Directed by
| Joshua Shreve | ... | (as Josh Shreve) |
Writing Credits
| Josh Chesler | ... | (screenplay by) |
| Justin Chaffee | ... | (Additional Screenplay Work) |
Cast (in credits order)
Produced by
| Holly Allen | ... | associate producer |
| Josh Chesler | ... | executive producer |
| Spenser Fritz | ... | line producer |
| Molly M. Mayeux | ... | producer |
| William Pope | ... | executive producer |
| Jay Dee Walters | ... | executive producer |
Music by
| Michael Whittaker | ||
| Matthew Perryman Jones | ... | (uncredited) |
Cinematography by
| Jeff Steinborn | ||
Editing by
| Joshua Shreve | ... | (as Josh Shreve) |
Casting By
| Holly Allen | ||
Production Design by
| Amanda Dillingham | ||
Set Decoration by
| Katie Mamie | ... | (as Katie Butler) |
Costume Design by
| Lindsay Zgonina | ||
Makeup Department
| Hayley Rose | ... | makeup/hair designer |
| Anna Williams | ... | hair stylist (as Anna Aldrich) |
Second Unit Director or Assistant Director
| Andrew Ford | ... | first assistant director |
| Jon C. Forisha | ... | second assistant director |
| Eli Osman | ... | second second assistant director |
Art Department
| Mayra Cervantes | ... | art assistant |
| Alison Mattingly | ... | prop master (as Alex Mattingly) |
Sound Department
| Matthew Manselle | ... | foley editor / foley mixer |
| David Mellon | ... | boom operator |
| Nick Palladino | ... | re-recording mixer |
| David Thilking | ... | boom operator |
| John Villarosa | ... | sound mixer |
Visual Effects by
| Tim Moore | ... | visual effects |
Camera and Electrical Department
| Hunter Dixon | ... | gaffer |
| Adam Drake | ... | first assistant camera |
| Billy Gomes | ... | best boy electric |
| Anthony Jastrow | ... | key grip |
| Chris Jastrow | ... | best boy grip |
| Paul Alan Jones | ... | digital imaging technician |
| Nick Kharbanda | ... | additional camera assistant |
| Mark Levine | ... | stills |
| David Mellow | ... | first assistant camera |
| Preston Nair | ... | first assistant camera |
| Michael Rolli | ... | second assistant camera |
| J.T. Summer | ... | first assistant camera |
| Hank Williamson | ... | swing grip |
Casting Department
| Lesley Powers | ... | extras casting (as Lesley Surdi) |
Editorial Department
| James Cadenas | ... | digital intermediate colorist (as Jimmy Cadenas) |
| J.T. Dekker | ... | post engineer |
| Phil Gazell | ... | post engineer |
| Marisa Howard | ... | post engineer |
| Russell Mehringer | ... | post engineer (as Russel Mehringer) |
| Tim Moore | ... | digital intermediate online editor |
| Robert Zimmerman | ... | digital intermediate producer |
Music Department
| Anastasia Brown | ... | music supervisor |
| Julia Emahiser | ... | cello: teacher to Meyrick Murphy |
| Whitney Pilzer | ... | music coordinator |
Script and Continuity Department
| Josh Ickes | ... | script supervisor |
Transportation Department
| Dave Hodgin Jr. | ... | transportation coordinator (as Dave Hodgin) |
| Teresa Sloat | ... | transportation captain |
Additional Crew
| Eric Condrey | ... | production assistant |
| Jose Hernandez | ... | accounting services |
| Brian Hulsey | ... | provider: "dead squirrel" |
| Belle Jiao | ... | Assistant to Producer & Director |
| Shannon Lindamood | ... | choreographer |
| Stephan Michaels | ... | image clearance |
| Eli Osman | ... | production assistant |
| Lesley Powers | ... | production assistant (as Lesley Surdi) |
| Michael White | ... | epk |
| Walter Woods IV | ... | production assistant (as Walter Woods) |
Thanks
| Romel Adam | ... | the producers would like to thank: at Renaissance Films |
| Melinda Eisnaugle | ... | very special thanks |
| Carlos K. Goodman | ... | the producers would like to thank: from Bloom, Hergott, Diemer, Rosenthal, La Violette & Goodman |
| Kent Hammond | ... | very special thanks |
| Byron Herlong | ... | very special thanks |
| Belle Jiao | ... | very special thanks |
| Paul Alan Jones | ... | very special thanks (as Paul Jones) |
| Joe Mulherin | ... | very special thanks |
| Robert Orr | ... | very special thanks |
| Mike Simpson | ... | the producers would like to thank: from William Morris Endeavor |
| Igor Stanojevic | ... | very special thanks |
| Jeff Steinborn | ... | very special thanks |
| Irwin Tenebaum | ... | the producers would like to thank: from Loeb & Loeb |
