Believe the hype – It Follows – leads the way as a genuinely scary, modern horror classic and now this nightmare inducing freakout fest, from award-winning director David Robert Mitchell, is about to creep up and shock you with an immense new Limited Edition 4K Uhd / Blu-ray dual release from Second Sight Films.
Lauded by critics and audiences alike, It Follows has been described by The Independent as ‘Ingenious…… gets under the skin’ and by Little White Lies as ‘Petrifying and refreshingly original… unremittingly pursues the two greatest themes in both art and life’ and now Second Sight Films has relentlessly chased down the best special features, contributors and design for a stellar must-have release of this seminal film.
Care-free high school student Jay Height (Maika Monroe – Independence Day: Resurgence) has just started dating a ‘nice’ guy – Hugh (Jake Weary – Zombeavers), but they have sex, everything changes and life will never be the same again…...
Lauded by critics and audiences alike, It Follows has been described by The Independent as ‘Ingenious…… gets under the skin’ and by Little White Lies as ‘Petrifying and refreshingly original… unremittingly pursues the two greatest themes in both art and life’ and now Second Sight Films has relentlessly chased down the best special features, contributors and design for a stellar must-have release of this seminal film.
Care-free high school student Jay Height (Maika Monroe – Independence Day: Resurgence) has just started dating a ‘nice’ guy – Hugh (Jake Weary – Zombeavers), but they have sex, everything changes and life will never be the same again…...
- 10/13/2023
- by Peter 'Witchfinder' Hopkins
- Horror Asylum
Sean Baker is a filmmaker who puts a premium on making his films feel as authentic as possible. For example, sometimes he will use a handheld camera to follow his characters — who are often played by first-time performers — to give a scene a sense of documentary realism. After “Tangerine” — Baker’s iPhone-shot indie breakout — he started to wonder if image stabilization advances in smartphone cameras was changing what audiences thought “real” footage looked like.
“Audiences see homemade raw footage, but with a stabilizer on,” said Baker when he was guest on IndieWire’s Filmmaker Toolkit podcast. “So everybody is shooting their Youtube and Instagram videos and they are all very smooth — so we’re changing the way audiences think about how cameras are held and if shots are stable or not.” This led Baker to consider if he could employ a documentary-style steadicam effectively to his next film, “The Florida Project.
“Audiences see homemade raw footage, but with a stabilizer on,” said Baker when he was guest on IndieWire’s Filmmaker Toolkit podcast. “So everybody is shooting their Youtube and Instagram videos and they are all very smooth — so we’re changing the way audiences think about how cameras are held and if shots are stable or not.” This led Baker to consider if he could employ a documentary-style steadicam effectively to his next film, “The Florida Project.
- 11/17/2017
- by Chris O'Falt
- Indiewire
Your week is not complete without going after one of the great gigs in today’s casting roundup! Earn £1,300 next month as a puppeteer in “100 Tails of Us,” a live family show. There are also opportunities available in a thriller feature film, corporate performances for an African-born male actor, and a contracted gig at Northern Dance! “100 Tails Of Us” Join the cast of “100 Tails of Us,” a live performance “promenade experience for young children and adults to share.” Male and female puppeteers, aged 18 and older, are wanted for the show. Talent must be skilled improvisers with demonstrable experience in puppetry and devising. Rehearsals begin Nov. 24 and performances run daytimes Dec. 1–24 at and around Theatre Royal Brighton in Brighton. Pay is £1,300. Apply here! “Chasing Ghosts” Casting is currently underway for “Chasing Ghosts,” a feature film following the story of an inexperienced detective enlisted by local police after the first-ever murder takes place in a small town,...
- 11/10/2017
- backstage.com
Talon Falls Available on DVD October 17th Inspired by the incredibly popular Talon Falls Screampark, the amusement and scream park in Kentucky that entertains thousands of fans each year. From director Joshua Shreve whose previous film, Chasing Ghosts, was a top rental video in 2015 Four teenagers on a road trip decide to take a detour …
The post Talon Falls, a popular Halloween Scream Park turns in to a real life Horror first appeared on Hnn | Horrornews.net 2017 - Official Horror News Site...
The post Talon Falls, a popular Halloween Scream Park turns in to a real life Horror first appeared on Hnn | Horrornews.net 2017 - Official Horror News Site...
