Worldwide box office October 18-20 RankFilm (distributor)3-day (world)Cume (world)3-day (int’l)Cume (int’l)Territories 1. Venom: The Last Dance(Sony) $175m $175m $124m $124m 65 2. The Wild Robot(Universal) $24.1m $232.3m $17.6m $121m 80 3. Smile 2(Paramount) $22m $83.7m $12.6m $43m 68 4. The Unseen Sister(various) $9.7m $9.7m $9.7m $9.7m 1 5. L’Amour Ouf(Studiocanal) $7.1m $16.4m $7.1m $16.4m 1 6. Conclave(various) $6.5m $6.5m N/A N/A 1 7. Terrifier 3(various) $5.8m $53m $1.5m $9.9m 13 8. We Live In Time(various) $5m $12.4m $113,000 $658,000 6 9. Beetlejuice Beetlejuice(Warner Bros) $4.9m $441.8m $1.7m $153.1m 73 10. The Volunteers: To The War 2(various) $4.5m $163.2m $4.5m $163.2m 2
Credit: Comscore. All figures are estimates.
Credit: Comscore. All figures are estimates.
- 10/28/2024
- ScreenDaily
Worldwide box office October 18-20 Rank Film (distributor) 3-day (world) Cume (world) 3-day (int’l) Cume (int’l) Territories 1. Smile 2 (Paramount) $46m $46m $23m $23m 63 2. The Wild Robot (Universal) $33.3m $196m $23.2m $94.3m 77 3. Joker: Folie a Deux (Warner Bros) $16.9m $191.9m $14.7m $135.5m 79 4. Terrifier 3 (various) $12.3m $44.8m $3m $8.6m 10 5. Beetlejuice Beetlejuice (Warner Bros) $8.7m $434.6m $3.7m $150.6m 75 6. The Volunteers: To The War 2 (various)
$8.5m $154.5m $8.5m $154.5m 2 7. L’Amour ouf (Studiocanal) $6.6m $6.6m $6.6m $6.6m 1 8. The Substance (Mubi) $5.2m $42.1m $4.3m $28.7m 36 9. Harry Potter And The Chamber Of Secrets (Warner Bros) $4.7m $4.7m $4.7m $4.7m 1 10. Transformers One (Paramount) $4.6m $119m $2.6m $62.4m 71
Credit: Comscore.
$8.5m $154.5m $8.5m $154.5m 2 7. L’Amour ouf (Studiocanal) $6.6m $6.6m $6.6m $6.6m 1 8. The Substance (Mubi) $5.2m $42.1m $4.3m $28.7m 36 9. Harry Potter And The Chamber Of Secrets (Warner Bros) $4.7m $4.7m $4.7m $4.7m 1 10. Transformers One (Paramount) $4.6m $119m $2.6m $62.4m 71
Credit: Comscore.
- 10/21/2024
- ScreenDaily
Exclusive: Daniel Auteuil, Virginie Efira, Mathieu Amalric, Vincent Lacoste and Luana Bajrami have been unveiled as supporting cast members in Rebecca Zlotowski’s murder mystery movie Vie Privée starring Jodie Foster.
The production has also unveiled the plotline for the film which follows renowned psychiatrist Lilian Steiner, played by previously-announced Foster, who mounts her own private investigation into the death of one of her patients, whom she is convinced has been murdered.
The supporting cast news and plot reveal comes as filming – running from September 30 to November 22 between Paris and Normandy – enters its third week.
The feature is Zlotowski’s sixth film after 2023 Venice Golden Lion contender Other People’s Children, An Easy Girl, Planetarium, Grand Central and Dear Prudence.
Zlotowski co-wrote the screenplay with Anne Berest, whose credits include Audrey Diwan’s Venice Golden Lion winner Happening and Other People’s Children, as well as long-time collaborator Gaëlle Macé.
The film...
The production has also unveiled the plotline for the film which follows renowned psychiatrist Lilian Steiner, played by previously-announced Foster, who mounts her own private investigation into the death of one of her patients, whom she is convinced has been murdered.
The supporting cast news and plot reveal comes as filming – running from September 30 to November 22 between Paris and Normandy – enters its third week.
The feature is Zlotowski’s sixth film after 2023 Venice Golden Lion contender Other People’s Children, An Easy Girl, Planetarium, Grand Central and Dear Prudence.
Zlotowski co-wrote the screenplay with Anne Berest, whose credits include Audrey Diwan’s Venice Golden Lion winner Happening and Other People’s Children, as well as long-time collaborator Gaëlle Macé.
The film...
- 10/14/2024
- by Melanie Goodfellow
- Deadline Film + TV
The French box office rose 10.1% in September compared to the same month in 2023, with 9.86 million tickets sold (€71m based on an average ticket price of €7.20) according to estimates from the Cnc.
The rise was driven by Warner Bros’ Beetlejuice, Beetlejuice and a slew of Cannes releases.
However, the month was 11.3% down on the pre-pandemic 2017-2019 average – and September 2023 had been particularly weak, posting just 8.8 million admissions (€63.2m).
Nevertheless, the overall picture remained upbeat. Admissions for the first nine months of the year reached 127.68 million (€920m), down 4.6% year-on-year after a slow start. This was down to the summer bounceback, driven by...
The rise was driven by Warner Bros’ Beetlejuice, Beetlejuice and a slew of Cannes releases.
However, the month was 11.3% down on the pre-pandemic 2017-2019 average – and September 2023 had been particularly weak, posting just 8.8 million admissions (€63.2m).
Nevertheless, the overall picture remained upbeat. Admissions for the first nine months of the year reached 127.68 million (€920m), down 4.6% year-on-year after a slow start. This was down to the summer bounceback, driven by...
- 10/4/2024
- ScreenDaily
The French box office rose 10.1% in September compared to the same month in 2023, with 9.86 million tickets sold (€71m based on an average ticket price of €7.20) according to estimates from the Cnc.
The rise was driven by Warner Bros’ Beetlejuice, Beetlejuice, a slew of Cannes releases and a robust performance from Francis Ford Coppla’s Megalopolis.
However, the month was 11.3% down on the pre-pandemic 2017-2019 average – and September 2023 had been particularly weak, posting just 8.8 million admissions (€63.2m).
Nevertheless, the overall picture remained upbeat. Admissions for the first nine months of the year reached 127.68 million (€920m), down 4.6% year-on-year after a slow start.
The rise was driven by Warner Bros’ Beetlejuice, Beetlejuice, a slew of Cannes releases and a robust performance from Francis Ford Coppla’s Megalopolis.
However, the month was 11.3% down on the pre-pandemic 2017-2019 average – and September 2023 had been particularly weak, posting just 8.8 million admissions (€63.2m).
Nevertheless, the overall picture remained upbeat. Admissions for the first nine months of the year reached 127.68 million (€920m), down 4.6% year-on-year after a slow start.
- 10/4/2024
- ScreenDaily
"Thinking of you meant worrying about you..." Studiocanal has revealed an official trailer for a French epic romance film titled Beating Hearts, featuring English subtitles so everyone can hear what they're saying. This premiered at the end of the 2024 Cannes Film Festival earlier this year, with mostly negative and a few positive reviews. The decade-spanning love story thriller is about a boy and girl who fall for each other as teens. But he's a criminal and gets locked up – hoping to find her years later. Local rebellious teen Clotaire falls for his schoolmate Jackie, but gang violence leads him down a darker path. After years apart, the star-crossed lovers discover every path they've taken leads them back together. Does it? Adèle Exarchopoulos & François Civil star as the older versions of Jackie & Clotaire. It also stars Mallory Wanecque & Malik Frikah as teens, Jean-Pascal Zadi, Benoît Poelvoorde, Alain Chabat, Élodie Bouchez, Vincent Lacoste,...
- 9/11/2024
- by Alex Billington
- firstshowing.net
At this year’s Cannes Film Festival, there are few films that earned as much love during its premiere as “Beating Hearts.” While the film didn’t necessarily score big with critics, it did earn a huge 15-minute ovation after it premiered. That must count for something, right?
As seen in the trailer, “Beating Hearts” tells the story of two childhood loves who come back together later in life.
Continue reading ‘Beating Hearts’ Trailer: Adèle Exarchopoulos Stars In Gilles Lellouche’s Romance at The Playlist.
As seen in the trailer, “Beating Hearts” tells the story of two childhood loves who come back together later in life.
Continue reading ‘Beating Hearts’ Trailer: Adèle Exarchopoulos Stars In Gilles Lellouche’s Romance at The Playlist.
