Herzegovina, With Mom, Faruk Lončarevič
Brazil, The Way He Looks, Daniel Ribeiro
Bulgaria, Bulgarian Rhapsody, Ivan Nitchev
Canada, Mommy, Xavier Dolan
Chile, To Kill A...
Last year, a record 76 countries submitted features and the eventual winner was Italian entry The Great Beauty, directed by Paolo Sorrentino.
Nine finalists will be shortlisted, which will be whittled down to five nominees that will be announced on Jan 15, 2015.
The awards ceremony will be held on Feb 22, 2015 in the Dolby Theatre, Hollywood.
The 2014 submissions are (in alphabetical order of country):
Afghanistan, A Few Cubic Meters Of Love, Jamshid Mahmoudi
Argentina, Wild Tales, Damián Szifrón
Australia, Charlie’s Country, Rolf de Heer
Austria, The Dark Valley, Andreas Prochaska
Azerbaijan, Nabat, Elchin Musaoglu
Bangladesh, Glow Of The Firefly, Khalid Mahmood Mithu
Belgium, Two Days, One Night, Jean-Pierre Dardenne and Luc Dardenne
Bolivia, Forgotten, Carlos Bolado
Bosnia and Herzegovina, With Mom, Faruk Lončarevič
Brazil, The Way He Looks, Daniel Ribeiro
Bulgaria, Bulgarian Rhapsody, Ivan Nitchev
Canada, Mommy, Xavier Dolan
Chile, To Kill A...
- 9/10/2014
- ScreenDaily
Somehow over the years the Hollywood Music in Media Awards have escaped me. The event's fifth annual slate of nominees were announced today, and it's a pretty standard assortment of names we've been considering at the forefront of this year's Best Original Score Oscar race, from Trent Reznor and Atticus Ross to Hans Zimmer to the ubiquitous Alexandre Desplat. The nominees were chosen by an "Hmma advisory board and selection committee," and winners will be voted upon by "music-media industry professionals comprised of select members of the Society of Composers and Lyricists, The Television Academy, the AMPAS Music Branch, Naras, performing rights organizations, film music journalists and music executives," according to the press release. You might raise your eyebrow at something like "Interstellar" being on here when it hasn't been screened for these purposes (or much at all, for that matter). The nominations are also based on hearing music via...
- 8/10/2014
- de Kristopher Tapley
- Hitfix
Tim here. The cut-off date for countries to choose their official submission for the Best Foreign Language Film Oscar was October 1, and while the list hasn’t been officially confirmed by the Academy yet (and there’s a good chance of one or two titles falling out), it gives us something to work with.
And, wonder of wonders, there even happens to be an animated feature among this year’s official submissions, something that has only happened around a dozen times in the past (only once of that dozen times did the animated picture make the final nominee list: in 2008, Israel’s submission of Waltz with Bashir made the cut, losing to Japan’s Departures). The film is the semi-fictional Rocks in My Pockets, directed by New York-based Signe Baumane, and I will suggest right off that it has a an unhappily good chance of being disqualified: spoken entirely in English by the filmmaker,...
And, wonder of wonders, there even happens to be an animated feature among this year’s official submissions, something that has only happened around a dozen times in the past (only once of that dozen times did the animated picture make the final nominee list: in 2008, Israel’s submission of Waltz with Bashir made the cut, losing to Japan’s Departures). The film is the semi-fictional Rocks in My Pockets, directed by New York-based Signe Baumane, and I will suggest right off that it has a an unhappily good chance of being disqualified: spoken entirely in English by the filmmaker,...
- 3/10/2014
- de Tim Brayton
- FilmExperience
Feburary's The Lego Movie aside, you'd be forgiven for thinking it has been a weak year for great animated films. Look closer, however, and you’ll see something else: While wide releases (How to Train Your Dragon 2, perhaps, or Mr. Peabody and Sherman) have been a mixed bag, indie screens have seen a steady stream of excellent and diverse animated films. In fact, this year has been an incredible one for animated films, one of the best in my lifetime. It's just that many of these excellent movies have gone woefully underseen.Rocks in My Pockets. Wrinkles. Jack and the Cuckoo Clock Heart. Patema Inverted. It's understandable if you haven't heard of many of these titles. Their modest releases speak to the difficulty of marketing animated films that aren’t exactly kiddie fare. True, outfits like Pixar have proven that animation can appeal to both adults and kids without...
