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Went with flat expectations and was pleasantly surprised, although not completely satisfied.

Naga Chaitanya and Sai Pallavi's chemistry is the major asset of the film, it's what keeps you engaged despite the routine stuff on offer. But introducing the patriotism angle in the 2nd half is a major letdown, neither it's fresh nor it engages, climax wrapped up conveniently.

Naga Chaitanya has shown good improvement in terms of acting and screen presence, Sai Pallavi continues where she left from Amaran, but it feels repetitive. Others have got nothing.

Technically, DSP's work deserves huge applause, shows he's still the best in the business, Shamdat's camera work is superb, editing by Navin Nooli could have been better, 2nd half feels so long and dragged, production values by Geetha Arts are fine.

Coming to Director Chandoo Mondeti, has done a good job when it comes to love story, but the patriotism parts felt unnecessary and forced.

BOTTOMLINE: Not a long lasting, but fairly enjoyable love story.

"Thandel" delivers a poignant narrative rooted in true events, much like "Mathe Mungaru," with both films sharing strikingly similar perspectives that resonate deeply with audiences. The movie strikes an emotional chord while incorporating elements of action, offering a balanced mix of sentiment and intensity.

Naga Chaitanya's performance stands out as one of the film's strongest aspects. His portrayal of the lead character is engaging, capturing both the emotional depth and action-driven elements with remarkable authenticity. The actor fully immerses himself in the role, giving a 100% commitment to the performance.

However, it's Sai Pallavi who truly owns the screen. Her portrayal is nothing short of legendary, further cementing her status as one of the industry's most talented actresses. Sai Pallavi is, without a doubt, the highlight of the movie, bringing an emotional gravity to each scene, making her presence feel like the heartbeat of the film. She elevates "Thandel" in every way, ensuring that viewers remain glued to the screen.

On the music front, Devi Sri Prasad's score is decent, though it doesn't entirely stand out in comparison to his previous works. The soundtrack serves its purpose but doesn't elevate the emotional experience as one might expect.

Overall, "Thandel" is a one-time watch for those seeking a movie filled with sentiment and action. While the music may not leave a lasting impression, the strong performances from Naga Chaitanya and especially Sai Pallavi make it worthwhile.

Rating: 3/5 stars.

Thandel is more than just a film; it's an emotional rollercoaster that blends romance, patriotism, and real-life struggles into a compelling narrative. Inspired by true events, the film follows the heart-wrenching journey of Indian fishermen who accidentally cross into Pakistani waters and find themselves imprisoned, while their loved ones fight for their release.

Naga Chaitanya delivers one of his most intense performances, portraying the pain, resilience, and hope of a man caught in an unimaginable situation. Sai Pallavi shines as the woman who refuses to give up on love, making every emotional beat of the story hit even harder. Their chemistry adds depth to the story, making it even more powerful.

The cinematography beautifully captures the contrast between the vast, unpredictable ocean and the claustrophobic prison cells, enhancing the film's immersive experience. Devi Sri Prasad's soul-stirring background score amplifies the emotions, ensuring that every scene resonates deeply.

With a well-paced narrative, gripping second half, and a touching climax, Thandel is a must-watch for those who love emotionally charged dramas based on real-life incidents. It's a film that stays with you long after the credits roll.

This film is supposedly based on real incidents, but the way it's narrated makes it feel more like a cinematic exaggeration than a grounded story. While a few moments grab your attention, most of the film struggles to keep you hooked. The screenplay does have a handful of well-executed scenes, but beyond that, it's just a routine ride. Patriotism is unnecessarily forced into the screenplay for commercial appeal.

Naga Chaitanya clearly puts in a lot of effort, and his dedication is visible. However, he doesn't quite become the character he's playing. While this might be one of his better performances, he still needs to pick scripts that truly suit his strengths.

Sai Pallavi, as always, delivers a solid performance. But here's the thing-she's so consistently good that this role feels like just another day at work for her. Nothing groundbreaking, just her usual excellence.

The rest of the cast does their job well-no complaints, but no surprises either.

On the technical side, the production values are respectable. The locations, sets, costumes, and makeup all fit the mood of the film. The cinematography is pleasing, and the music adds some flavor, though it doesn't particularly elevate the experience.

In the end, the film is neither great nor terrible-it just sits in the safe zone of mediocrity. Watch it if you're a fan of the lead actors, otherwise, you might not miss much.