- 9/11/2024
- by Charles Barfield
- The Playlist
“Journey to the End of the Night,” a literary masterpiece penned by controversial French author Louis-Ferdinand Céline, is being adapted for the big screen by Joann Sfar and Thomas Bidegain.
Well-established producers Aton Soumache (“The Little Prince”) and Alain Attal (“Beating Hearts”) are developing the project through their respective banners, Magical Society (jointly led with Sfar) and Tresor Films.
The adaptation endeavor was initiated by Sfar, a Jewish comicbook artist, illustrator, thinker and filmmaker whose body of work has promoted tolerance and combatted all forms of racism through words and images.
Published in 1932, “Journey to the End of the Night” was the first novel written by Céline, whose real name was Louis Ferdinand Auguste Destouches. Céline, who fled to Germany in 1944 and died in 1961 after living for many years in self-imposed exile in Denmark, remains a polarizing figure due to his antisemitic views and pamphlets that promoted the Nazi ideology during the Second World War.
Well-established producers Aton Soumache (“The Little Prince”) and Alain Attal (“Beating Hearts”) are developing the project through their respective banners, Magical Society (jointly led with Sfar) and Tresor Films.
The adaptation endeavor was initiated by Sfar, a Jewish comicbook artist, illustrator, thinker and filmmaker whose body of work has promoted tolerance and combatted all forms of racism through words and images.
Published in 1932, “Journey to the End of the Night” was the first novel written by Céline, whose real name was Louis Ferdinand Auguste Destouches. Céline, who fled to Germany in 1944 and died in 1961 after living for many years in self-imposed exile in Denmark, remains a polarizing figure due to his antisemitic views and pamphlets that promoted the Nazi ideology during the Second World War.
- 9/9/2024
- by Elsa Keslassy
- Variety Film + TV
Marvel Studios had a pretty flawless run throughout its Infinity Saga. Sure, some movies were weaker than others, and not all of its run was smooth-sailing, but for the most part, the Marvel Cinematic Universe's long-form storytelling was a game-changing hit, enjoying levels of consistent box office success that had never been seen before, and acclaim from both fans and critics.
Avengers: Endgame brought about an incredible culmination to that story, leaving fans feeling all kinds of emotions. The Avengers' defeat of Thanos was a bittersweet moment as it came with the sacrifice of Tony Stark, a.k.a. Iron Man. It was a heartbreaking conclusion that brought about the end of one era and the beginning of another.
One character was involved in that in a very effective manner, but there were almost two versions of that same character in that movie. Now, we might finally see the second...
Avengers: Endgame brought about an incredible culmination to that story, leaving fans feeling all kinds of emotions. The Avengers' defeat of Thanos was a bittersweet moment as it came with the sacrifice of Tony Stark, a.k.a. Iron Man. It was a heartbreaking conclusion that brought about the end of one era and the beginning of another.
One character was involved in that in a very effective manner, but there were almost two versions of that same character in that movie. Now, we might finally see the second...
- 9/4/2024
- by Michael Patterson
- Bam Smack Pow
French writer Nicolas Mathieu won the Prix Goncourt — France’s highest-profile literary award — for his 2018 novel “And Their Children After Them,” a working-class Bildungsroman set against a backdrop of severe deindustrialization, for which he stated his disparate influences to include John Steinbeck, Émile Zola, Bruce Springsteen and the 2012 Jeff Nichols film “Mud.” The Springsteen namecheck is easily taken care of in this brash big-screen adaptation, via a thuddingly obvious needle-drop as its bike-riding hero straps his hands across some engines and hits the open road. Mathieu’s more literary allusions, however, haven’t survived the journey to Ludovic and Zoran Boukherma’s overlong, outwardly emotive but strangely unmoving film, which resorts to soap-opera mechanics in its saga of three youths variously affected over a six-year period by one rash act of teen delinquency.
The Boukherma twins showed some inventive, genre-jumbling verve in their first three features — most prominently “Teddy,” a...
The Boukherma twins showed some inventive, genre-jumbling verve in their first three features — most prominently “Teddy,” a...
- 8/31/2024
- by Guy Lodge
- Variety Film + TV
Twin brothers Ludovic and Zoran Boukherma left their village in southwest France for Paris just over a decade ago to study film at the Luc Besson-spearheaded L’École de la Cité.
The duo is now settled in the French capital, but they still turn for inspiration to their working-class upbringing in so-called “Peripheral France”, a term coined in the 2010s to describe disadvantaged communities left behind by globalisation.
Their fourth feature And Their Children After Them – which world premieres in competition in Venice this weekend – taps into this world in the 1990s.
Adapted from Nicolas Mathieu’s 2018 novel of the same name, the drama revolves around three youngsters growing up in a former steel town in north-eastern France.
Anthony and Hacine (Sayyid El Alami), are the sons of two ex-steel workers, and Steph (Angelina Woreth), a girl from a comfortable middle-class background.
Over the course of four summers...
The duo is now settled in the French capital, but they still turn for inspiration to their working-class upbringing in so-called “Peripheral France”, a term coined in the 2010s to describe disadvantaged communities left behind by globalisation.
Their fourth feature And Their Children After Them – which world premieres in competition in Venice this weekend – taps into this world in the 1990s.
Adapted from Nicolas Mathieu’s 2018 novel of the same name, the drama revolves around three youngsters growing up in a former steel town in north-eastern France.
Anthony and Hacine (Sayyid El Alami), are the sons of two ex-steel workers, and Steph (Angelina Woreth), a girl from a comfortable middle-class background.
Over the course of four summers...
- 8/31/2024
- by Melanie Goodfellow
- Deadline Film + TV
French cinema rarely ventures into full-blown sci-fi — a genre largely dominated by deep-pocketed U.S. productions — but filmmaker Aude Lea Rapin (“Heroes Don’t Die”), rose to the challenge with “Planet B,” a dystopian thriller headlined by Adele Exarchopoulos and Souheila Yacoub (“Dune 2”) playing rebels with a cause. The movie world premieres at Venice where it kicks off the Critics’ Week section.
Like many sci-fi movies, “Planet B” has a politically charged storyline, centering on hardcore climate activists who get locked up in a virtual prison in a seemingly idyllic location. Among the hot-button topics explored in the movie are immigration, police brutality, the limits of radical activism and threats to democracy.
Yacoub and Exarchopoulos star alongside an ensemble cast of up-and-comers, including India Hair, Jonathan Couzinié, Yassine Stein, Paul Beaurepaire and Eliane Umuhire.
Exarchopoulos plays Julia, the leader of the group of eco-activists who are imprisoned and tortured psychologically,...
Like many sci-fi movies, “Planet B” has a politically charged storyline, centering on hardcore climate activists who get locked up in a virtual prison in a seemingly idyllic location. Among the hot-button topics explored in the movie are immigration, police brutality, the limits of radical activism and threats to democracy.
Yacoub and Exarchopoulos star alongside an ensemble cast of up-and-comers, including India Hair, Jonathan Couzinié, Yassine Stein, Paul Beaurepaire and Eliane Umuhire.
Exarchopoulos plays Julia, the leader of the group of eco-activists who are imprisoned and tortured psychologically,...
- 8/29/2024
- by Elsa Keslassy
- Variety Film + TV
French TikTok Duo Golo & Ritchie Score B.O Hit With Doc Challenging Misconceptions Around Disability
Exclusive: Social media stars and the big screen rarely make for easy bedfellows, but French TikTok duo Golo & Ritchie are bucking the trend.
The comic duo has been posting about their lives in the housing estate of La Grande Borne in the commune of Grigny on the outskirts of Paris for the past five years.
Grigny ranks as one of the poorest towns in France and hit the headlines in the summer of 2023 after riots broke out there in response to the shooting dead in the northern suburb of Nanterre of teenager Nahel Mezouk by a policeman, after he fled a routine traffic stop.
Golo & Ritchie’s posts show another side to life in the estate and its diverse community and have steadily amassed them 1.5 million followers on Snapchat, another 661,000 on Instagram, and 578,000 on TikTok.
Their posts are also distinguished by the fact that Ritchie is autistic, which adds an...
The comic duo has been posting about their lives in the housing estate of La Grande Borne in the commune of Grigny on the outskirts of Paris for the past five years.
Grigny ranks as one of the poorest towns in France and hit the headlines in the summer of 2023 after riots broke out there in response to the shooting dead in the northern suburb of Nanterre of teenager Nahel Mezouk by a policeman, after he fled a routine traffic stop.