- 30/9/2014
- de Bilge Ebiri
- Vulture
Keeping track of the Foreign Language submissions for the Oscars each year is something I constantly forget to keep on top of, but I have just done a full update as we are now up to 56 total submissions, only 20 shy of last year's record-breaking 76 submissions with only eight days to go before the October 1 submission deadline. Notable new entries on the list include Belguim's submission of Jean-Pierre and Luc Dardenne's festival favorite Two Days, One Night as well as Canada submitting Xavier Dolan's Mommy, which knocked the socks of Cannes audiences and did the same to me in Toronto this year (read my review here). It should also be noted France has submitted Bertrand Bonello's Saint Laurent instead of last year's buzzy title Blue is the Warmest Color, which missed the release date cut off date last year, making it eligible for this year's Oscars, but the...
- 23/9/2014
- de Brad Brevet
- Rope of Silicon
Entries for the Best Foreign-Language Film at the Academy Awards 2015.
Submissions for the Best Foreign-Language Film at the 87th Academy Awards are coming in and will continue until October, when the full list of eligible submissions will be revealed.
Last year, a record 76 countries submitted features and the eventual winner was Italian entry The Great Beauty, directed by Paolo Sorrentino.
This year’s nominations must be submitted by Oct 1.
Nine finalists will be shortlisted, which will be whittled down to five nominees that will be announced on Jan 15, 2015.
The awards ceremony will be held on Feb 22, 2015 in the Dolby Theatre, Hollywood.
Afghanistan, A Few Cubic Meters of Love, Jamshid Mahmoudi
Austria, The Dark Valley, Andreas Prochaska
Bolivia, Olvidados, Carlos Bolado
Brazil, The Way He Looks, Daniel Ribeiro
Bulgaria, Bulgarian Rhapsody, Ivan Nitchev
Chile, To Kill a Man, Alejandro Fernández Almendras
Colombia, Mateo, Maria Gamboa
Croatia, Cowboys, Tomislav Mršić
Czech Republic, Fair Play, Andrea...
Submissions for the Best Foreign-Language Film at the 87th Academy Awards are coming in and will continue until October, when the full list of eligible submissions will be revealed.
Last year, a record 76 countries submitted features and the eventual winner was Italian entry The Great Beauty, directed by Paolo Sorrentino.
This year’s nominations must be submitted by Oct 1.
Nine finalists will be shortlisted, which will be whittled down to five nominees that will be announced on Jan 15, 2015.
The awards ceremony will be held on Feb 22, 2015 in the Dolby Theatre, Hollywood.
Afghanistan, A Few Cubic Meters of Love, Jamshid Mahmoudi
Austria, The Dark Valley, Andreas Prochaska
Bolivia, Olvidados, Carlos Bolado
Brazil, The Way He Looks, Daniel Ribeiro
Bulgaria, Bulgarian Rhapsody, Ivan Nitchev
Chile, To Kill a Man, Alejandro Fernández Almendras
Colombia, Mateo, Maria Gamboa
Croatia, Cowboys, Tomislav Mršić
Czech Republic, Fair Play, Andrea...
- 18/9/2014
- de michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Feature-length animation Rocks In my Pockets is Latvia’s entry for the Academy Awards.
Rocks In my Pockets by New York-based Latvian animator Signe Baumane is to represent Latvia in the run for the Oscars in the Best Foreign-Language Film category.
The film is currently on release in the Us through Zeitgeist Films and has had an extended run at New York’s IFC Center.
Baumane and co-producer Sturgis Warner will also submit the film for the Oscar’s Animated Feature Film category.
The Latvia-us production is a personal story of the animator and tackles depression. The film tells the story of five women from Baumane’s family, including herself, and their battles with madness.
The film world premiered as the first ever animation in the international competition of the Karlovy Vary Film Festival where it picked up the Fipresci award and Special Mention of the Ecumenical jury.
It has since picked up the top top prize...
Rocks In my Pockets by New York-based Latvian animator Signe Baumane is to represent Latvia in the run for the Oscars in the Best Foreign-Language Film category.
The film is currently on release in the Us through Zeitgeist Films and has had an extended run at New York’s IFC Center.
Baumane and co-producer Sturgis Warner will also submit the film for the Oscar’s Animated Feature Film category.
The Latvia-us production is a personal story of the animator and tackles depression. The film tells the story of five women from Baumane’s family, including herself, and their battles with madness.