- 10/19/2017
- by Horrornews.net
- Horror News
One of the most unexpected breakouts at this year’s Sundance Film Festival was Danielle MacDonald for playing Patricia Dombroski — aka Patti Cake$ — a 23-year-old, heavy-set Jersey girl with dreams of rap stardom. MacDonald carries the film not only with her acting, but her hip hop performances. There was just one problem that the Australian actress faced: She had never rapped before in her life.
Read More:‘Patti Cake$’ Review: Here’s the Best Hip-Hop Movie Since ‘Hustle & Flow’ – Sundance 2017
“I just wanted an actress first,” said writer-director Jasper in an interview for IndieWire’s Filmmaker Toolkit podcast this week. “We decided to cast an actress over a musician just because there are so many heavy scenes, there’s comedic scenes, there’s dramatic scenes, she had to do some much – she had to carry the film, she’s in every single scene.”
Jasper, who was musician before he was a filmmaker,...
Read More:‘Patti Cake$’ Review: Here’s the Best Hip-Hop Movie Since ‘Hustle & Flow’ – Sundance 2017
“I just wanted an actress first,” said writer-director Jasper in an interview for IndieWire’s Filmmaker Toolkit podcast this week. “We decided to cast an actress over a musician just because there are so many heavy scenes, there’s comedic scenes, there’s dramatic scenes, she had to do some much – she had to carry the film, she’s in every single scene.”
Jasper, who was musician before he was a filmmaker,...
- 8/17/2017
- by Chris O'Falt
- Indiewire
The idea of a Hollywood star getting some indie street cred by taking a massive pay cut to support the work of an edgy, up-and-coming auteur is hardly a new concept, but describes at least half the films at Sundance. However, the films of Josh and Benny Safdie are more than their somewhat simplified reputation as gritty New York filmmakers, and the decision by Robert Pattinson to star in the pair’s new film isn’t your run-of-the-mill case of an actor looking for street cred.
The Safdies’ distinctive guerilla-style approach to filmmaking on busy streets, often with amateur performers – who embody the underbelly of the city – is a cinematic world based on complete authenticity and the product of an immersive creative process that requires, as Benny described it, “being put through the ringer.”
Read More:Robert Pattinson Gives a Career-Best Performance in the Safdie Brothers’ ‘Good Time’ — Cannes 2017 Review...
The Safdies’ distinctive guerilla-style approach to filmmaking on busy streets, often with amateur performers – who embody the underbelly of the city – is a cinematic world based on complete authenticity and the product of an immersive creative process that requires, as Benny described it, “being put through the ringer.”
Read More:Robert Pattinson Gives a Career-Best Performance in the Safdie Brothers’ ‘Good Time’ — Cannes 2017 Review...
- 8/11/2017
- by Chris O'Falt
- Indiewire
Before writer-director Kogonada’s “Columbus” was a critically acclaimed breakout at this year’s Sundance Film Festival, he first made a name for himself in the film world by creating popular video essays about great auteurs ranging from Stanley Kubrick to Wes Anderson. As a recent guest on IndieWire’s Filmmaker Toolkit podcast, he discussed how these online videos were key to his transition from the academic world – where he was writing a dissertation about the films of Yasujiro Ozu – to becoming a filmmaker himself.
“I feel like I’ve always been an accidental academic,” said Kogonada (who does not use his last name and has never revealed it publicly). “I had a set of questions that started one way and was very philosophical and a bit existential, but it ultimately led me to Ozu.”
Read More‘Columbus’ Review: Kogonada’s Directorial Debut Is a Feast for the Eyes and...
“I feel like I’ve always been an accidental academic,” said Kogonada (who does not use his last name and has never revealed it publicly). “I had a set of questions that started one way and was very philosophical and a bit existential, but it ultimately led me to Ozu.”
Read More‘Columbus’ Review: Kogonada’s Directorial Debut Is a Feast for the Eyes and...
- 8/7/2017
- by Chris O'Falt
- Indiewire
At its heart, “A Ghost Story” is a meditation on the enormity of time. It’s a topic writer and director David Lowery has on his mind quite a bit, so much that he can turn simple matters in his personal life into an existential crisis.
“I remember wanting to buy a vintage movie poster on eBay,” said Lowery, when he was a guest on IndieWire’s Filmmaker Toolkit podcast. “[T]hen thinking, well, I shouldn’t spend the money on this because in 200 years I’m going to be dead and a million years after that the poster’s not going to exist anymore, so what’s the point.”
Read More: The 17 Best Indie Movies of 2017 (So Far)
The jumping off point for “A Ghost Story” stemmed from an argument Lowery and his wife were having about moving out of their small rental house in Dallas. Just like with the poster,...