Beyond a point you cannot rely on Sai Pallavi to rescue a movie every time. This is a true story which has been dramatised for superior cinematic viewing, however the duration of the movie has lasted longer than necessary with certain repetitive sequences around the emotional scenes thereby diluting the impact of the natural chemistry between the lead actors. It's like making a larger Dosa with the same cup of batter. Must watch but not more than once. DSP's thematic tune is lilting and positively haunting. Casting is excellent. I wish there was a more outdoor shoot, especially on the coastlines, instead of showing the same fishing harbour five times.

A love story that pulls at the strings of your heart. The lead pair of Naga Chaitanya & Sai Pallavi get into the skins of their respective characters with such finesse. A word for Naga Chaitanya - his transformation into Thandel Raju can easily be a case study for other actors who wish to play such layered & complex characters. This is quite simply his best performance by far in his career. DSP's songs & BGM elevate the movie by leaps & bounds, coming at the right places and in the right format. Director Chandoo dis hos best in turning this real-life story into a magnificent celluloid creation with the right amount of drama and emotion. Overall, for movie lovers across the world, Thandel is a must-watch. Period.

Story lineup drives everything .As, the movie is based on true event . Average performance by Naga Chaitanya and Over action by Sai pallavi , One time Watcher , not so necessary dance bits planned for Sai pallavi just to elevate , but didn't work . Andhra Film makers now realized the pain for the ill treating the dialecs of any region . Till Telangana achieved statehood every Andhra Film maker criticized Telangana dialect , now when Andhra dialecs are treated small or neglected they are feeling the pain .

Felt like it could be directed even better . Any other female lead other than Sai Pallavi would have been better inplace of this role .

This review contains essential warnings to protect viewers from an unforgivable scene that has no place in cinema. This is not a spoiler that ruins a movie; it's a warning that saves you from watching something you'll regret.

As a devoted admirer of Sai Pallavi, I eagerly anticipated the release of Thandel, drawn by her luminous presence and exceptional talent. However, what unfolded on screen was not just a profound disappointment but a deeply distressing experience that I am compelled to warn others about.

Thandel is not only a poorly executed film-it is a reckless affront to human decency. The narrative is marred by an overabundance of flashbacks and unnecessary detours, resulting in a bloated runtime that any competent director could have trimmed to under 110 minutes. Despite my admiration for Sai Pallavi, the character she plays is selfish and unlikable for half of the movie. And even Ms. Pallavi's radiant performance cannot salvage a film that exhibits such blatant disregard for its audience's well-being.

And then comes the scene.

It is so sickeningly vile that it made my stomach churn and my hands tremble. This particular moment implies an act of unthinkable violence against a child that is both repugnant and utterly unnecessary. The filmmakers' choice to hide the moment of impact does nothing to mitigate its horror; in fact, it leaves the viewer confused and forced to conjure images potentially more disturbing than anything that could have been shown. Including such an act-even the idea-is irresponsible. It isn't storytelling. It's beyond evil. It's beyond sick. I don't think there is a word for it. It sabotages the viewer and carves a wound into their soul.

There is an unspoken rule in storytelling: "Don't kill the dog". It's not about censorship; it's about human decency. It's a trust that we place in filmmakers to never cross certain lines.

Thandel crosses a line in the most repugnant, unnecessary, and unforgivable way I have ever witnessed-even if this violence would have happened to an adult. The implication is stomach-churning, the execution repellent, and worst of all, it serves no purpose other than to shock and scar.

Netflix's decision to rate this film as TV-14 is a tragic misjudgment (or maybe they couldn't get through the first half of the movie). The scene in question has no place in an NC-17 film, let alone a movie deemed suitable for teenagers. You can't unsee it. You can't unthink it.

Moreover, one must question the ethical considerations of involving a child actor in such a scene. And I can't imagine the parents who, knowing the script, would consent to their child participating in the portrayal of such an unthinkable act?

Chandoo Mondeti, with this single decision, has lost me as a viewer forever. A director who crosses such a line once cannot be trusted not to do it again. I will never watch another film he makes, and I urge others to do the same. Many artistic choices can be debated; many mistakes can be forgiven. This is not one of them.

Final Verdict: Thandel is not just a bad movie; it is a dangerous one. Protect your family-Protect yourself. Do not watch this film.

After a long hiatus, N. C. (Raju) makes a strong comeback with Thandel, choosing a compelling script , engaging narrative, a well-executed screenplay, and a gripping performance.