The film world premiered as the first ever animation in the international competition of the Karlovy Vary Film Festival where it picked up the Fipresci award and Special Mention of the Ecumenical jury.
It has since picked up the top top prize...
- 16/9/2014
- de michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Latvia has nominated Signe Baumane's Rocks in My Pockets in the best foreign-language category at the Oscars. The animated film delves into the depression that has haunted three generations of a New York-based Latvian filmmaker's family, including the director herself. Released earlier this month in the U.S. through Zeitgeist Films, Baumane's odyssey into the psyche of a family shaped by the traumatic events of the 20th century, where her tiny Baltic state was frequently invaded and occupied by foreign armies, uses the tagline: "A crazy quest for sanity." The first-ever animated film to play in
read more...
read more...
- 16/9/2014
- de Nick Holdsworth
- The Hollywood Reporter - Movie News
Rocks in My Pockets is a rare commodity, a stellar example of something we rarely get to see: animation for adults. The film is a memoir, a family chronicle and a national history. Director Signe Baumane grew up in Soviet Latvia, one of an enormous brood of cousins whose grandparents lived through the tumultuous 1930s and 1940s, bracing for Communist and Fascist invasions and struggling to get by. More specifically, Rocks in My Pockets is a family history of depression. Beginning with her much-harried grandmother, Baumane traces emotional hardship and the manifestations of mental illness down through her own generation. More contemplative than sad, this shape-shifting odyssey of strength and weakness is an artistic achievement the like of which doesn’t come around very often. But don’t take my word for it. I can offer you some proof of Baumane’s unique approach to visual storytelling in the form of a cartoon. Birth...
- 13/9/2014
- de Daniel Walber
- FilmSchoolRejects.com
Distinctive animation enhances a portrait of generational misery and mental illness in Rocks in My Pockets, Latvian writer/director/animator Signe Baumane's autobiographical saga about the link between her own psychological problems and those of five women in her family.
Baumane employs a Bill Plimpton–inspired visual style marked by two-dimensional figures and objects set in motion to create the impression of a vivid storybook come to life. In voiceover, she recounts the travails of her many relatives who were forced to contend with long stays in mental hospitals and countless prescriptions for pills, all in an effort to stave off urges to kill themselves via drowning, hanging, or jumping off rooftops.
Candidly discussing these struggles — wh...
Baumane employs a Bill Plimpton–inspired visual style marked by two-dimensional figures and objects set in motion to create the impression of a vivid storybook come to life. In voiceover, she recounts the travails of her many relatives who were forced to contend with long stays in mental hospitals and countless prescriptions for pills, all in an effort to stave off urges to kill themselves via drowning, hanging, or jumping off rooftops.
Candidly discussing these struggles — wh...
- 3/9/2014
- Village Voice
As 19 titles are revealed for the Zabaltegi section, Danis Tanovic’s Tigers is added to the official competition and The Disappearance of Eleanor Rigby has entered the Pearls section.
The 62nd San Sebastian Festival has unveiled the titles for its Zabaltegi section, a non-competitive strand featuring a variety of films, documentaries, shorts and television.
This year’s line-up will include world premieres of four features made in Spain: Virginia García del Pino’s Basilio Martín Patino. The Tenth Letter; Borja Cobeaga’s Negotiator; Francisco Sánchez Varela’s Paco De Lucía: La Búsqueda; and Pedro González Bermúdez’s documentary When Bette Davis Bids Farewell.
The strand will also include the Spanish premieres of the latest works by Ulrich Seidl and Kazuyoshi Kumakiri as well as a screening of Bruno Dumont’s TV series Lil´Quinquin.
In addition, Danis Tanovic’s Tigers will compete in the Official Selection, while the Pearls section has added Ned Benson’s relationship...
The 62nd San Sebastian Festival has unveiled the titles for its Zabaltegi section, a non-competitive strand featuring a variety of films, documentaries, shorts and television.
This year’s line-up will include world premieres of four features made in Spain: Virginia García del Pino’s Basilio Martín Patino. The Tenth Letter; Borja Cobeaga’s Negotiator; Francisco Sánchez Varela’s Paco De Lucía: La Búsqueda; and Pedro González Bermúdez’s documentary When Bette Davis Bids Farewell.
The strand will also include the Spanish premieres of the latest works by Ulrich Seidl and Kazuyoshi Kumakiri as well as a screening of Bruno Dumont’s TV series Lil´Quinquin.