“I remember wanting to buy a vintage movie poster on eBay,” said Lowery, when he was a guest on IndieWire’s Filmmaker Toolkit podcast. “[T]hen thinking, well, I shouldn’t spend the money on this because in 200 years I’m going to be dead and a million years after that the poster’s not going to exist anymore, so what’s the point.”
Read More: The 17 Best Indie Movies of 2017 (So Far)
The jumping off point for “A Ghost Story” stemmed from an argument Lowery and his wife were having about moving out of their small rental house in Dallas. Just like with the poster,...
- 7/14/2017
- by Chris O'Falt
- Indiewire
When Trey Edward Shults was 18 years old, he went to Hawaii for the summer to stay with his aunt Krisha – yes, the same Krisha who starred in his 2016 breakout “Krisha.” His aunt was connected to small filmmaking community on the island and got her nephew jobs working on commercials and other productions.
Read More: ‘It Comes at Night’: Why A24 Took a Gamble on a New Filmmaker’s Ambitious Horror Vision
“I lucked out and got on this Terrence Malick movie,” said Shults when he was guest on IndeWire’s Filmmaker Toolkit podcast. The small crew, sans Malick, was shooting footage of a volcano for the documentary “Voyage of Time.”
“It was five guys with an IMAX camera,” said Shults. “I loved movies, but I didn’t know how they were made, really. I didn’t even get what the guy [the film loader] in the changing bag with the film was...
Read More: ‘It Comes at Night’: Why A24 Took a Gamble on a New Filmmaker’s Ambitious Horror Vision
“I lucked out and got on this Terrence Malick movie,” said Shults when he was guest on IndeWire’s Filmmaker Toolkit podcast. The small crew, sans Malick, was shooting footage of a volcano for the documentary “Voyage of Time.”
“It was five guys with an IMAX camera,” said Shults. “I loved movies, but I didn’t know how they were made, really. I didn’t even get what the guy [the film loader] in the changing bag with the film was...
- 6/16/2017
- by Chris O'Falt
- Indiewire
Sam Esmail’s paranoid fictional world of hackers, the FBI and one all too powerful corporation has struck a cord with the devoted fans of “Mr. Robot,” but the show has also become known for being oddly prescient since it first premiered two summers ago. It’s therefore natural to speculate whether Season 3 (currently in production) will be impacted by the election of President Trump – and the idea that Russia “hacked” the United States election – especially considering that Esmail hasn’t been shy about sharing his opinions about the 45th President.
Read More: The ‘Mr. Robot’ Experiment: Can a TV Show Be Shot Like an Indie Film?
“I don’t think it’s political to dislike Trump,” said Esmail, during an interview for this week’s Filmmaker Toolkit Podcast. “I don’t think it’s controversial to say he’s a bad president. He’s clearly a bad president. He...
Read More: The ‘Mr. Robot’ Experiment: Can a TV Show Be Shot Like an Indie Film?
“I don’t think it’s political to dislike Trump,” said Esmail, during an interview for this week’s Filmmaker Toolkit Podcast. “I don’t think it’s controversial to say he’s a bad president. He’s clearly a bad president. He...
- 6/2/2017
- by Chris O'Falt
- Indiewire
When Netflix announced it would finance the third season of the British sci-fi anthology “Black Mirror,” series creator Charlie Brooker knew he’d be accused of selling out. And then, the much-regarded, much-discussed “San Junipero” episode seemed to confirm his critics’ worst fears. For a show that revolved around dark stories of the future in which technology wreaks havoc, here was a fairly optimistic story about two women failing in love in the virtual-reality world of a sunny California beach town in the ’80s.
“‘San Junipero’ was the first script I wrote for season three, and it was partly I thought I’m going to blow up my idea of what a ‘Black Mirror’ episode is, so it has a very different tone,” said Brooker, who joined IndieWire’s Filmmaker Toolkit podcast with executive producer Annabel Jones. “And partly, I’d read people moaning, ‘Oh, I see Black Mirror’s gone to Netflix,...
“‘San Junipero’ was the first script I wrote for season three, and it was partly I thought I’m going to blow up my idea of what a ‘Black Mirror’ episode is, so it has a very different tone,” said Brooker, who joined IndieWire’s Filmmaker Toolkit podcast with executive producer Annabel Jones. “And partly, I’d read people moaning, ‘Oh, I see Black Mirror’s gone to Netflix,...