Golo & Ritchie’s posts show another side to life in the estate and its diverse community and have steadily amassed them 1.5 million followers on Snapchat, another 661,000 on Instagram, and 578,000 on TikTok.
Their posts are also distinguished by the fact that Ritchie is autistic, which adds an...
- 8/29/2024
- by Melanie Goodfellow
- Deadline Film + TV
Barely a decade out of film school, Gallic twins Ludovic and Zoran Boukherma are primed for an international splash once their fourth feature, “And Their Children After Them,” premieres in competition at this year’s Venice Film Festival.
Adapted from a literary sensation that won the Prix Goncourt, France’s equivalent to the Pulitzer Prize, the film explores teenage heartache and working-class doldrums with a novelistic sweep, playing as a coming-of-age power ballad full of operatic emotions and chart-topping tunes.
“We wanted to turn a story made up of fairly ordinary, small conflicts into something vast and cinematic,” says director Zoran Boukherma, who co-wrote with his brother Ludovic after actor-filmmaker Gilles Lellouche handed each of them a copy of the book over lunch two years ago.
“That idea stemmed from our discussion with Gilles and with [original author] Nicolas Mathieu, who recognized that a very small event could lead to an entire family’s downfall.
Adapted from a literary sensation that won the Prix Goncourt, France’s equivalent to the Pulitzer Prize, the film explores teenage heartache and working-class doldrums with a novelistic sweep, playing as a coming-of-age power ballad full of operatic emotions and chart-topping tunes.
“We wanted to turn a story made up of fairly ordinary, small conflicts into something vast and cinematic,” says director Zoran Boukherma, who co-wrote with his brother Ludovic after actor-filmmaker Gilles Lellouche handed each of them a copy of the book over lunch two years ago.
“That idea stemmed from our discussion with Gilles and with [original author] Nicolas Mathieu, who recognized that a very small event could lead to an entire family’s downfall.
- 8/28/2024
- by Elsa Keslassy and Ben Croll
- Variety Film + TV
Plan B’s pan-European parent company Mediawan has taken a majority stake in Our Films, the new production and film financing company formed by Mario Gianani and Lorenzo Mieli, the award-winning Italian producer duo behind “The Young Pope” and “My Brilliant Friend.”
Based in Rome, Our Films reunites Gianani and Mieli, who exited their respective Fremantle-owned banners, Wildside and the Apartment, earlier this year. The pair, whose flair for talent has shined through their impressive track record over the years, will continue working with European, U.S. and international filmmakers and talent across features, documentaries and series.
Gianani and Mieli also have a co-production deal with Fremantle under which they will continue to shepherd a number of projects that they initiated at Fremantle, some of which are hot titles world premiering at the Venice Film Festival, such as Luca Guadagnino’s “Queer,” starring Daniel Craig; Pablo Larraín’s Maria Callas...
Based in Rome, Our Films reunites Gianani and Mieli, who exited their respective Fremantle-owned banners, Wildside and the Apartment, earlier this year. The pair, whose flair for talent has shined through their impressive track record over the years, will continue working with European, U.S. and international filmmakers and talent across features, documentaries and series.
Gianani and Mieli also have a co-production deal with Fremantle under which they will continue to shepherd a number of projects that they initiated at Fremantle, some of which are hot titles world premiering at the Venice Film Festival, such as Luca Guadagnino’s “Queer,” starring Daniel Craig; Pablo Larraín’s Maria Callas...
- 8/27/2024
- by Elsa Keslassy and Nick Vivarelli
- Variety Film + TV
The French box office continued its strong summer surge with 18.71 million admissions in July, the best for the month since 2011, according to figures from the Cnc.
The Count Of Monte-Cristo, released June 28, led the charge with 4 million admissions in July for a total of 5.2 million. Pathé’s historical epic was followed by Inside Out 2 (Disney), which added 3.4 million admissions for a 7.2 million total since its June 19 release, and Despicable Me 4 (Universal), which launched on July 10 and has sold 2.7 million tickets.
French comedy A Little Something Extra (Pan Distribution) continued to perform strongly after 13 weeks in cinemas, selling 1.2 million tickets in July.
The Count Of Monte-Cristo, released June 28, led the charge with 4 million admissions in July for a total of 5.2 million. Pathé’s historical epic was followed by Inside Out 2 (Disney), which added 3.4 million admissions for a 7.2 million total since its June 19 release, and Despicable Me 4 (Universal), which launched on July 10 and has sold 2.7 million tickets.
French comedy A Little Something Extra (Pan Distribution) continued to perform strongly after 13 weeks in cinemas, selling 1.2 million tickets in July.
- 8/2/2024
- ScreenDaily
Rising French actor Raphael Quenard has signed to star as legendary French rock star Johnny Hallyday in a buzzy, as-yet-untitled biopic from Hugo Selignac’s Mediawan-owned Chi-Fou-Mi Productions.
November and The Stronghold filmmaker Cedric Jimenez will direct the feature that is set to start shooting in 2026 for a planned release on December 8, 2027 to coincide with what will be the 10 year anniversary of the singer and actor’s death in 2017.
Jimenez is penning the script with his November co-writer Olivier Demangel. The project is being billed as the “official” Hallyday biopic by the rocker’s widow Laetitia Hallyday who has previously...
November and The Stronghold filmmaker Cedric Jimenez will direct the feature that is set to start shooting in 2026 for a planned release on December 8, 2027 to coincide with what will be the 10 year anniversary of the singer and actor’s death in 2017.
Jimenez is penning the script with his November co-writer Olivier Demangel. The project is being billed as the “official” Hallyday biopic by the rocker’s widow Laetitia Hallyday who has previously...
- 6/26/2024
- ScreenDaily
Die Fahne des europäischen Films bei der europäischen Leitmesse hochzuhalten: Diese Mission erfüllte Studiocanal mit einer breiten Slate – und dem einzigen Schauspielerbesuch des zweiten CineEurope-Tages.
Auf „Paddington in Peru“ (hier ein Szenenbild aus dem Erstling) lag bei der Studiocanal-Präsentation in Barcelona der klare Schwerpunkt. (Credit: Studiocanal)
„Wicked Little Letters“, „Back to Black“ oder „Ella und der schwarze Jaguar“. So lauten die Titel einiger der Erfolge, die Studiocanal europaweit in den vergangenen Monaten feiern konnte. Die erfolgreichste britische Komödie seit der Pandemie, ein Nummer-1-Start in acht Ländern (und ein Langläufer) – und ein Film, der nicht zuletzt in Deutschland alle Erwartungen zu übertreffen musste. Tatsächlich hob Studiocanal-ceo Anna Marsh die Leistung des deutschen Teams in diesem Fall in besonderem Maße hervor. Denn dass der Film hierzulande das Boxoffice aus Frankreich übertreffen konnte, sei „ziemlich spektakulär“.
Für die Zukunft folge man jedenfalls weiterhin dem Fixstern: Europäische Geschichten zu erzählen, die das Potenzial für weltweite Märkte hätten.
Auf „Paddington in Peru“ (hier ein Szenenbild aus dem Erstling) lag bei der Studiocanal-Präsentation in Barcelona der klare Schwerpunkt. (Credit: Studiocanal)
„Wicked Little Letters“, „Back to Black“ oder „Ella und der schwarze Jaguar“. So lauten die Titel einiger der Erfolge, die Studiocanal europaweit in den vergangenen Monaten feiern konnte. Die erfolgreichste britische Komödie seit der Pandemie, ein Nummer-1-Start in acht Ländern (und ein Langläufer) – und ein Film, der nicht zuletzt in Deutschland alle Erwartungen zu übertreffen musste. Tatsächlich hob Studiocanal-ceo Anna Marsh die Leistung des deutschen Teams in diesem Fall in besonderem Maße hervor. Denn dass der Film hierzulande das Boxoffice aus Frankreich übertreffen konnte, sei „ziemlich spektakulär“.
Für die Zukunft folge man jedenfalls weiterhin dem Fixstern: Europäische Geschichten zu erzählen, die das Potenzial für weltweite Märkte hätten.
- 6/18/2024
- by Marc Mensch
- Spot - Media & Film
Ioncinema.com’s Chief Film Critic Nicholas Bell reviewed the entire competition and more. Here is a comprehensive guide to all the feature films across all sections, including logged reviews and forthcoming ones. Though Cannes might be over, we still have unpublished reviews that will be released over the next month.