In addition, Danis Tanovic’s Tigers will compete in the Official Selection, while the Pearls section has added Ned Benson’s relationship...
- 25/8/2014
- de michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
In the shadow of Robin Williams’ tragic death, this debut animated feature by Signe Baumane offers some light and solace for those suffering acute depression.
I watched this film with a growing fondness which came out of a puzzle. The mind of the filmmaker and my own mind seemed to intertwine as she told her family story in a slightly offbeat manner. Puzzled by the story rather than just curious, I could not stop listening to the tale as it unfolded. It took me many places I had not visited before and in the end brought me to a place of positive understanding for those whose depressions lead them into dark woods.
“Rocks in my Pockets” had its World Premiere at the 2014 Karlovy Vary Film Festival where it won the Fipresci Prize and was the first animated feature ever to take part in the Karlovy Vary International Competition.
In the animated gem “Rocks In My Pockets” Latvian-born artist and filmmaker Signe Baumane tells five fantastical tales based on the courageous women in her family and their battles with madness and suicide. With boundless imagination and a twisted sense of humor, she has created daring stories of art, romance, marriage, nature, business, and Eastern European upheaval—all in the fight for her own sanity.
Employing a unique, beautifully textured combination of papier-mâché stop-motion and classic hand-drawn animation (with inspiration from Jan Svankmajer and Bill Plympton), Baumane has produced a poignant and often hilarious tale of mystery, mental health, redemption and survival.
Director's statement:
The idea for “Rocks In My Pockets” came from my stream of consciousness. Like most people I think about a wide variety of things, some fantastical, some mundane, but my mind keeps coming back to thoughts of “ending it all” and the ways I could go about doing it. Why? Why do I think this way? And why I am still alive despite such thoughts? I find the fragility of our minds fascinating. Life is strange, unpredictable, sometimes absurd and I try to see the humor in it all.
While I was studying at Moscow State University, I got pregnant and married the father of my future child, a Russian artist. After my son was born, I started having dark obsessive thoughts. I sought council with a local psychiatrist to whom I confessed that, at 18, I had tried to commit suicide by taking an excessive amount of Dimedrol. I was immediately sent to a Soviet mental hospital and locked away for four months. The official diagnosis was schizophrenia, but this was downgraded to the “lesser” one of manic-depression after my parents bribed medical officials.
Despite the diagnosis, I returned to the university, graduated successfully, and started my career as an animator. It turned out that I was not the only one in my extended family having dark, obsessive thoughts. In fact, I had plenty of company. Unfortunately, not all of the sufferers were able to fend their demons off.
“Rocks In My Pockets” is dedicated to my family members who did not survive, and to my surviving family, who still live in the aftermath. The film is dedicated to the hope that we sustain in our darkest moments.”
Zeitgeist Films is proud to present the U.S Theatrical release of “Rocks In My Pockets”. The film will open at the IFC Center in New York on September 3, and at Laemmle Theaters in Los Angeles on September 12. A national release will follow.
New Europe Film Sales , a young international sales agent based in Poland is representing the film for world sales. New Europe Film Sales picked up two films ahead of the 49th Karlovy Vary International Film Festival – “Rocks in my Pockets” and “ Kebab & Horoscope” by Grzegorz Jaroszuk (debut by the director of European Film Award-nominated Frozen Stories, one of the most interesting shorts I have seen in a long time!).
88 min. USA 2014 In English Not Rated...
I watched this film with a growing fondness which came out of a puzzle. The mind of the filmmaker and my own mind seemed to intertwine as she told her family story in a slightly offbeat manner. Puzzled by the story rather than just curious, I could not stop listening to the tale as it unfolded. It took me many places I had not visited before and in the end brought me to a place of positive understanding for those whose depressions lead them into dark woods.
“Rocks in my Pockets” had its World Premiere at the 2014 Karlovy Vary Film Festival where it won the Fipresci Prize and was the first animated feature ever to take part in the Karlovy Vary International Competition.
In the animated gem “Rocks In My Pockets” Latvian-born artist and filmmaker Signe Baumane tells five fantastical tales based on the courageous women in her family and their battles with madness and suicide. With boundless imagination and a twisted sense of humor, she has created daring stories of art, romance, marriage, nature, business, and Eastern European upheaval—all in the fight for her own sanity.