- 5/26/2017
- by Chris O'Falt
- Indiewire
After James Gray finished reading David Grann’s book “The Lost City of Z: A Tale of Deadly Obsession in the Amazon” – a nonfiction chronicle of British explorer Percy Fawcett’s obsessive quest to find a lost civilization buried deep in the Amazonian jungle – he was confused why Brad Pitt had sent it to him.
“I have absolutely no idea what they want me to do this,” said Gray when he was guest on IndieWire’s Filmmaker Toolkit podcast. “There had been nothing in my career as a director that had shown I could do anything like this.”
Paramount had bought the book for Pitt , whose production company Plan B (“Moonlight,” “12 Years a Slave”) ultimately produced the film. Pitt had always wanted to work with Gray, and while it didn’t happen this time, Pitt will star in Gray’s Sci Fi film “Ad Astra,” which is shooting this summer.
“I have absolutely no idea what they want me to do this,” said Gray when he was guest on IndieWire’s Filmmaker Toolkit podcast. “There had been nothing in my career as a director that had shown I could do anything like this.”
Paramount had bought the book for Pitt , whose production company Plan B (“Moonlight,” “12 Years a Slave”) ultimately produced the film. Pitt had always wanted to work with Gray, and while it didn’t happen this time, Pitt will star in Gray’s Sci Fi film “Ad Astra,” which is shooting this summer.
- 4/14/2017
- by Chris O'Falt
- Indiewire
Walter Hill is one of the great action and genre directors of the last 40 years, having made classics like “The Driver,” “The Warriors,” directed the pilot of HBO’s “Deadwood,” and produced, guided and rewrote the first three “Alien” films. With his latest film, “The Assignment” (originally titled “REAssignment” when it premiered at Tiff last fall), Hill finds himself in the unusual position of receiving sharp criticism for being transphobic.
Read More: ‘Rogue One’ Director Gareth Edwards on Avoiding Hollywood’s Addiction to Numbing Visual Effects
“Want to know the truth, I don’t think it is very controversial,” said director Walter Hill, when he was a guest on IndieWire’s Filmmaker Toolkit podcast. “It’s been attacked mainly by people that haven’t seen the movie.”
In “The Assignment,” Frank Kitchen (Michelle Rodriguez) is a hitman, who one day wakes up in a seedy hotel room stunned to discover...
Read More: ‘Rogue One’ Director Gareth Edwards on Avoiding Hollywood’s Addiction to Numbing Visual Effects
“Want to know the truth, I don’t think it is very controversial,” said director Walter Hill, when he was a guest on IndieWire’s Filmmaker Toolkit podcast. “It’s been attacked mainly by people that haven’t seen the movie.”
In “The Assignment,” Frank Kitchen (Michelle Rodriguez) is a hitman, who one day wakes up in a seedy hotel room stunned to discover...
- 4/7/2017
- by Chris O'Falt
- Indiewire
Gareth Edwards grew up dreaming he would follow in the footsteps of his hero Steven Spielberg: He’d go to film school and make a short that would gain him entry into Hollywood.
“That never happened because my short film was rubbish,” said Edwards, who was guest on IndieWire’s Filmmaker Toolkit.
Beyond his film being bad, Edwards realized the competition to be a director had multiplied since Spielberg had started out and it took more than a good short to get a foot in the door in Hollywood. Edwards’ first short, which he made with a his computer animator roommate, was one of the first student works ever to mix CGI with live action. The experience opened Edwards’ eyes to the computer as being the future of filmmaking and he now saw his path to Hollywood could be to make his own films from home, doing the editing and effects himself.
“That never happened because my short film was rubbish,” said Edwards, who was guest on IndieWire’s Filmmaker Toolkit.
Beyond his film being bad, Edwards realized the competition to be a director had multiplied since Spielberg had started out and it took more than a good short to get a foot in the door in Hollywood. Edwards’ first short, which he made with a his computer animator roommate, was one of the first student works ever to mix CGI with live action. The experience opened Edwards’ eyes to the computer as being the future of filmmaking and he now saw his path to Hollywood could be to make his own films from home, doing the editing and effects himself.
- 4/5/2017
- by Chris O'Falt
- Indiewire
IndieWire’s Filmmaker Toolkit podcast is an exploration of how good movies get made through in-depth conversations with filmmakers about their artistic process. This fall and winter we were fortunate to host guests whose films are favorited to take home Academy Awards this weekend. As we get ready for the Oscars, here’s a look back at some of what we learned from the writers, directors and editors behind this year’s best films.