The film's screenplay is seamless, keeping the audience invested throughout. Credit goes to the writers for crafting a story that flows effortlessly without any lag. The casting is spot-on, with every actor bringing depth to their characters.

A special mention to S. P. (Satya), who once again delivers a stellar performance. Her portrayal of the character is brilliant, and her dance sequences are a visual delight. As always, she captivates with her presence and effortless grace.

The music and songs blend harmoniously with the storyline, enhancing the emotional depth and adding to the film's immersive experience. Every track complements the narrative, making the musical journey just as engaging as the story itself.

Overall, Thandel is a heart-touching film that deserves to be experienced on the big screen. With a well-crafted script, strong performances, and an emotionally resonant story, it stands out as a cinematic triumph. Definitely worth watching!

Well made movie of Chandu mondeti and excelled by Saipallavi. And worth mentioning are story- Kartheek, photography of Shamdat and music Devi sri prasad. Screenplay is too good. Applause to Geetha arts for making this movie. Sai pallavi is outstanding and carries the movie on her shoulder. Nagchaitanya is average and as always the hero buzz created to success of the movie to him which is hype created for his sagging career. Nani or Sarvanand would have delivered better performance. Saipallavi yet again proves how she elevates a movie with her performance or choice of her roles. Worth watching for her !

Hearing a lot of reviews I happened to watch this movie. It was good in parts. As it was based on a real incident, those parts were good. The visual effects were definitely good. Music and cinematography was also good. Naga chaitanya and other actors deliver a great performance while Sai Pallavi's acting was top notch. However the things that didn't work well for me was certain jail scenes were disturbing, why it has to be shown that way whenever Indian movie makers take movies about Pakistan. Why can't they make movies like Bajrang bhaijaan?., also the climax of the movie was too clichéd and predictable.. Good movie but definetly not that great.

Set against the backdrop of Srikakulam's coastal fishing community, Thandel revolves around the love story of Raju (Naga Chaitanya) and Satya (Sai Pallavi), two souls deeply in love. Raju, a fisherman who inherits leadership qualities from his father, becomes the Thandel (leader) among his peers. Despite Satya's apprehensions about the dangers of the sea, Raju embarks on a nine-month fishing expedition with the men from the village. However, fate takes a cruel turn when he and his crew inadvertently drift into Pakistani waters, leading to their capture and imprisonment. What happens to them in a foreign land, and do they ever return to India?

Thandel is an engaging romantic action drama that delivers on its promise. While there are moments where the narrative could have been tighter, the film's decent storytelling, moving music, stunning visuals and brilliant lead performances ensure it leaves an impact. If you're looking for an intense love story with drama, action, and a touch of patriotism.

'Thandel' has its issues, though to be honest I enjoyed it for the majority - largely thanks to a stronger second part. The pre-interval stuff is solid but doesn't feel as well constructed or as interesting as what follows. As for the story, the thriller outdoes the romance.

How loud is this film, by the way? Too loud, in fact. I thought it was the cinema's 'fault', though based on a quick browse online it's a thing with some releases (e.g. Tamil's 'Kanguva') from this part of the world. I don't overall mind the loudness, my ears disagree though!

Nice that I got to see my first Telugu-language movie on the big screen, surprised I haven't seen one before. Naga Chaitanya stars in it and has good screen presence, he is the standout; his character is fun to watch. Other pluses include Sai Pallavi, the dance chorography and the action.

An overdramatic true story and far from reality, dragged love story.

First half could have been completed in one song aka 5 minutes, the director dragged it so much that the whole crowd in mid town theatre were waiting to go for a break looking at each other's face.

The chemistry between Sai Pallavi and Chay is good, the only saving part in first half. By the way music is good., three stars are for just music.

The second half has unnecessary patriotic scenes that do not gel with story line, though it is true story, the way it was directed is half baked, does not look five percent realistic. Made a mockery of Jails. The waghah border scene could have 10x better but director satisfied with poor acting and storyline.

Overall people felt sleepy in first half and dozed off in theatre in second half.

