Directed by
| Jennifer Leacey | ||
Writing Credits
| Matt Cameron | ... | (written by) |
| Matt Cameron | ... | (created by) |
| Jason Stephens | ... | (created by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Helen Bowden | ... | executive producer |
| Vanessa Brown | ... | line producer |
| Matt Cameron | ... | executive producer |
| Amanda Duthie | ... | executive producer |
| Cailah Scobie | ... | executive producer |
| Jason Stephens | ... | producer |
| Andrew Walker | ... | producer |
Music by
| Amanda Brown | ||
| Antonio Gambale | ||
Cinematography by
| Hugh Miller | ||
Editing by
| Adrian Rostirolla | ||
Casting By
| Amanda Mitchell | ||
Production Design by
| Pete Baxter | ||
Art Direction by
| Anthea Hodge | ||
Set Decoration by
| Diana Robertson | ||
Costume Design by
| Jan Hurley | ||
Makeup Department
| Eliza Campagna | ... | makeup & hair |
| Tori Gray | ... | key makeup |
| Wizzy Molineaux | ... | makeup & hair designer |
| Camilla Soole | ... | key hair |
| Olivia Stevenson | ... | makeup & hair assistant |
Second Unit Director or Assistant Director
| Danielle Blake | ... | first assistant director |
| Stephanie Stretton | ... | third assistant director |
| Bianca Wei | ... | second assistant director |
Art Department
| Mark Berard | ... | vehicle wrangler |
| Melli Bookluck | ... | vehicle wrangler |
| Emma-Jane Dann | ... | art department coordinator |
| Benjamin Ashley Garvey | ... | set dec buyer/dresser |
| Meredith Hussey | ... | art clearances |
| Emily Jansz | ... | additional props buyer |
| Davide Mattavelli | ... | art department runner |
| Caley Miles | ... | property master |
| Adrienne Ogle | ... | standby props |
| Ryan Powers | ... | swing gang |
| Michael Rappo | ... | vehicle coordinator |
| Gabrielle Rowe | ... | graphic designer |
| Bella Selin | ... | lead person |
| Gabrielle Stapleton | ... | standby assist |
| Courtney Westbrook | ... | set dec buyer/dresser |
Sound Department
| Ruby Bonnett | ... | boom operator |
| Paul Devescovi | ... | sound effects editor |
| Ryan Hodkinson | ... | adr recordist/editor |
| Sue Kerr | ... | boom operator |
| Jodi Martin | ... | foley recordist |
| Neil McIntosh | ... | dialogue editor |
| Neil McIntosh | ... | adr recordist |
| Jack Moiseyev | ... | boom operator |
| Sue Scott | ... | facilities manager: Tracks Post Production |
| John Simpson | ... | foley artist |
| Stephen R. Smith | ... | sound mixer / sound supervisor |
| Ashkan Suren | ... | ADR Editor (uncredited) |
Special Effects by
| David Trethewey | ... | special effects supervisor |
Visual Effects by
| Thomas Bishop | ... | compositor |
| Rose Perkins | ... | paint artist |
| Deborah Robertson | ... | compositor |
| Juan Robertson | ... | visual effects supervisor |
| Amy Williams | ... | visual effects producer |
Camera and Electrical Department
| Charles Alexander | ... | camera attachment |
| Thomas Arnott | ... | gear manager |
| Gemma Baker | ... | 2nd assistant camera |
| Adam Brandon | ... | best boy electrics |
| Adam Peachie Brandon | ... | best boy |
| Tom Cheetham | ... | lighting technician |
| Iñaki de Ubago | ... | first assistant "a" camera |
| Tom Doyle | ... | gaffer |
| Doyle Elder | ... | 2nd assistant grip |
| Tobiyaez Haynes | ... | lighting technician |
| Andrew AJ Johnson | ... | camera/steadicam operator |
| Annalise Kafetzi | ... | 2nd assistant: 'a' camera |
| Victor Kalaf | ... | video split operator |
| Bronte Nener | ... | second assistant camera: b camera |
| Troy Paschini | ... | best boy grip |
| Ben Richie | ... | 3rd assistant grip |
| Ricky Schamburg | ... | camera operator |
| Beau Selwood | ... | gaffer additional |
| Andrew Topp | ... | technical/lighting director: U Star Church |
| Darcy Towle | ... | grip attachment |