In Competition:
All We Imagine as Light – [Review]
Anora – [Review]
The Apprentice – [Review]
Beating Hearts – [Review]
Bird – [Review]
Caught by the Tides – [Review]
Emilia Pérez – [Review]
The Girl with the Needle – [Review]
Grand Tour – [Review]
Kinds of Kindness – [Review]
Limonov: The Ballad – [Review]
Marcello Mio – [Review]
Megalopolis – [Review]
The Most Precious of Cargoes – [Review]
Motel Destino – [Review]
Oh, Canada – [Review]
Parthenope – [Review]
The Seed of the Sacred Fig – [Review]
The Shrouds – [Review]
The Substance – [Review]
Three Kilometres to the End of the World – [Review]
Wild Diamond – [Review]
Un Certain Regard:
Armand
Black Dog
The Damned – [Review]
Dog on Trial
Flow
Holy Cow – [Review]
The Kingdom
My Sunshine
Niki
Norah
On Becoming a Guinea Fowl
Santosh
September Says
The Shameless
The Story of Souleymane...
In Competition:
All We Imagine as Light – [Review]
Anora – [Review]
The Apprentice – [Review]
Beating Hearts – [Review]
Bird – [Review]
Caught by the Tides – [Review]
Emilia Pérez – [Review]
The Girl with the Needle – [Review]
Grand Tour – [Review]
Kinds of Kindness – [Review]
Limonov: The Ballad – [Review]
Marcello Mio – [Review]
Megalopolis – [Review]
The Most Precious of Cargoes – [Review]
Motel Destino – [Review]
Oh, Canada – [Review]
Parthenope – [Review]
The Seed of the Sacred Fig – [Review]
The Shrouds – [Review]
The Substance – [Review]
Three Kilometres to the End of the World – [Review]
Wild Diamond – [Review]
Un Certain Regard:
Armand
Black Dog
The Damned – [Review]
Dog on Trial
Flow
Holy Cow – [Review]
The Kingdom
My Sunshine
Niki
Norah
On Becoming a Guinea Fowl
Santosh
September Says
The Shameless
The Story of Souleymane...
- 5/28/2024
- by Eric Lavallée
- IONCINEMA.com
The Seed Of The Sacred Fig from Iranian filmmaker Mohammad Rasoulof has swooped to a late victory on Screen’s 2024 Cannes jury grid with an average score of 3.4.
See the final jury grid below.
The Seed Of The Sacred Fig and Michel Hazanavicius’ The Most Precious Of Cargoes were the final two titles to land on the grid, with the latter scoring 1.2, the lowest score this year.
Rasoulof attended last night’s (May 24) Cannes premiere after fleeing his country following an eight-year prison sentence from Iranian authorities. The family drama follows a judge in Tehran’s Revolutionary Court grappling...
See the final jury grid below.
The Seed Of The Sacred Fig and Michel Hazanavicius’ The Most Precious Of Cargoes were the final two titles to land on the grid, with the latter scoring 1.2, the lowest score this year.
Rasoulof attended last night’s (May 24) Cannes premiere after fleeing his country following an eight-year prison sentence from Iranian authorities. The family drama follows a judge in Tehran’s Revolutionary Court grappling...
- 5/25/2024
- ScreenDaily
The popular French actor working in just about every film genre has been on the Croisette on a couple of occasions but as a filmmaker got his first taste when Sink or Swim (also known as Le grand bain) — a 2018 selection slotted as an Out of Competition item. Six years later we have L’amour Ouf (Beating Hearts) which was was packaged and advertised at last year’s Cannes and moved into production with a huge ensemble of players in May. Gilles Lellouche directs François Civil, Adèle Exarchopoulos, Malik Frikah, Mallory Wanecque, Alain Chabat, Anthony Bajon, Jean-Pascal Zadi, Benoît Poelvoorde, Vincent Lacoste, Élodie Bouchez, Karim Leklou and Raphaël Quenard star.…...
- 5/25/2024
- by Eric Lavallée
- IONCINEMA.com
This is what it would look like if Michael Bay directed a romantic musical. Though this doesn't have nearly enough explosions or mind-boggling drone shots to really live up Bay's movies. Beating Hearts is a big, epic, flashy, cheesy, nearly-three-hour long French love story thriller made by a French filmmaker named Gilles Lellouche. He last directed an absurd comedy called Sink or Swim that played at Cannes 2018, and somehow he was able to secure a Main Competition slot this year at Cannes with his latest titled L'amour ouf in French (or just Beating Hearts in English). For some reason, before its premiere the movie was being referred to as a musical – but it's not really a musical. More of an epic, sweeping romance like Romeo + Juliet with two big dance sequences and tons of famous songs used in it. But there's no singing and it's not a classic musical,...
- 5/25/2024
- by Alex Billington
- firstshowing.net
Mohammad Rasoulof’s “The Seed of the Sacred Fig” has a lot going for it on the way to a potential Palme d’Or win: strong reviews, an anguished political call-out against Iranian oppression, and Rasoulof’s own status as an exile who just fled his home country and was finally able to attend Cannes after all. (Read our interview with the director here.)
On the steps of the Palais for Friday’s premiere, Rasoulof held up photos of two of the actors — Misagh Zare and Soheila Golestani – banned from leaving Iran to attend the festival. He’s already shared how the Islamic Republic has been pressuring his crew into convincing Cannes to drop the film, which charts the breakdown of a family after a Revolutionary Court judge’s gun goes missing, from its lineup. This is Rasoulof’s first time in competition. He previously won prizes in Un Certain...
On the steps of the Palais for Friday’s premiere, Rasoulof held up photos of two of the actors — Misagh Zare and Soheila Golestani – banned from leaving Iran to attend the festival. He’s already shared how the Islamic Republic has been pressuring his crew into convincing Cannes to drop the film, which charts the breakdown of a family after a Revolutionary Court judge’s gun goes missing, from its lineup. This is Rasoulof’s first time in competition. He previously won prizes in Un Certain...
- 5/24/2024
- by Ryan Lattanzio
- Indiewire
From politics to buzz films, star appearances and deal making, there was – as always – plenty to talk about at this year’s Cannes Film Festival. Screen gathers together the major discussion points of this year’s festival.
Muted politics
In the build-up to Cannes, there was much talk about how this year’s festival was set to be the most politically charged edition of recent years, amid Israel’s war on Gaza, festival workers threatening strike action and rumours of bombshell #MeToo accusations set to rock the French industry. The result was far more muted, with the #MeToo accusations quickly...
Muted politics
In the build-up to Cannes, there was much talk about how this year’s festival was set to be the most politically charged edition of recent years, amid Israel’s war on Gaza, festival workers threatening strike action and rumours of bombshell #MeToo accusations set to rock the French industry. The result was far more muted, with the #MeToo accusations quickly...
- 5/24/2024
- ScreenDaily
Translating film titles for international markets can be a commercial necessity, but magic is often lost in the process. It’s hard to think of a more perfect name for Gilles Lelouche’s latest movie than “L’amour ouf,” which punchily captures the bruising nature of the love story at its heart. The clue is in the wordplay: If l’amour fou is an affliction of the mind, l’amour ouf tells us the force we’re dealing with is rather more physical, perhaps even painful.
Squint, though, and “Beating Hearts,” the anglophone title that seems sentimental by comparison, suggests not just life but flagellation. It befits a film that contains its fair share of bloody thrashings over the course of some 20 years in the lives of its star-crossed protagonists, whose love is battered at the peak of their relationship by a miscarriage of justice that goes on to change everything — and nothing — between them.
Squint, though, and “Beating Hearts,” the anglophone title that seems sentimental by comparison, suggests not just life but flagellation. It befits a film that contains its fair share of bloody thrashings over the course of some 20 years in the lives of its star-crossed protagonists, whose love is battered at the peak of their relationship by a miscarriage of justice that goes on to change everything — and nothing — between them.
- 5/24/2024
- by Arjun Sajip
- Indiewire
Gilles Lellouche arrived at the Cannes press conference for his Competition title Beating Hearts (L’amour Ouf) on Friday with one of the biggest cast delegations of the festival as its 77th edition entered its final strait.
As well as being joined on the stage by co-stars François Civil and Adèle Exarchopoulos and newcomers Mallory Wanecque and Malik Frikah, actors Jean-Pascal Zadi, Elodie Bouchez, Raphaël Quenard, Vincent Lacoste, Alain Chabat, Karim Leklou and Antony Bajon took up the front row of the press room.
They arrived on the wave of an enthusiastic response from the audience at Thursday night’s world premiere in the Grand Théâtre Lumière, which gave it a 15-minute standing ovation.