Only for sai pallavi acting I watched the movie fully enjoyed and sai pallavi emotional acting is another level she make the film to peeks her story select is perfect and in the nobody can replace the place of Sai Pallavi in emotional movies like Fidha, Amaran, Thandel she is the only suitable acter for those emotional characters. For bcz sai pallavi this movie will get super hit, the story is also very inspiring and motivating Only for sai pallavi acting I watched the movie fully enjoyed and sai pallavi emotional acting is another level she make the film to peeks her story select is perfect and in the nobody can replace the place of Sai Pallavi in emotional movies like Fidha, Amaran, Thandel she is the only suitable acter for those emotional characters. For bcz sai pallavi this movie will get super hit, the story is also very inspiring and motivating.

Naga Chaitanya has been struggling with a string of flops and desperately needed a solid hit. When he announced Thandel with Geetha Arts, it immediately created a buzz. A film backed by prestigious producers like Allu Aravind and Bunny Vasu is usually a sign that there's something special about it. The film stars Sai Pallavi, who previously acted with Naga Chaitanya in Love Story, a blockbuster. With music by Devi Sri Prasad and direction by Chandoo Mondeti, the film had all the makings of a big success. Plus, the team took over a year to complete it.

Adding to the intrigue, Thandel is based on real incidents about Indian fishermen captured by Pakistani soldiers and the struggles they and their families faced before their release.

I liked the movie. At first, I wondered why Sai Pallavi always ends up in emotional roles where she has to cry a lot. But as the story progressed, I got invested and felt satisfied by the end. One refreshing aspect was that the lead pair was already deeply in love when the movie began. Most films spend too much time on the hero's journey to win over the heroine, but here, the love story was already established. That allowed the narrative to focus more on what happens after their relationship is tested.

Naga Chaitanya and Sai Pallavi are a hit pair. They complement each other with stellar performances. The pre-interval conflict was done exceptionally well-many will relate to it. There's a moment where the female lead refuses to talk to the hero, and no matter what he does, she sticks to her decision. Naga Chaitanya's performance in this sequence is superb, perfectly capturing the frustration and pain of not being able to communicate with his lover. Sai Pallavi, as always, is fantastic.

The second half is well-executed, showcasing real political incidents from that time and how they affected the captured fishermen. One aspect I appreciated was the portrayal of the Pakistani jailer. Rather than making him a stereotypical villain, they showed him as a man simply doing his duty while understanding that the fishermen were innocent. It was refreshing to see this nuanced take-despite the India-Pakistan rivalry, regular people on both sides don't necessarily hate each other. Of course, the film does highlight extremists who despise India, adding moments of tension. One particular jail scene was quite uncomfortable to watch. I won't spoil it, but I think it was necessary to add emotional weight.

Thandel is a commendable attempt at telling a real-life-inspired story. The background score by Devi Sri Prasad is excellent, especially the signature theme used to showcase the love between the lead pair. Performance-wise, as mentioned earlier, Naga Chaitanya did a great job. With his long hair and beard, he looked like a rustic fisherman and convincingly portrayed a lover deeply in love while also emerging as a leader (Thandel means leader) for his fellow fishermen.

I particularly liked one supporting character who wanted to marry Sai Pallavi-his role was well-written. The rest of the cast was good, but some didn't quite fit as fishermen, and their accents felt off. Given that the team took a year to make this film, they could have provided better training to make the accents more authentic. Cinematography and art direction were solid. As for the director, Chandoo Mondeti surprised me. I didn't expect him to handle a love story so well while also delivering strong emotions.

Sai Pallavi's role felt tailor-made for her, and she did full justice to it. The opening sequence felt like it was edited to create a hook, but later, the director introduced Sai Pallavi as if we were seeing her for the first time, which felt a bit inconsistent.

You should give this film a try.

This movie was really great. Some scenes are just goosebumps . This is a must watch film . Hope this will be the highest grossing movie for akkineni naga chaitanya sir and sai pallavi mam . Songs are another level especially bujji talli song . Acting of sai pallavi mam and fighting scenes of naga chaitanya sir are just awesome . I think this movie will be my favorite movie from now . The patriotic indian scenes are awesome . The acting of all the actors and actresses are wonderful . Some scenes made cry . Really befor stepping into the theatre did not expect such a great output . The ship and sea scenes were also tooo good.

The concept and the story was not that great, it was full of drama like a fairy tale and my family didn't like it even i didn't like , there is no reality in it. Naga also did too much overacting and script was not fun. Locations was okay okay. I just went to see Sai Pallavi. She did a good job as always but not so great like her other movies. I also feel this is overrated in box office. I didn't see people enjoying and thrilling in the theatre also. This movie could have been better with other actor hero because I felt Naga did a lot of overacting here. He was not as always like his previous movies.