Employing a unique, beautifully textured combination of papier-mâché stop-motion and classic hand-drawn animation (with inspiration from Jan Svankmajer and Bill Plympton), Baumane has produced a poignant and often hilarious tale of mystery, mental health, redemption and survival.
Director's statement:
The idea for “Rocks In My Pockets” came from my stream of consciousness. Like most people I think about a wide variety of things, some fantastical, some mundane, but my mind keeps coming back to thoughts of “ending it all” and the ways I could go about doing it. Why? Why do I think this way? And why I am still alive despite such thoughts? I find the fragility of our minds fascinating. Life is strange, unpredictable, sometimes absurd and I try to see the humor in it all.
While I was studying at Moscow State University, I got pregnant and married the father of my future child, a Russian artist. After my son was born, I started having dark obsessive thoughts. I sought council with a local psychiatrist to whom I confessed that, at 18, I had tried to commit suicide by taking an excessive amount of Dimedrol. I was immediately sent to a Soviet mental hospital and locked away for four months. The official diagnosis was schizophrenia, but this was downgraded to the “lesser” one of manic-depression after my parents bribed medical officials.
Despite the diagnosis, I returned to the university, graduated successfully, and started my career as an animator. It turned out that I was not the only one in my extended family having dark, obsessive thoughts. In fact, I had plenty of company. Unfortunately, not all of the sufferers were able to fend their demons off.
“Rocks In My Pockets” is dedicated to my family members who did not survive, and to my surviving family, who still live in the aftermath. The film is dedicated to the hope that we sustain in our darkest moments.”
Zeitgeist Films is proud to present the U.S Theatrical release of “Rocks In My Pockets”. The film will open at the IFC Center in New York on September 3, and at Laemmle Theaters in Los Angeles on September 12. A national release will follow.
New Europe Film Sales , a young international sales agent based in Poland is representing the film for world sales. New Europe Film Sales picked up two films ahead of the 49th Karlovy Vary International Film Festival – “Rocks in my Pockets” and “ Kebab & Horoscope” by Grzegorz Jaroszuk (debut by the director of European Film Award-nominated Frozen Stories, one of the most interesting shorts I have seen in a long time!).
88 min. USA 2014 In English Not Rated...
- 16/8/2014
- de Sydney Levine
- Sydney's Buzz
A psychological drama from Georgia, Corn Island is one of this year's anticipated highlights at the Karlovy Vary International Film Festival.
Revered Georgian filmmaker George Ovashvili (The Other Bank) will see his long anticipated new film Corn Island, a psychological drama that uses captivating imagery to present a topical subject – the intense relationship between man and nature – included in the main competition of this year’s Karlovy Vary International Film Festival.
In programme plans announced today (3 June) Karel Och, the festival’s artistic director, noted that the first animated film to be shown in competition at Karlovy Vary comes from the New York-based Latvian filmmaker Signe Baumane: Rocks In My Pockets. Described as “a funny film about depression” it depicts mental illness that afflicted a girl’s family for decades.
Georgian film-maker George Ovashvili.
The festival, which runs from 4 to 12 July in a picturesque spa town south of Prague,...
Revered Georgian filmmaker George Ovashvili (The Other Bank) will see his long anticipated new film Corn Island, a psychological drama that uses captivating imagery to present a topical subject – the intense relationship between man and nature – included in the main competition of this year’s Karlovy Vary International Film Festival.
In programme plans announced today (3 June) Karel Och, the festival’s artistic director, noted that the first animated film to be shown in competition at Karlovy Vary comes from the New York-based Latvian filmmaker Signe Baumane: Rocks In My Pockets. Described as “a funny film about depression” it depicts mental illness that afflicted a girl’s family for decades.
Georgian film-maker George Ovashvili.
The festival, which runs from 4 to 12 July in a picturesque spa town south of Prague,...
- 3/6/2014
- de Richard Mowe
- eyeforfilm.co.uk
IMDb.com, Inc. no asume ninguna responsabilidad por el contenido o la precisión de los artículos de noticias, Tweets o publicaciones de blog anteriores. Este contenido se publica únicamente para el entretenimiento de nuestros usuarios. Los artículos de noticias, Tweets y publicaciones de blog no representan las opiniones de IMDb ni podemos garantizar que los informes en ellos sean completamente objetivos. Visita la fuente responsable del artículo en cuestión para informar cualquier inquietud que puedas tener con respecto al contenido o la precisión.