The modern Romeo and Juliet tale, which took Lellouche 17 years to bring to the big screen, is the actor and director’s third feature after hit comedy Sink or Swim.
“I take great, great pleasure from directing.
As well as being joined on the stage by co-stars François Civil and Adèle Exarchopoulos and newcomers Mallory Wanecque and Malik Frikah, actors Jean-Pascal Zadi, Elodie Bouchez, Raphaël Quenard, Vincent Lacoste, Alain Chabat, Karim Leklou and Antony Bajon took up the front row of the press room.
They arrived on the wave of an enthusiastic response from the audience at Thursday night’s world premiere in the Grand Théâtre Lumière, which gave it a 15-minute standing ovation.
The modern Romeo and Juliet tale, which took Lellouche 17 years to bring to the big screen, is the actor and director’s third feature after hit comedy Sink or Swim.
“I take great, great pleasure from directing.
- 5/24/2024
- by Melanie Goodfellow
- Deadline Film + TV
Good afternoon Insiders, Jesse Whittock back again to take you through the week’s news in the entertainment industry, as the Cannes Film Festival nears its close.
What More Cannes I Say?
Stand up for the standouts: After a quiet opening, the Cannes Film Festival received a shot of life as several buzzy titles finally hit the screen. The excitement on the ground began with The Substance, the much-anticipated blood-splattered horror thriller from French director Coralie Fargeat, which was met with a 13-minute ovation, the longest for a title at this year’s festival until Gilles Lellouche’s Beating Hearts (L’Amour Ouf) took that crown last night. Fargeat’s pic, which stars Demi Moore, Margaret Qualley and Dennis Quaid, is a punk rock fable centered around a new product called The Substance that promises to transform people into the best version of themselves. It’s an offer that comes with a twist.
What More Cannes I Say?
Stand up for the standouts: After a quiet opening, the Cannes Film Festival received a shot of life as several buzzy titles finally hit the screen. The excitement on the ground began with The Substance, the much-anticipated blood-splattered horror thriller from French director Coralie Fargeat, which was met with a 13-minute ovation, the longest for a title at this year’s festival until Gilles Lellouche’s Beating Hearts (L’Amour Ouf) took that crown last night. Fargeat’s pic, which stars Demi Moore, Margaret Qualley and Dennis Quaid, is a punk rock fable centered around a new product called The Substance that promises to transform people into the best version of themselves. It’s an offer that comes with a twist.
- 5/24/2024
- by Jesse Whittock
- Deadline Film + TV
Payal Kapadia’s All We Imagine As Light joins Sean Baker’s Anora at the top of Screen’s Cannes jury grid while Gilles Lellouche’s Beating Hearts lands bottom of the pack.
Kapadia’s debut fiction scored 3.3 from the critics including six four stars (excellent), equalling that of Anora. The Indian drama, the first from the country to compete at Cannes in over 30 years, received a further four three stars (good) and two two stars (average).
Click on the image above for the most up-to-date version of the grid.
All We Imagine As Light centres on two nurses with...
Kapadia’s debut fiction scored 3.3 from the critics including six four stars (excellent), equalling that of Anora. The Indian drama, the first from the country to compete at Cannes in over 30 years, received a further four three stars (good) and two two stars (average).
Click on the image above for the most up-to-date version of the grid.
All We Imagine As Light centres on two nurses with...
- 5/24/2024
- ScreenDaily
Seemingly from out of nowhere, actor turned director Gilles Lellouche throws a Molotov Flanby into the Competition with only his second feature, a terrific and unexpectedly potent piece of genre filmmaking that could, to avoid spoilers, be described as a kind of mash-up of Badlands and La Haine, as if directed by Walter Hill. Throw in a little Eurocrime, from the likes of Fernando Di Leo and late-period Jean-Pierre Melville, and you’re getting close to what Lellouche has achieved here, a romantic banlieue opera that delivers all the gritty, vicarious thrills of the now-standard post-Goodfellas gangster movie but also burrows into issues of class and gender in refreshingly unpredictable ways.
It arrives as a movie seemingly made by committee, since the film is based on an Irish novel — Jackie Love Johnser Ok? by Neville Thompson — and features contributions by fellow filmmakers Ahmed Hamidi and Audrey Diwan. It quickly...
It arrives as a movie seemingly made by committee, since the film is based on an Irish novel — Jackie Love Johnser Ok? by Neville Thompson — and features contributions by fellow filmmakers Ahmed Hamidi and Audrey Diwan. It quickly...
- 5/24/2024
- by Damon Wise
- Deadline Film + TV
Cannes – A very popular actor in his native France, Gilles Lellouche has dipped his toe into filmmaking co-directing one movie and helming another over the past 20 years. Nothing he’s directed previously would prepare anyone for the impressive visual authority he welds over the camera in “Beating Hearts,” which debuted at this year’s Cannes Film Festival. There’s actually very little in his first collaboration with cinematographer Laurent Tangy, 2018’s “Sink or Swim,” that would hint at this level of cinematic creativity.
Continue reading ‘Beating Hearts’ Review: Gilles Lellouche’s Stylish Thriller Descends Into Clichés [Cannes] at The Playlist.
Continue reading ‘Beating Hearts’ Review: Gilles Lellouche’s Stylish Thriller Descends Into Clichés [Cannes] at The Playlist.
- 5/24/2024
- by Gregory Ellwood
- The Playlist
If you took Magnolia, Goodfellas, Boyz n the Hood and perhaps Claude Lelouch’s A Man and a Woman, plugged them all into the latest version of ChatGPT and asked it to spit out a brand new film, you could wind up with something like Gilles Lellouche’s (no relation to Claude) swooning French crime romance, Beating Hearts (L’Amour ouf).
A hodgepodge of movie clichés and overwrought scenes, directed with zero tact and plenty of pounding needle drops, actor-turned-director Lellouche’s third stab at the helm after his rather likeable ensemble comedy, Sink or Swim, is less a disappointment than a serious assault on the viewer’s intelligence. The fact that it premiered in Cannes’ competition, rather than in a sidebar “Première” slot, speaks to the general level of one of the festival’s weakest main slates in recent memory.
Sink or Swim was a major hit in France that grossed $40 million,...
A hodgepodge of movie clichés and overwrought scenes, directed with zero tact and plenty of pounding needle drops, actor-turned-director Lellouche’s third stab at the helm after his rather likeable ensemble comedy, Sink or Swim, is less a disappointment than a serious assault on the viewer’s intelligence. The fact that it premiered in Cannes’ competition, rather than in a sidebar “Première” slot, speaks to the general level of one of the festival’s weakest main slates in recent memory.
Sink or Swim was a major hit in France that grossed $40 million,...
- 5/23/2024
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
It has been a big week for beloved musical The Umbrellas of Cherbourg at the Cannes Film Festival, where it won the 1964 Palme d’Or and went on to international acclaim and five Oscar nominations and served as one of the key inspirations for Damien Chazelle’s La La Land.
The film got a special 60th anniversary Cannes Classics screening Thursday of the exquisitely new restoration at the Agnes Varda Theatre, which is named after the late director and is also wife of late Cherbourg writer-director Jacques Demy. This week also has seen the world premieres of two documentaries related to the film here. On Saturday night at the Buñuel Theatre in the Palais came the premiere of Once Upon a Time: Michel Legrand, an extensive two-hour documentary on the late great composer of Cherbourg and so much more.
Then on Wednesday night, also at the Buñuel, was the unveiling...
The film got a special 60th anniversary Cannes Classics screening Thursday of the exquisitely new restoration at the Agnes Varda Theatre, which is named after the late director and is also wife of late Cherbourg writer-director Jacques Demy. This week also has seen the world premieres of two documentaries related to the film here. On Saturday night at the Buñuel Theatre in the Palais came the premiere of Once Upon a Time: Michel Legrand, an extensive two-hour documentary on the late great composer of Cherbourg and so much more.
Then on Wednesday night, also at the Buñuel, was the unveiling...
- 5/23/2024
- by Pete Hammond
- Deadline Film + TV
Thief of Hearts: Lellouche’s Sprawling Romance Has Arrhythmia
A common occurrence for actors moonlighting as directors is not knowing how to hone a focus, crafting a narrative around the performers, often to the detriment of the film itself. Such is the case with Beating Hearts (L’amour Ouf), the third film directed by Gilles Lellouche, an actor who often oscillates between comedy and drama, and has thus far focused on lighter, frivolous fare as a director. The French language title of his latest roughly translates to Phew, Love, which gives a better indication of the irreverent tone aimed for in this violently stylized romantic melodrama, clocking in at nearly three hours, the justification of which never arrives.…...