Thandel goes with a good storyline, love story, emotion, a little tinge of patriotism and leadership. Theres nothing called lag in the movie. The people who are complaining about lag are the people who cant catch the emotion. Some people used the term unwanted patriotism, actually the patroitism goes with storyline, so theres nothing called unwanted patroitism. Overall acting of naga chaitanya is very good and improved than previous movies. Sai pallavi also nailed it and her dance too. A very good movie to watch with a storyline in this recent years. Second half goes very well than first half.

The actors of the movie have not given everything it needed.

One character goes to the business owner, pressurizes him, and brings back the money lying in other people's accounts. This doesn't seem convincing.

It is shown that Indians are kept without uniforms in a Pakistani prison, along with Pakistani prisoners who are in uniform. The Pakistani prisoners insult India and challenge the patriotic feelings of the Indian prisoners. The scenes are not convincing and it feels they are added just to make the viewers emotional.

Every event in the movie is predictable.

The scenes of the village are realistic.

The scenes of the boat in the turbulent ocean are excellent.

Thandel Story: Set against the backdrop of Srikakulam's coastal fishing community, Thandel revolves around the love story of Raju (Naga Chaitanya) and Satya (Sai Pallavi), two souls deeply in love. Raju, a fisherman who inherits leadership qualities from his father, becomes the Thandel (leader) among his peers. Despite Satya's apprehensions about the dangers of the sea, Raju embarks on a nine-month fishing expedition with the men from the village. However, fate takes a cruel turn when he and his crew inadvertently drift into Pakistani waters, leading to their capture and imprisonment. What happens to them in a foreign land, and do they ever return to India?

Thandel Review: Director Chandoo Mondeti takes a real-life-inspired backdrop and turns Thandel into an intense emotional drama. The first half focuses on establishing the world of the fishing community, highlighting their customs and daily struggles. The romance is seamlessly woven into the setting, making it easy to invest in Raju and Satya's bond. The second half shifts gears with the conflict in Pakistan, adding layers of tension and patriotism to the narrative. While the screenplay has its highs and lows, the director's storytelling keeps the film engaging. The symbolic use of the lighthouse and the fish insignia flag is a smart touch, though some might feel that the emotional and romantic depth could have been explored further.

Naga Chaitanya delivers his career-best performance, slipping into the role of Raju with remarkable ease. His accent takes a little getting used to, but once past that, his portrayal is gripping. Whether it's romance, action, or emotional moments, he delivers convincingly. Sai Pallavi is once again in her element, effortlessly emoting through every frame. However, those who have seen her in recent films like Amaran might feel she treads a familiar path with an emotionally heavy role. That said, she brings sincerity to Satya's character, and her chemistry with Chaitanya works well.

The supporting cast, including Karunakaran and Prakash Belawadi, put in solid performances, ensuring that the world of Thandel feels authentic. Each character adds weight to the story, and their performances help build the film's emotional depth.

Music director Devi Sri Prasad elevates the film with a powerful background score. The songs blend well with the narrative, and the music enhances key moments. The cinematography, handled by Shamdat, deserves a special mention. The visuals beautifully capture the raw and unpredictable nature of the sea while also bringing out the warmth of the village.

The dance sequences are choreographed well, adding to the film's energy, and the action scenes are staged effectively with cinematic appeal. The editing is effective for the most part, but certain portions could have been crisper. Some sequences stretch a bit longer than necessary, affecting the film's pacing. Production values are high, with meticulous attention to detail in bringing the fishing community's world to life.

Thandel is an engaging romantic action drama that delivers on its promise. While there are moments where the narrative could have been tighter, the film's decent storytelling, moving music, stunning visuals and brilliant lead performances ensure it leaves an impact. If you're looking for an intense love story with drama, action, and a touch of patriotism, Thandel is worth a watch.

Naga Chaitanya Roars in Thandel, Naga Chaitanya delivers his most powerful and intense performance to date. Shedding his romantic image, he transforms into a fierce, emotionally grounded hero who fights for his people and his love. His physical transformation, intense expressions, and gripping dialogue delivery elevate the film. The emotional depth he brings in key scenes proves his growth as an actor. Director Chandoo Mondeti gives him the perfect platform, and Chay seizes it with confidence. Thandel is not just a movie - it's a bold statement from Chaitanya that he's here to rule both class and mass cinema.