The Filmmaker Toolkit podcast is available on iTunes, Stitcher, SoundCloud and Google Play Music.
“Arrival” Screenwriter Eric Heisserer
Ted Chiang’s “The Story of Your Life” is a beloved sci-fi short story, but no one thought it was natural fit for the big screen. Well, nobody besides Eric Heisserer, who was emotionally devastated the first time he read Chiang’s 32 page story. He wanted to find a way to capture that feeling in a movie, but...
The Filmmaker Toolkit podcast is available on iTunes, Stitcher, SoundCloud and Google Play Music.
“Arrival” Screenwriter Eric Heisserer
Ted Chiang’s “The Story of Your Life” is a beloved sci-fi short story, but no one thought it was natural fit for the big screen. Well, nobody besides Eric Heisserer, who was emotionally devastated the first time he read Chiang’s 32 page story. He wanted to find a way to capture that feeling in a movie, but...
- 2/25/2017
- by Chris O'Falt
- Indiewire
From an editing perspective, there couldn’t be two films more different than Damien Chazelle’s “Whiplash” and his “La La Land.” While both feature musical performances, “La La Land” is anchored by gliding, well-choreographed musical numbers, while “Whiplash” is driven by hard-pounding percussive cutting, for which editor Tom Cross won the Oscar for Best Editing.
“The thing with ‘Whiplash’ is we could always point to needing to keep up a certain amount of brutality and tension and suspense and velocity,” said editor Tom Cross who, along with Damien Chazelle, was recently a guest on IndieWire’s Filmmaker Toolkit Podcast. “We didn’t really have that to fall back on with ‘La La Land.'”
Read More: Filmmaker Toolkit Podcast: ‘Moonlight’ Director Barry Jenkins Reveals the Unconventional Way He Cast His Three Leads (Episode 10)
Although “Whiplash” features more cutting, according to Chazelle editing the film was a fairly straightforward process.
“The thing with ‘Whiplash’ is we could always point to needing to keep up a certain amount of brutality and tension and suspense and velocity,” said editor Tom Cross who, along with Damien Chazelle, was recently a guest on IndieWire’s Filmmaker Toolkit Podcast. “We didn’t really have that to fall back on with ‘La La Land.'”
Read More: Filmmaker Toolkit Podcast: ‘Moonlight’ Director Barry Jenkins Reveals the Unconventional Way He Cast His Three Leads (Episode 10)
Although “Whiplash” features more cutting, according to Chazelle editing the film was a fairly straightforward process.
- 2/21/2017
- by Chris O'Falt
- Indiewire
“It Felt Like Love” was a no-to-low budget film that announced the arrival of major filmmaking talent. Premiering in the Next category at the 2012 Sundance Film Festival, Hittman shot it using available light and a skeleton crew (often just cinematographer Sean Porter) and delivered a film filled with visual poetry grounded in a working-class Brooklyn rarely seen onscreen.
Read More: How These 20 Sundance Festival Films Got Their Start in the Sundance Labs
Recognized as a directing talent to watch, it might be assumed Hittman would have little difficulty making another independent feature on a slightly bigger canvas.
“The murky period between films is very challenging,” said Hittman when she was a guest on IndieWire’s Filmmaker Toolkit. “On one hand, I made a film that was a festival success, but it wasn’t a box-office success and it didn’t have [name] cast, so I wasn’t attracting a certain level...
Read More: How These 20 Sundance Festival Films Got Their Start in the Sundance Labs
Recognized as a directing talent to watch, it might be assumed Hittman would have little difficulty making another independent feature on a slightly bigger canvas.
“The murky period between films is very challenging,” said Hittman when she was a guest on IndieWire’s Filmmaker Toolkit. “On one hand, I made a film that was a festival success, but it wasn’t a box-office success and it didn’t have [name] cast, so I wasn’t attracting a certain level...
- 1/27/2017
- by Chris O'Falt
- Indiewire
Fresh out of Nyu, filmmaker Nanfu Wang spent the summer of 2013 with maverick Chinese women’s right activist, Ye Haiyan (aka “Hooligan Sparrow”) as she protested and called attention to a child rapist who evaded sexual assault charges by claiming he had hired the young women for sex (in China it is common for rapists to hide behind far weaker prostitution laws).
Wang soon became part of Sparrow’s small group of activists travelling the country, being harassed by authorities and putting their lives put in danger. Wang eventually got out of China with her footage, framing up her riveting documentary, which premiered as “Hooligan Sparrow” at last year’s Sundance Film Festival.