A common occurrence for actors moonlighting as directors is not knowing how to hone a focus, crafting a narrative around the performers, often to the detriment of the film itself. Such is the case with Beating Hearts (L’amour Ouf), the third film directed by Gilles Lellouche, an actor who often oscillates between comedy and drama, and has thus far focused on lighter, frivolous fare as a director. The French language title of his latest roughly translates to Phew, Love, which gives a better indication of the irreverent tone aimed for in this violently stylized romantic melodrama, clocking in at nearly three hours, the justification of which never arrives.…...
- 5/23/2024
- by Nicholas Bell
- IONCINEMA.com
This evening the Cannes Film Festival welcomed another world premiere of an ambitious French title with Beating Hearts (L’Amour Ouf). Gilles Lellouche’s competition entry from Studiocanal was greeted with a 15-minute standing ovation inside the Grand Théâtre Lumière.
The modern Romeo and Juliet tale co-stars François Civil, who featured as D’Artagnan in last year’s Three Musketeers reboot, and Blue is the Warmest Color’s Adèle Exarchopoulos. The pair play former childhood sweethearts from different sides of the tracks.
Having gone their separate ways when the boy gets caught up in gang violence and lands in jail on trumped-up murder charges, the couple reconnects against the odds years later.
Further cast includes Raphaël Quenard, Benoît Poelvoorde, Elodie Bouchez, Vincent Lacoste, Alain Chabat and Jean-Pascal Zadi.
The film is adapted from Irish writer Neville Thompson’s 1997 novel Jackie Loves Johnser Ok? which unfolded against the backdrop of Dublin’s tough...
The modern Romeo and Juliet tale co-stars François Civil, who featured as D’Artagnan in last year’s Three Musketeers reboot, and Blue is the Warmest Color’s Adèle Exarchopoulos. The pair play former childhood sweethearts from different sides of the tracks.
Having gone their separate ways when the boy gets caught up in gang violence and lands in jail on trumped-up murder charges, the couple reconnects against the odds years later.
Further cast includes Raphaël Quenard, Benoît Poelvoorde, Elodie Bouchez, Vincent Lacoste, Alain Chabat and Jean-Pascal Zadi.
The film is adapted from Irish writer Neville Thompson’s 1997 novel Jackie Loves Johnser Ok? which unfolded against the backdrop of Dublin’s tough...
- 5/23/2024
- by Nancy Tartaglione
- Deadline Film + TV
Cannes film festival
Gilles Lelouche’s new movie aims for a Springsteenesque blue-collar energy but buckles under the weight of its own naivety
Gilles Lelouche’s new film is a giant operatic crime drama of star-crossed lovers and hurt feelings; it’s very French, but aiming for some blue-collar Springsteen energy. There are some good performances, and a very serviceable armed robbery scene. But Beating Hearts suffers from a lack of subtlety and bloat, with an increasingly insistent cry-bully sensitive-macho ethic, and a colossally inflated final section belatedly reassuring us of the film’s belief in the power and importance of love. In the end it is sentimental and naive, particularly about the legal consequences of beating your husband half to death in a phone box, however abusive he has been. And I had a strange taste in my mouth after a late scene in which the heroine, working on...
Gilles Lelouche’s new movie aims for a Springsteenesque blue-collar energy but buckles under the weight of its own naivety
Gilles Lelouche’s new film is a giant operatic crime drama of star-crossed lovers and hurt feelings; it’s very French, but aiming for some blue-collar Springsteen energy. There are some good performances, and a very serviceable armed robbery scene. But Beating Hearts suffers from a lack of subtlety and bloat, with an increasingly insistent cry-bully sensitive-macho ethic, and a colossally inflated final section belatedly reassuring us of the film’s belief in the power and importance of love. In the end it is sentimental and naive, particularly about the legal consequences of beating your husband half to death in a phone box, however abusive he has been. And I had a strange taste in my mouth after a late scene in which the heroine, working on...
- 5/23/2024
- by Peter Bradshaw
- The Guardian - Film News
Love, as everyone has long agreed, makes you do crazy things. Silly things, too, and vastly indulgent things, and occasionally even beautiful ones. Gilles Lellouche does all of these, in significant quantities, in his supersized gangster melodrama “Beating Hearts,” which takes the slender plot of innumerable B-movies of the past — as time and crime collaborate to derail the pure-hearted romance between two pretty young things — and blows it up to a dizzily grand scale, complete with widescreen camera gymnastics, daydreamy reality breaks and sporadic swirls of Old Hollywood musical choreography. It’s a mad indulgence, but also one fully attuned to the mindset of its two besotted lead characters: When you fall completely in love for the first (and maybe last) time, doesn’t your life become its own Technicolor epic?
That air of big-swinging, love-drunk bravado will buy Lellouche’s film a lot of goodwill from audiences — particularly those at home in France,...
That air of big-swinging, love-drunk bravado will buy Lellouche’s film a lot of goodwill from audiences — particularly those at home in France,...
- 5/23/2024
- by Guy Lodge
- Variety Film + TV
Miguel Gomes’ Grand Tour impressed critics on Screen International’s Cannes jury grid while Karim Aïnouz’s Motel Destino saw mixed results.
Gomes’ first Cannes Competition feature scored an average of three after The Telegraph, Justin Chang (La Times), Kong Rithdee (Bangkok Post) and Screen’s own critic gave it ’four stars’ (excellent). The black-and-white feature also received five ‘three stars’ (good), two ‘two stars’ (average), and one ’one star’ (poor) from Nt Binh at France’s Positif.
Set in 1917, Grand Tour stars Goncalo Waddington as a British Empire official in Burma who runs away on his wedding day, only...
Gomes’ first Cannes Competition feature scored an average of three after The Telegraph, Justin Chang (La Times), Kong Rithdee (Bangkok Post) and Screen’s own critic gave it ’four stars’ (excellent). The black-and-white feature also received five ‘three stars’ (good), two ‘two stars’ (average), and one ’one star’ (poor) from Nt Binh at France’s Positif.
Set in 1917, Grand Tour stars Goncalo Waddington as a British Empire official in Burma who runs away on his wedding day, only...
- 5/23/2024
- ScreenDaily
Like the future, the Croisette is so bright, you gotta wear shades. Fortunately, Persol has found a perch in Cannes in time for the festival and summer season with a new collection and pop-up in a prime location. The Italian eyewear brand is setting up shop on the La Terrasse by Albane atop the Jw Marriott, site of many a premiere afterparty and A-list affair over the years.
Persol is sponsoring the space, which will be used for press junkets by day and parties by night. Michelin star chef Mauro Colagreco — owner of Mirazur restaurant in Menton, France — has been recruited to oversee the edible offerings at La Terrasse. Also on the menu: Persol will present a showroom of the spring/summer ’24 collection that includes three options, each designed with soft rectangular frames and adorned with extra-large 80 mm arrows that run along the front and temple, made to amplify the Persol heritage.
Persol is sponsoring the space, which will be used for press junkets by day and parties by night. Michelin star chef Mauro Colagreco — owner of Mirazur restaurant in Menton, France — has been recruited to oversee the edible offerings at La Terrasse. Also on the menu: Persol will present a showroom of the spring/summer ’24 collection that includes three options, each designed with soft rectangular frames and adorned with extra-large 80 mm arrows that run along the front and temple, made to amplify the Persol heritage.
- 5/18/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
Mallory Wanecque, the breakout actor of “The Worst Ones” who headlines Cannes competition title “Beating Hearts,” is starring alongside Sami Bouajila (“Through the Fire”) in “Vultures,” a thriller directed by Peter Dourountzis (“Rascal”).
Produced by Mediawan-owned 24-25 Films (“Black Box”), “Vultures” is represented internationally by Ginger & Fed, the new international film sales arm of Federation Studios headed by former TF1 Studio boss Sabine Chemaly. The cast is completed by Sami Bouajila (“Through the Fire”), Jean-Pierre Darroussin (“All Your Faces”), Pierre Lottin (“The Night of the 12th”) and Valerie Donzelli (“Declaration of War”).
“Vultures” will be delivered during the second quarter of 2025. Bouajila stars as Samuel, a journalist who partners with his intern daughter Ava to cover the brutal murder of a young girl that lead them to a male supremacist group headed by the enigmatic Nemesis. The movie marks Dourountzis’ follow-up to “Rascal,” an edgy film starring Pierre Deladonchamps as an outsider-turned-killer.