| Nick Towle | ... | key grip |
| Luke Whitmore | ... | 1st assistant camera |
Casting Department
| Erika Felton | ... | casting assistant |
| Amanda Irving | ... | extras casting |
| Astrid Wells | ... | extras casting |
| Mia Whipp | ... | casting associate |
Costume and Wardrobe Department
| Asher Gillam | ... | costume buyer |
| Mikaela Hourigan | ... | assistant costume standby |
| Emma Kinnane | ... | costume assistant |
| Chrysta Kuczmenda | ... | key costumer |
| Alex Locke | ... | costume supervisor |
| Robert Manzini | ... | costume assistant |
| Texx Montana | ... | extras costume standby |
Editorial Department
| Simon Alberry | ... | creative technology specialist : Cutting Edge |
| Marcus Bolton | ... | head of post production : Cutting Edge |
| Matthew Burgess | ... | media operator : Cutting Edge |
| Benita Carey | ... | post-production producer |
| Philip Chhour | ... | editorial support : Cutting Edge |
| Emma Choi | ... | post-production coordinator |
| Stewart Dean | ... | post production producer : Cutting Edge |
| Stella Do | ... | post-production manager |
| Mary Harb | ... | data wrangler |
| Casey Hukins | ... | senior media operator : Cutting Edge |
| Dwaine Hyde | ... | senior colourist : Cutting Edge |
| Natasia Koveos | ... | post production assistant : Cutting Edge |
| Tessa McElhone | ... | senior post production coordinator : Cutting Edge |
| Reezy Miller | ... | post production scripts |
| Amitav Nakarmi | ... | editorial support : Cutting Edge |
| Rebecca Ridding | ... | first assistant editor |
| Jo Spillane | ... | senior online artist : Cutting Edge |
| Kieran Stanley | ... | media operator : Cutting Edge |
| John Warneke | ... | senior media supervisor : Cutting Edge |
| James Castle | ... | assistant editor (uncredited) |
Location Management
| Estee Chang | ... | location coordinator |
| Nicci Dillon | ... | location scout |
| Kate Fox | ... | location manager |
| Peter Lawless | ... | location scout |
| Martin Pearce | ... | location scout |
| Paul Pinter | ... | assistant location manager |
| Vincent Power | ... | on-set locations |
Music Department
| Allegra Caldwell | ... | music supervisor |
| Harper Finn | ... | original songs by / songs produced by |
| Tim Finn | ... | original songs by |
| Ben Lawson | ... | engineered and mixed by / songs produced by |
Script and Continuity Department
| Andrew Anastasios | ... | script editor |
| Joseph Brown | ... | script coordinator |
| Matt Cameron | ... | script producer |
| Kristin Voumard | ... | script supervisor |
Additional Crew
| Julia Callachor | ... | unit assistant |
| Joshua Cao | ... | covid-19 coordinator |
| Declan Caruso | ... | production coordinator: Lingo Pictures |
| Jack Chapman | ... | production runner |
| Chloe Dallimore | ... | Intimacy Coordinator / intimacy coordinator |
| Linda Gao | ... | development manager: Lingo Pictures |
| Zac Hutterer | ... | unit assistant |
| Nathan Jacobs | ... | unit assistant |
| Leandro Kapps | ... | unit assistant |
| Luke Keatinge | ... | on-set pa |
| Taylor Litton-Strain | ... | production coordinator |
| Tracey Mair | ... | unit publicist |
| Erin Martin | ... | assistant production accountant |
| Elise Mead | ... | production secretary |
| Bruce Mitchell | ... | unit manager |
| Emily Mitchell | ... | production runner |
| Tom Molyneux | ... | assistant production coordinator |
| Carolyn Oliver | ... | production accountant |
| Letitia Phillips | ... | unit nurse |
| Peter Sheehan | ... | storyboard artist |
| Finn Spencer | ... | title designer |
| Cameron Stevens | ... | safety supervisor |
| Lisa Tomasetti | ... | stills photographer |
| Tammy Tungaal | ... | accounts assistant |
| Helen Varty | ... | originals marketing: Stan |
| Ocearn Awinha Viliamu | ... | unit assistant |