Read More: Pablo Larraín On Catching Ghosts to Make His ‘Neruda’ and ‘Jackie’
Wang, who like Haiyan, grew up in rural China and had to leave school at early age to support her family, told IndieWire’s...
Wang soon became part of Sparrow’s small group of activists travelling the country, being harassed by authorities and putting their lives put in danger. Wang eventually got out of China with her footage, framing up her riveting documentary, which premiered as “Hooligan Sparrow” at last year’s Sundance Film Festival.
Read More: Pablo Larraín On Catching Ghosts to Make His ‘Neruda’ and ‘Jackie’
Wang, who like Haiyan, grew up in rural China and had to leave school at early age to support her family, told IndieWire’s...
- 1/13/2017
- by Chris O'Falt
- Indiewire
"I don't like to brag, but... I don't think there's a player in the world that could've beat me." FilmBuff has debuted a trailer for a documentary called Man vs Snake: The Long and Twisted Tale of Nibbler, featuring some funky animation to tell the story of arcade gamer and high score record holder Tim McVey. Following in the footsteps of other arcade game docs like The King of Kong and Chasing Ghosts, this is less about the actual game of Nibbler (also known as Snake) and more about the gamer who was/is obsessed with setting (and maintaining) the highest score. I love that this apparently has its own theme song ("Man versus Snake!!") and man does this trailer do a good job of selling it. I want to watch! Don't skip this trailer. Trailer for the Man vs Snake: The Long and Twisted Tale of Nibbler documentary, from...
- 6/3/2016
- by Alex Billington
- firstshowing.net
It's the holiday from hell for Luke Mably and Tricia Helfer in a nerve-shredding teaser for Isolation.
The thriller takes place on a beautiful island, where couples travel to escape the hustle and bustle of modern life.
Creighton (Mably) and Lydia (Helfer) think they are in for the vacation of a lifetime, but quickly discover that they're trapped with four dangerous psychopaths.
Isolation also stars The Flash's Dominic Purcell, Marie Avgeropoulos (The 100 ), Stephen Lang (Avatar) and Claudia Church (Chasing Ghosts) as the married couple's demented tormentors.
Shane Dax Taylor wrote, directed and produced Isolation.
Isolation opens later this year in Us cinemas.
The thriller takes place on a beautiful island, where couples travel to escape the hustle and bustle of modern life.
Creighton (Mably) and Lydia (Helfer) think they are in for the vacation of a lifetime, but quickly discover that they're trapped with four dangerous psychopaths.
Isolation also stars The Flash's Dominic Purcell, Marie Avgeropoulos (The 100 ), Stephen Lang (Avatar) and Claudia Church (Chasing Ghosts) as the married couple's demented tormentors.
Shane Dax Taylor wrote, directed and produced Isolation.
Isolation opens later this year in Us cinemas.
- 8/7/2015
- Digital Spy
We're back with with another edition of the Indie Spotlight, highlighting the recent independent horror new sent our way. Today's feature includes artwork from Blood & Gourd, release details for The Vatican Exorcisms, and news of a Sledge Blu-ray release:
Blood & Gourd Details and Artwork: "It's Devil's Night in Olympia, Wa - and out at Henderson Farms, the festivities are reaching a crescendo. Young and old have gathered to pick their own pumpkin, drink hot apple cider, and partake in the usual pumpkin farm fare. However, something has awakened from deep within the fertile soil. After years of abuse and humiliation, the pumpkins… are ready to pick us. You can beg! You can plead! You can scream! But these Hell's lanterns are lit only with the burning desire to watch you die."
For more information on this comic, and its creators, visit: http://www.bloodandgourd.com
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The Vatican Exorcisms DVD...
Blood & Gourd Details and Artwork: "It's Devil's Night in Olympia, Wa - and out at Henderson Farms, the festivities are reaching a crescendo. Young and old have gathered to pick their own pumpkin, drink hot apple cider, and partake in the usual pumpkin farm fare. However, something has awakened from deep within the fertile soil. After years of abuse and humiliation, the pumpkins… are ready to pick us. You can beg! You can plead! You can scream! But these Hell's lanterns are lit only with the burning desire to watch you die."
For more information on this comic, and its creators, visit: http://www.bloodandgourd.com
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The Vatican Exorcisms DVD...
- 5/10/2015
- by Tamika Jones
- DailyDead
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