Produced by Mediawan-owned 24-25 Films (“Black Box”), “Vultures” is represented internationally by Ginger & Fed, the new international film sales arm of Federation Studios headed by former TF1 Studio boss Sabine Chemaly. The cast is completed by Sami Bouajila (“Through the Fire”), Jean-Pierre Darroussin (“All Your Faces”), Pierre Lottin (“The Night of the 12th”) and Valerie Donzelli (“Declaration of War”).
“Vultures” will be delivered during the second quarter of 2025. Bouajila stars as Samuel, a journalist who partners with his intern daughter Ava to cover the brutal murder of a young girl that lead them to a male supremacist group headed by the enigmatic Nemesis. The movie marks Dourountzis’ follow-up to “Rascal,” an edgy film starring Pierre Deladonchamps as an outsider-turned-killer.
- 5/17/2024
- by Elsa Keslassy
- Variety Film + TV
Reflecting the breadth of Mediawan CEO Pierre-Antoine Capton’s vast network and friendships, an impressive roster of film industry players flocked to celebrate him as he received Variety‘s International Visionary Award at the Cannes Film Festival on Thursday.
Attendees included CAA’s co-chairman and CEO Bryan Lourd, who said a few words about Capton on stage, as well as AGC Studios’ Stuart Ford, SPC’s Tom Bernard, Netflix’s Larry Tanz and Pauline Dauvin, and Mediawan executives including Elisabeth d’Arvieu and Justine Planchon. The event also gathered star producers within Mediawan’s galaxy, from Hugo Selignac (Chi-Fou-Mi) to Dimitri Rassam (Chapter 2), Matthias Weber (2425 Films) and Federica Sainte-Rose (Blue Morning Pictures), and entertainment attorney Elsa Huisman. There were also leaders from the various streamers, such as Sahar Baghery and Thomas Dubois from Amazon Prime Video in France and Anne-Gabrielle Dauba-Pantanacce from Netflix, among others.
The Variety award coincides...
Attendees included CAA’s co-chairman and CEO Bryan Lourd, who said a few words about Capton on stage, as well as AGC Studios’ Stuart Ford, SPC’s Tom Bernard, Netflix’s Larry Tanz and Pauline Dauvin, and Mediawan executives including Elisabeth d’Arvieu and Justine Planchon. The event also gathered star producers within Mediawan’s galaxy, from Hugo Selignac (Chi-Fou-Mi) to Dimitri Rassam (Chapter 2), Matthias Weber (2425 Films) and Federica Sainte-Rose (Blue Morning Pictures), and entertainment attorney Elsa Huisman. There were also leaders from the various streamers, such as Sahar Baghery and Thomas Dubois from Amazon Prime Video in France and Anne-Gabrielle Dauba-Pantanacce from Netflix, among others.
The Variety award coincides...
- 5/17/2024
- by Elsa Keslassy
- Variety Film + TV
Pim Herrmeling, head of Benelux- based September Films has warned the territory’s buyers are becoming more cautious due to high asking prices.
“Normally, all Cannes Competition films are pre-sold for Benelux. This year, a lot of films were still available,” Herrmeling noted. “On the hot films, there is still a lot of competition but not as early as it used to be.”
As of press time, Paolo Sorrentino’s Parthenope was unsold in the region.
“MGs have gone up in general, which is a bit strange,” said Hermeling
“Home entertainment/VoD is completely gone. SVoD is Ok on the...
“Normally, all Cannes Competition films are pre-sold for Benelux. This year, a lot of films were still available,” Herrmeling noted. “On the hot films, there is still a lot of competition but not as early as it used to be.”
As of press time, Paolo Sorrentino’s Parthenope was unsold in the region.
“MGs have gone up in general, which is a bit strange,” said Hermeling
“Home entertainment/VoD is completely gone. SVoD is Ok on the...
- 5/17/2024
- ScreenDaily
It’s little wonder why French president Emmanuel Macron was visibly moved as he inducted Mediawan CEO Pierre-Antoine Capton into France’s Legion of Honor last October, calling the exec “the ultimate French success story.”
In a country rarely known to promote social mobility, Capton-esque career trajectories are scarce. A self-made entrepreneur born into a middle-class Normandy family, Capton began his professional life as a teen with an entry-level internship, eschewing elite universities, making the exec a rare bird among France’s top media execs. For all that, Capton remains more humble than flamboyant, letting his track record speak for itself.
In 2015, he co-founded Mediawan with investment banker Matthieu Pigasse and telecom billionaire Xavier Niel, and since then the group has traversed a tumultuous period marked by a pandemic, strikes and economic recessions by growing stronger.
France’s president Emmanuel Macron and Pierre-Antoine Capton.
Following its recent acquisition of German...
In a country rarely known to promote social mobility, Capton-esque career trajectories are scarce. A self-made entrepreneur born into a middle-class Normandy family, Capton began his professional life as a teen with an entry-level internship, eschewing elite universities, making the exec a rare bird among France’s top media execs. For all that, Capton remains more humble than flamboyant, letting his track record speak for itself.
In 2015, he co-founded Mediawan with investment banker Matthieu Pigasse and telecom billionaire Xavier Niel, and since then the group has traversed a tumultuous period marked by a pandemic, strikes and economic recessions by growing stronger.
France’s president Emmanuel Macron and Pierre-Antoine Capton.
Following its recent acquisition of German...
- 5/16/2024
- by Elsa Keslassy
- Variety Film + TV
Image created by The Hollywood Insider
Cannes Film Festival in Cannes, France has begun. One of the biggest film festivals in the world is a metropolis for the latest films and what is coming next in Cinema. While not every film buff has the opportunity to attend, there is still plenty to look out for this Cannes Film Festival season. Here is everything we know before the curtain rises. Things to do: Subscribe to The Hollywood Insider’s YouTube Channel, by clicking here. Limited Time Offer – Free Subscription to The Hollywood Insider Click here to read more on The Hollywood Insider’s vision, values and mission statement here – Media has the responsibility to better our world – The Hollywood Insider fully focuses on substance and meaningful entertainment, against gossip and scandal, by combining entertainment, education, and philanthropy. Judges Cannes features a large jury of different judges from all around the world...
Cannes Film Festival in Cannes, France has begun. One of the biggest film festivals in the world is a metropolis for the latest films and what is coming next in Cinema. While not every film buff has the opportunity to attend, there is still plenty to look out for this Cannes Film Festival season. Here is everything we know before the curtain rises. Things to do: Subscribe to The Hollywood Insider’s YouTube Channel, by clicking here. Limited Time Offer – Free Subscription to The Hollywood Insider Click here to read more on The Hollywood Insider’s vision, values and mission statement here – Media has the responsibility to better our world – The Hollywood Insider fully focuses on substance and meaningful entertainment, against gossip and scandal, by combining entertainment, education, and philanthropy. Judges Cannes features a large jury of different judges from all around the world...
- 5/16/2024
- by Abigail Johnson
- Hollywood Insider - Substance & Meaningful Entertainment
Veronika Yasinska and Nadiia Zaionchkovska launched the all-rights distribution and co-production outfit Green Light Films last summer, betting on a future for the Ukraine theatrical business in the middle of the ongoing war.
Now at their first Cannes as buyers, they can point to a string of specialty successes, including Jade Halley Bartlett Miller’s Girl, which earned around $284,000 locally, the Ukrainian documentary Us, Our Pets and the War from Ukrainian YouTube Star Anton Ptushkin, which at $115,000 and counting is the second highest-grossing Ukrainian film of the year, and, perhaps surprisingly, Alex Garland’s Civil War, which has earned more than $266,000 in Ukraine to date.
“Of course, marketing Civil War for our audience was a challenge,” notes Green Light Films Cco Zaionchkovska. “For other countries, this was a dystopian sci-fi drama, for our audience, it’s a documentary.”
From a standing start, Green Light Films has carved out “17 percent of...
Now at their first Cannes as buyers, they can point to a string of specialty successes, including Jade Halley Bartlett Miller’s Girl, which earned around $284,000 locally, the Ukrainian documentary Us, Our Pets and the War from Ukrainian YouTube Star Anton Ptushkin, which at $115,000 and counting is the second highest-grossing Ukrainian film of the year, and, perhaps surprisingly, Alex Garland’s Civil War, which has earned more than $266,000 in Ukraine to date.
“Of course, marketing Civil War for our audience was a challenge,” notes Green Light Films Cco Zaionchkovska. “For other countries, this was a dystopian sci-fi drama, for our audience, it’s a documentary.”
From a standing start, Green Light Films has carved out “17 percent of...
- 5/15/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Italian producers Mario Gianani and Lorenzo Mieli are entering the Mediawan fold after recently exiting Fremantle to jointly form a new independent outfit.
The two producers will both be in Cannes as executive producers with Fremantle movies premiering in the Cannes competition, Kirill Serebrennikov’s “Limonov” and Paolo Sorrentino’s “Parthenope,” respectively.
Mediawan, the production powerhouse that now comprises more than 85 labels around the world, is in the process of acquiring a 51% majority stake in Gianani and Mieli’s Rome-based Our Films company under a deal that will officially close in September, according to several sources.
Gianani and Mieli, who declined to be interviewed for this article, are still closely tied to Fremantle even after exiting their Fremantle-owned banners, Wildside and the Apartment, earlier this year. As previously announced, they have a co-production deal with Fremantle under which they will continue to shepherd a number of projects that they had in the Fremantle pipeline.
The two producers will both be in Cannes as executive producers with Fremantle movies premiering in the Cannes competition, Kirill Serebrennikov’s “Limonov” and Paolo Sorrentino’s “Parthenope,” respectively.
Mediawan, the production powerhouse that now comprises more than 85 labels around the world, is in the process of acquiring a 51% majority stake in Gianani and Mieli’s Rome-based Our Films company under a deal that will officially close in September, according to several sources.
Gianani and Mieli, who declined to be interviewed for this article, are still closely tied to Fremantle even after exiting their Fremantle-owned banners, Wildside and the Apartment, earlier this year. As previously announced, they have a co-production deal with Fremantle under which they will continue to shepherd a number of projects that they had in the Fremantle pipeline.
- 5/14/2024
- by Nick Vivarelli and Elsa Keslassy
- Variety Film + TV
Audrey Diwan is attached to direct “The Marriage Portrait,” based on the novel by award-winning Northern Irish writer Maggie O’Farrell, best known for “Hamnet.”
Variety hears that the project will see the fast-rising French auteur team with two of Europe’s leading arthouse producers in Ireland’s Element Pictures (which has three films in Cannes’ official selection this year) and Italy’s Wildside (which has competition title “Limonov: The Ballad”). Film4 helped develop the feature.
Set in 1500s Renaissance Florence, “The Marriage Portrait” — which was published in 2022 — follows the fictional tale of young duchess Lucrezia de’ Medici, a sheltered 16-year-old who has spent her life locked inside the city’s grandest palazzo. But when her husband takes her on an unexpected visit to a country villa, it occurs to her that he has a sinister purpose — he intends to kill her.
Diwan, who has just completed the post-production of her...
Variety hears that the project will see the fast-rising French auteur team with two of Europe’s leading arthouse producers in Ireland’s Element Pictures (which has three films in Cannes’ official selection this year) and Italy’s Wildside (which has competition title “Limonov: The Ballad”). Film4 helped develop the feature.
Set in 1500s Renaissance Florence, “The Marriage Portrait” — which was published in 2022 — follows the fictional tale of young duchess Lucrezia de’ Medici, a sheltered 16-year-old who has spent her life locked inside the city’s grandest palazzo. But when her husband takes her on an unexpected visit to a country villa, it occurs to her that he has a sinister purpose — he intends to kill her.
Diwan, who has just completed the post-production of her...
- 5/14/2024
- by Alex Ritman and Elsa Keslassy
- Variety Film + TV
Update 8 Am Pt: Studiocanal has now unveiled Sara Reese Geffroy as SVP of its nascent Studiocanal Stories label and TV series development.
She will run the French major’s new literary adaptations division, which was unveiled earlier today, while also supervising the development of Studiocanal TV series. She has held the VP Development TV series role for the past three years.
Geffroy will start on May 1 and report into new Studiocanal TV boss M-k Kennedy and Ron Halpern, EVP Global Production and Talent Management.
Studiocanal CEO Anna Marsh said Geffroy’s “knowledge of the sales and production roles, as well as her trusted relationships with the production companies which form part of the Studiocanal ecosystem, are major assets to achieve our ambitions in the franchise and adaptations market.”
Previous: Studiocanal is pushing further into TV and film adaptations of literary IP.
The Canal+-owned company has launched Studiocanal Stories, two...
She will run the French major’s new literary adaptations division, which was unveiled earlier today, while also supervising the development of Studiocanal TV series. She has held the VP Development TV series role for the past three years.
Geffroy will start on May 1 and report into new Studiocanal TV boss M-k Kennedy and Ron Halpern, EVP Global Production and Talent Management.
Studiocanal CEO Anna Marsh said Geffroy’s “knowledge of the sales and production roles, as well as her trusted relationships with the production companies which form part of the Studiocanal ecosystem, are major assets to achieve our ambitions in the franchise and adaptations market.”
Previous: Studiocanal is pushing further into TV and film adaptations of literary IP.
The Canal+-owned company has launched Studiocanal Stories, two...
- 4/29/2024
- by Jesse Whittock and Max Goldbart
- Deadline Film + TV
Mediawan CEO Pierre-Antoine Capton is set to receive Variety’s International Visionary Award at the Cannes Film Festival where the company will have multiple films playing across the Official Selection.
The award will pay tribute to Capton’s trailblazing track record at the helm of Mediawan, the company he founded with investment banker Mathieu Pigasse and telecom billionaire Xavier Niel in late 2015. Mediawan is now a global production powerhouse encompassing more than 85 labels around the world, having just announced its acquisition of Leonine, a leading German distribution-production company.
The combined group comprises Brad Pitt’s Plan B (“Bob Marley: One Love”) in the U.S., France’s On Entertainment (“Miraculous”), Hugo Selignac’s Chi-Fou-Mi (“Beating Hearts”), Dimitri Rassam’s Chapter 2, Italy’s Palomar (“The Count of Monte Cristo”), as well as Drama Republic and Misfits Entertainment (“Super/Man: The Christopher Reeve Story”) in the U.K and Wiedemann & Berg Film (“The Lives Of Others...
The award will pay tribute to Capton’s trailblazing track record at the helm of Mediawan, the company he founded with investment banker Mathieu Pigasse and telecom billionaire Xavier Niel in late 2015. Mediawan is now a global production powerhouse encompassing more than 85 labels around the world, having just announced its acquisition of Leonine, a leading German distribution-production company.
The combined group comprises Brad Pitt’s Plan B (“Bob Marley: One Love”) in the U.S., France’s On Entertainment (“Miraculous”), Hugo Selignac’s Chi-Fou-Mi (“Beating Hearts”), Dimitri Rassam’s Chapter 2, Italy’s Palomar (“The Count of Monte Cristo”), as well as Drama Republic and Misfits Entertainment (“Super/Man: The Christopher Reeve Story”) in the U.K and Wiedemann & Berg Film (“The Lives Of Others...
- 4/29/2024
- by Elsa Keslassy
- Variety Film + TV
European production and distribution group StudioCanal has launched a new label, StudioCanal Stories, focused on book-to-screen adaptations. The outfit will be the first of its kind in France and follows StudioCanal’s creation of a dedicated literary adaptation division in 2022.
Unveiling the new label Monday, StudioCanal pointed to the success of book adaptations, citing figures from a study last year by France’s Centre National du Livre (Cnl) that found 42 percent of the top 100 most successful films at the U.S. box office were literary adaptations. The figure for France was 44 percent and, according to the study, the production of literary adaptations for French film and TV has jumped nearly 30 percent over the period from 2015 to 2021.
StudioCanal is bringing two of its latest adaptations: Gilles Lellouche’s Beating Hearts, an adaptation of Neville Thompson’s 2000 novel Jackie Loves Johnser Ok?; and Michel Hazanavicius’ The Most Precious of Cargoes to competition...
Unveiling the new label Monday, StudioCanal pointed to the success of book adaptations, citing figures from a study last year by France’s Centre National du Livre (Cnl) that found 42 percent of the top 100 most successful films at the U.S. box office were literary adaptations. The figure for France was 44 percent and, according to the study, the production of literary adaptations for French film and TV has jumped nearly 30 percent over the period from 2015 to 2021.
StudioCanal is bringing two of its latest adaptations: Gilles Lellouche’s Beating Hearts, an adaptation of Neville Thompson’s 2000 novel Jackie Loves Johnser Ok?; and Michel Hazanavicius’ The Most Precious of Cargoes to competition...
- 4/29/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
The full Cannes Film Festival competition jury has been revealed.
Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.”
The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides...
Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.”
The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides...
- 4/29/2024
- by Ellise Shafer
- Variety Film + TV
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